If I had the power to banish a certain artist from existence, I would banish Kidz Bop. I believe that Kidz Bop should be banished because there is no originality in their music, the original songs lose longevity as a result of Kidz Bop covers, their music takes away from the artists who create authentic children’s music, the children who perform for Kidz Bop are forced to deal with the stress of touring at a young age, and when they cover songs they don’t have to gain the consent of the artists who initially created the songs.
A large portion of a musicians appeal to listeners is their ability to create songs with original lyrics that the listeners can relate to. Using another artists song as inspiration is something at many musicians do, but the majority of the song’s lyrics and instrumentals are created by the musician. Kidz Bop neither produces their own instrumentals, nor do they create original lyrics. This removes the entire creative process that other true music artists have to go through, allows Kidz Bop to produce music at a rate the true musicians are unable to match, and it makes up for the fact that the target
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market for Kidz Bop is children who are, more than likely, under the age of 13. When a song is played at a rate that makes it a nuisance, that song is considered to be “overplayed”.
Overplayed songs tend to have a large number of plays in a short timeframe. Once that window of time has been passed, the song is no longer played at a high rate. If an original song and a Kidz Bop cover are played in the same timeframe, the original song will be placed into the overplayed category sooner than it would if Kidz Bop had not covered it. This is another instance in which Kidz Bop is indirectly influencing the income streams of musicians. Artists who create popular songs, Bruno Mars (24k Magic, That’s What I Like, and Finesse), Pharrell (Happy), Camila Cabello (Havana), and Post Malone (Congratulations), deal with this every time they release a song that becomes popular very quickly. Kidz Bop ruins the longevity of popular
songs. They Might Be Giants, Raffi, Laurie Berkner, and Dan Zanes are all people who create authentic music for children, but most people have never heard of them because their songs don’t get a large amount of exposure. Kidz Bop has taken over the majority of the market for children’s music. If artists from this genre want any chance of making money, they have to create nursery rhymes or movie for television shows because any music streaming platform is going to be biased towards popular music that they can make money off of. Kidz Bop, essentially, has a monopoly on the children’s music market and nobody is doing anything to prevent them from making any more music. The “KidzBopKids” are children between the ages of 9 and 12 and they are already living the life of full-fledged adult pop stars. They have to tour the country performing live concerts in front of crowds of fans. These children are being exposed to the addictive nature of fame at an age where they are easy to influence. If this fame gets to their heads and they get hooked, they will be craving it for the rest of their lives. These KidzBopKids were given such an easy path to instant stardom and when they reach the age where they can no longer perform for Kidz Bop, they will be looking for another way to experience that fame again. The logical choice for these children would be to enter the music industry, an industry that is more cut-throat than any other industry in America. Music industry executives prey on young, naive children who don’t yet know how dangerous a piece of paper with a signature can be. Record labels will often provide signees with a large sum of money right after they finalize their deal. Most people believe that this money is theirs to keep, but this is simply not the case. This is a loan that acquires interest and the majority of the money that is made with performances goes toward paying this loan off. The life of most musicians is not as glamorous as they make it look. This entire scenario may seem far fetched, but most child music artists who sign deals after being enticed by the dollar signs face these exact challenges. When an artist learns that somebody wants to cover their song, it is usually seen as a compliment, but this is not always the case. Some musicians don’t want anybody to cover their songs, people like Prince and Aretha Franklin are very particular with their music. If an artist tells someone that they don’t want their song covered that should be the end of the encounter, but in Kidz Bop’s case they don’t need the artist’s consent. As long as Kidz Bop signs a compulsory license and pays the music label, the official owner of the songs, they don’t have to consult with the artist at all. People like “Weird Al” Yankovic always receive permission from the artist before they cover a song, this way nobody feels as though they are being cheated. If Kidz Bop received this same permission for all of their covers, their business wouldn’t seem as crooked. Overall, the idea of paying children to create music for other children sounds good in theory, but Kidz Bop execution of this has been atrocious. They don’t create music, they copy it, they force songs the be overplayed, they take money away from true artists who produce music for children, they grant child musicians this false feeling of fame that leaves them addicted, and they cover songs without the permission of the artists who initially created the songs.
In Kitwana’s interview with Tavis Smiley, Kitwana explains why white kids love hip hop. Mainly it has to deal with the time period in which we live. One of the reasons as mentioned in the audio recording is the fact that the economy is changing, many middle class jobs are being outsourced. The cost of goods is going up and the number of whites is greater than the number of blacks that are on welfare. Kitwana briefly mentions the fact that the music industry has focused the listeners toward hip hop, and this can be seen by the concert attendance.
Kid Rock and Eminem are two very well-known names in the music industry. Eminem has done mainly hip-hop rap while Kid Rock has done a good mix of it all, mainly focusing on rap in the beginning then exploring all other genres. Some may say the two cannot be compared to one another because they do two total different styles of music. There are a lot of people that are fans of both of these men; not knowing that they are actually really good friends. They have done music videos for the other ones songs and had rap battles growing up in Detroit.
According to “The Changing Landscape of the Music Business,” Artists have to develop an image that appeals to the supporters in order to be unique. This can be achieved through the promotion of their music, but if the artist makes the wrong move, this can result in the artist struggling to sustain their career. There are many ways that licensing music can go wrong, with it either going into the wrong hands, or is abused with promotion so that the song isn’t enjoyed anymore, resulting in less sales or profit for the
Although the style of ‘Rock music’ is easily adaptable to many different sounds, it is still thoroughly identified by its definingly amplified rhythm. The sudden worldwide popularity of rock and roll resulted in an unparalleled social impact. Rock ‘n’ Roll influenced lifestyles, fashion, attitudes, and language in a way few other social developments have equaled. The social impact is so large that rock stars are worshipped worldwide. In its early years, many adults condemned the style of music, placing a stigma on its name, and forbid their children from listening and following its ways.
"Turn that music off! I don't want you listening to that kind of music." Many teens these days are experiencing this kind of thing almost every day. Many parents, in general, have complained and tried to regulate the music that teens are listening to these days. They complain that the music industry shouldn't be able to sell and produce the explicit CD's.
Hip hop has so many subgenres that preach different messages to the listeners. Artists are inspired to sing according to what they experienced when growing up, or what they thought should be done to address a particular issue.
People think rap music is not good for children to listen to. At a certain age I guess that can be true, but once you are old enough to understand the meanings behind some rap songs it can actually change you perspective for the better. All of these songs also have a theme that I was putting together as I wrote. The first three songs, “You & the Six”, “Lights Please” and “No Role Modelz” depict the stories of how two different rappers became famous. They also talk about the struggles they faced when they became famous. Even when their music was being played on multiple radio stations people found something to criticize them for, or people just started to pretend they have alway had that rappers best interest in
In the article, Tanz uses examples, advertisements, commercials, symbols, quotes, and other facts to make his argument clear. One of the reasons he gives to back up his claim is by saying that, “ It is an industry that seems to thrive by tapping into our deepest fears, insecurities, anxieties, and aspirations” (87-88). Furthermore, he is saying that hip-hop is used to get into one 's mind and affecting one 's mood and/or
Hip hop culture is known for its negative reputation. It is often thought as an entrance way into gangs, illegal drug activity, and malicious behavior. In today’s culture it is important to lead kids toward a positive direction in life but the hip hop culture of today is not steering youth in that direction. This is because hip-hop has moved away from what it was supposed to be used for. This genre of music was supposed to be used to for personal expression and growth not to create negative images for the youth and encourage them to change their behaviors and beliefs. Hip hop was supposed to give hope to the youth. Give them a reason to pursue their dreams and give them a positive outlook on life. Are there artists who keep it “old school?” Yes there is, but it is never heard on mainstream radio. Hip hop culture has the potential to help the youth follow their dreams and become better people. It just needs to go back to its roots and bring those morals back up again.
Racism, hate, sex, drugs, and profanity are among many things people encounter in everyday life whether they want to or not. The one thing that people do have control over is what kind of music they listen to and to take that right away from anyone would be more offensive than having the president of the United States of America get oral sex in the oval office, one of the most honored places in the country. People get more worked up over the things in life that mean nothing, than worrying about crucial issues. Our society can tolerate watching parents smack their children in *Wal-Mart more than they can stand to hear a curse word, or a sexual comment in a song. Music is an expression of the artist and should be treated as that. Censoring music is like telling Michelangelo he could not put the penis on “David”. The truth is that censoring music is an action that goes against the constitution of the United States of America and although some content may offend people, prohibition of freedom of expression violates the rights of more than those offended.
First, I would like to explain why I believe that cover songs are now a good thing. “Behind Blue Eyes” covered by Limp Bizkit is a song that I would have never heard had it not been covered. The Who originally recorded this song in 1971. Limp Bizkit is an alternative band that many younger people have great interest in. Many people my age are not as interested in what is now called “Classic Rock” as they are in alternative music. Therefore, this song would have never been heard if it wasn’t for Limp Bizkit. Another good example of a song that has been covered is “Simple Man” by Shinedown. This song was originally recorded by Lynyrd Skynyrd in 1973. This is another example of a song that younger generations would not have heard if it wasn’t covered by Shinedown. However, a person may ask “Is it fair for the original artist if one of their songs is covered?” I believe the answer to this question is yes. Many artists that have covered songs have also had their songs covered. This causes a never-ending loop of music that seeks different genres of music and also people of different ages.
Consequently, new school Hip-Hop is much diluted and has no originality about it whatsoever. It has even gone as far as them biting off the old school beats and rhymes and turning them into a lot of the distasteful songs heard today. Old School Hip-Hip songs always had major characteristics that set each and every artist apart and them unique, which inspired some of the best in the game like Snoop Dog, Eazy E, and Biggie Smalls. In new school Hip-Hop there’s a lack of a positive message that’s not being relayed to today’s generation. The only thing you can translate from the Hip-Hop of present is that you need to stack paper, make it rain the club, and what kind of car’s to drive. Old Hip-Hop tried to instill ambition in the children of the ghetto because let’s face it; many believed that once born in the hood that’s ...
Hip Hop and Rock music are today’s people choice of music. People will find that teens and adults from the age of 20 to 34 listen to these two types of music. Not too often will you see or hear a teen listening to Blues, Opera, Reggae, or Oldies. Reason being is that they were raised up in toady’s society where really all they will here is either Hip Hop or Rock. There is a lot of argument that these two different types of music are the same old sing about money, drugs, and sex. But actually they are tot...
Music producers have an influence on the music that today’s youth listen to that many are affected by, even though the producers are unaware of it. Today there’s a lot of drug abuse, violence, and sexuality all on the rise, even though hip hop itself is not to blame. Imagine our youth all over the country being exposed to this explicit language. There is no need to imagine, because it is already happening. Ever since the rise of Rap and Hip Hop music, teens have been turning to them to help solve their problems.
The Effects of Hip-Hop Music on Today’s Youth Does hip-hop music effect today’s youth in a positive or negative way? The effects of hip-hop music have been disputable following the time when its rise into the social standard in the late twentieth century, but hip-hop music is not just one sided but can be both positive and negative in today’s youth. What is hip-hop about? Assuming that you address hip-hop fans, the term alludes to more than simply a musical type - it incorporates an entire society, including dance structures, graffiti symbolization, and fashion (Selke INT).