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Victorian and romantic periods in British literature
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Robert Louis Stevenson shows a marvelous ability to portray. He depicts the surroundings, architectural details of the dwellings, the inside of the houses, the instruments and each part of the environment in detail. He even specifies that the laboratory door is “covered with red baize” (p.24). Not only does he offer a precise picture of the setting, but also he draws accurately the characters. About 200 words are used in order to describe Mr. Utterson the lawyer (p.5). Dr.Lanyon, the gentleman who befriends Mr. Utterson and Dr. Jekyll, is described as “a healthy, dapper, red-faced gentleman, with a shock of hair prematurely white.” (p.12). Each of the characters are described according to their importance in the novella. Each of them except …show more content…
Hyde. The maid does not grant us anything new, but for a comparison between Mr. Hyde and “an aged beautiful gentleman with white hair” (p.20) Having two descriptions so close we cannot deny the difference between them.
The previous chapter before the two confessions is reasonably remarkable. Poole, Dr. Jekyll’s butler, provides another portrayal. He offers many comparisons between Dr. Jekyll and Mr. Hyde. (“My master (…) is a tall, fine build of a man, and this was more of a dwarf.” (p.38)). The affirmations of the poor butler are all correct except perhaps the most important: This “thing” that is in the cabinet is in fact Dr. Jekyll.
The penultimate description is presented by Dr. Lanyon. Lanyon focuses in the way he feels towards Mr. Hyde and the possible reason of that (p.48).
The first transformation occurs in the seventh chapter of the novella. Mr. Utterson and Mr. Enfield can see barely something because Dr. Jekyll closes the window in the precise instant when transformation starts (p.33).Nevertheless, it is sufficient to provoke a deadly silence between the two gentlemen. The last transformation is pretty inexact too, but it appears in Dr. Jekyll confession. The narrator is dealing with several things, it is not strange this evasion of a suitable
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Lanyon uses more words in his description of Mr. Hyde than in a moment with that importance. In addition, Lanyon describes more accurately the change of color of the potion than the transformation itself (p.49).
As specified, descriptions cannot be called descriptions. Moreover, in a extremely important moment, the transformation, when Mr. Hyde should appear in all his glory, words simply avoid his figure. Trying to find a reason for this strange way to proceed Sami Schalk wrote an interesting article: “What Makes Mr. Hyde So Scary?: Disability as a Result of Evil and Cause of Fear”. One of the main ideas of the text is that Stevenson takes advantage of Victorians’ mentality and uses this untraceable disability of Mr. Hyde in order to produce fear:
Just as Victorians did not particularly distinguish between mind and body, the moral model does not regulate which comes first (…). As a result it is not clear if Hyde is disabled because he is evil or if he is evil because he is disabled. The two are not necessarily perceived to be the same, but are so intensely linked in the back of our minds that it becomes hard to not make the assumption of their coexistence
The criticism by Vladimir Nabokov, supports the claim that Stevenson uses symbolisms to express ideas and to create suspense. Finally Stevenson’s certain tone when he describes Hyde or the evil things the Hyde commit allowed him to express Hyde’s evil and created an unusual atmosphere. When Hyde was described he was described as small and the facial expression of his was very odd and hard to explain “Mr. Hyde was pale and dwarfish, he gave an impression of deformity without any nameable malformation, he had a displeasing smile, he had borne himself to the lawyer with some sort of murderous mixture of timidity and boldness, and he spoke with a husky, whispering somewhat broken voice” (Stevenson 16). After Utterson’s first encounter with Hyde, he is just amazed and shocked because of Hyde’s physical appearance. Also in their first encounter, the setting was very dark and gloomy which adds to the claim. Also the description of Hyde symbolizes Hyde’s evil. Hyde’s ugliness and his deformed face symbolizes his evil, his small size symbolize Jekyll’s evil side inside him that was repressed for so long along with the dark setting. Another symbolism used in the book is between Jekyll’s laboratory and his house. Jekyll’s house is described as a place of wealth and comfort but his laboratory is described as “a certain sinister block of building thrust forward its gable on the streets” (Stevenson 6). The wealthy house represents the respectable man Jekyll and the laboratory represents the corrupt Hyde. Normal people will not see the two structures as one just like how they won’t be able to see the relationship between Hyde and
In this piece, I have chosen to write a eulogy to Dr Jekyll as it best to exemplify my thoughts and understanding of the novella. I stood in the viewpoint of Mr Utterson because he recognizes for what was unravelled within Jekyll’s dark trail. In order to highlight certain portions of Jekyll’s qualities, I further
Robert, Stevenson L. The Strange Case of Dr. Jekyll and Mr. Hyde. New York: Dover Publications, 2013. Print.
Another pattern that the author shows as being important is fear. Mr. Utterson and Mr. Enfield were walking together and saw Dr. Jekyll in his house. They were talking to him when all of a sudden he started to change into Mr. Hyde. Seeing this they glared at each other, both were pale and had an answering of horror in their eyes. "I am afraid, I think there has been foul play." Poole says this when he goes and talks to Mr. Utterson about Dr. Jekyll. Also, when Mr. Utterson and Poole go talk to Dr. Jekyll, ask for him, but find out that Mr. Hyde is inside- they swing an axe at his door. They hear a "dismal screech, as of mere animal terror." A different way fear is shown is when Lanyon saw Mr. Hyde turn into Dr. Jekyll. "O God and O God again and again." Lanyon said this after what he saw.
This essay will focus on how Robert Louis Stevenson presents the nature of evil through his novel ‘The Strange Case of Dr Jekyll and Mr Hyde’. Using ideas such as duality, the technique used to highlight the two different sides of a character or scene, allegories, an extended metaphor which has an underlying moral significance, and hypocrisy; in this book the Victorians being against all things evil but regularly taking part in frown able deeds that would not be approved of in a ‘respectable’ society. This links in with the idea of secrecy among people and also that evil is present in everyone. The novel also has strong ties and is heavily influenced by religion. Stevenson, being brought up following strong Calvinist beliefs, portrays his thoughts and opinion throughout the story in his characters; good and evil.
Benjamin Franklin once said, “It is much easier to suppress a first desire than it is to satisfy those that follow.” This is certainly true in the situation of Dr. Jekyll, as the temptation of becoming Mr. Hyde becomes stronger as he continually surrenders to the wickedness that is constantly misleading him. Mr. Hyde is never contented, even after murdering numerous innocents, but on the contrary, his depravity is further intensified. The significance of the repression of a desire is a prevalent theme throughout the novella The Strange Case of Dr. Jekyll and Mr. Hyde, by Robert Louis Stevenson, as the inability to repress one’s curiosity can lead to a fatal end, whereas the repression of a desire that can no longer contain itself, or the repression of confronting a guilty conscience, will conclude in a tragic ending and in this case specifically,
In Robert Louis Stevenson’s famous novel about dual identity, Dr. Henry Jekyll, an affluent surgeon, creates a potion by which he can transform into Edward Hyde, the physical manifestation of his evil side. After many months of thrilling nighttime criminal escapades through the streets of London, his antics under the cloak of Hyde get him in trouble when he slays prominent public figure Danvers Carew. Jekyll is so shocked by this deed of evil that he decides an end will be put to his transformations, a science he calls transcendental medicine. Much to his alarm, Jekyll finds that he now turns into Hyde without his wanting it, undeniably a side effect of the drug. After locking himself into his cabinet, in order to facilitate his use of the drug in case of spontaneous transformations, his concerned butler Poole alerts good friend Gabriel Utterson, a lawyer. Together, they break into the cabinet, only to find they body of Hyde, lifeless on the floor. The pair finds an envelope addressed to Utterson which shall supposedly explain why they cannot find the body of Henry Jekyll.
... he is warned by Hyde that if he decided to witness the transformation, it could produce disastrous effects. Hyde tells Lanyon “if you shall so prefer to choose a new province of knowledge and new avenues to fame… your sight shall be blasted by a prodigy to stagger the unbelief of Satan.“ (119). Yet Dr. Lanyon, in submission to the evil and imprudent side of his dual nature, decides to watch.
... man. Society in the Victorian era was consisted of two classes, trashy and wealthy. Jekyll was expected to be a gentleman, but he wanted to have fun. This was the reason he created Hyde, so he could both be respected and have fun. He was delighted at the freedom he now had. Lanyon was overly contolled, but Utterson knew all men had both good and bad within them and could control it. In Dr. Jekyll and Mr. Hyde, by Robert Louis Stevenson, the dual nature of man is a main theme.
“…Evil besides (which I must still believe to be the lethal side of man) had left on that body an imprint of deformity and decay… It seemed natural and human. This, as I take it, was because all human beings, as we meet them, are commingled out of good and evil: and Edward Hyde, alone in the ranks of mankind, was pure evil.”(Stevenson 80)
All of this changed when he tried to portray the image of a light-hearted, good-natured person so he “hydes” his evil pleasures. He states in his confession letter, “.my medical studies began to increasingly focus on the origins and dimensions of this phenomenon of duality. This investigation of course, bordered on the mystical and the transcendental, but only these disciplines could help me better understand myself and the duality of all human beings “ (110).... ... middle of paper ...
The dream is written in a descriptive way by using phrases such as “human Juggernaut” and a “figure of a man”. The hyperbole “human Juggernaut” exaggerate how Hyde may behave like a heartless machine. To put it another way, this hyperbole is also an oxymoron between human with the “juggernaut”, a vehicle of evil, inhuman, and deformity. The “figure of a man” implies that Hyde only appears human, bodily, but his behaviour is anything but: an emotionless figure. After that, from Utterson’s perception of Hyde, we’ve learned how he appears to be small and act weirdly through emotive vocabulary choices such as “speaking with a husky voice” yet has “a murderous mixture of timidity and boldness”. Here, there is a contrast between the two opposite emotions, where it replicates a conflicting, dichotomy - two-sided emotions in human mind. The aspects, which Dr Jekyll is trying, through his experiments to separate, are personified and brought to life vividly in this horrendous scene. Meanwhile, his strangeness can also be interpreted from what Lanyon whom is Jekyll’s old friend said as “Henry Jekyll has become too fanciful”. From the use of emotive language “too fanciful”, we can probably guess that this is the main reason why Dr Lanyon and Dr Jekyll are acquaintances and no longer friends to each other. On the other hand, when we reread the story again, we
Utterson even compares his face to “Satan’s signature” (p23). Dr Lanyon writes that Mr Hyde has a “remarkable combination of great muscular activity and a great apparent debility of constitution” (p65).When a young girl is in Hyde’s way, he tramples her without asking if she is hurt. While this is regarded as a cruel and violent action by most people’s morals, Hyde appears to feel no remorse for what he did. This demonstrates how his moral code differs from that of society. Another instance of this violent, psychopathic behavior is when Mr Hyde beats an old man to death with a cane with what is described as “ape-like fury”, demonstrating his animalistic side which allows him to follow his instincts (p30). Since murder is a crime, Mr Hyde becomes a wanted man, and even his moral counterpart, Dr Jekyll, wants nothing more to do with him. Most killers are tracked down when the police question their friends and family to help give an idea of where they went, but Hyde is a solitary man with almost no ties to other people. This isolation aids him in escaping the law and living his free life without being restrained by society’s rules and code of behaviour. Whereas Dr Jekyll is concerned with keeping his good reputation, Mr Hyde does not have to worry about this since he was always “despised and friendless” and therefore has no reputation to lose (p79). In his statement, Dr Jekyll says that whilst Jekyll
The novella, Strange Case of Dr. Jekyll and Mr. Hyde, by Robert Louis Stevenson centers on the issues of identity, social hierarchy, and class. In an article, “Character Crisis: Hegemonic Negotiations in Robert Louis Stevenson’s Strange Case of Dr. Jekyll and Mr. Hyde,” Benjamin D. O’Dell argues that hegemony is essential in maintaining social hierarchy, but while his representation of gentlemanliness helps us understand Utterson’s role, it does not allow one to make sense of how the recurring image of the hands correlates to the facts that are hidden and revealed in the novella. The motif of hand-related images is used as the main source of revelations and represents the trust placed between characters
Throughout our lives, many of us have questioned if someone is born good or evil, and in Stevenson’s novel, The Strange Case of Dr. Jekyll and Mr. Hyde, he shares