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Analysis of caesar character in shakespeare's play julius caesar
Analysis of Julius Caesar
The life of Julius Caesar
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Julius Caesar Character Development Paper
Throughout history love has been the cause of war and death; from the Trojan wars to the promiscuous ways of Zeus in Greek mythology. Similarly, In Shakespeare's Julius Caesar love was the cause of Portia's downfall. Although it is made clear that Portia is a strong and independent character, she too fell prey to the clutches of love. Through the development of her character Shakespeare was able to show the reader that love can lead to the death of even the strongest of people.
The first scene in which Portia appeared was in a fight between her and her beloved Brutus. Throughout this argument she pleads Brutus to allow her to know and understand what is upsetting him. She demonstrates that she loves
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In this scene she is first seen speaking with a servant, begging him to run to the capitol and make sure that her beloved Brutus is safe. She then speaks with the Soothsayer; it is indicated through the text that she already knows of the nature of Brutus’ conspiracy. She asks the Soothsayer “Thou hast some suit to Caesar, hast thou not?” and “Why, know’st thou any harm’s intended towards him?” The fact that her questions were so specific leads the reader to believe that she had prior knowledge of the conspiracy. This shows that although she was not explicitly told the plans of her husband she was able to piece together what little information. This in turn shows the reader that Portia is a woman of high intellect and that she is no trophy wife. Additionally, when she continually inquires about the well being of Caesar indicates that she believed him to be in danger. Also, her questions cause the reader to believe that she does, in fact, care about Caesar and his well being. This passage shows that although she suspected her husband to be involved in the killing of Caesar she did not waver in her devotion to Brutus. In this section Portia is shown to be of high intellect, but she set aside her morals to stay by Brutus’ side throughout. This is shown through her constant questioning of the Soothsayer about Caesar. She had reason to believe that he was in danger and yet she …show more content…
This scene takes place after Brutus had left Portia to hide from the Mark Antony. This, of course, drove her to her breaking point. Up to this part in the book Portia had been portrayed as a strong minded person of high intellect. Once the third encounter happens the reader would realize that the cause of her death was her love for Brutus. In this scene Cassius questions "Upon what sickness?" to which Brutus replies "Impatient of my absence". Through this line it is shown that he is the reason for her death. As Brutus left Rome so quickly Portia believed he had died, and that was too much for her to bear. The extent of her strength did not go that far and thus she perished. A few lines later in the passage Brutus casually dicusses the exact way that his wife killed herself, to this Cassius replied "And died so?". Brutus replied "Even so". As there are no directions from the author for sadness to be displayed it can be inferred that Brutus was talking about this event in a calm unemotionally tone. Through this Brutus clearly shows the reader that he did not love her nearly as much as she did him. One might argue that he was unemotionally due to the presence of his fellow conspirator. This though argument holds no ground due to the fact that if Brutus truly loved his wife to the extent that she loved him then he would have been completely overcome with emotions.
Portia’s Father had created a law that allowed her only to marry the man that chooses the correct casket. Her father had known what was right for her before he passed. He instituted a law that would guide her to be the person who she was meant to become. As well as to marry the man that she was destined to be with. The father-child relationship between Portia and her father, is one that cannot be beat. Even though her father was not actually with her, he had made it that she would become the best version of
As a “speculative man of high motives and refined sensibility”(Catherine C. Dominic) Brutus does have his confusion of motives. Act I, scene ii, is the first we see his weakness, “his concern with reputation and appearance, his subtle vanity and pride”(Gayle Green). Yet the main bases of Brutus’s bewilderment of motives takes place in Act II, scene I, with his famous soliloquy beginning with “It must be by his death”. This speech may be the turning point in which Brutus feels better about the assassination of his once called friend.
The play The Tragedy of Julius Caesar by William Shakespeare showcases many characters and events that go through many significant changes. One particular character that went through unique changes was Julius Caesar. The 16th century work is a lengthy tragedy about the antagonists Brutus and Cassius fighting with the protagonists Octavius, Antony, and Lepidus over the murder of Julius Caesar. Although the play’s main pushing conflict was the murder of Julius Caesar, he is considered a secondary character, but a protagonist. Throughout the theatrical work Julius Caesar’s actions, alliances, character developments, and internal and external conflicts display his diverse changes. William Shakespeare retold a very unique event
Driving her to suicide was a very selfish act on Brutus’ part. He should have been there for his wife. Brutus did not think about his actions before they were done. He didn't think about what would happen to the Roman empire if Caesar were killed. By assassinating Caesar, he started a civil war.
Brutus has a naive view of the world. He is unable to see through the roles being played by Cassius, Casca, and Antony. He does not even recognize the fake letters were sent from Cassius. Then Brutus says,“You shall not blame us Antony, in your funeral speech, but speak all the good you can of Caesar.
It seems that the formal elements of this painting are conspiring to focus our attention toward the grieved women,and to show us how brave is Brutus' decision,that he even neglect his family's sorrow and even turn his back away from his sons' bodies .He commit his decision unhesitatingly,raising the voice of duty to the state over everything else even his own flesh and blood .
His love for Portia blinds him of the fact that possessions do not always bring others close to you. Later, this decline in moral values is seen when Portia pretends to like the Prince of Morocco, one of her suitors, by inviting him to dinner, but later reveals her true opinion of him after he chooses the golden casket. Once the Prince of Morocco leaves Portia's house, after picking the wrong casket, Portia expresses her feelings concerning the outcome, "A gentle riddance. Draw the curtains : go. / Let all of his complexion choose me so," (II.vii.78-79). Portia's hope that anyone with the prince's dark colour chooses the wrong casket shows her low morals in that she does not want to marry any of them. Through deceiving the prince, Portia's displays her prejudice towards the prince's race. These examples show how deception, as seen through love, leads to a decline in the moral values of
Motivation can cause people to work hard and win a state championship, but it can also cause people to kill. Motivation can be defined as an internal state of a person that drives them to action for the purpose of reaching a target goal. William Shakespeare’s Julius Caesar is a tragic drama that shows a huge variety of the different motives that fuel each character. Readers see what motivates each character, and how far that motivation takes them. Whether they are motivated by malice, jealousy, revenge, or loyalty, each character has their own incentives for their actions. Whatever motives they may have, readers see how these motives drive Cassius, Brutus, and Antony to extreme measures, and how this leads to tragic deaths in the end.
Throughout the rest of the play we see Portia fight back not only through giving herself control of who she marries but also through deceiving the Duke into believing that she is a clever, young lawyer named Balthazar by writing a letter that the Duke receives from, supposedly, Bellario telling him that he cannot make the court hearing but he has sent a young man, a disguised Portia, called Balthazar to take his place. She starts the letter with flattery, saying, ‘Your Grace shall understand…’ This makes the Duke feel elevated and respected because Your Grace is a sign of humbleness showing respect and a feeling of status. She then writes that Bellario is ‘very sick’ so that the Duke would have sympathy for Bellario and therefore be more likely to agree to Balthazar being the prosecution councillor.
It develops the character of Portia as being someone madly in love with another person. It is clear to me that she is in love with Bassiano. She talks about how she could teach Bassiano how to choose right, but she can’t because of her father’s will. To me, she is really sick. It advances the plot so that the love Portia has for Bassiano, and the love that Bassiano has for Portia, can be more looked at.
With two drastically different relationships with their spouses, analysis of Portia and Calpurnia’s relationships and care for their husbands leads one to see that Portia is the more admirable and redeeming character. Although both couples equally loved each other, the ways in which they reacted and influenced each other differed greatly.
Throughout the Merchant of Venice, while Portia is being courted. the reader can see that she does not like any of the suitors, except Bassanio. She finds a flaw in all the suitors and readers, as well, can see. the flaws in each as they present themselves to her. Her true love however, is for Bassanio
Everyone is deceived and believes Portia is truly a man therefore showing that she has the capabilities to exert the traits of a man. Portia is described as the “wise young judge” (IV, I, 228) and an “excellent young man” (IV, I, 252) by Shylock showing that he believes in the gender identity of Balthazar. Bassanio, Portia’s husband, is also fooled as he states that Antonio’s life is more valuable to him than Portia. Her credibility in turn gives her power over the men in the scene. She is able to use the balances of justice along with her knowledge in order to save Antonio. The turn in this scene is when she repeats, “A pound of flesh” (IV, I, 315) and states the specific words used in the document as no blood can be dropped from Antonio or else Shylock will be punished and strikes fear into Shylock. This shows that it is possible for a woman to obtain the masculine qualities of being powerful and intellectual. If Portia were to have not dressed as a man, but merely a woman, due to the social constructs of the time she would not have had any power in this situation. Portia tells Bassanio “I pray you, know me when we meet again” (IV, I, 432) which shows her feelings towards Bassanio not knowing her true identity, even through her disguise. Her actions were that of her individual, but due to her altering her appearance of gender it changed the way others viewed her
Portia takes this into account and also makes sure that the clerk that should be writing the proceedings is recording the current events. This gives Portia a fall back and also allows her to later reinforce her point that the Jew showed no consideration for the victim and also that he expresses his want for his bond and forfeiture many times over.
From the first time Portia is introduced, she is depicted as a very smart woman. In the beginning, she is searching for a husband that has more in his head than money and beauty. Portia and her companion, Nerissa, talk about the flaws of all her suitors and she makes it very clear that she is looking for an honorable man who will love her for who she is and not for her money. She also finds that “If it be proved against an alien that by direct or indirect attempts, he seek the life of any citizen, the party against the which he doth contrive shall seize one-half his goods” (Act IV.