More handpicked essays just for you.
Analysis of caesar character in shakespeare's play julius caesar
The tragic elements in Julius Caesar
Fate vs freewill in Julius Caesar
Don’t take our word for it - see why 10 million students trust us with their essay needs.
All of the events that happen in this world are either controlled by fate or that person's free will. You can plan something according to how you want it to be, or you can go somewhere and unexpectedly have fate control the chain of events after you perform that action. But in some case scenarios, the chain of events that can lead to someone's downfall or success are controlled by both the free will of that person and fate. You can choose to do something willingly, and your fate can s (finish this…) Specifically speaking, many of the events in ‘The Tragedy of Julius Caesar’ by William Shakespeare, are controlled by both fate and free will according to the actions of the characters beforehand.
In Act 1, Scene 2 a Soothsayer comes up to Julius Caesar and
…show more content…
Caesar asks and Brutus replies, “What man is that?... A soothsayer bids you beware the ides of March.” (Shakespeare) Caesar decides to ignore the Soothsayer’s words by free will, and replies to the Soothsayer by saying, “He is a dreamer; let us leave him: pass.”. The Soothsayer was warning Caesar to be cautious of the month of March, because that is when he will be murdered (by Brutus and the conspirators.) Later on in Act 2, Scene 2, (on March 15, 44 BC Caesar is informing his wife Calpurnia that he is going to the Capitol. Calpurnia informs Caesar about the 3 dreams that she had: “Caesar, I never stood on ceremonies, Yet now they fright me. There is one within, Besides the things that we have heard and seen, Recounts most horrid sights seen by the watch, A lioness hath whelped in the streets; And graves have yawn'd, and yielded up their dead; Fierce fiery warriors fought upon the clouds, In ranks and squadrons and right form of war, Which drizzled blood upon the Capitol; The noise of battle hurtled in the air, Horses did neigh, and dying men did groan, And ghosts did shriek and squeal about the streets. O Caesar! these things are beyond all
A main example of fate would be when Billy is on an airplane. In Slaughterhouse-Five, it states that "Billy, knowing the plane was going to crash pretty soon, closed his eyes, traveled in time back to 1944" (198). Soon after, "the plane smacked into the top of Sugarbush Mountain in Vermont. Everyone was killed but Billy and the copilot" (199). Instead of doing anything about it, Billy just waits for the plane to crash. If Billy had free will, he would have tried to warn the others on the plane, or not gotten onto it at all.
Marilyn Monroe once said, “I believe that everything happens for a reason. People change so that you can learn to let go, things go wrong so that you appreciate them when they 're right, you believe lies so you eventually learn to trust no one but yourself, and sometimes good things fall apart so better things can fall together.” Is fate subjected to one’s actions or is there another force that intervenes? Two choices to pick from, but each decision will result in a different ending. Most people believe they are free to choose whatever they want, however was fate already predestined that makes people decide their fate regardless of choice? Over the centuries, people have pondered upon the fact that integrity, justice, and moral principles play a role in deciding one’s fate. Does this mean that if Odysseus were to put aside his pride and be humble along his journey home, he would not have gone through all that trouble for anything? Is fate uncontrollable even for the Gods to handle? Forrest Gump is born mental
CAESAR: He is a dreamer. Let us leave him. Pass.” (1.2.28-29) Othsayer appears to be the fortuneteller who tries to warn Caesar of an unknown danger in this situation but Caesar quickly dismisses the idea. Caesar demonstrates his control of his own life, that the predictions are merely dreams that can never turn into reality. Under such conditions, it cannot be the fate but rather the free will of Caesar himself to blame for his death for taking risks and facing life in his own way. Another instance of fate is Casca's observations of a dreadful night. He describes the setting as if there are burning slaves, crawling lion, and ghostly women on the street of the Capitol. (1.3.25-32) These omens are usually associated with fate, as that supernatural sights hints the happening of a tragedy soon, but they don't necessarily define the tragedy itself. They can refer to a series of other events and not the assassination of Caesar. Lastly, the night before the assassination, Calphurnia convinces her husband to stay home due to a nightmare, but Caesar responds with as if it is no big matter in "CAESAR: Nor heaven nor earth have been at peace tonight. Thrice hath Calphurnia in her sleep cried out "Help, ho, they murder Caesar!" (2.2.1-3) In her dream, Calpurnia claims to see the death of her husband whose blood flows all over Rome. Her fear toward
In the play Julius Caesar, Cassius tells Brutus, "Men at some times are masters of their fate." But is this true? Can we do anything we chose or is the universe's fate fixed? The answers to these questions we may never know. But we can guess. In Antigone, Creon is faced with a decision. Should he condemn Antigone to death or should he let her get away with a crime? He feels as if he has a choice between the two. But, he doesn't. It was determined that he would put Antigone in a cave and try to get her out after contemplating it carefully. No matter what he did, he could not have defied this. He had the choice between the two, but it was determined that no matter what advice he received from Haemon and Tieresius, he would inevitably choose to put her in the cave. As Oedipus portrayed, you cannot escape fate no matter how you try.
When the soothsayer cries out “Beware the ides of march”(312; act1,sc2) he is truly laying the groundwork for the rest of the events leading up to Caesar’s assassination. Although Julius dismisses the soothsay with a simple “he is a dreamer, let us leave him. Pass.” (313; act1, sc2) the reader realizes that this date will prove important in the near future. To the audience, the prophecies are dramatic irony-when Caesar is warned about the ides of March, we already know what is going to happen to him. (Farrow) That one simple dialogue sets the stage for the rest of the plot to advance swiftly.
In the play The Tragedy of Macbeth by William Shakespeare, the character Macbeth acts on free will as opposed to fate. The definition of free will is having the ability to make a choice; including the possession of options, logical reasoning for choosing each option, as well as understanding the consequences of each decision. Macbeth obeys all the criteria, using “fate” as an excuse to act like a murder-crazy lunatic, ultimately resulting in his demise.
In English literature and Greek mythologies fate and free will played colossal responsibilities in creating the characters in the legendary stories and plays. The Greek gods believed in fate and interventions, predictions of a life of an individual before and after birth which the individual has no control over their own destiny. Free will and fate comingle together, this is where a person can choose his own fate, choose his own destiny by the choices the individual will make in their lifetime. According to Merriam-Webster Dictionary, the definition of free will is the “freedom of humans to make choices that are not determined by prior cause of divine intervention”. Fate and the gods who chose their destinies directed Gilgamesh, Oedipus and Achilles.
Fate and free will both have a strong rooting in the play Macbeth. The role of fate was to tell Macbeth that he was one day to become king of Scotland. Fate was not the cause of Macbeth’s downfall. The actions made under Macbeth’s free will are the sole reason for his own downfall. Macbeth was afraid that he might not become king, so he took matters into his own hands to be absolutely sure he would attain the throne. He decided to leave out chance and take the throne for himself by killing Duncan. By leaving out chance, Macbeth left out the chance for fate to bring his downfall.
Whether or not the concept of fate is legitimate is regularly debated by many people. Some believe that the events of one’s life are predetermined by a supernatural power, out of human control. Others believe that free will allows us to create our own fate, and that one’s decisions determine how the events of one’s life play out. In William Shakespeare’s Macbeth, both fate and free will are predominant themes in the play. The ever-present supernatural aspect of the play can create an interesting debate over whether or not Macbeth’s downfall could have played out differently, or even been avoided completely. The witches’ prophecies had an impact on Macbeth’s actions, however, it is ultimately free-will that causes his downfall.
In Oedipus the King, one of Sophocles’ most popular plays, Sophocles clearly depicts the Greek’s popular belief that fate will control a man’s life despite of man’s free will. Man was free to choose and was ultimately held responsible for his own actions. Throughout Oedipus the King, the concept of fate and free will plays an integral part in Oedipus' destruction.
Fate may state what will be in one's life however, how that destiny comes about is a matter of man's own choice. In other words, incidents don't occur because our destinies are written. In the play Macbeth, Shakespeare expertly uses the theme of fate vs. free will and raises the pre-eminent question of which holds power over the characters. In Shakespeare’s tragedy, fate is not the cause of his downfall, his own desires and choices prove to be the deciding factor.
Calphurnia in Shakespeare’s Julius Caesar, based on Plutarch’s account of her having a nightmare where “Caesar was slain, and that she had him in her arms (“Sources” 107),” fears for her husband’s life on account of these superstitious happenings and states “O Caesar, these things are beyond all use, / And I do fear them (2.2.25-26).” Rather than being in support of these superstitions and therefore believing that fate is determined by the Gods, Calphurnia’s fear and several mentions of her physical weakness (1.2.9-11) and foolishness (2.2.110) within the play discredits the validity of such portents and omens. With these signs devalued, Shakespeare argues that it is the decisions of men alone that determines their fate and the faults of these decisions that lead to an imminent
Webster defines fate as a “ a power thought to control all events and impossible to resist” “a persons destiny.” This would imply that fate has an over whelming power over the mind. This thing called fate is able to control a person and that person has no ability to change it.
If fate did have something to do with certain coincidences and does exist then does this mean we have free will? Or are our actions controlled by the theory of Fatalism? Fatalism agrees with determinism in the argument that human beings do not have free will (Stallknecht, N. P. 1937). However fatalism is a completely different theory from determinism, as it is the belief that all events are predetermined and therefore inevitable (Sober, E. 2009). If the theory of fatalism were true then the future is independent of what you do in the present, we each have a future laid out for us and we have no power to change that. As if some higher power has control over our actions. For example, some people would say it was fate that stopped them from getting on a plane that ended up crashing (Sober, E. 2009). A popular greek myth about fatalism is the story of Oedipus whose fate was decided by a higher power that he would kill his father and marry his mother. No mater what choices he made he still ended up with the same fate (Sober, E. 2009). Fatalism, unlike determinism leaves no room for change or chance and our futures are permanently fixed and it also rules out moral reasoning (Sober, E. 2009). Determinism isn’t set in stone, how we were caused to act today could completely
Calpurnia’s dream predicted Caesar’s death well, after being stabbed by all of his friends and bleeding to death, the men that killed him bathed in his blood happily thinking Rome will be safe. The omen of Caesar’s ghost visiting Brutus represented Brutus’s death. Caesar said “I will see you in Philippi,” meaning he will see Brutus at the place of the battle and watch him die, which he did. The Tragedy of Julius Caesar had the ongoing theme of Fate versus Free Will, but it seemed that fate was mostly shown.