The Scottish cartoonist responsible for presenting adults with a revolutionary science fiction comic book in the form of Jeff Hawke is Sydney Jordan. It was through this art form that he was able to inject fantasy into the mundane lives that most adults are accustomed to. Born and bred in Dundee, Scotland, Sydney Jordan grew up in a city where the publishing house D.C. Thomson released a plethora of comic books every week. Jordan’s memories of his childhood are consumed by the comic books he read in those days and the joyful and spirited conversations he had with his father about them. Jordan also gained experience with comic book art by working in a studio that was run by former employees at the Thomson publishing house. He claimed this experience …show more content…
Popular in Italy and Scandinavia, the character originally proposed by Jordan was the typical superhero that many children aspire to be. This was soon changed into a character with a relatable personality who lives in a potential and desirable futuristic scenario. Like many other comic books, the characters and their storylines in the Jeff Hawke series also underwent changes as the series progressed and become more complex. The earlier volumes were traditional in terms of representing scenes containing action and violence between two species, humans and aliens. When Patterson joined the team, Jeff Hawke’s character was given more depth as he started to act as a diplomat and intermediary to facilitate negotiations and trade deals between the two sides. It became a story based on morals, diplomatic relations, and a sense of camaraderie as opposed to a conventional good-vs-evil plot. The aliens in the comic are even portrayed as heroic at times. The Jeff Hawke cartoon also changed the way comics were read by placing more importance on the dialogue than the imagery. These fresh perspectives and ideas turned the comic into a sophisticated and enjoyable read for adults as well. The dialogue and interactions between humans and aliens are unique and when combined with the highly detailed and expressive imagery by Jordan, would create a unforgettable reading experience. This cartoon has provided adults with an outlet and a place they can escape to as it is still intellectual and incredibly
Alison Bechdel's graphic memoir, Fun Home: A Family Tragicomic, documents the author's discovery of her own and her father's homosexuality. The book touches upon many themes, including, but not limited to, the following: sexual orientation, family relationships, and suicide. Unlike most autobiographical works, Bechdel uses the comics graphic medium to tell her story. By close-reading or carefully analyzing pages fourteen through seventeen in Fun Home one can get a better understanding of how a Bechdel employs words and graphic devices to render specific events. One can also see how the specific content of the pages thematically connects to the book as a whole. As we will see, this portion of the book echoes the strained relationship between Bruce Bechdel and his family and his attempts to disguise his homosexuality by creating the image of an ideal family, themes which are prevalent throughout the rest of the nook.
In Alison Bechdel’s graphic novel entitled Fun Home, the author expresses her life in a comical manner where she explains the relationship between her and her family, pointedly her father who acts as a father figure to the family as she undergoes her exhaustive search for sexuality. Furthermore, the story describes the relationship between a daughter and a father with inversed gender roles as sexuality is questioned. Throughout the novel, the author suggests that one’s identity is impacted by their environment because one’s true self is created through the ability of a person to distinguish reality from fictional despotism.
People no longer know how to make up ideas independently. An example of how their society has become so unintelligent is when Mildred explains to Montag how her favorite television show works. She tells him, ‘“When it comes time for the missing lines, they all look at me out of the three walls and I say the lines.”’ (20). This television show that Mildred, and many other people in their society adore, is much like the popular twenty-first century nickelodeon cartoon, Dora the Explorer, which is aimed for toddlers. In their society the television shows come with a script and they have to say a line when it is their turn; the characters will just wait until you respond to proceed (20). This is a very strong example of how people in this society are choosing to spend their free time doing things that are not productive. Instead of reading a book or learning a new language, these people will rather sit in their parlors and waste time, because they are so unaccustomed to thinking and contemplating things. Since no one wants to question things, and think critically, their society cannot possibly be able to
“Stitches” by David Small is a graphic novel where he visually describes his childhood. Small shows how he perceived his family relationships as a child and his own perspective of the world at the time. He clearly depicts his family’s dysfunctionality that prevented him the ability to display his self expression. Small encountered various events throughout his novel that added a different element to his understanding of relationships, specifically with his parents. As Small matured, these events played a critical role on his ultimate understanding of their complicated relationship.
All graphic novels are structured to provide few words so the reader can follow the story through the illustrations. The comic panels are drawn to be extremely vivid and revealing. In Watchmen, a story based in a Cold War America, political symbolism is everything. Alan Moore strategically places numerous clues for the reader throughout the story to develop and reveal crucial components of the character’s lives, the setting, and the theme of the novel.
The mid-1800s contains its special genre of writing. Perhaps it was the wild American frontier or maybe a writer’s whim to write something different, yet nevertheless, American Romanticism evolved. Writers like James Fennimore Cooper filled their stories with heroes and villains, war and peace, love and strife throwing all sorts of trials towards their characters. Like puppets writers control their characters actions and emotion; Cooper’s characters are flat, predictable people with much happening to them. Two of his characters Hawkeye and Mague will be discussed to determine whether any internal change occurred.
In addition to, revolutionizing characters, Stan Lee made many of his comic books intricate and interesting compared to simple boring comic books in the past. His intricate comics had to do with his...
Richard Brautigan’s short fiction stories incorporate protagonists that are recognizably fictionalized versions of the author himself. He writes in order to extract his own struggles of the past and the difficulties of discovering himself in the present. Through the characters in The Weather in San Francisco and Corporal, the portrayal of his optimistic view of life as a consequence of the rigors of daily life, and the use of symbols, Brautigan presents his personal story through the words on the paper.
In Fun Home: A Family Tragic Comic, Alison Bechdel uses the graphic novel technique of bringing visuals and concise text to her audience to reveal the relationship with her father in a perspective that can not be modified through the readers perspective and interpretation. Bechdel employs this type of writing style to help visualize a better interpretation of how she describes the differences in both her and her fathers’ gender roles throughout the novel. This tactic helps discuss and show how these gender roles were depicted as opposite from one another. But, in this case being opposite from one another made them gain a stronger relationship of understanding and reviling that these differences were actually similarities they also shared.
Alan Moore’s “Watchmen” focuses on several characters throughout the novel making the idea of a main character moot. However, one character can be described as the most influential to the plot of the graphic novel. Rorschach can be seen as such due to the fact that he narrates a large portion of the novel, and his heroic code that he follows. Not only does he influence the plot by those two reasons, but also by uniting the characters after a long silence. The Comedian is the only character that almost perfectly fits as the character with the most influence on the plot of “Watchmen.” The death of his character allows for the plot to be set in motion. He has not only has he shaped every other character in the novel, but the symbol that represents his character can be found throughout the graphic novel. Although Rorschach can be interpreted as the most influential character of “Watchmen,” The Comedian influenced more aspects of the plot than any other character of the graphic novel.
Alexie, Sherman. "Superman and Me." Los Angeles Times. Los Angeles Times, 19 Apr. 1998. Web. 14 May 2014. http://articles.latimes.com/1998/apr/19/books/bk-42979
To conclude, the graphic novel Watchmen presents the non-fantastic representation of a superhero, implying that not all heroes are like Superman. This notion is explored within the novel by mentioning the realistic motives of the characters choosing to become superheroes, by Rorschach’s representation and through the heroic reactions of the New Yorkers to a street crime. These elements all contribute to Watchmen’s uniqueness and complexity as a superhero comic.
Watchmen is not just a graphic novel, but also a unique representation of American idealism as expressed through character image. Although the characters are portrayed as "superheroes," each is psychologically complex in that they become symbols for the flaws of American culture. Together, the characters of Watchmen reflect an unflattering image of American identity. We sacrifice morals to defend principles, rather than saving people. We sacrifice ourselves for commercial gain and for the fame that comes from the worship of strangers.
When comics were first coming out, they were not all that popular but in todays’ world, they have become very popular and well known. Several of these comics have been turned into films, which is one of the many reasons why the popularity has been rising over the years. One of the most well known comics is Batman: The Dark Knight Returns. This comic was composed and released in 1986 by Frank Miller. With the usage of Frank Miller’s powerful, intense lines and the artwork done by Klaus Janson’s and Lynn Varley’s it has elevated this comic up to the very top of mainstream comics. In Batman: The Dark Knight Returns, the skillful illustrations on the pages successfully create the thought that there are underlying meanings, which makes the atmosphere a very intense one throughout the comic. The work of art that is presented on the pages in this comic are embedded in such a way that the pages become the continuum for the meaning. One of the main themes that are imbedded on the pages through the artwork in this book is the ideological struggle between Bruce Wayne and Batman.
The Golden Age of Comics was perhaps the greatest era in comic book history. Many people loved the comics during this time period because they were all stories about good triumphing over evil. Many of these stories reflected over historical events over the time period. “Pro-American characters were popular due to the time period occuring mostly during World War II.” (PBS)