A Tale of Two Cities, involves many complicated situations in which the characters must choose between chance or death, career or family, honor or revenge. As a result, ambiguity has evolved in multiple characters because of these difficult choices. Two prominently ambiguous characters are John Barsad and Monsieur Defarge. While Barsad recognizes the importance of career and honor, Defarge sees more prominence in family and revenge.
John Barsad’s ambiguity is demonstrated by two contrasting qualities: devotion to his job as a spy and neglect for his family. His devotion to his job as an English spy causes him to appear as a heroic figure. In order to protect his identity, for instance, he accepted Sydney Carton’s offer to help rescue Darnay. During the process of Carton’s changing into Darnay’s clothes, Barsad could have denounced Carton and Darnay for rebelling against authority, which would diminish all hope of ever returning Lucie Manette’s husband to her, but Barsad kept his word by risking his life to help Carton and Darnay. If he denounced Carton, Carton would denounce his identity as a spy, but if Barsad kept silent and helped Carton, Carton would in turn keep silent about Barsad’s identity. Although Barsad’s decision to keep silent involved the risk of being suspected as a French traitor, his decision indicates his devotion to his job; He would risk death rather than fail as a spy. Despite his inclination to his occupation, however, Barsad is portrayed as a “heartless scoundrel” (A Tale of Two Cities pg 100). He neglects his sister and “stripped her of everything she possessed” (pg 100), claiming that he is “busy” (pg 307) working as an “official” (pg 307). His devotion for his job over his family illustrates...
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... take revenge. He understands Madame’s suffering, but also saw the innocence of the Manette family and how heartless it would be to ruin an entire family simply because two brothers from the previous generation murdered Madame’s family. Defarge’s dedication to his wife and empathy for the Manette family share a focus on the importance of family, a profound theme of A Tale of Two Cities that can relate to Dickens’s own life.
Barsad and Defarge have emphasized on the big theme of devotion and sacrifice. Barsad has devoted his life to career while Defarge devoted his life to family. Both characters find themselves questioning the importance of family: is family more important than career, honor, and revenge? Is loyalty to family just as necessary as to the nation?
Works Cited
Dickens, Charles. A Tale Of Two Cities. United States: Barnes and Noble Inc., 1993.
“The fingers of the knitting women were vicious, with the experience that they could tear” (Dickens 391). Considering she keeps to herself and plots against many people, she has few friends, and customers are conflicted towards her. Although she has few people in favor of her actions, Defarge still has alliances. Madame Defarge is in alliance with a character named “The Vengeance” and they both kill for their own sake. They both tie together in the way of their actions. Although Madame Defarge and The Vengeance kill for themselves, Defarge’s killings are justified by the way her family was
works of literature have tremendous amounts of similarity especially in the characters. Each character is usually unique and symbolizes the quality of a person in the real world. But in both stories, each character was alike, they represented honor, loyalty, chivalry, strength and wisdom. Each character is faced with a difficult decision as well as a journey in which they have to determine how to save their own lives. Both these pieces of literatures are exquisite and extremely interesting in their own ways.
Madame Defarge was taking out her anger on the whole family, which she thought had killed her sister. So Madame Defarge was going after all of the Marquis, no matter if they had anything to do with the murder or not.
During a time of conflicting warfare, a person’s social position and temperament play a significant role in the ideals of society. A Tale of Two Cities manifests society’s response to the French Revolution. Times like this result in two options, either to keep moving on with life, or give in to the vengeance. Charles Dickens portrays both sides of humanity through his characterization. Madame Defarge is the most prominent character that represents the inability to resist violence during the Revolution. In Madame Defarge’s quest for revenge, her continuous knitting and dominance prompt her character development, establishing her character as the antagonist.
On the subject of the French she says, “I am a subject of His Most Gracious Majesty King George the Third and as such, my maxim is, Confound their politics, Frustrate their knavish tricks…God save the King.” (338) Since she is such, she is the perfect foil for Madame Defarge. Madame Defarge epitomizes chaos and violence. With her unrelenting bloodthirstiness and unceasing desire for revenge she symbolizes the intensity and bloodiness of the French Revolution. “The Evrémonde people are to be exterminated, and the wife and child must follow the husband and father.” (418) Madame’s chilling certainty and willingness to kill an innocent mother and child show the hatred that makes up the revolution she personifies and the peasants that were a part of it. Although Madame Defarge and Miss Pross are foils they share a common ground. They both have an uncompromising sense of duty; Miss Pross to Lucie’s safety and happiness, and Madame to a new and better France. They are both willing to do anything for these causes, including lying down their lives. As Miss Pross says, “I don’t care an English Twopence for myself. I know that the longer I keep you here, the greater hope there is for my Ladybird.” (427) Dickens uses these similarities he suggests that even seemingly opposites can have underlying
Some men in A Tale of Two Cities contrast greatly. Sydney Carton is a drunk who works for an unappreciative lawyer. He has no family; he is "a disappointed drudge who cares for no man on earth, and no man cares for him" (75). He is referred to as "the Jackal" who is necessary in society, but not welcomed or wanted (77). Sydney loves Lucie Manette, but he is not ...
Monsieur Defarge is a revolutionary disguised as a mere bartender. He communicates secretly with his fellow revolutionaries in the bar and helps to orchestrate the plot to overthrow the French aristocracy. Despite the power he holds, he is overshadowed by his ruthless wife, Mrs. Defarge. Mrs. Defarge is a very powerful woman with a lot of influence, and she is ultimately the driving force behind the revolution’s plot. She decides who to kill and knits their name into a coded list. Monsieur Defarge is cooperative and submissive to her, as seen when he agrees with every part of the story she tells without being prompted. Monsieur Defarge is a masculine character with a lot of influence, but his relationship with his wife is not reflective of what was typical during the time period of the French revolution. This is used by Dickens to show that society’s attitudes towards masculinity and femininity are
Carton being the good and Barsad the evil. For instance, when Carton tells Lucie he would "do anything for her" it is a promise that he keeps until the end. Carton is a very trustworthy man and would do anything for someone he cares about. Anything, including giving up his own life. Barsad, on the other hand, is a spy that doesn't care what he does or whom he hurts.
...to revenge. She turned into this cold killer to kill the entire Evermonde family for what they had done to her family. She uses her power in the revolution to take revenge on the Evermonde family. Madame Defarge loses her true self and becomes someone who disregards the lives of people include hers. Dickens’s theme of how history repeats itself appears again when Madame Defarge kills innocent people similar to what the Marquis of Evermonde did.
Madame Defarge, on the other hand, does not just hate Lucie, but she hates the Manettes and all the Evremondes. One would think that such a strongly fueled hatred would permit Madame Defarge to overpower Miss Pross, but, as the reader finds out, Miss Pross' determination to keep her darling "Ladybird" safe, from any harm that might come to her or her family, allows her to overpower and kill her enemy. This time, the power of good overcomes the power of evil due to Miss Pross' true love and dedication to Lucie. Another struggle between love and hate can be found within Monsieur Defarge. In this particular case, it is evil that eventually triumphs.
Within Measure for Measure, the character of Angelo can be seen as a case study of will over moral nature. Angelo, a deputy, is given the Dukes authority to act in his behalf while the Duke is away. The story unfolds as Angelo uses the agency he's been given in ways that many men in authoritative positions have done. It is interesting to follow his line of thought and to realize that this is a man who is not unlike many others. The main conflict between Isabella and Angelo is a contemporary problem. Measure for Measure is a unique opportunity to investigate the personality types of the characters involved in the conflict, and the study of these complex characters can give meaningful insights into the nature of human emotion and action.
In his “A Tale Two Cities”, Charles Dickens uses the characters of Lucie Manette and Madame Defarge as two strong women that contrast against the rather manly group of characters. These women are both driven to do what they believe is right. Although Lucie and Madame are strong willed and independent, they both use these strengths differently. Lucie is a woman who is driven by love and affection. Whereas Madame Defarge is driven by hate and rebellion. Both these women, although similar, have such significant differences.
A dynamic character is one who changes greatly during the course of a novel. There are many fine examples of dynamic characters in all Dickens novels. Three of these characters are Dr. Alexandre Manette, Jerry Cruncher and Sydney Carton. Dynamic characters play a very apparent role in the novel A Tale of Two Cities by Charles Dickens.
The French Revolution was a period of time when the entirety of France went against the monarchy. King Louis XVI was taken down by the people at this time. The change brought along a replacement for the monarchial society (French Revolution 2). The now formed republic run by the people is now forever an example of what can happen to those whom live in places run by kings and queens, and that those who wish to escape tyranny can always make a change. The tyranny that was present brought along the eventual execution of the two royalties (2). This is evident in Dickens’s novel, in which the story centers around the revolution. Madame Defarge exists as on...
A Tale of Two Cities, by Charles Dickens, is a story set in the year 1775 and through the turbulent time of the French Revolution. It is of people living in love and betrayal, murder and joy, peril and safety, hate and fondness, misery and happiness, gentle actions and ferocious crowds. The novel surrounds a drunken man, Sydney Carton, who performs a heroic deed for his beloved, Lucie Manette, while Monsieur and Madame Defarge, ruthless revolutionaries, seek revenge against the nobles of France. Research suggests that through Dickens’ portrayal of the revolutionaries and nobles of the war, he gives accurate insight to the era of the Revolution.