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An analysis of the matrix
Essays on joseph campbells monomyth
Archetypical hero analysis
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The Matrix of The Monomyth The amount of hero stories and films created is nearly infinite. A simple meaning of hero provided by Merriam-Webster is “a person who is admired for great or brave acts or fine qualities.” Additionally, a hero is thought to be a relatable, influential, and versatile character as they can be presented in a plethora of ways. The physical attributes, motivation, type of situations faced, and number of heroes in a story may change from one book or movie to another. However, the main plot of each hero story almost always includes a variation of the tried-and-true elements of the monomyth created by Joseph Campbell. The monomyth is a series of categories and subcategories that serve as plot points a hero typically goes …show more content…
In this world the hero encounters “a blunder” that “reveals an unsuspected world” and could “amount to an opening of destiny” (Campbell, 46). This is the hero’s call to adventure. The Matrix proposes at least two calls to adventure. The first call was presented to Neo via a computer message stating, “Follow the white rabbit.” He accepts the call and meets Trinity, a woman who ensures him that his belief in the matrix is true. Later Neo receives a phone call from Morpheus who presents two ways to deal with the agents who are after him —either onto the “scaffold or into their custody.” This is a second call to adventure for …show more content…
The events in the return portion of the hero’s journey are not clean cut, but rather jumbled together in The Matrix. The return typically begins with a refusal of return by the hero, but Neo does not execute such events. The second subcategory of the return is the hero’s magic flight. The magic flight takes place when the hero returns to the world “with some elixir for the restoration of society” (Campbell, 182). Neo attains the elixir, which is complete knowledge of the matrix. He returns to the matrix to educate people of their situation. He offers “a world without rules and control, without borders or boundaries. A world where anything is possible.” Then he literally jumps to fly up from the ground and the movie ends. The third step in the return of the hero’s journey is a rescue from without. In many cases a hero will need to be brought back from the secondary world by “assistance from without” (Campbell, 192). Neo receives assistance in two different ways. Tank is on the phone helping Neo navigate his way to the nearest landline so he could return. Trinity also plays a large role by emotionally helping Neo return. She whispers to him that The Oracle said she would fall in love with the one and then confesses her love for Neo. This gives Neo the strength to resurrect himself in the matrix and continue fighting the
In their film, The Matrix, Andy and Larry Wachowski have included many literary allusions and symbols to enhance the appeal of this groundbreaking science fiction film. As incredible as the special effects and cinematography are in this film, the Wachowski brothers have significantly bolstered the appeal of The Matrix by an elaborately constructed story spanning time and reality. These allusions and symbols include references from infamous writers such as Lewis Carol, Jung, John Bunyan and Descartes. However, the most meaningful and abundant references come from The Holy Bible.1
Most myths have a common pattern between them. Today, this pattern is often seen in some of our most beloved motion pictures. Joseph Campbell-a respected 20th century American mythologist, lecturer, and writer- observed this and created a theory based off of the similarities he saw. He showed the world that almost every story with a hero follows the three stages in his theory he called “Monomyth” (Campbell). The monomyth, often times called “The Hero’s Journey” or “The hero with a thousand faces”, includes the departure, initiation, and return stages (Campbell). In these stages the hero leaves his normal life behind, fulfills him/herself in some activity, and returns as a hero (Campbell). These stages can be applied to a smash hit released in 2009, a science-fiction film titled Star Trek. James T. Kirk in Star Trek closely follows Campbell’s theory as he departs from his childhood home in Iowa, fights a rogue Romulan enemy, and returns to Earth as a Starfleet captain.
The protagonist Thomas Anderson in the series is one of billions of humans connected to the Matrix, he is a quiet programmer for the "respectable software company" Metacortex. Thomas Anderson is the character in the movie whose later alias becomes “Neo”. Which an anagram for “the one” a name that is most profound parallel to the Bible. Coincidence I think not. Neo is the Christ-figure in The Matrix who is sent to liberate men from their fallen and enslaved state Zion that is the last human city on earth, paralleling the Zion of the Bible. Morpheus and other believers herald him as the “One.” Neo or Christ sets humans free from the matrix or sin as agent Smith who in terms is Satan. Neo has a resurrection scene at the end of the first installment of The Matrix. In this scene Smith kills him, and his coming back to life serves as a testament to his power, and sets the stage for Neo’s final sacrifice at the end of the third movie. It is the scene at the end of the trilogy when Neo makes his Christ-like death. After this sacrifice, Neo is lifted into the sky, the same way one might describe Christ’s resurrection. Neo's performance was so good that famous hollywood director Quienten
What gives the final touches of the perfect case of the hero myth is the transformation. Becoming a new person, he had lost his hand in an explosion and received his enemy’s hand. Therefore, he had to learn to control it, just like he had to learn how to control his livid temper. Connor became the head, the one that a thousand runaways looked up to, to guide them and protect them.
In one of Plato’s works called The Allegory of the Cave he goes over what it means to get higher knowledge and the path you have to take to get to this higher knowledge. Plato also goes over how this higher knowledge or enlightenment will affect people and how they act. He ties this all together through what he calls the cave. Plato tells Glaucon a sort of story about how the cave works and what the people within the cave have to do to get to the enlightenment. A while down the road the Wachowski siblings with the help of Warner Brothers Studios made a movie titled The Matrix. This movie follows the came concept that Plato does in the cave. With saying that the world that Neo (the main character) was living in was in fact not real but a made
Neo discovers that what he has been presented with his entire life is only reflections, or merely shadows of the truth. This theme is carried throughout the movie as we see ...
The overarching stages of these steps defines the important trilogy of the departure, the initiation, and the return of the hero in the spiritual, physical, and emotional changes that are experienced in this mythic cycle. Campbell’s insightful evaluation of the ten stages of the hero’s journey define the initial reluctance of the hero to follow his destiny, yet he or she slowly walks through the various obstacles and the awakening of consciousness through the death and rebirth of their identity. Finally, the return of hero to “home” reveals the liberation from previous prejudices and limitations of the mind, soul, and body that were present before they partook in the adventure. Surely, Campbell’s’ heroic cycle defines the overarching challenges of selfhood that the hero must endure to raise his or her consciousness to a higher level of understanding and realization. These are the important aspects of the ten stages of Campbell’s heroic journey that define the transformative nature of the journey and the hero’s initiation into the mysteries of life in this mythic theory of the heroic
Trinity tells Neo, “The Matrix can not tell you who you are”. Neo is brave enough to walk away and take the red pill, just like the freed prisoner, Neo , and human kind itself, are making the first step towards personal independence.
In the movie, The Matrix there are many similarities with the book, Do Androids Dream of Electric Sheep? One similarity is that of the matrices in both works. The movie has a matrix of dreams. According to the movie, humans are dreaming. Dreaming means that the reality humans think of, is not reality. The reality humans think of, is a dream. Confusing, isn t? An easier way of understanding this matrix is to think of human dreams. When humans experience dreams, it is not perceived as a dream until the dream ends. The movie exemplifies humans in the dream state of mind, similar to the dreaming stage. Neo is exposed to his real matrix. The matrix outside of his perceptual reality. He is able to perform with an incredible flexibility and high speed thinking. He is no longer dreaming, or as Neo called it, living. Neo has waken up. The book shares this matrix as well.
The hero must share their boon with the world but, like the call to adventure, the call to return canbe refused. One such example is in the story of the Hindu warrior-king Muchukunda. When he won a battle against demons, he asked that the gods grant him unending sleep. He went to a cave in the mountains that separated him from the normal world. Muchukunda later returned to the land only to find that he was an giant compared to the man that inhabited it (Campbell 167-169).
Joseph Campbell splits the idea of the hero’s journey into three stages: departure/separation, Initiation, and the return. Not all heroes’ journeys are the same, for example, some do not have a return or the hero might be thrown right into the initiation (Campbell's 'Hero's Journey' Monomyth). Richard’s case of a hero’s journey is different from the normal journey because he is thrown into the situation with zero idea of what is going on and he has to help Door find out about her parents’ death and return himself to the normal life, facing many challenges along the way. There are many events in this novel similar to Joseph Campbell’s sequence of actions often found in stories. Richard has to go through the call to adventure, which is part of the departure, where he figures out about the quest he is on. “You can’t go back to your old home or your old job or your old life… None of those things exist. Up there, you don’t exist” (Gaiman, 127). This quote from Marquis de Carabas expresses when Richard crosses the first threshold which is the point in which he realizes that there is no turning back, this is when he realizes he is part of the underworld and non-existent in the normal world. He receives supernatural aid, which is part of the departure, from several people along the way, including Door, Marquis de Carabas, Hunter, Anasthesia, and Old Bailey. Another action of the departure
What does it take for someone to be a hero? There is a set of rules that is known as the monomyth, or also referred to as the hero’s journey. The novel Treasure Island by Robert Louis Stevenson follows the story of a young boy named Jim Hawkins who embarks on an adventure to find a buried treasure. Throughout the story he learns to become independent and survive on his own while on a ship filled with strangers. Some key aspects of the hero’s journey are that they involve a call to adventure, tests, elixirs and more. Treasure Island is a prime example of a story that follows the monomyth, as it contains all of the aspects that the monomyth portrays.
Let me briefly explain a simplified plot of The Matrix. The story centers around a computer-generated world that has been created to hide the truth from humans. In this world people are kept in slavery without their knowledge. This world is designed to simulate the peak of human civilization which had been destroyed by nuclear war. The majority of the world's population is oblivious to the fact that their world is digital rather than real, and they continue living out their daily lives without questioning their reality. The main character, Neo, is a matrix-bound human who knows that something is not right with the world he lives in, and is eager to learn the truth. He is offered the truth from a character named Morpheus, who proclaims that Neo is “the One” (chosen one) who will eventually destroy the Matrix, thereby setting the humans “free.” For this to happen, Neo must first overcome the Sentient Program agents who can jump into anyone's digital body. They are the Gate Keepers and hold the keys to The Matrix.
Joseph Campbell was a well known mythology teacher who spent his whole life trying to understand the different types of stories that are told. To Campbell “all humans are involved in a struggle to accomplish the adventure of the hero in their own lives.” He made a list of stages that every hero goes through, and sums it up to three sections: separation (the departure), the initiation, and the return.
... the man may have felt hunger,pain and etc... he had not lived a life where he was a human who had controll of his realiy and did what he wished to do. The shadows and the fire is something he saw and when he went out, the sun struck his eyes it was blinding and all but he experinced something Neo never have experinced.