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Kendrick lamar song analysis
Analyzing kendrick lamar song alright
Analysis of "i" by kendrick lamar
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“A Voice for All” A lyric is characterized by expressing spontaneous, direct feeling. In song, lyrics are the most essential element of what makes up the song. The medium of song can be an excellent way to express themes and ideas to the public. One of the most popular artists in the modern music scene, Kendrick Lamar, does a great deal more than just rap. Lamar pushes social issues in his songs through the subtle but deep meanings he embeds in them. Some of the most common themes in Lamar’s songs are that of racism, equality, and police brutality. These ideas can be seen most clearly in his song entitled “XXX”, in which Lamar touches on all of the aforementioned issues. The recurrence of themes like equality and fair treatment shows what Kendrick …show more content…
One of Lamar’s most influence and issue-packed songs is “XXX”, of his most recent album, DAMN. Upon first listen, it would be easy to dismiss this song as just another generic rap song, but it is far from that. To start, the formal aspects are very eloquent, inciting meaning left and right. The song is essentially broken up into four distinct sections which each having its own pace and flow. The first section starts off very slow and calm without an appearance by Kendrick Lamar himself. Instead, it serves as a warm up introducing the topic and ideas of what is to follow. The word America is repeated several times in the first section emphasizing the point that what is to follow is a description of problems or issues that are occurring in our own backyard, America. After the intro, Lamar makes his first appearance where he starts to get into the core of the song. Shortly after, in the third section, the beat and flow pick up substantially and an almost angry tone emerges as the content becomes heavier. During this section, his word choice changes using more aggressive words and touching on more controversial subjects to emphasize the problems he sees in society. Finally, as the song winds down, the pace slows with the meanings becoming subtler. After an initial analysis, it becomes apparent that Lamar utilizes word choice meticulously to further develop themes in …show more content…
While this is a very intriguing question, what first needs to be answered is, what exactly is a public intellectual? As defined by the Encyclopedia of American Studies, public intellectuals are, “intellectuals who in their writings or other contributions orient themselves toward the larger audience of educated individuals” (Jacoby) To be considered a public intellectual, one must first accomplish the feat of being an intellectual. Correspondingly, being considered an intellectual means different thing to different people, but in general, to be an intellectual, one has to be highly educated and skilled in a certain area of study. To fulfill the public requirement, one must be able to spread their ideas to the public in an understandable way without having to simplify it. While many people can eloquently express their ideas, few are able do so on the large scale to the public. With all that has been mentioned above, becoming a public intellectual is a strenuous and arduous process resulting in very few public intellectuals in modern society. Those that do ascend to this stature are very prestigious and have immense
In Adam Bradley’s “Rap poetry 101” he shows us how rap is more than just songs being sung, it is poetry; it is something that has an empowering ability to make the familiar unfamiliar.In this chapter Bradley creates a new viewpoint too rap. Bradley shows us how rap and poetry has become a very similar piece of art that should be further appreciated. In the chapter poetry 101 Bradley describes how rap is a form of public art, and how rappers have become our greatest public poets. The importance of rap as poetry is shown throughout Bradley's book as well as the evidence behind the reasons rap is poetry.
For decades, America has oppressed African Americans due to the color of their skin. Although the country has made many strides in preventing some racial actions, racism still consumes the black culture starting in their early years. Compton rapper Kendrick Lamar released his second studio album To Pimp a Butterfly on March 15, 2015. Lamar spoke out against structural racism on this album and even made a case for the black culture being at fault for some of the racism they face. His message may not have been accepted by all the masses, but his bold statements sparked new conversations that any artist dreams of doing. Lamar introduced several metaphors for the racism in America, but the key focus was the development of the caterpillar into the
Leonid Fridman’s article,”America Need Its Nerds”, published in the New York Times, conveys American society’s unpleasant perception towards intellectuals. Fridman asserts the issues of American society's evaluation of people in order to convince readers of the New York Times to acknowledge educated individuals. He employs logos, ethos, and pathos to contribute to his goal if the readers of the New York Times recognizing the value of intellectuals.
In “Hidden Intellectualism,” Gerald Graff pens an impressive argument wrought from personal experience, wisdom and heart. In his essay, Graff argues that street smarts have intellectual potential. A simple gem of wisdom, yet one that remains hidden beneath a sea of academic tradition. However, Graff navigates the reader through this ponderous sea with near perfection.
A person who has the ability to think critically, experienced conflicts, educated is known as an intellectual person. Author Malcolm Gladwell agrees with all of Gerald Graff’s asserts. In the article, “Hidden Intellectualism” and “Small Change: Why the Revolution Will Not Be Tweeted” authors Graff and Gladwell both insists that knowledge does not only belong to those people who are educated, but also it belong to the people who gets scholarly from media or from the environment, known as “street smarts”. Gladwell and Graff, both supports education, critical thinking, and wisdom delineates intellectualism.
Intellectuality needs to be redefined; what does the word intellectual mean? Typically one would describe someone as either “street-smart” or “book-smart,” in other words someone who knows how to live in the real world versus someone who has knowledge about academics. But is one more “intellectual” than the other? In the article “Hidden Intellectualism,” Gerald Graff addresses this issue and brings to the audience’s—the audience being experts about the subject along with himself—attention that schools are missing the opportunity to fuse together street-smarts and book-smarts to increase overall academic performance. Graff definitively presents his opinion on this topic by manipulating ethos, pathos, and logos. Through ethos his credibility
Song lyrics have set off a great generation of our leisure time than reading poetic devices, therefore song lyrics are better than poetic devices. Song lyrics have dropped numerous lines that attach to us now a days and make us listen to the line over and over unlike poetic devices. Song Lyrics have so much meaning by word choice and by relations.”Mr. Rager” by Kid Cudi, is about people fed up with society and plan on taking a journey. “Dreams” by Edgar Allen Poe, is about a man who dreams of a greater life. Mr. Rager, the song by Scott Cudi, has a better meaning than Dreaming, the poem by Edgar Allen Poe, by personification, allusion, and symbolism.
In his essay Grant Penrod stated that uneducated success goes far beyond singers and athletes. In his essay Grant Penrod also stated that, the united states president shows an image of no intellectualism, which I strongly disagree with. With examples like these I feel like Penrod is extending or reaching this to make his points. In Penrod's essay he states that the president was a "C" student and also that his speeches did not portray an intellectual image. While this example might have helped his essay a little, it seems like it also holds the essay down by a bit. Penrod used the president as an example but didn’t speak much on him, he said the president was a "C" student, but was it throughout his whole education? Or was it for a short time, the reader doesn’t know because Penrod did not specify. Also, a lot of things or factors could have contributed to this, ranging from disabilities, to plain shyness. The President is one of the biggest public figure and speaker, if not the biggest of them all and anyone can get nervous even him. This should be expected of him some times since he has to address the whole nation, a stutter here and there, maybe even a mispronunciation, he's only human after all. I do not think the president contributes to or supports anti-intellectualism because to be the president one has to be intelligent enough to make the right dictions for the country. Not everyone can be president and I feel like this incomplete example undermines the president and his role. This example and another where Penrod generalized that all public figures support Anti-intellectualism, leads me to believe that for these points or examples he reached in order to accentuate his points. Grant Penrod states that “the image of intellectualism is
Such as, how Tupac used his song “Changes” to refer to the institutionalized racism in America in regards to law enforcement and so forth. On example from his lyrics states, “Cops give a damn about a negro/ Pull the trigger, kill a nigga, he's a hero.” Another commonly known song that makes ties with Hill’s is Kanye’s song “When It All Falls Down.” Kanye wanted the ties of her lyrics incorporated into his song so much that after his failed attempted to get Lauryn Hills sample cleared he got a replacement singer to perform it on his song alternatively. However, his concept for this song was different as its purpose was more of a self-contemplation of his individualized battle with consumerism. Today society is affected by artists like Lauryn Hill and her lyrics and often quote lyrics like that of hers as references for equality and moral rights in modern society. Today more than ever the incarceration rates are raising extremely. Not to mention, in the past year we have seen some of the biggest out cries for our African American communities with people using the power of social media to come together on a common ground in regards to law enforcement unjustly killing African Americans and other minorities while in the attempt of arresting them. With that being said as Lauryn Hills lyrics state “Ya'll can't handle the truth in a courtroom of lies. Representing security/Holding the word of God
When looking at the landscape of Hip-Hop among African Americans, from the spawn of gangsta rap in the mid 1980s to current day, masculinity and an idea of hardness is central to their image and performance. Stereotypical to Black masculinity, the idea of a strong Black male - one who keeps it real, and is defiant to the point of violence - is prevalent in the genre. This resistant, or even compensatory masculinity, encompasses: the hyper masculinity rife in the Western world, misogyny, and homophobia, all noticeable in their lyrics, which is in part a result of their containment within the Black community. The link of masculinity and rap music was established due to this containment, early innovators remaking public spaces in their segregated neighbourhoods. A notion of authentic masculinity arose from the resistant nature of the genre, but the move to the mainstream in the 90s created a contradiction to their very image - resistance. Ultimately, this in part led to the construction of the masculinity defined earlier, one that prides itself on its authenticity. I’ll be exploring how gender is constructed and performed in Hip Hop, beginning with a historical framework, with the caveat of showing that differing masculine identities in the genre, including artists
Songs are one way of expressing feelings and emotion, many artist do this constantly in their music. To some it is why they make music. There are endless signs and verses that hint at many things such as problems, politics, living in racist era’s also places. I chose to focus on one main rapper and his music only. I chose to examine, review, and study a few of his songs. Kid cudi grew up in cleveland, Ohio. His father passed away when he was a young age which affected the kid ever since. He writes about living his life and having to go through many obstacles
Most rap songs about relationships are used as a way to preach about power, money and status. What makes Lamar’s video LOYALTY unique is that he took a different approach on the overused narrative. Kendrick Lamar’s video LOYALTY is a creative platform which uses movement through visual effects and camera angles to demonstrate hypermasculinity and active female roles through the scenes which together, tell a story of power and loyalty within a
Intellectuals are philosophers, are writers, are artists. They are all those people who work with their minds by questioning the events that touch them and that are touched by them. To recall a Plato's famous allegory, we can say that intellectuals are those who are able to look beyond the shadows and never take concepts for granted. However, some questions as what their role is and, more specifically, whether they should be engaged in politics are still unanswerable. Over the years answers and behaviors towards the engaged culture have been various and we can assume that the intellectuals who cannot separate the two live their lives actively for they want to be part of the events that surround them and let awareness win over apathy. On the contrary, we can assume that those who let apathy win are the intellectuals that look at politics and culture as two different and specific concepts and live a solitary life far from society. However, this is not an appropriate judgment because it would be difficult to consider to which extent solitude can be regarded as cowardliness and to which extent action can be regarded as consciousness.
Rap is about giving voice to a black community otherwise underrepresented, if not silent, in the mass media. It has always been and remains … directly connected to the streets from which it came. (144)
The intro of this album set the tone for the project and touched on the intentions