In 1933, John Steinbeck wrote The Red Pony, an exceptional example of minimalist novella. He wrote the book to show the daily skirmishes of growing up on a California ranch.. There are many things that John Steinbeck did to the story to make it stick out. It’s about a boy called Jody Tiflin and his life in the ranch. What makes The Red Pony irreplaceable is that Steinbeck used the minimalist form of writing which contains adding only the lowest amount of character and background settings. One of the main themes of The Red Pony is Jodys transition from boyhood to manhood. "It's a long time, isn't it?" "And then it'll be about two years more before you can ride." "I'll be grown up." cried Jody "Yep, you'll be an old man," said Billy.” (Ch 3, p 69). This shows Jody’s immaturity by being impatient. In the beginning, he starts to get more mature, but it is a bit grueling for him …show more content…
"If you'd like a glass of lemonade I could make it for you" (Ch 4, pg 100). Jody is asking Grandfather if he desires a glass of lemonade. This shows that Jody’s transition to manhood is whole because Jody is now caring for other people besides himself and that he can do many things self-sufficiently. In addition to Jody now being completely mature, the chapter added some other things as well."Jody! You're sick! Take a lemon out of the cooler," she said softly. "Here, I'll reach the squeezer down to you" (Ch 4, pg 100) Ruth Tiflin says that Jody is sick and tells Jody to acquire a lemon and that she will give him the squeezer. This concludes The Red Pony on a very nonviolent note with Grandfather waiting for his lemonade, Carl and Billy are working outside, and Ruth and Jody preparing Grandfathers lemonade. So The Leader of the People is a thought-provoking, and curious addition to The Red Pony because it adds the last pieces of the puzzle, it adds a bonus character, and makes Nellie’s colt no longer required to be involved in the
"He's as hard as a rock and about as human...he thinks I'm a pain in the neck. He likes Soda--everybody likes Soda--but he can't stand me” (42). This does show that Pony does not get along very well with Darry, however it shows that Ponyboy does get along well with Soda. Pony finds comfort in Soda when he fights with Darry. Sodapop helps tighten the three brother relationship.“ ‘We‘re all we got left. We ought to be able to stick together against everything. If we don‘t have each other, we don‘t have anything. If you don‘t have anything, you end up like Dallas . . . and I don‘t mean dead, either. I mean like he was before. And that‘s worse than dead. Please’ ”- he wiped his eyes on his arm- “ ‘don‘t fight anymore’ ” says Soda (176). “ ‘Sure... sure little buddy, we ain't goin' to fight anymore’ ” Darry answers (176). This demonstrates that eventually Ponyboy and Darry stop
Logan is one of the first characters to make a comment about Janie’s class. He says “Considerin’ youse born in a carriage ‘thout no top to it, and yo’ mama and you bein’ born and raised in de white folks back-yard.” (Hurston 30). Logan means that he is of a higher social class than Janie because she was a slave for the Whites for a large majority of her life. Once again, Janie holds this idea as true, until she meets Jody. When Jody gets elected as mayor, Janie and his position on the social class stratification gets moved up. However, Jody becomes a changed man and their relationship becomes strained. Janie tells Jody about his position on mayor, “You’se always off talkin’ and fixin’ things, and Ah feels lak Ah’m jus’ markin’ time” (Hurston 46). Janie immediately does not like their new social position. It is taking time away from them being together as Jody is constantly attending to problems of the town. Her ideas on the higher position stay the same even into her relationship with Tea Cake, because he belonged to a lower
Cormac McCarthy's All the Pretty Horses. In All the Pretty Horses, Cormac McCarthy reveals the limitations of a romantic ideology in the real world. Through his protagonist, John Grady Cole, the author offers three main examples of a man’s attempt to live a romantic life in the face of hostile reality: a failed relationship with an unattainable woman; a romantic and outdated relationship with nature; and an idealistic decision to live as an old-fashioned cowboy in an increasingly modern world. In his compassionate description of John Grady, McCarthy seems to endorse these romantic ideals.
Jody believes that Janie has poisoned him, illustrating the magnitude of both of their unhappiness. Almost immediately after Jody dies, Janie “starches” and “irons” her face, which could also imply how the headrags represent a facade that she unwillingly dons in public. Janie goes to the funeral inundated in loneliness and grief. However, after she emerges from the funeral Janie burns all of her head rags. Hurston states: “Before she slept that night she burnt up everyone of her head rags and went about the house the next morning..her hair in one thick braid”(pg 89). Fire represents the destruction of something; by burning the very tool that was facilitating the suppression of her identity, Janie is making a vow to never sacrifice herself to others. The long, nimble braid the reader is introduced to in the first chapter reemerges. It is important to note that as she lets her hair down, her circumstances change for the better. Janie meets Tea Cake, her playful new husband. Hurston describes Janie as the curious, vibrant child she was under the pear tree similar to how she is presently with Tea Cake. Therefore, Hurston reveals the overarching theme that when one unwillingly enshrouds their identity, their circumstances become unpalatable. This theme is conveyed through JAnie: As she sacrifices herself to tie her hair up, her happiness devolved into loneliness. However, once she crosses the threshold to her true self, she fully exuded the vivacious Janie that she truly is. All of this is manifested through her
Dozens of horses are charging through the fair grounds, each hoof vibrating the ground, which causes chaos to erupt. Some horses are white as for a person of royalty, and others a mysterious brown. Through all this chaos, Rosa Bonheur paints what is before her. Her painting is called The Horse Fair. The painting itself is 8 feet tall by 16 feet wide.1 The Horse Fair is located at the Metropolitan Museum of Art.1 Bonheur uses a panoramic view in her painting.2 The Horse Fair was inspired by the horse market that Rosa Bonheur use to visit on Boulevard De l’Ho ̂pital.1 The building in the upper far left of the painting is called Asylum on Salpetriere, which is located in Paris.3 The people on the hill in the upper right corner of the painting are potential customers evaluating the horses to see which horse to purchase.1 Through this painting, Bonheur shows the power and magnificence of the horses as the owners of these horses are using all of their strength to control them.3 Bonheur included a self portrait of herself on a horse in her painting, which can be located next to the black and white horses that are rearing up.4 The audience can notice the shadows that are coming off each of the horses. The shadows are through the use of chiaroscuro. The shadows make the horses look more real, as if they are actually moving through the fair ground. The author will prove Bonheur’s use of naturalism in her painting The Horse Fair by analyzing Bonheur in terms of historical context, anatomical accuracy, and structural elements.
His parents died when he was young. He was nurtured by his older brothers. Pony has to struggle at the bottom of the social ladder. Like the people around him, he has to fight, steal and scare little kids. However, Pony remained a pure heart, a golden heart. He only fights when he has to defend himself. He kept his heart of sympathy, understanding of others and think for the others. Like in when the church was burned, he understands the situation of the teacher and children. So he risked his life to safe the kids. The most straight forward example and conclusion of Pony’s good heart is the word of Johnny, “Stay gold, Ponyboy, stay gold…” Moreover, Ponyboy is a thinker. He can think for the opposite side of his gang, the Socs. Although the Socs almost drowned him, he can still understand the Socs and didn’t be blinded by the hate. He in the chaos and impulsive world can see through the surface of the conflict and see the core of the world that people are the same. That is really amazing and Ponyboy does have the board mind of a hero.
“Since Mom and Dad were killed in an auto wreck, the three of us get to stay together only as long as we behave (2).” This explains why Ponyboy, Dally and Sodapop did not have parents. In the novel, this really effected their life and character. "…It was Darry. He hit me. I don't know what happened, but I couldn't take him hollering at me and hitting me too... He didn't use to be like that... we used to get along okay... before Mom and Dad died. Now he just can't stand me (2)." This shows that not having their parents anymore effected Darry’s character and how he treated Ponyboy, which in return effected how Ponyboy felt about himself in comparison to how he was treated. This illustrates that Ponyboy believes that Darry picks on him all the time. This shows that Darry was like a caring parent in a tough way,
Dally was hard, but this incident would eventually change him for the better. The only thing Dally loved, Johnny, gave Ponyboy words of advice for Dally, “Listen,
Steinbeck was employed as a ranch hand during part of his life (Lisca). This is easily seen throughout the book The Red Pony. In this novel, a young boy named Jody gets a pony named Gabilan. This pony is described in detail that only a background with horses could give. Also, the story is centered around several characters. One of these characters is Billy Buck, and he is described to look very similar to the way Steinbeck looked as a young man (The Red Pony). This could very well be self-portrayal in his writing.
He is told “you’re too young” to be smoking by Jerry. Ponyboy doesn’t realise that he’s too young because he’s use to seeing all of his peers smoking, provoking him to think that it’s normal. Another example would be that all his mates had a reason to fight in the rumble, this caused him to wonde why he fought in the first place if it wasn’t for self defense. Sometimes the problem with having a peer group, can be that those around the individual can start to cause peer pressure.
Man needs companionship and has difficulty maintaining it because no humans think the exact same or have the exact same beliefs. To maintain a companion you must have things in common, you must be able to disagree with a sort of respectful understanding, and finally you must care legitimately about that person. These three requirements to preserve a companionship are at times arduous to keep true. Some people do not have the time, concern, or the ability to sustain a veritable friendship with a companion or companions.
The stories, novels, films and photographs surrounding the Dust Bowl crisis and the Vietnam War have been marred with various issues about historical reconstructions. Whereas historical critics have raised questions about the real cause of migration of south westerners during the Dust Bowl crisis, their representatives have given conflicting accounts on the events surrounding the Odyssey. Steinbeck, in his book, The Grapes of Wrath, explains that the migration of farmers from Oklahoma was caused by the harsh drought that followed the Dust Bowl Odyssey (Davidson & Lytle, 2009a). On the other hand, critics argue that the findings are not based on statistics. According to historians, novelists like Steinbeck normally base their historical stories on exaggeration and should rely on facts and statistics. For example, the number of farmers who migrated into California is exaggerated. When James Gregory, a current historian, went through the Census Bureau statistics, he found out that only 43% of people living in Oklahoma were farmers during the Dust Bowl crisis. According to historical critics, other causes for the migration might have been the agricultural reorganization and mechanization, as portrayed by a tractor in The Grapes of Wrath.
After the church fire Ponyboy comes to the realization of many things. Two-Bit and Ponyboy are eating at a restaurant known as Tasty Freeze when Randy asks to speak with him. Ponyboy tells Randy, ¨Maybe you would have done the same thing, maybe a friend of yours wouldn’t have. It’s the individual¨(115). He finds out that you cannot define someone based on of they are part of the Socs or the greasers. Furthermore, he finds out that every one is a individual and that means that just because he is a part of a certain group it does not mean that they are all going to react or perceive a situation in the same exact way. In addition, he say this to Randy because when there was a fire in the church Dally was not willing to risk his life to save someone else's when Johnny and Ponyboy were more than willing to help the kids. This shows event shows how all Greasers and Socs are not the same. In the beginning of the novel Ponyboy believed Darry disliked him and thought he was a nuisance. However, later on at the hospital Ponyboy tells Darry, “I’m sorry” (98). Ponyboy’s words expose how he feels bad for thinking Darry disliked him all along when in truth he loved him more than words could describe. He realizes that Darry fears losing another family member that is why he is so overprotective of Ponyboy. Hence, proving Ponyboy is clearly a dynamic character.
In the last chapter Jody and Janie got into a huge fight in the store which consisted of many verbal and physical attacks. In chapter 8 after the fight Jody moves into another room into the house. During this time Jody’s health begins to deteriorate along with their relationship, they stop talking altogether and Jody stops eating the food she cooks. Janie then decides that Jody needs to see a real doctor, instead of the ones that he was seeing who offered “miracle cures”, so she sent one from Orlando. After assessing Jody he determines that his kidneys had stopped working and that he was dying. After learning of his fate, Janie decides that she wants to see Jody one last time, when she goes to talk to him they get into one last argument
John Steinbeck's The Pearl tells the story of a pearl diver named Kino. Kino lives a simple life, and adores his family. At the beginning of the story Steinbeck shows how content Kino’s family is. Everything seems to be going perfect for Kino and his family that is until the discovery of the most wonderful pearl in the world changes his life forever. As the story advances Kino’s newborn, Coyotito gets bitten by a scorpion. Kino’s wife, Juana insists that they take Coyotito to the town’s doctor. Inevitably the doctor refuses to help Coyotito because Kino is unable to make a payment.