Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Literature as a reflection of history
Don’t take our word for it - see why 10 million students trust us with their essay needs.
1. In the poem Judge Somers, the Judge talks about how important and great he was as a judge, but is buried in an unmarked grave. The readers are never told quite why Judge Somers is buried in an unmarked grave, however I believe the reason that the Judge is buried the way he is because people simply did not like him. While Judges do have friends, they certainly have enemies as well. People may have thought many of Somers’ rulings were unfair, or were mad at him for putting them, or their family members, in jail. Judge Somers’ poem never mentions him being married, or having any family, and due to his work ethic I suspect he had little to no friends, so more than likely the townspeople took care of his burial. Judge Somers was important in life, but in death people wouldn’t even know who he was. 2. Mary McNeely is a heart-broken woman who simply cannot move on from her former love Daniel M’Cumber. Overcome by sadness, Mary moves in with her father towards the end of her …show more content…
In the poem titled Unknown the character tells a story about a hawk he shot then tried to befriend. The whole poem is a metaphor for what I think is a story about a friend the Unknown had hurt, then tried to help and gain back the trust of. The Unknown talks about how he wounded the bird, then placed him in a cage, then tried to feed him, but the bird just stayed mad at him. When people hurt someone it’s hard to gain back their trust, especially by trying to force them to do so. By “caging’ the bird the Unknown is just trying to force his friend to trust with him again. Near the end of the poem lines fourteen through fifteen say “Daily I search the realms for Hades For the soul of the hawk, That I may offer him friendship”, I take this as the Unknown saying that his friend had a soul from Hell by not finding the compassion to forgive him, especially after the Unknown had helped his friend. The poem never indicates that the Unknown and the “hawk” got along together, but I imagine they did
In the narrative poem “Cautionary Tale of Girls and Birds of Prey” the author, Sandy Longhorn, tells the story of a young girl who is afraid of a hawk, and her inconsiderate father who doesn’t take her concerns seriously. The story shows how her father is determined to get rid of her fear of the hawk, because he thinks it is both foolish and childish. The daughter very well knows the capability of the hawk, however her father doesn’t acknowledge it until it is too late. In the poem, Longhorn uses alliteration and rhyme to help explore the theme of how being inconsiderate towards others can in the end hurt you as much as it hurts them. The poem takes place on a little farm where the girl and her father live with all of their livestock.
I thought of the reading as just another environmental writing trying to bring light to extinction of a species of bird. Then once I sat down a few nights ago I read the passage and I started to tear up reading about these poor birds brutally hunted. I started to feel the same emotions as Stratton-Porter did when she saw the bag of birds at her neighbor’s house. What really shocked me about how these birds went extinct. No one else saw them as Stratton-Porters father did, biblically. Her father told the other men in their neighborhood about how killing off the quails were bad for farming. Stratton-Porter states, “These things he studied out and began to pass along to his neighbors, even to put in his sermons that he preached in the pulpit” (196). Towards the end, I really enjoyed with how Stratton-Porter saw the wild pigeon after they were thought to be extinct, with a price for its capture and had no desire to disturb the bird. Stratton-Porter states, “So here I was looking with all my soul at one specimen of a bird bearing on its head a price ranging from one hundred up, with no way and no desire to capture it” (204). The very last part of this piece blew me away by the emotion wave I got feeling the bird voicing his thoughts. With the extinction of the passenger pigeon, there has been conservation movements to protect the wildlife and there habitat from
...veryone else. He wakes up every day ready to crow his symbol to bring on that day. In the poem he is ready to protect all the female chickens, from another cock that could be in there house. He is ready to battle to the death for what he thinks is his. In this poem he uses ridicule, when he is talking about the old man in a terminal ward, and he also uses connotations. Some example of connotations are when he uses words like; enraged, sullenly, savagery, unappeased and terminal.
The poem's situation is simple, a lone traveler driving along a desolate canyon road spots a felled deer; the traveler, desiring neither to hit the deer, nor by swerving to avoid it, hurtle his car over the canyon precipice, stops his vehicle and proceeds to push the fallen animal over the canyon face, into the river below. As the driver struggles to displace the cold, stiff deer corpse he senses warmth emanating from its abdomen, it's an unborn fawn. Realizing that life remains in the body he had assumed dead, the traveler hesitates. Finally, he pushes the deer, one dead and the other not yet alive, off the road and into the chasm.
Mary Maloney was pregnant… Her hormones were all over the place. Patrick Maloney was putting too much pressure on her. By asking for a divorce and treating her really bad. He knew that she was pregnant and still asked for a divorce and was having an affair. He was only going to send money to his kid. Patrick was abusive physically and emotionally.
This gives the effect that although there is mass devastation, there is always a light at the end of the tunnel, in this case for the eagle, the leftover remains of a carcass. However, as seen throughout the poem this isn’t the case for everyone and everything as the dead or dying clearly outnumber those prospering from the drought. This further adds to the miserable and discouraging mood of the poem. Other poetic devices are also used during the course of the
The poem makes an almost undecipherable, literal tone within the sound of the rhyme scheme, also creating calm peace with a mostly unpleasant situation. An example is the reoccurring line, “I have a rendezvous with Death” (Seeger 1, 5, 11, 20). The word “rendezvous” is a nice word where a person would meet somebody out of free will, even like two lovers seeing each other. Regardless, death is the unknown for many humans to fear. The narrator has arranged to meet with an experienced person known as death.
Our first primary statement is about her emotions. At first we see that Ms. Maloney is a wonderful, kind, and a: “ curiously peaceful “ ( Dahl 1 ), person who takes care of her husband Patrick, no matter what happens to her as long as her husband is happy. However after hearing the news from her husband that he wanted a divorce, she started becoming darker, and cold throughout the story. Some examples include: “ All right, she told herself. So I’ve killed him “ ( Dahl 3 ), as well as “ In the other room Mary Maloney began to giggle “ ( Dahl 5 ). This Statement
Whenever the narrator questions the Raven on when his deceased love will return, or when he will stop grieving, the Raven responds with the repeated word “Nevermore” (Poe 102). The bird’s incessant reminders signify that since Lenore’s death is eternal, the narrator’s consequent anguish from it must be as well, which is why the narrator is incapable to ever recover from the Raven’s words on his loss. For, this leaves an everlasting impression on the narrator, prompting him to demand the bird, “‘Take thy beak out of my heart’” (Poe 101). In this metaphor, the author alludes that the Raven’s ‘beak’ is the words it is saying to the narrator, and the ‘heart’ is not representative of the narrator’s physical heart, because the bird is not physically attacking the speaker, but is making him aware of his eternal loss and irreversibly breaking him down emotionally. Therefore, Poe’s use of repetition and metaphor aid him in expressing the loss induced anguish of the
...ersion of the “bronze cock on a porphyry/pillar” serves to “convince/all the assembly” that the cry of the rooster is not only one of denial. The end of the poem serves to revert back to the backyard dawn the roosters initially announced. The point of view changed from the realm of the sculpture to focus on the gradual growth of nature from “underneath,” as the “low light” of the sun gilds the “broccoli, leaf by leaf.” The emphasis on militarism takes a back seat to Christian forgiveness, which then yields to nature. Bishop doesn’t endorse any one perspective of the rooster’s contradictory symbolic meanings thus preserving the disjunctive quality of the poem. The new order introduced by the sun is ambiguous and unstable as its faithfulness is likened to that of an “enemy, or friend” making the almost “inaudible” roosters withdraw along with their “senseless order”.
These seemingly negligible birds, symbols of the lyric voice, have intuited the Oven Bird's lesson and are the signs by which one is meant to divine Frost's acceptance of the linguistic implications of the fall from innocence. The Oven Bird, who watching "That other fall we name the fall" come to cover the world with dust, "Knows in singing not to sing." Instead, "The question that he frames in all but words / Is what to make of a diminished thing." The fall, in necessitating both birth and death, imposes a continuum of identity that compromises naming. The process toward death, begun with birth, transmutes and gradually diminishes form, thus adding to the equation - words are things before they become words and things again when they do - an element of inevitable, perpetual senescence. The birds of "A Winter Eden" say "which buds are leaf and which are bloom," but the names are always premature or too late: gold goes to green, dawn to day, everything rises and falls and is transformed. Thus the Oven Bird says, "Midsummer is to spring as one to ten," because a season - this or any other - may only be codified analogously. "Fall" takes on a series of identities: petal fall, the fall season, the first and fortunate fall, each of which bears, at the moment of articulation, the burden of a whole complex of moral, aesthetic, and literary valuations. This bird is a "midsummer and a midwood bird" that sees things at the moment of capitulation to the imperatives of fall. Loud, he predicts the inevitable, and his "language" reflects the potential meaninglessness of a world in which one is forced to define a thing by what it departs from or approaches rather than what it "is." To...
To briefly summarize this poem, I believe that the poem could be separated into three parts: The first part is composed in the first and second letters, which stress on the negative emotions towards the miserable pains, illnesses that the parents are baring, and also their hatred of the birds. The second part, I believe will be the third and fourth letters, which talks about the birds’ fights and the visiting lady from the church. And the last part, starts from the fifth letters to the rest of them, which mainly describe the harmonious life between the parents and those birds.
Although this poem is reverent to the yellow bird, it is undoubtedly about its death and burial; it is a poem about beauty that has been “extinguished”. The “electric, excited, murmurous”(36-38) bird whose beauty pertained to its “defiance”(54) was entrapped, restricted, forced to go against its natural ways. Even when Neruda mentions the beauty of the bird, he does not forget to attach the reminder that it no longer exists or that it was taken away from the bird. The characteristics, the “yellow flashes, the black lightning”(lines 10-11), that once made the bird one with nature were covered in dirt when it was buried. Readers can imagine not only the bird encaged and dead, but also the way Neruda associated its color and way of being to one of nature 's occurrences. So when the reader imagines the bird buried, they also see yellow and black lightning. And the inevitable noise and the feeling of fearful amazement that comes with it. The burial of a bird is also a reminder of the mood at people’s funerals. Moreover, many people keep birds as pets trapped in a small cage rather than let it be free where it 's supposed to be. Many times, the captors are aware of the cruelty but still wish to selfishly and without benefits hold on to their beauty and not let it go. Intertwined in
As the priest on the island, Father Quinn feels he must bring Mary back to reality, but he finds it nearly impossible. He turns to his friend, Brian, who ends up convincing Mary to marry him. They have one child, Liam, and as famine and depression hit the island they live on, they are given the opportunity of a lifetime.
bird as the metaphor of the poem to get the message of the poem across