In Julie Otsuka’s When the Emperor was Divine, she tells the story of an anonymous Japanese-American family living in Berkeley, California, in 1942. In the months following the end of World War II, Japanese families living in America were subjected to discrimination due to their racial orientation, sent to internment camps, and returned home just to receive the same treatment as before. Otsuka very obviously leaves the identities of the main characters in her novel unknown to describe the universality of the situation each ordinary Japanese-American person faces, which depicts how Otsuka’s unique style of writing uses nameless and named characters throughout the novel to express how the American government harshly treated Japanese American …show more content…
One interaction stood out more than the others, and that was when the daughter of the Japanese-American family met a young girl like her. “What’s your doll’s name?” “Miss Shirley.” The young girl held the doll up shyly.” “Mama bought her for me from the Sears catalog.” This conversation between two young girls presents itself as innocent, but in reality, it is ironic. Ironically, an inanimate object, such as a doll, is allowed to have a name and something to refer to, but when it comes to someone like the daughter in the family, the brother, or the mother, all living people with identities, personalities, and stories to be shared, no one would dare ask for their names. The significance of the name “Shirley” also plays a role in the irony, as little Shirley Temple was a young American girl icon during this period, inspiring hairstyles, and many little girls wanted to be like her, so of course girls not representing her looks or lifestyle would be ignored. Another instance is when the inner monologue of the two main character children in the family is shared, “We would change our names to sound more like
Matsumoto studies three generations, Issei, Nisei, and Sansei living in a closely linked ethnic community. She focuses her studies in the Japanese immigration experiences during the time when many Americans were scared with the influx of immigrants from Asia. The book shows a vivid picture of how Cortex Japanese endured violence, discriminations during Anti-Asian legislation and prejudice in 1920s, the Great Depression of 1930s, and the internment of 1940s. It also shows an examination of the adjustment period after the end of World War II and their return to the home place.
The novel When the Emperor Was Divine was written by Julie Otsuka exploring the life struggles and tribulations of a Japanese American family. The family moved to the U.S. in the 1940s, and the mother is oblivious to the imminent crisis that is set to befall the nation, starting with the evacuation of the Japanese from California. When the family eventually leaves for a composite in Utah, they realize that the same struggles that they face are reminiscent of other Japanese in the camp who are struggling to maintain their identity. Otsuka uses symbols in her novel to advance her thoughts, and critically, add important dimensions and meanings to the deadly plot. Otsuka uses some ‘prominent’ symbols such as flowers, horses, and dust, but from
Okihiro, Gary Y. Whispered Silences: Japanese Americans and World War II. Seattle: University of Washington Press, 1996.
"You're a human being, not an animal. You have the right to be loved" (262). "Son of the Revolution" by Liang Heng and Judith Shapiro was a book that showed how inhumane many of the aspects of Chinese life were during the Cultural Revolution. The book followed Liang Heng through many of his childhood memories to his departure from China in his twenties. The book applied a real face to the important movements during the Cultural Revolution, the effects that "the cult of Mao" had on society and Heng, and the way the period affected Heng's personal family life.
Beginning in March of 1942, in the midst of World War II, over 100,000 Japanese-Americans were forcefully removed from their homes and ordered to relocate to several of what the United States has euphemistically labeled “internment camps.” In Farewell to Manzanar, Jeanne Wakatsuki Houston describes in frightening detail her family’s experience of confinement for three and a half years during the war. In efforts to cope with the mortification and dehumanization and the boredom they were facing, the Wakatsukis and other Japanese-Americans participated in a wide range of activities. The children, before a structured school system was organized, generally played sports or made trouble; some adults worked for extremely meager wages, while others refused and had hobbies, and others involved themselves in more self-destructive activities.
The novel, When The Emperor Was Divine, tells the story of a Japanese family who was told to go to camp to be in surveillance during World War II, where Japan was an enemy of the United States. The story begins with signs being put up in communities to inform people of the internment of Japanese Americans, and one of the main characters, the mother “read the sign from top to bottom… wrote down a few words… then turned around and went home to pack” (Otsuka 3). The mother is told to follow the orders of the government and she complies due to her beliefs about the government, that they have positive intentions. The Japanese family left their home and were marginalized out of their community and were ordered to go to an internment camp. The reason for their evacuation and of other Japanese Americans is that since Japan was an enemy of the United States during World War II, many Americans in the United States believed that Japanese Americans were spies and were on the opposing side of the war. Americans did not trust Japanese Americans anymore and the Japanese were soon discriminated and marginalized in the community, just like the Japanese family in the novel, because the American communities felt threatened by their
During World War II, countless Japanese Canadians, and Americans, were relocated to internment camps out of fear of where their loyalties would lie. Because of this, those people were stricken from their homes and had their lives altered forever. Joy Kogawa’s Obasan highlights this traumatic event. In this excerpt, Kogawa uses shifts in point of view and style to depict her complex attitude and perception of the past.
The United States of America a nation known for allowing freedom, equality, justice, and most of all a chance for immigrants to attain the American dream. However, that “America” was hardly recognizable during the 1940’s when President Franklin Roosevelt issued Executive Order 9066, ordering 120,000 Japanese Americans to be relocated to internment camps. As for the aftermath, little is known beyond the historical documents and stories from those affected. Through John Okada’s novel, No-No Boy, a closer picture of the aftermath of the internment is shown through the events of the protagonist, Ichiro. It provides a more human perspective that is filled with emotions and connections that are unattainable from an ordinary historical document. In the novel, Ichiro had a life full of possibilities until he was stripped of his entire identity and had to watch those opportunities diminish before him. The war between Japan and the United States manifested itself into an internal way between his Japanese and American identities. Ichiro’s self-deprecating nature that he developed from this identity clash clearly questions American values, such as freedom and equality which creates a bigger picture of this indistinguishable “America” that has been known for its freedom, equality, and helping the oppressed.
While reading the fiction book, Good Kings Bad Kings I realized that there was a strong connection between what actually happened back in history to those with mental and physical disabilities. Even though the book was wrote to entertain, it also had me thinking about history. For example, while reading through the book I would relate back to some of the readings we read in class. These readings were “An Institutional History of Disability” and "Disability and Justification of Inequality in American History". Some of the key things that, also, stood out to me were the way the youth were treated, how workers were treated, how ableism was presented, and why people were put in these facilities.
She uses third person diction to construct an image of what the male and female consider regarding a situation that is not declared. Just like every other girl, it is implied that the daughter in the situation wishes to conform to society by having a Barbie Doll. An ironic situation arises as a result because the father doesn’t want his daughter to be influenced by the doll. He is concerned with how she may perceive beauty as a consequence of it. He states, “It's not just the pointy plastic tits, it's the wardrobes. The wardrobes and that stupid male doll, what's his name, the one with the underwear glued on?” (Atwood 491). The situation is ironic because throughout this vignette, women are characterized as being “fake” or “plastic”. Although the father’s concerns are valid, he doesn’t realize that his daughter would otherwise spend the rest of her time wishing to have the doll. Eventually, she would become just like that doll. Atwood summarizes this by saying “repression breeds sublimation.” (Atwood 491)
Feifer, George. Breaking Open Japan: Commodore Perry, Lord Abe, and American Imperialism in 1853. New York: Smithsonian Books/Collins, 2006. pp. xx, 389 p.: ill., maps; 24 cm. ISBN: 0060884320 (hardcover: alk. paper). Format: Book. Subjects: Japan Foreign relations United States /United States Foreign relations Japan.
Although the term “revolution from above” is often used to explain the GHQ’s method of postwar reform in Japan (Dower, 1999: p.69), I argue that a similar motivation was in effect in the U.S.’s efforts to isolate all Japanese descendants in America and subject them to coerced American soci...
Japanese immigration created the same apprehension and intolerance in the mind of the Americans as was in the case of Chinese migration to the U.S at the turn of the 19th century. They developed a fear of being overwhelmed by a people having distinct ethnicity, skin color and language that made them “inassimilable.” Hence they wanted the government to restrict Asian migration. Japan’s military victories over Russia and China reinforced this feeling that the Western world was facing what came to be known as “yellow peril”. This was reflected in the media, movies and in literature and journalism.4 Anti-Oriental public opinion gave way to several declarations and laws to restrict Japanese prosperity on American land. Despite the prejudice and ineligibility to obtain citizenship the ...
In Julie Otsuka’s novel, When the Emperor was Divine, the boy’s emotions are embodied through animals. In mid 1942, the boy and his family are displaced from their home in Berkeley, CA, and relocated to an internment camp. The family is forcibly imprisoned in response to Executive Order 9066, due to their Japanese heritage. The boy’s initial hope and innocence are expressed through a tortoise. The disappearance of these virtues become evident through the animal’s demise. Additionally, images of wild horses display the boy’s desire for freedom and an identity, while their death illustrates his inability to aspire to such things. A tortoise and horses manifest the boy’s internal struggles with his internment. The life and death of the creatures
In Yojimbo (Kurosawa, 1961), Sanjuro’s character arc primarily revolves around his mysterious nature as a quintessential no-name character. The audience first knows nothing about Sanjuro and his motives and has to learn more about him through his interactions with the other characters in the town. When he arrives at the desolate town overrun by rival gangs by the guidance of a toss of a stick, the audience is not quite sure what his purpose is to be there, only knowing that he stumbled upon the place by chance. Through his initial encounter with the restaurant owner, he appears to have conflicting interests in the town, planning to both ruin both the gangs all the while earning a solid sum of money. When Sanjuro begins utilizing his sword prowess