Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Early 1960s, a mix Caribbean musical style of jazz, rhythm-and-blues, soul and calypso surfaced from the cultural setting of the urban underclass of Kingston, Jamaica, then later gained ground in Africa in the 80s. Public opinion about African reggae artists is that, they are either illiterate or abuse illegal substances. While such stereotypes hold true for some, here is a man whose career has broken the barriers of such stereotypes with a career of pre–and post–‘born again.’
I am waiting in a music studio at Martin Luther’s Street in Lansing, Michigan. The doorknob turns and my iris hits a neatly dressed, huge man of about 6’6” tall, seemingly in his early 50s, as he walks in. Call him King Isaac.
With a notebook in hand, he sits and scribbles
…show more content…
These are scribbles that song/singer, King Isaac, has sung since the late 1980s that racked up an impressive resume in his reggae music career, to include a Grammy Nomination.
Born Isaac Gabriel Kalumbu in the dense colony of Mufakose, Harare, Zimbabwe, Bob Marley’s former assistant, Joseph ‘Bragga’ Russell, gave him the stage name “King Isaac” on his first visit to Jamaica in 1998. Confidently, he tells me “he said I have ‘kingly’
…show more content…
Warmth and energy in his melodic voice, blends, as he tells me why he switched to reggae. “The elation for independence, black liberation, those were corner stones of the Zimbabwean experience at that time, and the music was great.”
Joining a local band made debut for him and he recorded his first gig, “Simuka,” in 1986, where he talked about South Africa’s Liberation struggle. Simultaneously, he was studying for a Bachelor’s degree in Economic History and History at the University of Zimbabwe.
Listening to and admiring Jamaican reggae artists, “I became like a purist”, he tells me. “I felt the reggae of Africans was diluted.”
Despite the early taste of success, King Isaac knew staying local might not be enough for him to make it big. He looked for a way to get to Jamaica. However, he couldn’t live in Jamaica because he had “no job or residence permit.” He grabbed a scholarship opportunity in 1991, for a master and Ph.D. at Indiana
Gottschalk’s unique blend of exotic cultures was key to perpetual fame during his time. By examining the compositions Bamboula (Op. 2) and Souvenir de Porto Rico (Op. 31), I will demonstrate how Gottschalk’s musical style represents an integration of Creole, New Orleans, West Indian, and Afro-Caribbean backgrounds he was exposed to throughout his life.
Moreover, the task at hand is not one that is easily accomplished. In order for music to be a hit, it had to be a hit within the white community. The ...
However, it seems as though the impossible is possible, or at least mostly possible, and traditional Rastafarianism enforces rules and cultural norms that keep womyn in the subordinate, domesticated realm of everyday life. Yet, in the last thirty years or so, those rules and norms have been slowly challenged by a new generation of Rastafarian womyn who no longer accept their inferior position and are demanding greater equality. These womyn, some of whom turn to reggae to promote their own socially conscious ideas, symbolize the growing consciousness of womyn in Jamaica and other majority world countries who have experienced centuries of oppression.
Although there is a variety of music that could be examined to trace its evolution through time, there is one genre in particular that is quite interesting to examine. Though it differs from other types of music, it will be looked at in conjunction with Reggae music as they have similar ties. Reggae music is quite prominent today in the United States, parts of Africa, and of course Jamaica. Reggae is notoriously known for its most influential artist Bob Marley, and it is not unusual for one to have heard a few, if not many of his songs. Reggae’s popularity is steadily increasing and is doing so through both expansions of the music as well as increasing knowledge on the genre.
Reggae The Story Of Jamaican Music BBC Documentary. vols., 2012. Online. Internet. 22 Mar. 2014. . Available: http://www.youtube.com/watch?v=wv1Iy26qlLk&feature=youtube_gdata_player.
Perry Henzel's The Harder They Come is credited with a significant and unique role in introducing American audiences to reggae. Whereas earlier cinematic crossmarketed films like A Hard Days Night or Help! were adjunct to and dependent on a group's previous commercial musical success, Henzel's film was for many an introduction to reggae and both precursor and impetus for its international impact and commercial popularity. The film's status as a cult classic and phenomenon, to the extent a phenomenon can be explained, perhaps rests on its lack of commercial pretentions or promotional glitz, and thus its authenticity. The rhetoric of this film -- its images, words, and music in complementary array -- is rhetoric in the best sense because it uses the power of language to reveal, not to disguise, the unconscionable constraints on the lives of poor Jamaicans. Principally it's a film by a Jamaican artist about some musically and culturally significant events happening in Jamaica at the time, and though it is formulaic as films tend to be, it also encompasses all of the majors themes and conflicts that define and swirl around reggae music: spirituality, sensuality, commercialism, social justice, the messiah, and even Armageddon, though its tenor is decidedly secular
This quote, along with numerous other readings, has sparked my interest in the political scene and situation surrounding Jamaica, Rastafarianism and reggae music in the 1970’s. It seems to me, despite the economic shambles of Jamaica and the staunch and deliberate refusal of Rastafarians to participate in "politricks", that politics has had a deep impact on any and every aspect of life in Jamaica.
Ray Allen, Lois Wilcken. "Island Sounds in the Global City: Caribbean Popular Music and Identity in New York." 1-6. Illinois: University of Illinois Press, 1988.
Many listeners of reggae music classify it as island music. However, reggae music means a lot to the Jamaican community back home and abroad. Reggae music in particular has influenced the Jamaican expat community in the United States. Non-Jamaicans hear the tunes of Bob Marley and quickly relate the Jamaicans to people who say “No problem Mon” but as outsiders, we truly don’t understand the lyrics. The purpose of this paper is to examine how reggae music has affected the understanding of expat Jamaicans. Jamaicans that have migrated to the United States are sometimes categorized by non-Jamaicans as people who are Barbarians that practice hatred towards homosexuals. Because of hearing lyrics produced by certain dancehall artists such as Vybez Kartel and Buju Banton. However expat Jamaicans believe reggae music has glorified the Jamaican expat community through unification of culture, people, and language.
Bob Marley is the most well-known Reggae musician. He did many great things throughout his life. Bob Marley had messages in his song lyrics and did whatever it took for them to be heard. He also helped and inspired many of his fans, as well as his family. He was also one of the few people that helped start a new genre of music and a new band that sang it. Bob’s songs, and the story behind them, is what effected society. Bob Marley had a tough life but he still managed to become one of the most famous musicians ever. Bob Marley was an idol to many people because of the messages he expressed through his songs and how he did whatever it took to get those messages out, the fact that his songs helped people, and how he helped start a new genre of music.
“Although the dancehall scene is a male dominated one, it is the female, like a queen, who reigns supreme” (www.ppreggae.com) Covering reggae history, respectively, “Reggae Songbirds” and “Dancehall Queens” offer a fairly comprehensive overview of the contributions of women in reggae. The dancehall has become a form of a message center for Jamaican people, no matter where they are within the social structure of the island.
Marley?s popularity was very appealing to politicians. During Jamaica?s election of its prime minister they knew the support of someone famous, such as Marley, could sway the public. In Jamaica, this created the problem of granting a musical artist the power to decide a...
Marley was born into Jamaica’s poverty and it is where he developed a strong love of reggae and became a Rastafari. Reggae, evolved from another musical style called Ska in the late 1960’s, is considered the voice of the ‘oppressed’ peoples. Many reggae lyrics are politicalised and centre on themes of freedom and fighting for it. (Cooper, 2014)
Overtime, Hip-Hop artists began to diversify their sounds and rhythms by different influences regarding ethnic backgrounds or creating certain moods for their audiences. Based on the article, “ The Significance of the Relationship Between AFRO-AMERICAN MUSIC AND WEST AFRICAN MUSIC,” the author, Olly Wilson elucidates how African slaves used drumming as a way to call out to one another, for camp singing, and for negro spirituals as well (Wilson, 1974). During the Antebellum Period, African slaves would create beats from drums in which Hip-Hop today uses drums to project beats but at much different paces than in the past. Throughout its history, this genre of music has focused on beats instead of the melody, which is a commonality among African tribal music and today’s contemporary Hip-Hop. Depending on the timeframe and area the beat comes from, shows the impact of how those rhythms will sound. For instance, old school beats have different sound patterns than modern beats. Geographically, countries hear and spread music to each other and different ethnicities pick up their unique beats and rhythmic sounds; creating interrelationships of mixed musical cultures and specializations. In the article, “B-Beats Bombarding Bronx: Mobile DJ Starts Something 41with Oldie R&B Disk” by the author, Robert Ford expresses how the Hip-Hop pioneer, DJ Kool herc rose to fame by introducing assorted rhythm breaks (Ford, 2004). Also, as generations passed, Hip-Hop took a turn away from jazz and snappy blues to contemporary rap and R&B which is considered as “ghetto” or “gangsta music.” White critics have this false misconception of Hip-Hop and rap music and believe that they depict the harsh realities of ghetto life, poverty, and vulgarity. When in reality, it is a big phenomenon and apart of African culture because it conveys how they try to rise above the disorders of pauperism and the
King, Stephen; Jensen, Richard,(1995) Bob Marley's "Redemption Song": The rhetoric of reggae and Rastafari Journal of Popular Culture 29.3