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Book report over up from slavery
Narrative of a slave
The narrative and life of a slave
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Leonardo’s resume consisted of all of his abilities that he thought would be useful the Duke of Milan, like inventing weapons of war, draw maps and sculpture. The subject matter of Kara Walker describes her work as being about past events in history, the unexpected, and “wanting to be the heroine and yet wanting to kill the the heroine at the same time.” She is trying to get people to see the different perspectives of slavery. She also lets the viewer interpret her work to fill in the tension of it. When Kara read Gone with The Wind she was surprised how much she would like a book that has such terrible things in it. She mentioned that it was rich, epic, romantic, and grotesque. The part of the book that Kara made into art is the part is part
she say that distressing part of the story was being caught up with the voice of the heroine, Scarlett O’Hare. She wanted that same feeling to be expressed in her work. Someone might misinterpret Kara’s work as satirizing slavery because she draws stereotypes. One can misinterpret it as she is trying to prove one race is better than the other. Some of the work makes me feel uncomfortable, but I think that is her intention. When things like that are thrown in your face you have no reason to avoid it. It gets people to see the problems of the past. Any piece of art that makes you feel any type of emotion whether it be negative or positive is good art.
In the Florence and the early renaissance, we have the greatest master of art like Leonardo da Vinci, Michelangelo, Sandro Botticelli and others. In this period of time the painters almost never show their emotions or feelings, they were more focused on indulging the churches and the wealthy people. In The renaissance period the art provides the work of art with ideal, intangible qualities, giving it a beauty and significance greater and more permanent than that actually found in the modern art. Florence and the early renaissance, the art become very valued where every artist was trying to create art forms consistent with the appearance of the beauty or elegance in a natural perspective. However, Renaissance art seems to focus more on the human as an individual, while Wayne White art takes a broader picture with no humans whatsoever; Wayne, modern three dimensional arts often utilizes a style of painting more abstract than Renaissance art. At this point in the semester these two aspects of abstract painting and the early renaissance artwork have significant roles in the paintings. Wayne White brings unrealistic concepts that provoke a new theme of art, but nevertheless the artistic creations of the piece of art during early renaissance still represent the highest of attainment in the history of
Her curiosity is also to be admired as she asked the traditional artist questions of, ? what will happen if I want to do or make this, but I am not sure how, what do I do next?? (Maloof 28). It has been said that ten percent of true artist endeavors are inspiration, and ninety percent are perspiration. In Maria?s case that surely holds true. A great artist is always recognized in his or her ability to see in different ways than the rest of the world and then translate that vision into a form for others to see and understand. It is this idea that defines an artist.
Elaine Tyler May's Homeward Bound weaves two traditional narratives of the fifties -- suburban domesticity and rampant anticommunism -- into one compelling historical argument. Aiming to ascertain why, unlike both their parents and children, postwar Americans turned to marriage and parenthood with such enthusiasm and commitment, May discovers that cold war ideology and the domestic revival [were] two sides of the same coin: postwar Americans' intense need to feel liberated from the past and secure in the future. (May, p. 5-6, 10) According to May, "domestic containment" was an outgrowth of the fears and aspirations unleashed after the war -- Within the home, potentially dangerous social forces of the new age might be tamed, where they could contribute to the secure and fulfilling life to which postwar women and men aspired.(May, p. 14) Moreover, the therapeutic emphases of fifties psychologists and intellectuals offered private and personal solutions to social problems. The family was the arena in which that adaptation was expected to occur; the home was the environment in which people could feel good about themselves. In this way, domestic containment and its therapeutic corollary undermined the potential for political activism and reinforced the chilling effects of anticommunism and the cold war consensus.(May, p.14)
In the short story “Revelation”, Flannery O’Connor shows that self-discovery can be a painful but ultimately rewarding process to go through. The story is written in third-person and feels like it has no rising action and then out of the blue a climax comes. The characters in this story are not very likable, especially the protagonist Mrs. Turpin. She is an egotistical, self-praising woman whom O’Connor describes as a big. Her image of herself is of a person who is blessed by God above all others. She uses the pastime of “naming classes” to reassure herself of her place in the world and that none is above her in God’s eyes.
“Stand By Me” is a film directed by Rob Reiner, which is based on the
The 1986 film “Sixteen Candles” tells a timeless tale of growing up in suburban America. The film’s star, Sam, played by Molly Ringwald, wakes up with big expectations on her sweet sixteenth birthday only to be completely disappointed. Not only does she find that she looks exactly the same as when she was fifteen, but her family is so preoccupied with her older sister’s wedding that they forget her birthday altogether.
Sofonisba Anguissola was one of the most prominent female painters of the Renaissance. Not only was she one of only four women mentioned by Giorgio Vasari in his famous Lives of the Artists, she also paved the way for later female artists. One may look at Sofonisba’s upbringing and assume that her talents were a result of her wealth and family background. However, if investigated more carefully through both analytical secondary sources and primary sources, it becomes clear that Sofonisba’s painting abilities formed because of her talent, not her wealth. Sofonisba integrated herself into the artistic community and used her second-class status as a female painter to accelerate her career: because she was not able to study as an apprentice in a workshop, her models were usually family members, she pioneered the style of genre painting. Historian Joan Kelly argues in her essay, “Did Women Have a Renaissance?” that women did not experience a Renaissance during the actual Renaissance. Sofonisba’s training and connections were extremely helpful to launch her career, refuting Kelly’s argument that women only were taught “charm” during the Renaissance. In addition, Sofonisba married her second husband for love, not for money, debunking Kelly’s argument that marriages during the Renaissance were not based on love. Though Sofonisba’s life as a woman is a unique case in terms of wealth and profession, her success and fame, talent, and marriage (van dyck?) disprove Kelly’s argument that women did not have a Renaissance during the Renaissance.
In 2013, Peter Berg made a movie version of Marcus Luttrell’s novel Lone Survivor. Both the book and the movie are set in Afghanistan and tell the story of Operation Redwing. In both versions, four Navy SEALs head to northern Afghanistan for the mountainous Pakistani border to capture or kill a notorious al Qaeda leader. Throughout the film version of Lone Survivor, what happens to Navy SEAL Marcus Luttrell is very similar to what happens to him in the novel. However, the movie is different from the book because it leaves out certain details, is told mostly through dialogue instead of narration, and ends in a different way.
Virginia Woolf's method to writing fiction was always to "dig out beautiful caves1" behind, within, and around her characters - to tunnel through their consciousness in order to tell their story as artfully as one tells his or her own. It is her "tunneling" process that makes her style so distinctive: her sentences layered with multiple meanings, her paragraphs rich with stream-of-consciousness internal monologue, and her dialogue sparse. Clearly, she had few qualms about taking the modern novel's all-too-common, linear form of storytelling and turning it upside down in order to dig through to its core - its very essence - and fill it in with her own art. The resultant caves are denser, more detailed and, consequently, often darker than the literary creations of other women writers of her time. To craft them, Woolf manipulates both the direction and span of time, includes literary allusions, and crafts her sentences so as to better develop her characters' relationships to her themes and each other.
Caravaggio's uses of symbolism in his work helped him create a name for himself. The ability to read his paintings from so many angles, like in the Sick Bacchus, is what has helped keep Caravaggio and his art alive. His ability to incorporate so many aspects into his work through symbolism and indirtectness, in some cases can be noted a s ingenious. Much of Caravaggio’s is a dissection on the meaning and conditions of knowledge. He can be explained as a "phenomenon which his contemporaries feared, admired, and did not understand (Kitson 9)." His works speak through the visible, but they speak the invisible, they focus on man’s body, but their interests is in his spirit and in his soul (Abrams 46)."
Critics of art have always profusely praised the lyrical nature of Hugo’s prose and poetry. The breadth of his vision is expansive and all encompassing. It does not classify between beauty and depravity, perfection and mundane, sublime and base. It is syncretic amalgamation of antipodes. A fusion of contradictions but a breathtaking whole. He paints pictures, describes sounds and captures the imagination of the reader. Reading Hugo is tantamount to allowing a painter the canvas of one’s imagination, without thinking, without any conscious effort, he draws pictures like a master craftsmen. Victor Hugo was republican and a devout Christian.
Edgar Allan Poe’s “The Cask of Amontillado” is a frightening and entertaining short story about the severe consequences that result from persistent mockery and an unforgiving heart. Poe’s excellent use of Gothicism within the story sets the perfect tone for a dark and sinister plot of murder to unfold. “The Cask of Amontillado” simply overflows with various themes and other literary elements that result from Poe’s Gothic style of writing. Of these various themes, one that tends to dominant the story as a whole is the theme of revenge, which Poe supports with his sophisticated use of direct and indirect factors, irony, and symbolism.
On February 22, 1943 a genuine woman who fought for what she believed and defended her way of thinking, passed away . The name of this woman is
In Leonardo da Vinci's paintings there are clues that reveal hidden messages. At first glance, his paintings may seem just like normal paintings, but at second glance they are not that simple. For example, Mona Lisa has captivated humanity for centuries because of her smile and her mysterious identity and the small details in The Last Supper have posed questions about what they mean. Leonardo da Vinci attracts me because through his art he may reveal to us some hidden truths about the past and also because he knows the identity of the women in The Mona Lisa.
The Phantom of the Opera is a book was wrote by Jennifer Bassett. In this books, the phantom likes a ghost. Someone says that he is a body without a head, or a head without a body. He lives in the Opera House, and everyone is very afraid of him. They think he is a ghost in the begining of the story, but finally Christine who is loved by the phantom found he is a human. He is a tall man in a long dark coat and a black hat. He always wears a mask, because of his ugly face. The phantom, Eric, is the music angel of Christine when she was a little girl. He teaches her how to sing songs very well. Eric loves Christine very much, but she does not love him anymore. There are many reasons why Christine does not love Eric anymore.