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Drugs in pop culture essay
A text about drugs in America
A text about drugs in America
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The beat movement was a movement that began in the 1950s and was centered “in the bohemian artist communities” of Los Angeles, San Francisco, and New York (Britannica). The people part of this movement, often called “beats”, rejected square values and “advocated personal release, purification, and illumination through the heightened sensory awareness that might be induced by drugs, jazz” and “sex” (Britannica). The beats, in their literature, would openly speak about the presence of things and ideas in society which were not normally spoken about. Throughout the epic novel, Jitterbug Perfume by Tom Robbins, it is evident that the beat movement had a major influence on Robbins and the novel as he does this too. This is supported by Robbins’s diverse set of characters, the openness with which he talks …show more content…
Therefore, it is safe to say that psychedelia also had an impact on Robbins. The way the dematerialization of Alobar and Kudra is described by Robbins is similar to the experience a person might have on a drug such as LSD. Robbins describes that Alobar felt weightless as he let go “of his attachment to gravity” and that “he was becoming unstuck, he was sure of that—his bones were no longer wrapped in flesh but in clouds of dust, in hummingbirds, dragonflies, and luminous moths—but so perfect was his equilibrium that he felt no fear. He was vast, he was many, he was dynamic, he was eternal (Robbins 323-325).” Other characters are more openly depicted doing drugs, such as Priscilla and Ricki. Robbins narrates that Priscilla and Ricki “would lock themselves in the employees' washroom and smoke a joint or blow a line of coke” during their breaks (Robbins 12). By depicting the use of drugs and describing some of the character’s experiences as drug-like, Robbins partakes in the theme of hedonism, a key theme of the beat movement
Drugs in their environments had effected the Wes Moore's similarly; although they weren't the ones doing the drugs, they were involved with people who did, leading to involvement with authorities. On the contrary, their different role models had impacted them differently. The author admired a honest man, who was mature and (truly) respected. The other Wes Moore admired his brother, who made a living off of drugs and scared respect out of others.
In Justin Pearson's memoir, From the Graveyard of the arousal Industry, he recounts the events that occured from his early years of adolesence to the latter years of his adulthood telling the story of his unforgiving and candid life. Set in the late 1970s "Punk" rock era, From the Graveyard of the Arousal Industry offers a valuable perspective about the role culture takes in our lives, how we interact with it and how it differs from ideology.
Chris Lilley’s successful application of the satirical device, parody, undoubtedly emphasises the effect drug abuse had on a particular student’s life. The musical, “Mr. G: The Musical”, is very loosely based around a student at Summer Heights High who abused drugs, in particular ecstasy, and incorporates the apparent role Mr. G played i...
One of the main themes in That 70’s show is that the show addresses many of the social issues of the 1970’s. These issues include the following prejudice, sexual attitudes, generational issues, the money-making hardships of the 1970’s downturn, suspicion of the American government by blue-collar workers, and the main one that will be focused on in this paper teenage drug use and the use of alcohol. Throughout the series of That 70’s show the main characters are often seen either smoking marijuana or doing other types of drugs. They do not show the characters doing these things directly however, an audience member can tell that they are using these drugs or smoking. Throughout the paper famous examples from the show will be mentioned especially how the characters don’t actually show the audience they are either smoking or taking drugs.
Williams, Terry. 1989. The Cocaine Kids: The Inside Story of a Teenage Drug Ring. New York: Da Capo Press.
Wesson, Donald R. "Psychedelic Drugs, Hippie Counterculture, Speed And Phenobarbital Treatment Of Sedative-Hypnotic Dependence: A Journey To The Haight Ashbury In The Sixties." Journal Of Psychoactive Drugs 2 (2011): 153. Academic OneFile. Web. 23 Mar. 2014.
Zadie Smith grew up listening to black “soul voices”, so she didn’t grasp the appeal of blonde singer Joni Mitchell and her “bloody piping” (Smith, 2012, p. 190) until a decade after her friends used to rave about her. Suddenly on a drive to Tinten Abbey a decade later, Smith changes her mind about Mitchell and writes, “How is it possible to hate something so completely and then suddenly love it so unreasonably?” (Smith, 2012, p. 191-2). Even though on the surface this essay may seem like a story of how a woman started to love an artist she previously hated, this event represents her realizing her ignorance and discovering a personal deficiency. Smith considered herself a “connoisseur of novels” (Smith, 2012, p. 191-2), but recognizes her anxiety when she converses with people who are just as much of an expert as she is- but also knowledgeable...
Beginning with the late 1960’s counterculture in San Francisco, music and drugs will forever be inter-linked. Hippie bands such as the Grateful Dead, the Allman Brothers, and Phish are associated with marijuana, mushrooms, and LSD. Modern electronic “rave” , or club music is associated with MDMA or Ecstasy. When one thinks of rock and roll, sex and drugs immediately come to mind. While the use of drugs is not essential for the creation or performance of all new music, it was certainly in important factor for the counterculture music of the late 1960’s. While some of the most important and influential music was made with the help of psychoactive drugs, it was often to the detriment of the artist. Janis Joplin, Jimi Hendrix, Jim Morrison, and countless other tremendously talented artists had their lives cut short due to drug use. Drugs were most often good for the music, but deadly for the music makers.
"I Took a Pill in Ibiza" by Mike Posner is an extremely unusual, thought-provoking music video. The combination of the lyrics mixed with the costumes, scenery and Mike Posner’s real life depicts a compelling story of drug and substance addiction. However, there’s more to what makes this video interesting than just the lyrics; the use of scenery and types of outfits, specifically the grotesque mask that Mike Posner wears in the video, helps keep the video interesting. In Mike Posner’s real life, he actually took a pill at Ibiza, which is a music festival in Spain, because it was the “cool” or “popular thing” to do. Mike Posner wanted to show the other singers and people in Ibiza that he was cool.
One must look beyond the stereotypes that psychedelics have earned in the twentieth century, and also modern science, that presupposes that any thing that cannot be explained within its own contexts either does not exist or is but a fanciful idea. However, the realm of psychedelics is uncharted area, and when dealing with such experimental substances, such as these psychedelic agents, one must proceed with caution, as was mentioned earlier the agents are powerful tools and can be used with skill or reckless abandon, and therefore can yield positive responses or deadly consequences. If used with care psychedelics will allow many psychologists and patients to embark on a perhaps endless journey of self-discovery.
The film Basquiat explores the artist Jean-Michel Basquiat, a Haitian-Puerto Rican painting in New York City during the 1980s. Working closely with Andy Warhol, Basquiat was exploited for his unique “urban ghetto” graffiti and crude style of representation. Schnabel’s film further exploits this image of the painter, depicting him in various scenes of poverty and drug addiction, dirty poor love and desperation. Our understanding of the artist is framed by excerpts from essays by art critic Rene Ricard, depicted as a flaming homosexual who leeches off of his artistic friends. Ricard observes the hypocrisy and self-indulgence of the art scene that is vital to...
“Hotel California” by The Eagles has been the recipient of much speculation since its release in 1976. Although many other interpretations exist including some which claim this song to be referencing drugs, much evidence suggests that “Hotel California” is, at least partly, making a statement about the lifestyle of drug and alcohol users particularly in the large cities of California. As with many songs, duality of meaning exists in “Hotel California.”
In High Fidelity, Rob, the protagonist and narrator, says “I find myself worrying away at that stuff about pop music again, whether I like it because I’m unhappy, or whether I’m unhappy because I like it” (168). It is obvious to the reader that Rob has a very strong relationship to pop music but also that this relationship is not as simple as the either-or dichotomy he describes it as. At first, it is an obsession that is almost pathological; by the end, it is an aid to his relationships and his idea of who he is. Rob’s relationship to music helps us understand Rob as a character through the different ways he uses it to interact in his environment – either as a crutch inhibiting his growth or as a way to aid his self-development.
Allen Ginsberg’s “A Supermarket in California” paints a vivid scene in the minds of readers and uses allusions and symbols in order to express the wrongs of society, such as consumerism and negative views of homosexuality. However, for having such radical beliefs during a time period in which members of society conformed to strict ideas, the speaker, along with many individuals, are alienated and in turn, wish for extreme change and even another life. Ginsberg conveys a vital message that carries through to the year 2010 even more. Materialism does not make a person, it is insignificant. What is imperative is the natural world; beauty, individuality, and real human interactions as these are concepts that make an individual.
Smith, Greg M. “Red Skeleton, The Crack-up, and the Quick-change” Journal of Popular Culture 45.3 (2012): 592:610. Web. 17 January. 2014.