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The history of prison development
Essay on history of prison
Essay on history of prison
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Hydrotherapy at Alcatraz Jessica Hollon’s piece titled Hydrotherapy at Alcatraz represents a room of forgotten souls. She used a standard format paper to print on. This piece was taken at Alcatraz in the old part of the prison in the hospital area. They used this room for ice baths or hydrotherapy; it has two windows covered with vertical and horizontal bars, a tub, an old radiator, exposed broken pipes and some sort of an open commode. The tub is the only subtle hint of color that is captured in the piece. The bars on the windows seem to keep the secrecy and security of the room along with the dark shadows she captures in the corners The walls are decomposing and breaking, insinuating escape but in all reality, it is the walls that have kept
them in. By taking the picture from the doorway she illustrates imprisonment and a scene of feeling intrusive. The tub that sits alone on one side makes is seem superior and ominous than the other objects. The rusted pipes pull all the pieces into the scene by them being exposed. By the artist placing the rusty drain in the center of the piece takes the captivating factor to a succeeding level. The way that the artist captures the light coming through the windows with the bars signifies the tastes of freedom that is just beyond the reach of the inmate who has spent time within the chamber. This photo conjures a raw sorrowful feeling, and gives a sense of humbleness and strength. There is a deep feeling of loneliness and isolation while taking this photo in. I think this piece of art is original in that I have not seen many pieces depicting life behind bars and the therapy's that go along with it. I did find a piece with the image of a cell filled with broken down amenities which were then filled with flower petals called Blossom by Ai Weiwei’ however, what that artist was depicting didn’t seem so sorrowful and lonely. I think this piece could have been a little more impactful if it were done with a filter that created more white, grey and black tones and a little less color. Overall, I appreciate the art and the artist and the feelings of empathy that her photo made me feel for the prisoners who were once exiled to this desolate island.
The poem “Where There’s a Wall” by Joy Kogawa is an interesting poem. It talks a lot about walls and how you might get over, under, around, or through a wall. The title is used throughout the entire poem and each thought usually starts with the phrase “Where there’s a wall”.
The room was set up by having paintings on the walls with a sculpture directly in the center. This was the focal point of the room, Soundsuit, by Nick Cave. This piece was rich in color and character and I was immediately drawn to it. When I rounded the corner of the gallery there were many extravagant pieces such as Untitled #8 (2014) by Mickalene Thomas and Woman Under Willow (2014). Both pieces are inspired by Matisse, rich in color, and represent woman. The American gallery does a good job transitioning from one piece to another because each work is similar in some aspects. This gallery was less organized and different mediums were presented all throughout. There was a traditional quilt, Tar Beach 2 (1990) displayed in the same area as mediums such as wooden panels, oil pastel, and the metal hood of a car. This gallery and collection inspired by Matisse displayed many breathtaking works that I enjoyed seeing.
"The spirits on the wall are fading, fading, finally being forced on their way to oblivion, free of the house, freeing the house, leaving a warm, clean sweet space among the living, among the good and hopeful."
In the article, “The Torture Myth,” Anne Applebaum explores the controversial topic of torture practices, focused primarily in The United States. The article was published on January 12, 2005, inspired by the dramatic increase of tensions between terrorist organizations and The United States. Applebaum explores three equality titillating concepts within the article. Applebaum's questions the actual effectiveness of using torture as a means of obtaining valuable information in urgent times. Applebaum explores the ways in which she feels that the United States’ torture policy ultimately produces negative effects upon the country. Applebaum's final question is if torture is not optimally successful, why so much of society believes it works efficiently.
...centrates more on the patients daily lives rather then what the asylum does to the women, how she hid the women’s real names, and the fact that her work did not really effect the women’s lives to a great extent. But she nonetheless showed us a world unseen to many. She revealed disturbing practices done at the asylum. Her photos essentially became documents of Ward 81 that no longer exists. Mark’s “intimate glimpse of life in confinement turned out to be affecting,” she changed the way some viewed the mentally ill, and the asylum. And they untimely had an effect of the shutting down of Ward 81 in November of 1977 (Jacobs). Many articles and essays about Ward 81 usually reference Mark’s work as documentary (Fulton). Even though Mark strived for Art, she also left a documentary footprint in history. Ward 81 ultimately must be viewed as both artistic and documentary.
whatever it takes to keep them alive. That is not moral, that is legal. But
They built this wall to retain the East Berliners secured within their police state. Moreover, along the wall are heartfelt memorials to those whose last act of life was one of rebellion and bravery. Still, the Communist wanted to isolate West Berlin and take this boundary of the free world into the Socialist camp. This blockage constructed over blocks of stones screened with wire and guarded weapon. There were also numbers of individually attempts to escape, which some succeed, and some died. Over time, East German officials replaced the wall with a mass of reinforced concretes that harder to climb over. Soon, this wall was completely splitting apart access to the west, placing family and friends divided for decades.
The setting in both the book and the article are the same, but the authors presents them in diverse ways. In the “Breathing Room,” the setting is at a hospital at Loon lake, Minnesota from 1940-1942. Marsha Hales had described the setting in a way where you felt like you were sitting in that hospital with Evvy. “I stared at the dull ceiling. Not even a crack or splotch for my mind to pick at like a scab-just plain white. White above me, white below me, white on all sides. I tipped my head to look to my left: the empty bed. To the right: two doors-one I’d just come through and the other? Maybe a closet or a bathroom.” The author had added some extra details on the setting, so that the reader could get a clear image of the hospital, Loon Lake,
The house was thickly made of mud brick and melded easily into the dirt around it. The only semblance of abandonment stems from personal knowledge of the house itself. We wasted no time entering, for the heat had become nearly intolerable. Nothing had changed since the previous visit so the exploring commenced immediately and naturally. The architecture was rounded like every other house in the town with archways leading to each room. Void of any furnishings, there was not much to look at or explore. The only thing left unknown was an old room with no lighting or windows that both of us were too afraid to
In ordinary language, it could mean a barrier or a wall. I think the speaker gained the audience interest with this statement.
The poem starts out by telling the reader that something is amiss in the countryside, “Something there is that doesn't love a wall”. He and his neighbor must get together every spring to walk the whole length of the stone wall that separates their properties, and to fix places where the wall has crumbled. The speaker begins to question the need for walls.
In Stephen Crane’s short story, “The Open Boat,” four men are pit against the harsh natural world stranded in the middle of the ocean. Whilst being trapped in this open boat, there are these tower-like waves surrounding these men that are depicted as walls. A wall is a structure meant to enclose something or someone. On page 208 Crane includes “As each wave came, she rose for it, seemed like a bucking bronco making for a fence outrageously high" because the waves are pretty much this huge fence, or barrier, to the men and their lifeboat. This enclosure creates a feeling of suffocation and isolation because the men cannot seem to escape. They know that there is this vast ocean beyond the waves as well as land ahead of them, but because of the superior waves, all they can see is the grey sky above them. This in turn creates a feeling of hopelessness because they know it is all there, but they cannot seem to reach
I know for a fact that one of the reasons that they have the walls
A wall’s symbolism of defense is a wide topic, and Moore’s explanation does not cover every aspect of the idea, nor should it, but there is an important duality to defense that he fails to mention. For example, one-third of the way through the novel, Geryon is staying with his love, Herakles, and is taking some time to nap and daydream when the “door hit the wall as Herakles kicked it open and entered carrying a tray… Room service, said Herakles looking around for a place to set the tray down./Geryon had moved all the furniture/up against the walls of the room” (Carson 60). Moore suggests that, in a symbolic sense, “the impenetrability of walls, in their defensive function…offer security and protection to those dwelling behind them,” which is true, but this definition does not include the dangerous manifestation that often comes with protection: imprisonment (Moore 311).
Windows are high up in this abandon building. I walk in a room of nothingness.