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Essay on feminist criticism
Basic elements of feminist criticism
Essay on feminist criticism
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Katha Pollitt is a prize winning poet, critic and essayist, who often writes about gender politics, media trends, domestic and foreign policies, and popular culture. In “The Smurfette Principal,” she revealed the inequity of gender in children’s programming, using her own experience as a mother of a three year old daughter. She examines children’s books, movies, and TV programming and finds that in most of them male characters are active main characters and female characters are just sidekicks, or helpers of the males. She named this principal “The Smurfette Principal.” This Christmas Pollitt gave her daughter Sophie, her own cassette of The Little Mermaid. Ariel, the teen-ager fish girl who trades her voice for legs to marry to a prince, who …show more content…
she have seen only few times. The witch who gives Ariel legs, sings “On land it’s much preferred for ladies not to say a word,” but since she is baddie no one agrees that she is correct. “But The Little Mermaid was my idea” Pollitt said.
She chose Ariel, because comparing with Cinderella, or Sleeping Beauty, she is active and main character of her own life. She even saves the prince who she is willing to marry. If you check the kids section in a video store, almost every one of the videos will be for boys and boys starred videos. Same for the TV programming, Pollitt could not find a single cartoon or show with a female main character. Even in her childhood there were only male characters. The Smurfette Principle is on every show. For example, popular Teenage Mutant Ninja Turtles, the message is boys are the center and the girls are only there in relation to boys. Sesame Street is the only place which you see girls having fun together, but even there the stars the real stars whom kids cherish are males too. Pollitt knew one girl who was disappointed when she found out that even Big Bird, her last hope was a boy. “Let’s play weddings” says her little niece, which is the only time where the girl is the center. All these lead to sexism. Little girls are choosing their dream depending on boy characters when admiring the clothes of princess same time. Some try to be exceptional women in men’s world, others just taught to accept their
fate. We don’t really care about what happens with our kids, and what messages they get from their entertainment. Pollitt’s daughter, who is clever and adventurous is starting to doubt about gender ideas, and she watches very little Television. Pollitt and her husband try to not let the entertainment and society to affect her daughter, but it would help more if half of the monsters on TV were female.
Quenzer is a mother and also a blogger for The Everyday Mom Life. On August 2016, she posted an article called “Be The Princess If That’s What You Want to Be.” She argues that parents should not steer their children away from what feels normal to them. She explains that most people associate princesses and pink with girl activities and applaud those who love blue and orange. The girls who love princesses and pink should not be ignored. She states, “If I don’t believe she can [be kind, generous, and polite] while being a princess and liking the color pink, then I am part of the problem. If I don’t believe that she can enjoy things that are still traditionally stereotyped as girl things and still be strong, brave, and fearless, then what am I teaching her” (Quenzer). Quenzer claims that she should not depict what her daughter can be, but she wants her daughter to find her own passion. Quenzer adds to Liechty’s argument because she adds that even though the princess culture can teach a child values, it can also allow children to discover who they are. Quenzer also furthers Bartyzel’s claim because she argues that parents should not narrow what it means to be feminine. The author’s purpose is to inform parents that they should not limit their children in order to persuade the audience to let their child find their passions. The author writes in a suggestive tone for parents. I agree with this claim because I believe
Cinderella is a childhood fairytale created through Disney that highlights fairy godmother magic, animated nature with talking animals, and happily ever after ending. While the latent meaning we grow
Your sparkling eyes gazed at the television, reading the word “Cinderella” by Disney. You had all your Cinderella toys lined up, ready to grab whenever necessary. Your Cinderella pajamas on, and your tea set is all prepared.Your mom adored your love for princesses. Didn’t we all love to sing along to the Disney movies about princesses and true love? Peggy Orenstein sure didn’t. Peggy Orenstein, the author of Cinderella Ate My Daughter has a sharp opinion about how a “pretty and pink” culture is influencing girls in a negative way. The author proves this argument by discussing gender colorization, dolls, and princesses.
The princess was a young girl who wanted a soul instead of a man. She was much younger in the start of the story as well. This gave her a chance to mature awhile longer before the rash decision she made to go to the witch. Eventually however in Anderson’s version a man is key to gaining a soul and the little mermaid does give up her voice. She is however tasked with being by the prince’s side dancing for a long time tell they married. Dancing hurt her feet extremely so and it was all for nothing. In both the film and the original both of the mermaids were met with competition. In Anderson’s version she danced for them instead of acting jealous in Disney’s version. Anderson’s shows that women should not be jealous and fight over a man just because he is cute and nice. Also Anderson’s version shows that women should mature more before they decided what they really want before making such rash decisions. However Disney’s more modern princesses are even better role
Females are often looked down on by society as males stereotypically dominate the roles of machismo and independence, leaving no space for females to demonstrate their own strength. Coraline, a children’s animation intended to be a fantasy but instead a production laced with horror elements, includes numerous female characters that embrace society’s predetermined standards. As the audience follows the journey of the protagonist Coraline, stereotypes of women being dependent and not having a voice are unrefreshingly accepted by the female characters in the film.
She takes close watch over the little mermaid and fascinates her with her knowledge of the human world. She helps her son, the Sea King; with maintain the kingdom since he is widowed. She is looked highly upon among the mer-people. She yearns for the littlest mermaid to come back home, but is forgiving when she doesn’t and the little mermaid decides to carry on with their moral tradition.
Gendered roles are evident in all forms of the media. For my research, I decided to view the gender construction in cartoons. After viewing the Cartoon Network for a day, I decided that Dexter’s Laboratory would be the best show to document the gender roles and common ideologies of men and women in society.
There are many things included in the original Little Mermaid that most people would be shocked by today. I mean, isn’t it hard to believe that the Little Mermaid never actually marries the prince, but rather she falls into the sea and turns into foam? In the new Disney version of the Little Mermaid, there are many different things that were hidden from the original story by Hans Christian Andersen. From Ariel’s personality to her way of life, both of these versions are in fact very different from the other. In the Hans Christian Andersen version, the Little Mermaid was very shy and curious growing up.
“The Little Mermaid” was originally a fairy tale written in 1837 by Hans Christian Andersen that has since inspired several movies adaptations, once of which being “The Little Mermaid” produced by Disney in 1989. Both the movie and book portray a young mermaid that face the tribulations that comes with growing up and her struggle to obtain what she wants most in life, however the mermaid’s ultimate fate and personality is evidently disparate within these two versions.
Turner-Bowker, M. (1996). The 'Turner-Bowker'. Gender stereotyped descriptors in children's picture books: Does "Curious Jane" exist in the literature? Sex Roles, 35(7-8), 461-487. Ya-Lun, T. (2008).
The ‘The Little Mermaid’ by Hans Christian Andersen written in 1836 tells the tale of a young girl who longs to have an immortal soul by becoming a human and to do so must marry the prince, eventually, costing her life. This story was adapted by Disney in 1989. It contains many changes to make it a touch more ‘family friendly’ to say the least, however it seems to take away some of the more interesting twists. As Jack Zipes writes that “Whereas Andersen’s tale is disturbing and ambivalent about the meaning of happiness, the Disney films about the Little Mermaid are sentimental, romantic, and one dimensional”. On the whole this statement is correct, the original is a lot darker and some parts do not fit the classic fairy tale we have all been shown by Disney. Of course the Disney version follows a similar plot to the majority of other fairy tales changed by Disney in order to cater to their audience.
Mermaids, a thing of fairytales every little girl wanted once to be, have been the subject of many wishful dreams sparkling the imagination of adults and children alike. This most commonly known story of mermaids is Disney's The Little Mermaid, but this story was not an original creation of this animation conglomerate. In 1836 Hans Christian Andersen wrote the original little mermaid with a different narrative than Disney portrays. Disney's blissful rendition of the little mermaid is beloved by millions, but this version differs from the original solemn tale, boldly changing visual aspects, the character’s personalities, and it's ‘happy ending'.
In 1989 Ariel, from “The little Mermaid,” was the girl—or should I say fish—that every girl wanted to be like, and her lasting impression on all girls around the world has continued to this day. She represents individuality considering she’s the only mermaid princess out of all the Disney Princesses, which include: Snow White, Cinderella, Aurora, Belle, and Jasmine. There have been more added to the original line-up, but you guessed it, not one of them has fins and a best friend who happens to be a crab. Ariel is truly unique, and that’s why she has the power to lure young girls into her world. One of those girls, not surprisingly, is me.
She dated guys much older than she. She liked Vietnamese food and watched soccer on the Spanish-language station. Ariel was unpredictable, and I loved discovering new facets of her personality. She often seemed lost in her thoughts, which I was convinced were deeper than mine, and I was always dying to hear them; to be admitted into the club of deep thinkers. Her fallibilities were infallible to me; even the dorky things were cool when she did them.
Stereotyping women is not only rampant in the adult world; it also flourishes in the kiddie universe as well. Here, there are depictions of women and girls as motherly or innocent, silly, and passive. This occurs not only in popular programming on Public Broadcasting, but also on television in other countries. Mothering images on Philippine TV has shown some of the same trends that is seen in the United States. Although “Teletubbies and Barney & Friends display an equal representation in number, each show displays gender stereotyped qualities,” it is obvious that these programs are sometimes reinforcing the wrong ideas about gender roles to children, roles that feminists have been battling for almost half a century. “Both programs demonstrated clear gendered roles with males being more active and females being more social and passive. This distinction appeared most obviously in the real-life segments of both programs with women as mother or passive viewer of action. Neither program shows women or men in non-stereotypical roles, indicating at an early age children are exposed to gender-specific occupational expectations.” Each show has children as additional characters, and each episode consists of a live action activity.