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Analysis of the novel Heart of Darkness
Analysis of the novel Heart of Darkness
Discuss the portrayal of precolonial Africa in Joseph Conrad's Heart Of Darkness
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Recommended: Analysis of the novel Heart of Darkness
Turn-of-the-Century Literature Unit Test, Part 2
Joseph Conrad’s Heart of Darkness is a complex novel which alludes to the evils of the human condition. Through the eyes of the narrator, Marlow we are able to observe early European imperialism in central Africa. The secondary protagonist in the novel, Kurtz, is a European idealist who is left indefinitely traumatized by his presence in the Congo. As the reader follows Marlow’s journey to the “heart of darkness” we learn more and more about the secondary protagonist. His ideas are drastically changed as before meeting Kurtz- Marlow romanticized his life. When he finally meets him, he learns that Kurtz is not what others claimed. Through literary elements such as paradoxes and diction, the reader
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can conclude why the narrator has such ambivalent feeling about Kurtz. The novel’s prominent thread is highlighted through paradoxes, the paradox of detachment in the face of crimes against humanity is especially seen through Marlow's relationship with Kurtz. Not long after beginning his journey does Marlow first hear of Kurtz. Kurtz is a mysterious figure, Marlow learns that he is a prominent figure in the Company and he is utterly devoted to providing them with ivory supplies. Marlow becomes increasingly fascinated with the man as he hears many stories pertaining to him. Marlow initially thinks of him as an anomaly, he believes unlike other members of the Company he is not driven by profit. In the end, this idea is proved to be incorrect. After meeting Kurtz, he realizes the effect that power has on the individual as he observes Kurtz has been driven to madness. Even after learning the atrocities he has committed- he remains ambivalent. He justifies his actions by attributing them to being immersed in African culture. Instead of holding Kurtz accountable for his hostilities he suggests that his actions were due to the fact that he turned his back to “European ideals.” As he narrates Kurtz’s death the reader is able to conclude his true feelings pertaining to the well-known imperialist. As Kurtz dies the paradox of detachment is especially apparent. Phrases such as his "magnificent folds of eloquence" suggests that Marlow still inwardly holds respect for Kurtz despite being aware of his despicable nature seen through the "barren darkness of his heart.” He describes his “obsequiously round his inextinguishable gift of noble and lofty expression” alluding to his internal appreciation of Kurtz as he continues to praise him for his poise and compelling personality. This can be seen as evidence for the paradox of detachment in the face of crimes against humanity as he is able to look past his horrible actions. His connection to Kurtz continues throughout the entire novel, even though his romanticized idea changes over time, he still remains ambivalent. Additionally, strong diction is employed when conveying the narrator's feelings towards Kurtz.
In the beginning, Marlow is intrigued by the mystery of him. He frequently eavesdrops and takes note of what others disclose. When given any free time, such as when waiting for rivets to construct his ship, he thinks about Kurtz. Finally after meeting him and getting to know him his feelings change drastically. As Kurtz passes away the reader is able to observe Marlow’s underlying feelings. He explains Kurtz’s shallow nature explaining “My Intended, my station, my career, my ideas—these were the subjects for the occasional utterances of elevated sentiments.” This quote exemplifies strong diction- the repetition of words such as “my” capture the extent of how egotistical he was. Marlow conveys the impertinence of “wealth and fame” as the delusional dying man reflects on his previous judgments. On the other hand, diction such as “the shade of the original Kurtz” gives the image of the man that Kurtz once was creating the sense that Marlow is honoring Kurtz, a stark contrast to the reaction one would expect in light of Kurtz's actions. After his death, Marlow is left in control of maintaining Kurtz’s honor. Instead of telling others Kurtz’s satirized idea of "the noble cause" and "the cause of progress" which he used to justify killing, Marlow chooses to maintain his
reputation. In conclusion, Conrad’s novel Heart of Darkness portrays the narrator's journey in which he is forced to grapple with his equivocal feelings towards Kurtz, the epitome of the effects of imperialism and greed on the individual. Despite acknowledging the crimes and enormity he had committed, Marlow is able to justify his actions by attributing them to being immersed in African culture. Seen through strong contrasting diction, Marlow struggles to maintain his feelings of connection towards Kurtz, but ultimately he chooses to maintain his honor after his death. This, in turn, demonstrates the paradox of detachment in the face of crimes against humanity. detachment in the face of crimes
In Heart of Darkness, all of Joseph Conrad’s characters seem to have morally ambiguous tendencies. The most prominently morally ambiguous character is Kurtz, whose distance from society changes his principles, and leads him to lose all sense of decorum. Conrad takes a cynical tone when describing Marlow's journey. Marlow's voyage through the Congo gives him insight to the horrific, dehumanizing acts that his company and Kurtz conduct. Conrad creates a parallel with the tone of his writing and the misanthropic feelings that the main character experiences. Furthermore, Conrad creates a frame story between Kurtz and Marlow, adding to the symbolism and contrast between contextual themes of light and dark, moral and immoral, and civilization and wilderness. After being sent on a horrific journey into the Congo of Africa, as an agent for the Company to collect ivory, Marlow finds the infamous and mysterious Kurtz. Kurtz, who has totally withdrawn from society, and has withdrawn
"Heart of Darkness , which follows closely the actual events of Conrad's Congo journey, tells of the narrator's fascination by a mysterious white man, Kurtz, who, by his eloquence and hypnotic personality, dominates the brutal tribesmen around him. Full of contempt for the greedy traders who exploit the natives, the narrator cannot deny the power of this figure of evil who calls forth from him something approaching reluctant loyalty."[1]
The force of Joseph Conrad's Heart of Darkness lies in the strange relationship between Marlow and Kurtz, and the responses of Marlow to what Kurtz has evoked in him. Ultimately, the novel functions as a subjective account of one man's experiences with what he believes to be a more essential and more pure state of man. That much of the novel consists of Marlow's attempts to understand, define, and redefine his opinion of Kurtz points to this man's importance in Marlow's views of the primitive state of humanity. Kurtz functions as a European who has crossed the line from European civilization to African barbarism. Thus he becomes emblematic of the European experience in this environment, and his fate looms as a possibility for Marlow. What emerges as more interesting, however, are the parallels between Marlow's understanding of Kurtz and the primal family in Sigmund Freud's Totem and Taboo. Marlow's attitudes toward Kurtz develop in the same pattern as Freud's description of the original dynamic between father and son; this parallel consequently implies the connection of Kurtz to the primitive and the inability of Marlow to escape society.
Heart of Darkness is Joseph Conrad's tale of one man's journey, both mental and physical, into the depths of the wild African jungle and the human soul. The seaman, Marlow, tells his crew a startling tale of a man named Kurtz and his expedition that culminates in his encounter with the "voice" of Kurtz and ultimately, Kurtz's demise. The passage from Part I of the novel consists of Marlow's initial encounter with the natives of this place of immense darkness, directly relating to Conrad's use of imagery and metaphor to illustrate to the reader the contrast between light and dark. The passage, although occurring earlier on in the novel, is interspersed with Marlow's two opposing points of view: one of naïveté, which comes before Marlow's eventual epiphany after having met Kurtz, and the matured perspective he takes on after all of the events leading up to his and Kurtz's encounter.
In Joseph Conrad’s short story, “Heart of Darkness,” the narrator, Marlow language, and point of view to convey the conflicting emotions he has about Kurtz due to the image he fabricated Kurtz to be, and the reality of Kurtz. Marlow’s language throughout the piece reveals to the reader how he feels about Kurtz and how he perceives Kurtz’s actions. Marlow’s point of view also allows him to support both of his perceptions of Kurtz because he doesn’t see only bad or only good in
Heart of Darkness by Joseph Conrad is a novel about a man named Marlow and his journey into the depths of the African Congo. Marlow is in search of a man named Kurtz, an ivory trader. Though Marlow?s physical journey seems rather simple, it takes him further into his own heart and soul than into the Congo. The setting, symbols and characters each contain light and dark images, these images shape the central theme of the novel.
Throughout its entirety, Joseph Conrad’s Heart of Darkness utilizes many contrasts and paradoxes in an attempt to teach readers about the complexities of both human nature and the world. Some are more easily distinguishable, such as the comparison between civilized and uncivilized people, and some are more difficult to identify, like the usage of vagueness and clarity to contrast each other. One of the most prominent inversions contradicts the typical views of light and dark. While typically light is imagined to expose the truth and darkness to conceal it, Conrad creates a paradox in which darkness displays the truth and light blinds us from it.
Nietzsche cringes before the civilization of Europe and seeks a man unencumbered by moral principles, principles that he believes form from the stifling existence of being surrounded by weaker beings. Nietzsche’s cry for a superhero is realized in the quest of Marlow in Joseph Conrad’s novella, Heart of Darkness. Marlow travels up the Congo River in Central Africa, driven by curiosity that morphs into raving monomania to find the premier Belgian ivory trader, Kurtz, a man seemingly distinguished from the hollow men of the Company, a man to make Nietzsche proud. But the average reader is not proud, as through Heart of Darkness Conrad displays for him the horror that lurks within his own soul through the flow of the story ever inward from the mouth of the Congo, to the Belgian ivory stations, to the innermost darkness, Kurtz himself. Conrad’s narration is as smooth as a stream with a barely perceptible current bearing readers along with his story in blissful contentment, only to be jostled suddenly by waves of uncomfortable fact, then let down into lethargy and sweet beautiful language again.
Marlow’s thoughts are so consumed by Kurtz, that he is built up to be much more of a man than he truly is. In turn, Marlow is setting himself up for a let down. He says at one point, “I seemed to see Kurtz for the first time...the lone white man turning his back suddenly on the headquarters, on relief, on thoughts of home...towards his empty and desolate station”(P.32). When Marlow reaches Kurtz’s station, he begins to become disillusioned. He begins to hear about, and even see, the acts that Kurtz is committing, and becomes afraid of him. He sees in Kurtz, what he could become, and wants nothing to do with it. He does not want people to know he has any type of relationship with him, and says in response to the Russian, “I suppose that it had not occurred to him that Mr. Kurtz was no idol of mine.” (P.59). It is at this point that he begins to discover the darkness in his heart.
Heart of Darkness by Joseph Conrad is one of the most widely recognized and acclaimed novellas written. But with fame and recognition comes controversy, which is clearly demonstrated by the broad interpretations of the book. Many people believe Heart of Darkness is racist, while others believe the book is perfectly civil. Chinua Achebe, one of Africa's most renowned novelists, strongly believes that the book is dehumanizing and racist; I agree with him, to a certain extent. Three of the most prominent ways that Achebe discusses Conrad’s racism is by the way the African people are portrayed, the African culture, and the comparison of Europe to Africa.
The child’s game had ended. After I nearly ran Kurtz over, we stood facing each other. He was unsteady on his feet, swaying like the trees that surrounded us. What stood before me was a ghost. Each layer of him had been carved away by the jungle, until nothing remained. Despite this, his strength still exceeded that of my own. With the tribal fires burning so close, one shout from him would unleash his natives on me. But in that same realization, I felt my own strength kindle inside me. I could just as easily muffle his command and overtake him. The scene flashed past my eyes as though I was remembering not imagining. The stick that lay two feet from me was beating down on the ghost, as my bloodied hand strangled his cries. My mind abruptly reeled backwards as I realized what unspeakable dark thoughts I had let in. Kurtz seemed to understand where my mind had wandered; it was as though the jungle’s wind has whispered my internal struggles to him. His face twisted into a smile. He seemed to gloat and enjoy standing by to watch my soul begin to destroy itself.
One of the central tragedies of Joseph Conrad’s Heart of Darkness is the insanity of Mr. Kurtz. How could a man who seemed so good, so stable, suddenly become so mentally lacking? Through the deterioration of Kurtz’s personality and Marlow’s response to his breakdown, Conrad explores the elements of strong versus weak characters.
...o, while the novella’s archetypal structure glorifies Marlow’s domination of Kurtz. These two analyses taken together provide a much fuller and more comprehensive interpretation of the work. Conrad presents the idea that there is some darkness within each person. The darkness is is inherited and instinctual, but because it is natural does not make it right. He celebrates – and thereby almost advises – the turn from instinct. By telling Marlow’s tale, Joseph Conrad stresses to his audience the importance of self-knowledge and the unnecessity of instinct in civilization.
Within each man there is a thing of shadow and opposite representation. It is within the dark side that the animal is hidden. Behind society's obligation and humanity's offered mold there exists a wild whisper of simplistic want. Each man is a moon and each moon is of two faces, one dark and one light, one shown and one hidden. In Heart of Darkness the character Marlow journeys deep into the Congo River to discover the evil within the Id, within human nature.
Modernism began as a movement in that late 19th, early 20th centuries. Artists started to feel restricted by the styles and conventions of the Renaissance period. Thusly came the dawn of Modernism in many different forms, ranging from Impressionism to Cubism.