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Down syndrome in a paper
Down syndrome in a paper
Down syndrome in a paper
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Through one of the most relatable journeys one will take in life Jon Stallworthy takes us on both the literal and metaphorical path. A father rushing to the hospital for the birth of his own son. We are taken on a deeper path of significance through Stallworthy’s use of imagery, word choice and mood in this poem so as we can directly relate to the events thus unfolding. A man rushing to the hospital only to find that his son once born has Down syndrome, the reader can feel a real sense of connection with his emotions. On the way to the hospital the reader can feel the sense of glee in the father’s emotions. The excitement about the journey continues as he gets closer, the simile in section one “the lights were green as peppermints” (Stallworthy …show more content…
This is full of great image, of the river of life; blood running under bone, teaming with life running from father to son across ages. In this literal sense of relation from the speaker to his son the reader can sense the physical bond between father and son and his sense of elation as he thinks about passing his life down generation to generation. By the end of section four metaphorically one can feel the father’s sense of accomplishment through him welcoming his new son into the world, “Welcome/ to your white sheet,/ my best poem!” (46-48). The word choice there “my best poem” suggests that he thinks of his son as his best piece of work, by welcoming him into the new …show more content…
He is told that his son has Down syndrome. This ultimately brings his world crashing down, the imagery in section five has such cutting words, that bring a real negativity to the piece. “scissored the calm” (51), this slicing can be thought of as an element of pain, also foreshadowing the bad news that has yet to come where he is actually told that his son has Down syndrome; like the dead silence that takes ahold of your surroundings when big news is about to be shared. His relation to his son has been shattered in section six, the evidence to support this is the figurative use of “This was my first death” (65). These words can be taken that this is the first time he has ever felt this much pain or been this upset. In the time of great crisis though we ourselves can feel distanced from our bodies, sometimes described as being outside looking in, “Looking down from a thousand feet” (74). Thus his relation with his son seeming distanced and furthered away as time passes, “my son sailed from me; never to come/ ashore into my kingdom/ speaking my language” (94-96). This evidence uses great imagery to show that he sees his son as sailing away from his because of his
This is displayed in lines one through five, as he expresses through imagery the bliss of a first chapter. Many examples of positive imagery is displayed when he says lines such as, “how even the banisters are polished for us, / that we feel free to walk out / with the lady of the house and smoke / a cigarette, down the grand alley of elms” (9-12). The fact that the poet enjoys the first chapter of a book helps develop a positive connotation towards the chapter, which helps contribute to the innocence of the first chapter. When readers relate this to their own life, they will think back at how joyous and buoyant their early life was. The first chapter and early childhood go hand-in-hand because they are both so simple. The first chapter is mostly the exposition, where you explain the time, place, and characters. Nothing that furthers the plot or suspense of the book is introduced in the first chapter. The poet institutes this simplicity by saying, “Nothing really happens now, / beyond the delivery of breakfast trays” (15-16). This can relate to one’s own childhood because no sense of responsibility is established. So, someone will be stuck being a kid with no worries of the outside world and no mature
The poem being separated into two indicates change of direction. In the sestet, there is a sudden change in emotion. The first line, ‘the final hour’, immediately shows this. The father is now dying. Weak. ‘Your hands between the sheets’ indicates that the father is in a bed, suggesting restricted physical movement, unlike before. There is then a role reversal, as the son is lifting the fat...
The descriptions and words used create the most vivid images of a mother’s escape to freedom with her son. This poem takes you on both a physical and emotional journey as it unravels through the treacherous demands of freedom. A beautiful example of her ability to rhyme both internally as well as externally can be seen here,
The use of third person omniscient point of view allows the reader to know the inner thoughts of both characters in the poem. By knowing the thoughts of the father and his son, the reader is able to see both the father’s concerned thoughts and his son’s desire for a
While most of us think back to memories of our childhood and our relationships with our parents, we all have what he would call defining moments in our views of motherhood or fatherhood. It is clearly evident that both Theodore Roethke and Robert Hayden have much to say about the roles of fathers in their two poems as well. While the relationships with their fathers differ somewhat, both men are thinking back to a defining moment in their childhood and remembering it with a poem. "My Papa's Waltz" and "Those Winter Sundays" both give the reader a snapshot view of one defining moment in their childhood, and these moments speak about the way these children view their fathers. Told now years later, they understand even more about these moments.
At the beginning of the poem, the audience is able to witness an event of a young boy asking his father for story. While the father was deemed a “sad” man, it is later shown that his sadness can be contributed to his fear of his son leaving him. The structure then correlated to the point of going into the future. The future was able to depict what would happen to the loving duo. The father's dreams would become a reality and the son's love and admiration would cease to exist as he is seen screaming at his father. Wanting nothing to do with him. The young, pure child can be seen trying to back lash at his father for acting like a “god” that he can “never disappoint.” The point of this structure was not really a means of clarification from the beginning point of view, but more as an intro to the end. The real relationship can be seen in line 20, where it is mentioned that the relationship between the father and son is “an emotional rather than logical equation.” The love between this father and son, and all its complexity has no real solution. But rather a means of love; the feelings a parent has for wanting to protect their child and the child itself wanting to be set free from their parents grasp. The structure alone is quite complex. Seeing the present time frame of the father and son
The poem is written in the father’s point of view; this gives insight of the father’s character and
For my poetry paper I chose to examine poetry from the family album. The family album stood out to me significantly because I thoroughly enjoyed all of the poems because I had a personal connection with it. Family has always been an important part of my life and I think this particular album speaks volume. This album has many levels to it, some deeper than others. I feel that from reading poetry, it expands our ability to think and form ideas that we would have not thought about before. Poetry gives readers the ability to make connections on a deeper level and see things from a different perspective. The two poems that spoke to me in this album specifically were “Those Winter Sundays” By Robert Hayden and “Begotten” by Andrew Hudgins. These two poems are both similar because they are from a son’s point of view, talking about their parent(s). “Those Winter Sundays” was one of my all-time favorite poems from this album because it shows a hard working father who is dedicated to his family, but does not get any recognition for his hard work.
father’s childhood, and later in the poem we learn that this contemplation is more specifically
... In fact, the mother even recollects how like an infant he still is as she reflects on his birth and "the day they guided him out of me", representing her denial at her son's pending adulthood. The son's rite of passage to manhood, his acceptance of the role of host and peacemaker and unifier, is a shocking one for both speaker and reader. To unite his comrades, he comments "We could easily kill a two-year-old" and the tone of the poem changes finally to one of heartlessness at the blunt brutality of the statement.
Scott Hightower’s poem “Father” could be very confusing to interpret. Throughout almost the entirety of the poem the speaker tries to define who his father is by comparing him to various things. As the poem begins the reader is provided with the information that the father “was” all of these things this things that he is being compared to. The constant use of the word “was” gets the reader to think ‘how come the speaker’s father is no longer comparable to these things?’ After the speaker reveals that his father is no longer around, he describes how his father impacted him. Details about the father as well as descriptions of the impacts the father has distraught on the speaker are all presented in metaphors. The repetitive pattern concerning the speaker’s father and the constant use of metaphors gives the reader a sense that the speaker possesses an obsessive trait. As the reader tries to interpret the seemingly endless amount of metaphors, sets of connotative image banks begin to develop in the reader’s mind. Major concepts that are expressed throughout the poem are ideas about what the speaker’s father was like, what he meant to the speaker, and how he influenced the speaker.
... overall themes, and the use of flashbacks. Both of the boys in these two poems reminisce on a past experience that they remember with their fathers. With both poems possessing strong sentimental tones, readers are shown how much of an impact a father can have on a child’s life. Clearly the two main characters experience very different past relationships with their fathers, but in the end they both come to realize the importance of having a father figure in their lives and how their experiences have impacted their futures.
The repetition of the... ... middle of paper ... ... ld of art and literature. Since the "marriage", the parent generation, is already dead or dying, therefore every new creation is now also afflicted with disease and condemned to death. Consequently this means the end of hope for a renewal of society, but since the stanza begins with the word "how", this is also a voice of accusation and a demand for change.
The poem entitled On My First Son is a pouring out of a father's soul-a soul that pours out every last drop of pain, anguish, and love for his deceased son neatly into a beautiful poem. Ben Jonson illustrates his love and loss with concreteness and passion. Just as an artist creates a painting on paper with a pallet of colors and different types of brushes, Jonson uses thoughtful phrasing and strong diction to create a vivid word painting of his son.
Many writers use powerful words to portray powerful messages. Whether a writer’s choice of diction is cheerful, bitter, or in Robert Hayden’s case in his poem “Those Winter Sundays,” dismal and painful, it is the diction that formulates the tone of the piece. It is the diction which Hayden so properly places that allows us to read the poem and picture the cold tension of his foster home, and envision the barren home where his poem’s inspiration comes from. Hayden’s tumultuous childhood, along with the unorthodox relationships with his biological parents and foster parents help him to create the strong diction that permeates the dismal tone of “Those Winter Sundays.” Hayden’s ability to both overcome his tribulations and generate enough courage