Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Death of Julius Caesar
How is Julius Caesar responsible for his death
Shakespeare julius caesar analysis
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Death of Julius Caesar
The famous play by William Shakespeare, Julius Caesar, contains many important themes. The three themes that were the most important to me are: it can be hard to take advice, pride is the first hint of destruction, and innocence can be faked easily.
The first theme important to me is that it can be hard to take advice. The basic meaning of this theme is that, in order to be safe and successful in life, a person must learn to recognize and appreciate that advice and warnings can come from many sources, even unexpected ones. However, it is difficult for some people, especially those who are strong and confident, to realize this.
My first example occurs when the Soothsayer tells Caesar to be afraid on the ides of March, because some horrible event is going to happen to him. This is the first encounter that Caesar has with the Soothsayer. Caesar tries to avoid him and makes excuses for not talking to him.
“Caesar: Who is it in the press that calls on me?
I hear a tongue, shriller than all the music,
Cry 'Caesar!' Speak; Caesar is turn'd to hear.
Soothsayer: Beware the ides of March….
Caesar: He is a dreamer; let us leave him: pass.” (Act 1, Scene 2)
The quote shows how Caesar is not willing to consider the shrewd advice of the Soothsayer. As a result of Caesar not listening a first time, the Soothsayer had to come back later in the story in order to remind Caesar of his warning about the ides of March. This time when he is warned in February, Caesar does not think much of it. He just puts it off and thinks to himself, “What do I need to worry about? Nothing bad ever happens to me, because I’m Caesar”.
Another example of not recognizing advice results in Caesars death in the story. Caesar is at the capitol ...
... middle of paper ...
...ommunicated by Julius Caesar is the theme of it can be hard to take advice. I think this because, in the story there were multiple times where Caesar was told something very important and he did not care to listen. Caesar could not live by the rules of other people, and he did not like having to take advice. This true fact is what ultimately causes him to be unaware of the conspirators plot to kill him, and then he dies. The reason for why the other two themes are not as sharply communicated is because the innocence of Caesar and Brutus does not have as many quotes that explain them. Also, Brutus’ innocence does not directly cause his death. The Pride that Caesar has throughout his many speeches does have a big part in his death, but because Caesar did not listen to the Soothsayer, Caesar has no prior knowledge of the conspirators’ plan to attack him.
It would seem that the Soothsayer is loyal to Caesar because he tries to warn him of the dangers that will occur on that day.
Julius Caesar, even though he is considered great, turns out to contain many flaws. He believes himself to be untouchable, and has a confidence that he cannot be harmed, even though that is not the case. He says so when he says, “Caesar shall forth. The things that threatened me ne’er looked but on ...
against what Caesar is doing but the point of killing him is to end what he is doing not to
Caesar’s lack of somewhat savage Machiavellian traits foreshadows his downfall a multitude of times. From the beginning, the soothsayer warns him to watch out for the Ides of March. There are also bad signs; men in fire walks up and down the streets, and a lioness gives birth on the streets. Likewise, before he heads to the Senate House to receive the crown, Calphurnia tells him that she has had a nightmare, and pleads him to stay home. However, he ignores all the premonitions and moves toward where the Senators are, with no one to protect him when he is in danger. This action of Caesar contradicts the teachings of Machiavelli, “Before all else, be armed” (The Prince). As a result of his carelessness, the conspirators see that he has no chance of circumventing, and assassinates him. Similarly, he is unsuccessful in recognizing the outrage of Cassius and a few others; he isn’t doubtful enough of their secretive deeds and eventually loses the reigns to eliminate the defiance. "The same thing occurs in affairs o...
CAESAR: He is a dreamer. Let us leave him. Pass.” (1.2.28-29) Othsayer appears to be the fortuneteller who tries to warn Caesar of an unknown danger in this situation but Caesar quickly dismisses the idea. Caesar demonstrates his control of his own life, that the predictions are merely dreams that can never turn into reality. Under such conditions, it cannot be the fate but rather the free will of Caesar himself to blame for his death for taking risks and facing life in his own way. Another instance of fate is Casca's observations of a dreadful night. He describes the setting as if there are burning slaves, crawling lion, and ghostly women on the street of the Capitol. (1.3.25-32) These omens are usually associated with fate, as that supernatural sights hints the happening of a tragedy soon, but they don't necessarily define the tragedy itself. They can refer to a series of other events and not the assassination of Caesar. Lastly, the night before the assassination, Calphurnia convinces her husband to stay home due to a nightmare, but Caesar responds with as if it is no big matter in "CAESAR: Nor heaven nor earth have been at peace tonight. Thrice hath Calphurnia in her sleep cried out "Help, ho, they murder Caesar!" (2.2.1-3) In her dream, Calpurnia claims to see the death of her husband whose blood flows all over Rome. Her fear toward
It truly must have shocked the people of that era when Caesar went to the Capitol against all warnings, because “Elizabethans generally believed that prophecies were to be taken seriously, and certainly that no prudent statesman could run the risk of ignoring them” (Ribner 58). The people of the Elizabethan era were very proper, and to see someone, even if only a character in a play, break one of the laws of nature in which they so firmly believed, was quite astounding.
Caesar's death was a most tragic event indeed, for he would have made a great Roman monarch. However, there were many unheeded warnings. caveats which might have averted his death. In the first act itself we see that Caesar comes across a soothsayer. who fore tells that the future holds terrible things for Caesar.
The play ends in a tragic way, as most of the main characters are assassinated or chose to die themselves. In conclusion, Caesar is a man without fear, he believes in himself which leads to his arrogance, which is shown when he ignores the omens. Brutus realizes the faults of his actions and decides that death is the only way to put himself out of his misery. Both men made crucial mistakes which ultimately led to their downfall
On the Ides of March, Calpurnia, Caesar’s wife urges him not to go the Council. She had dreamt that he will be murdered. She dreads about the omens of the storms which happened at night. He is however influenced by the conspirators to go. In the Capitol he is surrounded by the conspirators. Caesar is stabbed and dies. In spite Cassius’s apprehensions Mark Antony is permitted by Brutus to give a funeral speech in the market place after he has addressed the citizens of Rome. Brutus puts forth the reasons the conspirators had for killing Caesar and their fears of his ambition. Brutus is able to influence them and calm them down. But A...
Brutus is primarily motivated by his utilitarian ideals, causing him to have a weak, uncertain approach relative to Antony. Antony’s counter-conspiracy is driven by his emotional attachment to Caesar and desire to avenge him, giving him a powerful, instinctual base to operate from. As Brutus is considering an assassination of Caesar, he states, “It must be by his death; and for my part,/ I know no personal cause to spurn at him,/ But for the general” (Shakespeare II.i.10-12). By considering the absence of personal incentives for the planned attack on Caesar, Brutus reveals fickleness in his motives by giving himself a second option. He is inspired to participate in the conspiracy by his utilitarian ideals, while concurrently, he doubts himself by considering his lack of personal conflict with Caesar. This weakness is further exposed following the planning of Caesar’s as...
The Shakespearean play Julius Caesar, tells the behind the scenes story of the conspirators plan to kill the influential ruler, Caesar. In the play Caesar makes a speech referring to himself and describes his method of ruling Rome while comparing himself to the North Star. Prior to the speech the conspirators have come to the Senate to convince Caesar to forgive and restore Cimber after his banishment. But Caesar responds with this speech about him being persistent about his decisions. The speech that Caesar makes about himself can be considered an Epideictic or a Forensic speech, for the reason that he commends himself while creating an opinion of his past actions. This excerpt from the play leads up to the devious conspirators plan unfolding and the upsetting death of Caesar. Rhetoric is used throughout the speech in order to manipulate and convey how invincible Caesar is as well as express the overall theme of the play, be means of delivery, disposition, and style.
The motif of ambition runs continuously throughout Julius Caesar, written by William Shakespeare, which originates in Ancient Rome and highlights the power struggles, politics and deceit of those vying for power. Ambition leads many of the characters such as Caesar, Cassius, and Brutus to a fate different from what they expected. The play revolves around Caesar, his ascent to power and his eventual loss of everything. Although ambition may lead these public officials to power, it is the same ambition that will be their downfall, ultimately resulting in the death of Julius Caesar, Cassius, and Brutus.
The Tragedy of Julius Caesar by William Shakespeare is an intimate portrayal of the famed assassination of Julius Caesar and the complex inner workings of the men who committed the crime. In one particularly revealing scene, two of the men closest to Caesar, one a conspirator in his murder and one his second-in command, give orations for the deceased. Despite being simple in appearance, these two speeches do much of the work in developing and exposing the two characters in question. Though both have a love for Caesar, Mark Antony's is mixed with a selfish desire for power, while Brutus' is pure in nature, brought to a screeching halt by his overpowering stoicism. These starkly-contrasted personalities influence the whole of the play, leading to its tragic-but-inevitable end.
Sakespear's The Tragedy of Julius Caesar holds two possible candidates for a tragic hero, however Brutus fits the persona best. The true definition of a tragic hero, as found by Aristotle, is a character who falls from a high standing to a low standing. They suffer enourmous loss, but are eventually enlightened of their own flaw or flaws. Initially the play begins with Caesar returning to Rome from defeating Pompey. Meanwhile, the first seeds of conspiracy are begining to take root. Although Brutus ignores Cassius's chiding to join the conspirators his tragic flaw of being easily molded and persuaded lead him to fall prey and join. As time progresses Brutus makes many grievous errors, and his flawed logic leads him to become bereft of all he once held dear. In the end, preceding his death, Brutus grasps the fact that he has no one to blame for his loss but himself; thus the enlightenment. All of these characteristics classify Brutus as the tragic hero of this play.
When the Soothsayer says, “Beware the ides of March.”(I.ii.18). He is setting up the death of Caesar, allowing the reader to realize that the date will be very significant to the play. This dialogue already sets up the stage for the plot to progress rapidly. Although, once Caesar leaves the stage, Brutus and Cassius are shown. Brutus begins to speak of his worries, “[...]I turn the trouble of my countenance/Merely upon myself. Vexed I am.”(I.ii.37-38). Brutus’ next few lines expresses his conflicts, showing his weakness towards Cassius. Cassius is able to easily swoop in and influence Brutus, without having to break a sweat, to follow through with his conspiracy to kill Caesar. The superstition does not actually come true without the actions of Cassius and Brutus. The exhibition of Brutus’ fear and the manipulation of Cassius, both set up the play to continue and also enhances the foreshadowing. The second warning given to Caesar is from Calpurnia. Caesar repeats what is spoken to him, “She dreamt she saw my statue/Which like a fountain with an hundred of spouts/Did it run pure blood[...]”(II.ii.76-78). Caesar is shown to heed this warning and it does describe what will happen on the ides of March. He repeats this to indicate his belief in his wife. Although, Decius manages to convince him to come. He states, “It was a vision fair and fortunate:[...]/great Rome shall