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Gender roles in womens literature
Asian american literature influence
Gender roles in womens literature
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Chinese-American authors Frank Chin and Maxine Hong Kingston pioneered Asian-American literature. They condemn each other’s work for differences in cultural interpretation and dispute their own and each other’s prescribed gender roles given by both Chinese and American society. Chin and Kingston have differing views on their Chinese culture; in addition to their conflict on culture they criticize the others work declaring it to be a misrepresentation of each other’s heritage.
They have opposing views on male and female roles in Chinese culture and do not agree on what it means to be a Chinese-American in modern society. These differences lead to their literary and verbal assaults. Each author claims that their individual narrative accurately represents the history of Chinese-Americans, and it is their obvious differences of opinion that has brought about contention between the two.
Being Chinese-American neither makes an individual strictly Chinese, nor strictly American; their cultural identification began to form in their very different upbringings. Chin experienced a more traditional Chinese childhood that reinforced prescribed male and female roles in the family unit; he was exposed to racial prejudices and widespread poverty. Kingston grew up in Stockton, California. Stockton proved to be more progressive and welcoming, although not without difficulty, Kinston’s all American childhood did produce some prejudice. Kingston’s childhood did not lend itself to the ethnocentrism that a strictly Chinatown childhood would. This upbringing is where their dislike for each other’s narrative has its roots.
Frank Chin, growing up specifically in Chinatown in San Francisco, experienced a very different set of cultural prejudices and bias...
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...ewiston, N.Y.: Edwin Mellen Press, 2009.
Huntley, E. D. Maxine Hong Kingston: a critical companion. Westport, Conn: Greenwood Press. 2001.
Kim, Hyung-chan. Distinguished Asian Americans a biographical dictionary. Westport, Conn: Greenwood Press, 1999.
Madsen, Deborah L. "Chinese American Writers of the Real and the Fake: Authenticity and the Twin Traditions of Life Writing." Canadian Review Of American Studies 36, no. 3 (October 2006): 257-271. America: History & Life, EBSCOhost (accessed May 12, 2014).
Oishi, Eve. "The Asian American Fakeness Canon, 1972-2002." Aztlan 32, no. 1 (Spring2007 2007): 197-204. America: History & Life, EBSCOhost (accessed May 12, 2014).
Takaki, Ronald T. Strangers from a Different Shore: A History of Asian Americans. Boston: Little, Brown, 1989.
Wei, William. The Asian American movement. Philadelphia: Temple University Press, 1993
The essay “Being a Chink” was written by Christine Leong for her freshman composition class at NYC and was later published in Mercer Street. Leong begins with the affect that language has on people, how it can define us, make us feel, and differentiate us. She recalls the first time she saw the word chink, one summer while working in her family’s Chinese restaurant. While dusting some shelves she came across a white bank envelope with the work chink written on it in her father’s handwriting. Consequently she was upset by this finding; since she was not sure if her father was called this name by a customer and he wrote it down to find the meaning of this word. Since her family was one of two Asian families living in the area, she was not surprised
For example, in this article Tan recounts several times in which she was challenged by both professors and students about her portrayal of Chinese culture and Chinese men. However, she seems to have garnered the most criticism from other authors. On this topic, Tan
Wong, Shawn, ed. Asian American Literature: A Brief Introduction and Anthology. New York: Harper Collins College Publishers, 1996.
This nation was relatively stable in the eyes of immigrants though under constant political and economic change. Immigration soon became an outlet by which this nation could thrive yet there was difficulty in the task on conformity. Ethnic groups including Mexicans and Chinese were judged by notions of race, cultural adaptations and neighborhood. Mary Lui’s “The Chinatown Trunk Mystery” and Michael Innis-Jimenez’s “Steel Barrio”, provides a basis by which one may trace the importance of a neighborhood in the immigrant experience explaining the way in which neighborhoods were created, how these lines were crossed and notions of race factored into separating these
This is evident in the persistence of elderly characters, such as Grandmother Poh-Poh, who instigate the old Chinese culture to avoid the younger children from following different traditions. As well, the Chinese Canadians look to the Vancouver heritage community known as Chinatown to maintain their identity using on their historical past, beliefs, and traditions. The novel uniquely “encodes stories about their origins, its inhabitants, and the broader society in which they are set,” (S. Source 1) to teach for future generations. In conclusion, this influential novel discusses the ability for many characters to sustain one sole
[1] Chang Yao letter "A Brief History of American Literature" [M] Tianjin: Nankai University Press, 1999.
He, Qiang Shan. "Chinese-American Literature." New Immigrant Literatures in the United States: A Sourcebook to Our Multicultural Literary Heritage. Ed. Alpana Sharma Knippling. WEstport, Connecticut: Greenwood Press, 1996. 44-65.
“Whenever she had to warn us about life, my mother told stories that ran like this one, a story to grow up on. She tested our strengths to establish realities”(5). In the book “The Woman Warrior,” Maxine Kingston is most interested in finding out about Chinese culture and history and relating them to her emerging American sense of self. One of the main ways she does so is listening to her mother’s talk-stories about the family’s Chinese past and applying them to her life.
Yang, Gene Luen, and Lark Pien. American Born Chinese. New York: First Second, 2006. Print.
Oftentimes the children of immigrants to the United States lose the sense of cultural background in which their parents had tried so desperately to instill within them. According to Walter Shear, “It is an unseen terror that runs through both the distinct social spectrum experienced by the mothers in China and the lack of such social definition in the daughters’ lives.” This “unseen terror” is portrayed in Amy Tan’s The Joy Luck Club as four Chinese women and their American-born daughters struggle to understand one another’s culture and values. The second-generation women in The Joy Luck Club prove to lose their sense of Chinese values, becoming Americanized.
...in her essay “No Name Woman”. The Chinese tradition of story telling is kept by Kingston in her books. Becoming Americanized allowed these women the freedom to show their rebellious side and make their own choices. Rebelling against the ideals of their culture but at the same time preserving some of the heritage they grew up with. Both woman overcame many obstacles and broke free of old cultural ways which allowed them an identity in a new culture. But most importantly they were able to find identity while preserving cultural heritage.
Wu, Ellen D. "Asian Americans and the 'model Minority' Myth." Los Angeles Times. 23 Jan. 2014. Los Angeles Times. Web. 04 Feb. 2014. .
Eng, David L. Hom, Alice Y.. Q & A: queer in Asian America. Philadelphia: Temple University Press, 1998. Print.
Seward, George F. "Chinese Immigration." Making Connections: Reading American Cultures, IAH 201. Eds. Dvorak, et. al. Vol. 2. Ann Arbor: Primis, 1997. 760-62. 2 vols.
In essence, he was shunned” (Hongo 4) by the white people who could not believe that he would attack their superior American ways. According to writers such as Frank Chin and the rest of the “Aiiieeeee!” group, the Americans have dictated Asian culture and created a perception as “nice and quiet” (Chin 1972, 18), “mama’s boys and crybabies” without “a man in all [the] males.” (Chin 1972, 24). This has become the belief of the preceding generations of Asian Americans and therefore manifested these stereotypes. Those authors who contest these “American made” stereotypes are said to betray the American culture and white power around them, and to be “rocking the boat” in a seemingly decent living situation.