Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
The role of women in literature
Literature woman role
Gender role in literary
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: The role of women in literature
Katherine Mansfield's "Bliss"
Katherine Mansfield¡¦s short story Bliss is filled with a lot of underlying mean-ings and themes. There are as well many symbols that Mansfield uses and among those the pear tree is an important one. In this essay I will prove that the pear tree is both a symbol for for Bertha and her life and the awakening of her sexuality.
First I will sketch on the symbolic meanings of a pear and a tree as they are described in symbolic books and I will then focus on the pear tree in relation to Ber-tha throughout the story.
In many books such as those of psychoanalysis and symbolism the pear is ¡V like the apple ¡V a symbol of fertility and due to its bosom-like shape an image for the feminine sexuality. Moreover a dream of a pear or an apple tree means good news that is important for the rest of the life . The tree for itself has as well symbols for its own. In many religions and myths there is the Tree of Life. Trees often spend safety, shadow and food. A healthful and flowering tree is a symbol of strong potency. A draughty tree symbolises misfortune, whereas a tree full of fruits and leaves means luck and also bliss .
At the very beginning of the story we get to know the thirty-year-old Bertha Young coming home and preparing herself and the house for a dinner party at the evening. At first sight we see her as a very blissful young woman who seems to have ¡§everything¡¨ ¡V ¡§she was married¡¨, ¡§she was young¡¨, had an ¡§adorable baby¡¨, an ¡§ab-solutely satisfactory house and garden¡¨ and ¡§modern friends¡¨ (p.123) ¡V but later we should find out that she is everything but satisfied with her life . As Bertha makes ref-erences to a pear tree in her garden a dozens of times throughout the story seeing it ¡§as a symbol of her own life¡¨ (p.123) I would say that she feels herself rooted to the life she has created in the same way as the pear tree is rooted to the garden.
But there is quite a more explicit connection between Bertha and the pear tree in the sense of growing and flowering. As already stated even since the Middle Ages the pear tree has often been seen as an image for the female sexuality and also in Bliss it serves as such an image . The pear tree is described as a ¡§tall, slender pear tree in fullest, richest bloom.¡¨ It stands ¡§perfect, as though becalmed against the jade-green sky¡¨ (p.122). It i...
... middle of paper ...
...ll, as we can see the pear tree is ¡§as lovely as ever and as full of flowers and as still¡¨ (p. 136) so Bertha is feeling, too. She sees how her pear tree can stand alone proudly, day after day. And she feels that she can easily do the same.
In conclusion we can say that the pear tree in Bliss serves very much as a symbol and a metaphor for Bertha by representing us her feelings: the pear tree is in fullest richest bloom and so she is, too. Also the awakening of her sexuality is imaged by the pear tree and thus Bertha is no longer young ¡V which is suggested by her name ¡V but has gained the same maturity as the pear tree.
Works cited:
Primary Literature:
„h Mansfield, Katherine. Bliss and Other Stories. London: Constable Publ., 1920.
Secondary Literature:
„h Fullbrock, Kate. Katherine Mansfield. Brighton: The Harvester Press, 1986.
„h Hankin, Clark. Katherine Mansfield and Her Confessional Stories. London: The Macmillian Press, 1983.
„h Hoffmann-Krayer, Ernst et. al., Handwoerterbuch des deutschen Aberglaubens. Berlin: Walter de Gruyter & Co., 1927.
„h Hanson, Clare and Andrew Gurr. Katherine Mansfield. New York: St. Martins Press New York, 1981.
In the beginning, the pear tree symbolizes Janie’s yearning to find within herself the sort of harmony and simplicity that nature embodies. However, that idealized view changes when Janie is forced to marry Logan Killicks, a wealthy and well-respected man whom Janie’s Nanny set her up with. Because Janie does not know anything about love, she believes that even if she does not love Logan yet, she will find it when they marry. Upon marrying Logan, she had to learn to love him for what he did, not for that infallible love every woman deserves.
The tree “swings through another year of sun and leaping winds, of leaves and bounding fruit.” This sentence evokes images of happiness and serenity; however, it is in stark contrast with “month after month, the whip-crack of the mortgage.” The tone of this phrase is harsh and the onomatopoeia of a “whip crack” stirs up images of oppression. The final lines of the poem show the consequences that the family accepts by preserving the tree—their family heritage. When the speaker judges the tree by its cover she sees monetary value, but when she looks at the content in the book she find that it represents family. Even though times may be tough for the family, they are united by memories of their ancestors.
In the novel, Their Eyes Were Watching God by Zora Neale Hurston, Janie Crawford the main character goes through some big changes. Throughout this book Janie struggles to find her inner voice and purpose of love. She looks high and low for a sign of what love really is and she finds it as being the pear tree. The pear tree is very symbolic and ultimately shows Janie what love is and how it should be in a healthy relationship. This tree, with the bees pollinating the blossoms, helps Janie realize that love should be very mutual and each person needs to provide for the other equally. Janie tries to find this special kind of love through her three husbands, but she comes to realize it is going to be much harder then she expected. Each one of Janie’s husbands are a stepping stone for her finding her voice.
Analysis: This setting shows in detail a location which is directly tied to the author. He remembers the tree in such detail because this was the place were the main conflict in his life took place.
It had called her to come and gaze at a mystery. From barren brown stems to glistening leaf-buds to snowy virginity of bloom. It stirred her tremendously" (10). Gazing across the garden, Janie "was seeking confirmation of the voice and vision, and everywhere she found and acknowledged answers. [she longed] to be a pear tree - any tree in bloom!...
Literary devices are used by Sandra Cisneros throughout the vignette “The Monkey Garden”, to highlight the mood of the piece. For instance, Cisneros uses personification to encompass feelings of mysticality when she says things disappeared in the Garden, “as if the garden itself ate them.”(95) Personification was used by Cisneros to plant Esperanza’s humanlike description of the garden, while creating a sense of mystery and enchantment in the reader. Similarly, Cisneros describes how the tree Esperanza was near “wouldn’t mind if she lay down” (97). In this section, the tree is personified as a friend Esperanza can lay with. The fictional and humanlike style that the situation is described in further accentuates the mystical mood Cisneros is
The pear tree for example is similar to that of the Garden of Eden. The pear tree and the horizon signify Janie’s model of a perfect life. In the bees’ interaction with the pear tree flowers, Janie witnesses a perfect moment in nature, full of energy, interaction, and harmony. She chases after this ideal life throughout the rest of the book. Janie’s romantic and idealistic view of love, seen in her reaction to the pear tree, partially explains why her earlier relationships are not successful. It is not until later in her life, when she slowly opens up to her relationship with Tea Cake on a more mature level, that Janie sees what love really is. Janie resists Tea Cake at first, remembering her early pear tree encounters, and her early sexual awakening. She becomes infatuated with Tea
Clements, Victoria. Introduction. A New-England Tale. By Catharine Maria Sedgwick. New York: Oxford University Press, 1995.
When Janie is growing up, she is eager to become a woman and is ready to dive into the strain, maturity, and exhilaration of adulthood. In the beginning of Janie’s life story, Hurston introduces the metaphor of the pear tree, a symbol of Janie’s blossoming, and describes how “she had glossy leaves and bursting buds and she wanted to struggle with life but it seemed to elude her,” which successfully captures her excitement and perplexity of entering the adult world (11). Janie’s anxiety of growing up is also articulated with the image of her “looking, waiting, breathing short with impatience. Waiting for the world to be made” (Hurston 11). In her teenage years, it seems as if her life revolves around the anticipation of womanhood. Even as Janie grows older, she continues to hold on to her aspiration of living an adventurous, invigorating, and passionate life. In criti...
Betty Smith’s novel A Tree Grows In Brooklyn is a tale of poignant family relationships and childhood and also of grim privation. The story revolves around the protagonist of the story, young Francie Nolan. She is an imaginative, endearing 11-year-old girl growing up in 1912, in Brooklyn, New York. The entire story revolves around Francie and the Nolan family, including her brother Neelie, her mother Katie and her father Johnny. An ensemble of high relief characters aids and abets them in their journey through this story of sometimes bleak survival and everlasting hope. As we find out, the struggle for survival is primarily focused against the antagonist of this story, the hard-grinding poverty afflicting Francie, the Nolan’s and Brooklyn itself. The hope in the novel is shown symbolically in the “The “Tree of Heaven””. A symbol used throughout the novel to show hope, perseverance and to highlight other key points.
Relationships force individuals to sacrifice some of their aspirations and ideals which leads to emotional wounds. Zora Neale Hurston uses an extended metaphor with symbolic images to expose the internal conflicts that arise from complications within relationships. Hurston constantly refers back to a vision of a blossoming tree to develop a symbol of Janie’s life, focusing on love. The author says: “The vision of Logan Killicks was desecrating the pear tree, . . .” (Hurston 83). This image is used to illustrate the power of a new relationship in Janie’s life. Her soon to be husband, Logan, will damage her tree. By including this metaphor, the author simplifies the abstract concept of love to an image that is seen in day to day life. As the reader follows Janie, he or she is able to understand her feelings through the symbol of the tree.
The initial instance in which Janie encounters the idea of love and begins her journey toward self-realization is when she is lying beneath a pear tree as a sixteen-year-old in Nanny’s back yard and receives her first kiss from a boy named Johnny Taylor. On that afternoon, Janie lied on the ground observing the act of pollination between a bee and a flower on the pear tree, igniting her sexual curiosity. This sexual curiosity that she experiences is not vulgar, but rather intimate. The narrator displays Janie’s sexual perception of the pollination by describing the acceptance of the pollen from the bee as “the thousand sister-calyxes arch[ing] to meet the love embrace and the ecstatic shiver of the tree from root to tiniest branch creaming in every blossom and frothin...
... way. H.D. uses great description when describing the pear tree in “Pear Tree”. She describes the silver pedals as the wind blows them from the tree into the air “higher than my arms reach” (3). While the petals float into the air H.D. describes what soon follows the leaves falling off the tree, the delicious pears that will soon ripen. Throughout each imagist poem, the authors use different literary devices to develop their own subject.
While other writers use their poetry to decipher the meaning of life, Anne Finch, Countess of Winchilsea was busy writing about how to live it. Five of her poems, “Jupiter and the Farmer,” “The Tree,” “The Shepherd Piping to the Fishes,” “Love, Death, and Reputation,” and “There’s No To-Morrow,” convey strong messages to the reader about how to live their lives. In her poetry, Anne Finch uses anecdotes to help illustrate the validity of her statements, thereby providing the reader with a strong, meaningful, and important message about how life should be lived.
The profession of Social work is a unique and diverse field in that it has the capacity to reach many different individuals in many different aspects of their lives. Growing up with six siblings and being confined to a small three bedroom apartment, while my mother worked multiple jobs to provide for her children, often times I became reliant on others to guide me. In retrospect of my childhood, I have personally been affected by social workers, and each of them treated my family with such professionalism. These individuals who impacted my life, did not realize the blessings they were bestowing upon me. Little did they recognize, they forever enriched my life. I desire to do the same for others. I yearn to not only become a professional at promoting the well-being of others, but also making a long-term difference for others.