At the Agnes Etherington Arts Centre, Kent Monkman's exhibit entitled Shame and Prejudice: A Story of Resilience responds to the critique of Orientalism by addressing cultural appropriation in art, Said's concept of the Orient and the ways that 'the other' is depicted in art and media. Monkman's work is important in the context of ethnographic present and the concept of cultural appropriation. The exhibit helps frame issues surrounding how we think about 'the other'. In this case, the 'other' includes everyone who does not conform to western ideologies and traditions, regardless of where they live in the world. The Canadian Oxford dictionary defines ethnography as a branch of anthropology that deals with the scientific description of individual cultures, while cultural appropriation is defined as the unacknowledged or inappropriate …show more content…
He contends that "Orientalism is a style of thought based on an ontological and epistemological distinction made between the Orient and the Occident" (Said). Distinctions between the East and West have been a starting point for theories, epics, novels, social descriptions and political accounts concerning the customs and people of the Orient (Said). Orientalism is one of the West's deepest and most reoccurring images of 'the other' (ibid). The concept of 'the other', or those not from the west, is openly depicted in aspects of Monkham's work through his representations of Aboriginal people as the 'other'. For example, in "The Scream", he depicts the tragic removal of Aboriginal children from their parents, when they were sent into the Aboriginal school system. For myself, another example is Monkman's painting depicting a group of Aboriginal men pushing a horse down a railroad, which has meaningful similarities to the destructive creation of the Canadian Pacific
Cultural appropriation, as described in Sabeen Sandhu’s article “Instant Karma: The Commercialization of Asian Indian Culture,” is not new. Rather, it is the latest iteration in a long history of Western imperialism and exploitation of other cultures and societies. Using a primarily a symbolic interactionist lens, in her article Sandhu highlights two fundamental aspects of appropriation that differentiate the phenomenon from appreciation: the focus solely on one facet of a symbol and commercialization.
Even though a century has past, orientalism is still present, and it is being fueled by media, technology, and even Hollywood, a place thought to have the most authentic representations. Since Westerners discovered the Orient, they have been characterized generically as
Reading. It’s a well-known hobby, and quite the old one. Nevertheless, the question still remains, could reading all of those stories be the key to becoming a better human being?
Although concerns about cultural appropriating cultural objects such as bindis, war bonnets, and kimonos have been receiving more attention, the effects of cultural tourism of modern Asian subcultures has been relatively ignored. This lack of attention may be due to the assumption of modernity as Western or a lack of an object that bears significant cultural meaning to the ethnic culture as a whole. However, if the potential effects are left ignored, cultural tourism of modern Asian subcultures may perpetuate harmful constructions of race. The visual analysis of Gwen Stefani and Avril Lavinge’s cultural appropriation of Harajuku culture reveals that it not only reaffirms Asian American female submissiveness and Asian American invisibility, but it also constructs meanings of race and whiteness that excludes American cultural citizenship from Asian Americans.
Anthropology is the study of the development of humankind within their different cultures. When one looks inside a culture, they can see the true aspects and meanings behind a societies behavior and traits. By following the principle that is cultural relativism, one can also determine that no culture truly surpasses another culture, and that each society has key differences that are important to its culture and location. This is a method that can also be seen in many intriguing films from this semester, one in particular being The Emerald Forest. Throughout this essay, this film will be analyzed around one character who greatly represents what it means to truly immerse oneself into a different culture to gain a new perspective, and many key terms in anthropology will be explored through 4 different films from the semester.
In this manner, western cultures command great power by being able to represent their own heritage as a higher ranking than the “primitive” art of Third World nations that is often exhibited: “It also means the power to define and rank people, to declare some as having a greater share than others in the community’s common heritage—in its very identity” (Duncan 102). These are the important findings of Duncan’s (1991) analysis of cultural imperialism, which I agree with in terms of the greater influence of American and European museums to ritualize their status as a first world modern nation. More so, American/European museums get greater funding to superimpose their culture over museums in third world countries, which defines the overt power of the museum as a “temple” for first world art. These are important aspects of Duncan’s view that the disproportionate presence of western art throughout the world is based on a primarily imperialistic notion of cultural superiority in the presentation of American and European heritage on a global scale. In my opinion, I feel that western museums deliberately impose their cultural values in terms of “modernity” as a means of ranking themselves above lesser nations. Certainly, the increasing popularity of “primitive”
Majority of individuals with severe mental health disorder are faced with double challenges. On one hand, they battle with the signs, symptoms, mark and defects associated with the disease. On the other hand, they are faced with stigma, stereotypes, discrimination and prejudice as a result of mental health misconception. Hence, individuals with mental health diseases are deprived quality life opportunities such as good job, stable income, and relationships (Corrigan et al, 2000). There are basically two types of stigma, namely; public and self-stigma. Public stigma as to do with how the general population responds to individuals with mental health illness. While self-stigma is the preconceived notion which mental health patients use against themselves (Corrigan et al, 2000). Evidence show that magnanimous percentage of United State citizens and several European countries all indulge in mental health stigmatization (Phelan et al, 2000; Madianos et 1987). Furthermore, Effective strategies to reduce public stigma are classified in three processes; protest, education and contact (Corrigan & Penn, 1999). Studies show that engaging in mental health education programs led to
Cultural Appropriation and Its Effects On Other Cultures This past Halloween I dressed up as a China Doll; in my black traditional Asian dress, white painted face, rosy pink cheeks, black eyeliner, and my hair held up in a bun with chopsticks. I originally thought that this costume would be rather attractive and fun. However, I began to question myself after a young lady approached me and asked, "Are you suppose to be an Asian person? " I immediately replied, "No, I am a beautiful China Doll".
Anthropology is concerned with studying human beings, both in the past and present. From another perspective, Anthropology is the study of the “Other” or of populations whose culture is different from one’s own. The questioning of these differences in prior centuries led to theories of inherent biological distinctions between Westerners and non-Westerners as well as divisions in evolutionary characteristics of their cultures. Michel-Rolph Trouillot, in a chapter of his book entitled “Anthropology and the Savage Slot: The Poetics and Politics of Otherness”, argues that Anthropology as an academic discipline acquired these theoretical outlooks before its emergence as an actual discipline. As a result, “Anthropology fills a pre-established compartment within a wider symbolic field, the ‘Savage’ slot” (Trouillot 2003:9). By utilizing the resource of Trouillot as well as Moberg, Perry, and Moore, I will illustrate that the Savage Slot and the “Savage” or “Other” are theoretical concepts fashioned with the creation of the West and consequently the field of Anthropology.
Ethnocentrism is when one culture judge’s another culture by the standard of their own (Health, 2001). Stereotypes, biases, and prejudices against other people are all in a sense a form of ethnocentrism (Astle, Barton, Johnson, & Mill, 2014). It is okay to be proud of your own culture, but you need to remember to do so in such a way, that you are not putting down any other culture (Arnold, 2016).
According to Schneider, defining “authenticity” is a battle between indigenous peoples and the tourists who purchase their arts and crafts. As “tourist” art grows with the realization of international tourism as means of development and economic growth in marginalized communities, foreign assumptions affect the perception of indigenous arts and crafts as “legitimately” indigenous. Indigenous peoples readily “transform” functional items into feasible commodities; “goods such as “indigenous blouses and shawls” easily become “alien place mates and pillow cases,” enabling indigenous peoples to survive (Schneider 80).
Racism and prejudice has been present in almost every civilization and society throughout history. Even though the world has progressed greatly in the last couple of decades, both socially and technologically, racism, hatred and prejudice still exists today, deeply embedded in old-fashioned, narrow-minded traditions and values.
Cultural appropriation is a recent norm that has now become common place in society. Due to the globalisation of media and the free access to information via television, public broadcasting, and the internet, different aspects from worldly cultures have now been used in fashion trends, music and film. By ‘adopting’ these aspects, it is
People with a mental illness are often feared and rejected by society. This occurs because of the stigma of mental illness. The stigma of mental illness causes the perception of individuals with mental illnesses to be viewed as being dangerous and insane. They are viewed and treated in a negative way. They are almost seen as being less of a human. The stigma affects the individual with a mental illness in such a cruel way. The individual cannot even seek help without the fear of being stigmatized by their loved ones or the general public. The stigma even leads to some individuals developing self-stigma. This means having a negative perception of one’s self, such as viewing one’s self as being dangerous. The worst part is that the effects of
In todays society there are many different cultures that individuals identify with. Culture is very important to many people and is something that helps define who we are. When different cultures are respected and appreciated it is a beautiful thing, it can bring individuals in society closer to one another. Ideally this understanding of one another’s cultures can lead to multiculturalism. If the appreciation for different cultures is not done correctly it can seem to be cultural appropriation. Any piece of a culture can be stolen, mocked, and disrespected, from music, clothing, food, etc. As a society with such a vast amount of cultures it is important to know the difference between multiculturalism