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Character analysis of antigone by sophocles
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In Sophocles play, Antigone, he expresses the idea of a main character appearing as a tragic hero. According to Aristotle’s definition of a tragic hero, it is someone who is neither completely virtuous nor villainous, not preeminently good and just, whose misfortune is brought about by error of judgement or frailty, and who is highly renowned and prosperous so his fall from good fortune is great enough to arouse the audience’s emotions. According to the Aristotelian definition Kreon, the King of Thebes, is described as a tragic hero throughout this play.
Throughout Antigone, we see a change in Kreon’s actions. In the beginning of the play the audience sees how Kreon has an enormous ego and all that he cares about is his power and keeping
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control of the city of Thebes. Throughout the play Kreon’s ego inflates so large that it leads to his downfall as the King of Thebes. During the play he goes from being completely praised, admired, and loved to being hated. Ultimately Kreon can blame nobody but himself for his downfall, due to his own actions. Kreon’s ego becomes so enlarged that it effects his behavior and actions. In accordance with the Aristotelian definition, Kreon is neither completely virtuous nor villainous, not preeminently good and just. When Kreon’s nephew passes away he refuses his niece, Antigone, the right to bury her own brother. Kreon wants to have all of the control and does not like when people go against him. Antigone believes her brothers should be buried in accordance to religious law but Kreon believes he should obey state law over religious law. When Antigone goes against her uncle, Kreon he punishes his own niece by placing her in a cave to die. As expressed by Segal, “Creon’s attitudes toward burial and prophecy represent analogous excesses of confidence in man’s power to control his own world” (169). Kreon wants be the person determining what will happen in Thebes, not Antigone. Kreon has excessive pride and self confidence like hubris, which is a trait of Kreon. As Segal had stated Kreon wants to control his world, since he does not care about what others want it leads to his own downfall as leader. Kreon expresses this trait of a tragic hero when he does not have compassion towards his own family. Family is one of the most important things in life and if it were not for Kreon’s family he would not be the King. Kreon refuses to express compassion for his own niece, Antigone, and his nephews, that just passed away. Kreon is self-centered and only cares about himself not his family. Another characteristic of a tragic hero is someone whose misfortune is brought about by error of judgement or frailty. Kreon has horrible judgement, throughout the course of this play. When he acts upon his feelings he does not think about the consequences of his actions at all. When Antigone disobeys him he sends her to the cave as punishment for her actions. Initially when he sends her to the cave Kreon wants Antigone to die there. Haimon, Kreon’s son is so involve with Antigone, and does not want her to die. Kreon is so full of himself that he does not even take into account how his son feels. As Sophocles expresses, “Son, you should hold that to your heart. Everything is second to a father’s will” (777-778). Sophocles is showing how Kreon does not care how Haimon feels he wants everything to be about him.When Kreon finally comes to his senses and attempts to go free Antigone it is too late, she is already dead. This leads to Haimon dying and later Kreon’s wife killing herself also. It is ironic how Kreon was always selfish and only cared about himself and that lead to him actually being all alone. As shown by Miller, “First, Kreon’s fate after the suicide, the death of his wife, and his pathetic exit indicate his downfall and the negative consequences of his actions” (174). Due to Kreon’s horrible judgement of his actions he lead to himself being all by himself. Throughout the play Kreon thinks he is doing things for the city of Thebes best interest but he does not realize that he just wound up hurting Thebes and himself even more. Being the King of Thebes, Kreon has an exception as King to do the right thing and be an example to the people. Kreon is the top of the social structure in the city of Thebes. The actions Kreon does affect not only himself but the people of Thebes also. A tragic hero is someone who is highly renowned and prosperous so their fall from good fortune is great enough to arouse the audience’s feelings. Kreon being named King enlarged his ego greatly. He acted as if he was on top of the world. As Tyrrell and Bennett stated, “…what Creon is doing he is doing for himself, not for Thebans” (90). Kreon does not care about the affects his actions will have on the Thebans in the beginning of the play, he only cared about himself. As the play continues on we see Kreon’s attitude change, when he loses his wife and son his world falls apart, this is his epiphany. In the beginning of the play the reader views Kreon as a heartless man as the play continues his attitude changes and you can see him begin to change for the better. This is a major change in the dynamics of his attitude. He is no longer selfish. As expressed by Bloom, “The annihilation of Kreon’s present world leaves him, finally with no future at all: he has no wish to see another day” (164). Kreon loses his nephew, niece, son, and wife all within a short amount of time. That is a lot of people to lose for anybody. For Kreon who never shows emotion in the beginning go the play these losses make him incredibly sad. He lost so many family members which is a lot for any person to bare with. Kreon becomes incredibly saddened and he begins to realize what is important when it is already too late. Kreon realizes that his actions which were unreasonable lead to his own downfall as King. The audience always feels for the tragic hero.
The tragic hero makes the audience feel for them with their downfall and what they have gone through. Kreon had the potential to be a great influential leader to Thebes, but he becomes so self absorbed that he ultimately destroys his potential himself. Due to his enlarged ego Kreon never realized that he was lucky he had a wife and son and so much power. If he would have just stopped and realized how lucky and blessed he was he could have made his life and the people of Thebes lives better. At the end of the play everything Kreon had means nothing to him anymore. He no longer has a family to be there for him anymore because of his actions he lost everyone.
Sophocles play, Antigone, expresses the theme of Kreon as a tragic hero. The Aristotelian definition of a tragic hero is someone who is neither completely virtuous nor villainous, not preeminently good and just, whose misfortune is brought about by error of judgement or frailty, and who is highly renowned and prosperous so his fall from good fortune is great enough to arouse the audience’s emotions. Kreon makes the audience feel for him when he has his downfall. Kreon is a tragic hero in accordance with Aristotle’s definition of a tragic
hero.
Since the play’s inception, there has always existed a contention concerning the true hero of Sophocles’ Antigone. It is a widely held belief that Antigone must be the main character simply because she and the drama share name. This is, of course, a very logical assumption. Certainly Sophocles must have at least meant her to be viewed as the protagonist, else he would not have given her the play’s title. Analytically speaking, however, Creon does seem to more categorically fit the appellation of “Tragic Hero.” There is no doubt as to the nature of the work, that being tragedy. Along with this genre comes certain established prerequisites, and Creon is the only character that satisfactorily fits them all.
Antigone is a great Greek tragedy by Sophocles. The story is about a young woman who has buried her brother by breaking king’s decree, and now she is punished for obeying God’s law. There are many arguments about who is the tragic hero in Sophocles’ Antigone. Some believe that it is Creon because he also has the characteristics of a tragic hero. Others believe that it is Antigone because the play bears her name. Antigone is the perfect hero, to exemplify the meaning of a tragic hero. In order to determine whether Antigone is the tragic hero, one will have to answer the question, what is a tragic hero? According to Aristotle, “The tragic hero is a character of noble stature and has greatness, he/she is not perfect, the hero's downfall and it is partially his/her own fault, and the hero's misfortunate is not wholly deserved.” (Aristotle) Antigone is a tragic hero because she has a high social standing in Thebes, she neither good nor bad, and her suffering appears to be unjust and unfair to the audience.
According to Aristotle, tragedy requires an admirable hero with power and in a high state, but more importantly, he or she possesses a tragic flaw that leads to their downfall. This tragic flaw most closely relates to a character’s hubris, excessive pride in themselves or their judgment. But sometimes a character cannot be categorized as tragic, and one can argue whether or not the tragic character violates the requirements. In Sophocles’ Antigone Creon and Antigone serve as tragic characters in the play; however, Creon’s character exemplifies Aristotle’s theory of tragedy.
The belief that Antigone is the hero is a strong one, but there is a stronger belief that Kreon, the Ruler of Thebes, is the true protagonist. Kreon's main and foremost hamartia was his hybris, or his extreme pride. Kreon was a new king, and he would never let anyone prove him wrong or let anyone change his mind once it was made. One main event that showed Kreon's hamartia and also caused the catastrophe was when he asked his son Haimon, who was engaged to marry Antigone, if he still loves his father. Haimon says he respects Kreon's ruling, but he feels, in this case, that Kreon was wrong. Haimon asks his father to take his advice and not have Antigone executed, but, because of Kreon's hybris, Kreon gets furious and makes the situation worse then it already was. He was way too proud to take advice from someone younger, and in his anger he decided to kill Antigone right away in front of Haimon's eyes. "'Just understand: You don't insult me and go off laughing. Bring her here! Let him see her. Kill her here, beside her bridegroom'" (Sophocles 919-921). This was too much for Haimon to take, and he runs out of the room, yelling, "'...her death will destroy others'" (Sophocles 908). Blinded by his pride and arrogance, Kreon takes that remark as a threat to himself, unknowing that it wasn't directed to himself, but was a suicide threat by his own son. Another example of Kreon's tragic pride is when the prophet, Teiresias, travels all the way to Thebes to tell Kreon very important news, but Kreon pride makes him ignore it and he accuses Teiresias of being bribed.
In Sophocles' Antigone, the question of whom the real tragic hero comes into play. Antigone possesses all the aspects of a tragic hero. Creon possesses many qualities of a tragic hero, but doesn’t totally fit in the role. These traits include: not being overly “wholesome or corrupt”, being persistent in their actions, developing pity in the audience or reader- especially in the beginning of the story, and having a major flaw that is their ultimate downfall. Antigone possesses all of these traits therefore qualifying as the tragic hero.
In the greek tragedy Antigone , the author Sophocles conveys Antigone as the tragic hero because she arouses the most fear, she shows both good and bad which is a tragic hero characteristic and Antigone has the tragic flaw of loyalty to her family and to the gods.
A Greek drama is a serious of actions within a literary presentation in which the chief character has a disastrous fate. Many Greek dramas fall under theatrical category of a tragedy due to the tragic events and unhappy ending that cause the downfall of the main character. During the famous play “Antigone” the Greek author Sophocles incorporated several features of a tragedy. These features include a morally significant dilemma and the presence of a tragic hero. Grand debate over which character can hold the title of the tragic hero has discussed in the literally world for ages. A tragic hero can be defined as someone with a substantial personality flaw that causes them to endure great suffering with a reversal of character near the end. Antigone possesses certain traits that could potentially render her the tragic hero but Creon truly embodies all characteristics. Creon is the tragic hero in “Antigone” due to several qualities he displays throughout the play; he can’t accept a diminished view of himself, he endures great suffering and he is enlightened in the end.
In the book Antigone, Creon and Antigone can be considered as the tragic heroes of the play. Antigone is considered the tragic hero because of the characteristics she shows such as her ambition to defeat Creon, Creon shows more of the characteristics clearly. Creon is the king of Thebes. He is also Antigone's uncle. Creon became king after a fight between Eteocles and Polyneices. One may see Creon as a harsh and controlling ruler, but he is not good nor bad because he shows signs of both like when he wanted to give Eteocles a proper burial . Creon is the tragic hero of the Antigone, because of his dominance in society, high rank, tragic flaw; and self-pride.
In the play Antigone, the debate over who is the real tragic hero is and the controversy of Greek ideals in the Antigone continues on to this day. Who is the tragic hero in Antigone? Is it Antigone herself or is it Creon the ruler of Thebes? The belief that Antigone is, is a strong one. Still there are people who think Creon is the tragic hero. Antigone is widely thought as the tragic her. The play is named after her. In addition, she is the antagonist in it. Many people usually associate the antagonist, the good guy as a tragic hero. Look at much television shows, especially cartoons, the good person usually wins. Then there are those who might think Creon was the tragic hero because the gods were against him, and that he truly loved his country. There are five criteria or standards you must meet first in order to be a tragic hero. First, you must be a person of high character or status. The character must not be too overwhelmingly evil or good. Then they must be brought from happiness to misery. Then brought from happiness to misery. Second, the hero enacts a harmartia, "wrong act." This either may be a flaw in judgment or an error. Third, the hero experiences a perpateia, reversal of fortune. This is the tragic downfall or plot twist in the story. Fourth, the hero recognizes his or her responsibility. Fifth, the story ends with a catastrophe. The catastrophe either may be an emotional event, this even may be a death.
Aristotle's view on a tragic hero is someone that would have to be held in high standards (royalty) in order to evoke compassion and anxiety in the audience. Creon and Antigone are royalty and share the most important aspect of a tragic hero, each have a tragic flaw. Both of the two characters have an inability to compromise or even reason with. Antigone's tragic flaw was amplified by her loyalty for her brother; she acted irrational, in not taking preparation or thoroughness into consideration when burying her brother. Further more when confronted by Creon, himself she disrespected and basically told him to silence himself because his words were "distasteful" to her. So then sealing her death by becoming an immediate martyr for the wrong cause... anything against Creon's will.
Over time, history has given society many to whom we call true heroes. There are many reasons these heroes have been looked up to such as: bravery, dedication, confidence, and inspiration. However, a tragic hero requires a few different qualities. Aristotle describes a tragic hero as a “member of royalty,” someone who “must fall from tremendous good fortune,” and someone who creates pity for him or herself (“Connections: A Theory” 2000). In Greek drama, Sophocles’ Antigone and Euripides’ Medea both contain several possible tragic heroes including Medea, Jason, and Creon. More specifically, in Antigone Creon exemplifies the qualities of a tragic hero best due to his prominent power as king of Thebes, the way he holds strong to his stubborn pride, and the sympathy felt for him in his tragic downfall.
Kreon believes that Antigone’s crime is severe, and righteousness should be used to justify her crime. At this point of the play, Antigone realizes she will be put to death, but she does not regret her act of loyalty. In Antigone’s last speech before she takes her own life, she exclaims, “Land of Thebes, city of my fathers… see what I suffer at my mother’s brother’s hand for an act of loyalty and devotion” (Sophocles 57). Here, Antigone addresses the nation’s leaders and declares that they should notice th... ... middle of paper ... ...
Throughout literary history, tragic heroes have been defined as a great or virtuous character in a dramatic tragedy who is destined for downfall, suffering, or defeat. However, philosophers such as Aristotle tried to find connections between tragic heroes in Greek plays. This in-depth analysis of tragic heroes lead Aristotle to create six criteria for a true tragic hero: He or she has to be a Noble figure of royalty and noble in character, has to be imperfect by design, has a flaw or error that is a choice, is punished excessively for this choice flaw, has to undergo a downfall that leads to a realization, and the story of this tragic hero has to make the audience reach a moment of catharsis or purging of emotions. A prime example of a tragic hero that fits all of these criteria is Creon from the play Antigone, written by Sophocles in 441 BC. The story of Antigone is a tragedy that describes a stubborn and proud king named Creon who refuses to allow a burial for the brother of Antigone. Creon’s excessive pride leads to a series of unfortunate events resulting in the death of Antigone, his son Haemon, and his wife Eurydice. Throughout the course of the play, Creon undergoes each standard that is required by Aristotle’s terms to be a tragic hero.
The play “Antigone” by Sophocles displays many qualities that make it a great tragedy. A tragedy is defined as a dramatic or literary work in which the principal character engages in a morally significant struggle ending in ruin or profound disappointment. In creating his tragedy “Antigone”, Sophocles uses many techniques to create the feelings of fear and pity in his readers. This in turn creates an excellent tragedy.
..., this sense of arrogance angers Creon to a point beyond belief. Antigone’s refusal to cooperate causes Creon to go mad with irritation and frustration. Wanting to show his sense of power, he refuses to back down in fear of losing his position. His stubbornness grows stronger as Antigone continues to disobey his commands. Antigone’s strong and steady foundation helps her show defiance. She is able to overcome the opinions of the people and commit to helping her brother regardless of the after effects. She ignores what everyone says and does only as she wants. She is powerful, both physically and mentally, and is successful in her tasks. Antigone matures into a commendable and respectable character in which she depicts her rebelliousness and bravery, pride and tolerance, and sense of moral righteousness to demonstrate fundamental character development in the play.