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Women portrayal in movies
Critical analysis of depiction of women in films
Portrayal of women in movies
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Disney’s recent film adaptation of The Beauty and the Beast makes progress toward a more inclusive representation of the LGBT community in Disney’s works. There are still issues with the film however, many of the claims made in the Jeffords article still hold true in this adaptation of the story. One issue mentioned by Jeffords on page 167 is when he discusses the fact that Disney’s earlier introduction of the Beast’s curse focuses the story more on the Beast and less on Belle. The new movie does a respectable job at defining the story and character of Belle; however, the audience is introduced to the story of the beast at the very beginning of the film. In agreeance with Jeffords’ argument, the early introduction of the Beast/prince and his …show more content…
Another character which is introduced early in the film is Gaston, a narcissistic suitor of Belle; Gaston is similar to the 1980’s “macho man” type mentioned in Jeffords’ article who cares little more than to pursue his own goals at whatever cost. An often-overlooked gender role in Disney films is the male suitor stereotype; although Gaston is meant to play the villain, it is roles like his, a handsome yet abusive man endlessly chasing an attractive woman, that children may impress upon and see as normal. Conversely, children could imprint upon the notions put forth by Belle and the Beast’s relationship similar to what was mentioned in Jeffords’ article; the Beast’s initial roughness must be overlooked by Belle but in return she will discover the man of her dreams. Although Belle received more of a backstory in this film adaptation, Belle’s backstory merely culminates into the scene in which she helps her father and herself escape the carriage destine for the asylum. Besides assisting her escape with her father, Belle’s backstory also led to her strengthening her bond with the Beast, which further asserts the story still being
For several years now, Disney seems to be determined not to offend anyone in order to keep its audience; indeed we are confronted with animation films full of compromises; they are not as degrading for women as Snow-White and the Seven Dwarves (1937), but they are nonetheless still filled with clichés. Films such as The Princess and The Frog (2009), Tangled (2010), Wreck-it Ralph (2012), have in common the sense of being progressive and however we can notice the resurgence of harmful gendered stereotypes on the subjects of the social scale, women’s role in society, or the status quo. Frozen comes in and turns out to be no exception. Though it includes several encouraging and gratifying elements, it contributes insidiously to spread numerous
In the latest Disney film, a live action rendition of Beauty and the Beast, there will be a character who is gay. I personally am excited for this, I think that starting to include a diverse range of characters to show to younger children and create new ways of teaching open-mindedness to children when they are young is very important. However, I am just curious and wondering if, given Disney’s track-record, a statement like this is actually true:
For this engagement essay the article Mean Ladies: Transgenders Villains in Disney Films by Amanda Putnam and the chapter “Someday My Prince Will Come”: Disney, the Heterosexual Imaginary and Animated Films by Carrie L. Cokely will summarized, analyzed, and engaged with using the Queer analytical framework.
Disney promotes sexisim by forcing young girls to live in a patriarchal world. Cinderella, Sleeping Beauty, The little mermaid, Aladdin, and Snow White are all examples of popular Disney movies that encourage young viewers that they need a man to save the day. Yes, it’s true that there are recent movies such as Moana and Frozen that prove otherwise, but how long will it take to completely get over the fact that women are mainly viewed as secondary citizens compared to the men? There are countless examples of how Disney movies influence this theme, and how much the female characters’ actions, ideas and thoughts are not included in a Disney movie.
Despite the tremendous steps that have been taken towards reaching gender equality, mainstream media contradicts these accomplishments with stereotypes of women present in Walt Disney movies. These unrealistic stereotypes may be detrimental to children because they grow up with a distorted view of how men and women interact. Disney animated films assign gender roles to characters, and young children should not be exposed to inequality between genders because its effect on their view of what is right and wrong in society is harmful to their future. According to Disney films, it is important for women to achieve the stereotypical characteristics of a woman, such as maintaining their beauty to capture a man, and being weak and less educated than male characters. The women in Disney movies are always beautiful, which helps them to find a man.
Disney princesses are fun for all ages, but their target audience is young children and “as children grow and develop, they can be easily influenced by what they see and hear”. Therefore, what they see and hear in Disney movies leaves an impression on them. The first princess, Snow White, was created in a time where each gender and race had a specific role in society. Recently, many believe that Disney has come a long way in regards to gender and race since Snow White, as several multi-cultural protagonists have been introduced subsequently, and gender roles do not appear to be as stereotypical as they once were. However, many of the apparent innocent messages about race and gender in these movies, can be exposed as otherwise. Despite their mask of progression, Disney princesses still have the potential to corrupt the minds of young children through sexism and racism.
Produced in 2009, The Frog Princess is a Disney animation inspired by the Grimm Brothers’ fairytale, The Frog Prince. Both The Frog Princess and The Frog Prince deal with a multiplicity of issues, all of which contribute to supporting positive messages and morals (Ceaser, 2009). However, though The Frog Princess is based on a classic fairytale, it is far from being the same. The writers at Disney have taken a classic fairytale and created a “Monster” (Prince, 2001). This essay will examine the evolution of the original Grimm Brothers’ fairytale, the messages both main characters represent, and how the adaptation to fit a modern child readership diminishes a classic fairytale. Through discussing these arguments, this paper will prove that Disney’s adaptation into The Princess and The Frog is counter-productive in representing the original story’s messages, morals, and values.
It is amazing how a seemingly educated woman that has won Oscar awards for her documentaries, could possibly be so far off base in her review of the Disney movie “The Lion King”. Margaret Lazarus has taken a movie made for the entertainment of children and turned it into something that is racist, sexist and stereotypes gender roles. She uses many personal arguments to review the movie but offers few solutions. The author is well organized but she lacks alternate points of view and does not use adequate sources. Lazarus utilizes the statement at the end of her review that “the Disney Magic entranced her children, but they and millions of other children were given hidden messages that could only do them and us harm” (118). She makes her point by saying that “the Disney Magic reinforces and reproduces bigoted and stereotyped views of minorities and women in our society” (Lazarus 117). She makes comparisons such as elephant graveyards are like ghettos (Lazarus 118). Other lines of reasoning Lazarus gives us are about Whoopie Goldberg using inner city dialect, the villain Scar being gay, and only those born to privilege can bring about change (118).
In beauty and the beast we have for the first time a female character that is different and “ Belle likes herself and trust her own judgment” (Henks, Umble and Smith 1996, p. 237), and refuse what was planned for her. Belle was the first character not to fall in love from the first sight and occupies almost 80 percent of the movie. She has a better control on her life and choose her own destiny and she was powerful enough to save her father’s and the beast’s lives. And this relation represents a power-with the male character. The problem was that at the end, Belle ended up being one typical princess and being again the perfect girl that live with her prince happily ever
Social factors have always encouraged the idea that men embody masculinity and women embody femininity and, thus, certain gender-norms are expected accordingly. In the past, such expectations were traditional and to go against them was frowned upon by the general public. Contemporarily speaking, there is more freedom to avail oneself of today than there was once upon a time. Jeanne-Marie LePrince de Beaumont’s fairytale adaptation of ‘Beauty and The Beast’ was published in 1740. During this time, men and women were compelled by the social conventions associated with their gender. When analyzing the literary work, the reader can grasp what gender roles are eminent in the characters identity and motives. By exploring the choice of language being
England, D. E., Descartes, L., & Collier-meek, M. (2011). Proquest. “Gender role portrayal and the disney princesses”. Sex Roles, 64(7-8), 555-567.
Beauty and the Beast centers on Belle who is desired by handsome but egocentric Gaston. Belle’s father, disappears on a journey to a local fair and becomes captive of the Beast. Belle bravely offers herself as an alternative hostage and Beast accepts. As his prisoner, Belle befriends Beast’s household of Enchanted Objects, all talking, walking furniture and kitchen utensils. Belle learns about how the Beast and his staff are all the victims of a witch’s curse that has transformed them. They fall in love during her hostage. In the end, Bella’s love reverses the spell on the Beast.
the Beast has really lost his beastliness and regular wishes; maybe the energy has been
Nadeau, Leah. "Disney Princesses: Oppressive or Imaginative?" The Lilith Effect. College of Charleston, 12 Feb. 2011. Web. 17 Oct. 2013.
The main characters in Beauty and the Beast, the Graphic Novel are: Beauty, Beauty’s father, the beast, and Beauty’s sisters. The main characters in Beauty and the Beast are: Beauty, Beauty’s father, the beast, and Beauty’s sisters. In the movie and the books the plot is about the same; a girl gets locked in a castle by a beast and quite awhile after falls in love with the beast and marries him. In the books the setting isn’t specified but in the movie you can almost assuredly say that Belle lives somewhere in France. In the books and movie the conflict is the same; man vs. man or man vs. fate. Man vs. man comes from Belle/Beauty not wanting to marry the beast but the beast wanting to marry her. Man vs. fate comes from how Belle/Beauty couldn’t do anything to stop her father from getting lost. The climax for the movie is when Belle agrees to spend time with the beast and even dance with him. The climax for the books is Beauty leaving the beast for the first time to see her family. The falling action for the movie is when the beast and Gaston get into a fight on the castle. The falling action for the books is when Beauty comes back and decides to marry the beast. The resolution for the movie and the books is the beast getting turned back into a human and marries Belle/Beauty. The theme of the books and movie are don't judge a book by its