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Patriarchy and its effect on society
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Firstly, the novel manifests the desperate desire many individuals have to birth a male offspring in a country with a pervasive preference for sons. When Kavita gives birth to her second daughter, her husband has a strong disincentive to raise her. This notion is explored when Jasu says, “She will become a burden to us, a drain on our family,” (Gowda, 16). Unfortunately, Kavita has to suffer the loss of giving away her daughter as a consequence of the traditional gender discrimination that is deeply embedded in the patriarchal society she lives in. Jasu’s attitudes and behaviour are vitally influenced by the economic, social, and emotional norms of his culture. He sees no reason to raise a daughter who is incapable of bringing his family prosperity,
Throwaway daughter is written by Ting-xing Ye and her husband, William Bell and this novel tells the readers many truths about the chinese culture. This novel is about a Chinese girl call Grace who is adopted by a Canadian couple. Her adoptive parents do not hide anything that she is adopted and they want her to learn about her Chinese culture. Grace doesn’t want to know anythings about her birth family and her chinese roots. Over the years, she grows up, she decides to study the business in China and finds out who she is. Grace’s journey in the story reveals her self-discovery and self-acceptance of being Chinese-Canadian through the beginning, middle, and end of the story.
She turns down the proposal of Dieng, at the time the society would have thought that she needed a man most.. She writes a letter in reply to his marriage proposal which states “Abandoned yesterday because of a woman, I cannot lightly bring myself between you and your family” (Letter 68). As I said earlier in this paper, men will treat women the way other women allow them to treat them. The spirit of sisterhood speaks to treating other women with respect by staying away from their spouses. This is one thing young Binetou and her mother seem not to understand in this novel. I interpret the events in this text qas Ba’s challenge of a tradition in which women are kept subjugated and oppressed by other
In the novel Secret Daughter, it is continuously proven that blood relations are not the only element that binds a family. The main character, Asha starts off as an immature and inconsiderate girl. After making the discovery of her biological parents, Asha feels extremely upset and disconcerted. Paradoxically, however, Asha later realizes the true meaning of family and develops into a mature and understanding individual. In Shilpi Somaya Gowda's Secret Daughter, Asha changes from an immature and inconsiderate character to a mature and understanding one, because of a major turning point, which forces her to be extremely upset and disconcerted.
Unsuccessful intercultural encounters can sometimes result in tremendous consequences like losing business deals, breaking relationships or even destroying blood ties. In fact, for those who have watched the documentary “Daughter from Danang”, the idea of the last consequence would emerge vividly and hauntingly. The documentary, directed by Gail Dolgin and Vicente Franco, tells the reunion between a daughter and her long-lost birth mother. The reunion, which is expected to be an exhilarating experience, unfortunately becomes a painful one with heartbreaking moments. The failure of this reunion can be attributed to a number of reasons, but the most visible one is perhaps the issue of cultural differences. through the lens of intercultural communication,
Women’s rights in every culture are different depending on the customs practiced in that society. Every country has their own way of finding a loved one, getting married, and settling down. Families from certain cultures such as South Asian countries prefer their children getting arranged marriages, whereas other cultures do not condone arranged marriages. Along with marriages, the way both genders are treated and respected can differ depending on where one is from. In the novel, Koyal Dark, Mango Sweet, by Kashmira Seth, the protagonist, Jeeta, lives in a society where women are seen as the inferior gender and is constantly told that girls are only good enough for marriage. She is caught between following her mother’s demands or losing her
Birth is an amazing ability. It is a uniquely female power. The Theogony provides a portrait of the struggle between the sexes for control of the womb. Men attempt to gain access to birth by monitoring and grasping control over what leaves the womb, through sexual force, and by destroying the powerful mother-child bonds. Nonetheless, women retain autonomy. Sheer force of will, as Hera’s birth illustrates, deceit, and strong mother-child bonds preserve female power of procreation. Through birth women influence and control the course of human (or deities) destiny. Through their wombs women gain powerful agency.
The film’s theme is about the societal imbalance between Males and females in Pakistan. The superiority of the males in the society of Pakistan is very apparent and the film shows the horror of what comes with such a male-dominated culture
While reading this novel, individuals can fully imagine the struggles these child brides or arranged marriages in general go through. One can only experience what it feels like to belong to someone when they themselves do not have any idea who they are or can become. They are destined to obey and serve their husbands and honor their family tradition, and if they, like Nujood, choose to rebel against the norm of their reality, they will be looked down upon and punished for their disobedience and lack of
ABSTRACT: The article examines the position of women in Dogra society with reference to the short stories (Caretaker and Are You O.K Bu?) of Padma Sachdev, a Dogri writer. Women have their own position in Dogra society but due to some old rituals and traditions in earlier Dogra society they get oppressed by the society. In earlier times when a girl got married she was not allowed to come back to their maternal home again. The girl child was debarred from their maternal home. There was also a practice of dohri (reciprocal marriage) in Dogra society due to which the women were not able to express themselves. In Padma Sachdev’s stories women felt as a stranger or alien in their own home. The role and behaviour of women is determined by our social structure, cultural
In all her works Jhumpa Lahiri has dealt with the themes of culture identities and the problems of generation – of Indian parents and their children growing up in America while facing challenges of coping with the demands of their parents who are nostalgic about things and memories Indian and the pressures of American life and that society’s ways and norms. These conflicting norms and values as regards life’s important affairs like love and marriage find very effective expression in her stories – both short and long. In the treatment of these themes she looks for cross-culture marriage and even there she explores the possibility of accommodation and adjustment and thereby the happiness of home and family. Several writers in our days generally deal with themes of broken families, women’s emancipation-related tales of oppression and sexual violence or of gendered identity explained as colonial/postcolonial experiences, expectations and encounters, and culture conflicts due to East-West encounters. Jhumpa Lahiri seems instead not to bother for what is in currency, what sells today-hers being a systematic purpose to tell her readers that life demands understanding, maturity and marital success leading to the creation of a happy home. It may be this leading concern behind Lahiri’s art that make her stories immensely readable and she loads them with a virtue of a different kind. Given the obvious compulsion on her part to priorities the dominant concern in the multicultural world today for a home that guarantees happiness and comfort of existence as civilized individuals, she finds the theme of happy home and intellectual adjustments in life and in love quite a natural choice on which she could concentrate. Moreover, in our days when n...
In his three plays Yayati, Hayavadana and Naga-Mandala Karnad has made a subtle blending of the gender and culture to portray the identity of the individual. This can be analyzed and understood by critiquing the ‘Other’ discourse of which the individual becomes an indispensable part. In my paper I focus on the representation of gender and culture in relation to the existence of the individual in these three plays of Girish Karnad. My paper also highlights the individual’s existence that is modified by the gender and culture constructs that can be better understood by deconstructing the class narratives and critiquing the ‘Other’ discourse of which the individual becomes an indispensable part.
Karuthamma is a young girl that is always concentrated in “the God of Big Things” rather than in the “Small God.” Karuthamma and Pareekutty love relationship is part of the forbidden love laws that are stated. Begum Jaan and Rabbu are two women that face gender issues. Rabbu and Begum Jaan are homosexual women, that decide to keep it a secret. They were both brave enough in terms of their relationship because their society do not allow the relationship they have. The short story “Draupadi” is a story that shows how she is abuse and brutalize only because she is a woman. The story is a good example of the patriarchy system that they live
In the book Second Class Citizen, Emecheta Buchi uses gender and sexuality to express the many ways in which society treated women and the obstacles that they had to overcome. Buchi uses this book and the many issues discussed throughout the book as a tool in the argument of gender and sexuality as a social construct; however, the ways of the world and the views of society do not see how the way women were treated back then as anything but normal. Adah, the main character of the book is a child who wants a Western education but is denied the opportunity to get one because the mere fact that she is a girl and the privilege of school goes to the boys of the family even though she is the one that wants the education. The theme that is openly used throughout the book is one of vehement animosity of gender discrimination that is often found in the culture of Adah’s people. Buchi portrays the way that African women are discriminated and victimized by the men and older women in their lives.
In Annita Desai’s novel, the treatments between male and female characters are totally different. It is described in the novel that the male characters are always lazy, selfish drunkards while the female characters are diligent and always keeping the family together. Annita tried to illustrate the readers how Indian people live in the village of Thul and how urban Indians live in the capital city of India, Bombay.
For instance, physical abuse of women especially by their husbands in condoned by the Indian society causing further erosion of their already brittle self-esteem (Dutt and Noble, 1982; Kumar, Gupta and Abraham, 2002; Rao, 1997). The death of a husband or child has been found to be linked with higher levels of psychological morbidity among women. This could be due to the fact that the identity of women is not independent but linked to that of their fathers, brothers, husbands, or sons; and therefore losing a male member in the family not only means loss of a loved one, but it is also accompanied with identity crisis, social stigma or in worst cases social outcast (Das, 1994; Malik et al, 1992; Naeem, 1992; Scheper-Hughes, 1987). Further, in a patriarchal society such as ours, there is constant pressure and demands on a woman to give birth to a male child. The woman therefore would be blamed and made to feel guilty if she gives birth to girls only. She could face a loss of status, threat of replacement by another woman, etc. which would give rise to anxiety, fear and shame. Divorce is also looked upon as a taboo, and is looked upon as objectionable. Numerous other risk factors for poor