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Gender inequality in southeast asia
Gender inequality in asia
Gender inequality in southeast asia
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A Girl in the River: The Price of Forgiveness The documentary, A Girl in the River: The Price of Forgiveness (2016), the film’s main character is Saba, who faces the aftermath of an honor killing and throughout the whole film, shows us almost every obstacle that she faces when trying to obtain justice from the actions of her father and uncle who tried to kill her. The film’s unique theme, narrative, and ideology is different the many of the films seen in the class but it also takes from them as well. The film’s theme is about the societal imbalance between Males and females in Pakistan. The superiority of the males in the society of Pakistan is very apparent and the film shows the horror of what comes with such a male-dominated culture …show more content…
by showing the story of Saba. . It does an excellent job of showing the dominance of the males in the society right away by showing the main issue within the first 15 seconds of the film with the text shown on screen saying, “more than a thousand women are murdered each year by male relatives who believe they have dishonored their families.” The film focuses on the case of “Honor killing” but that is the just the effect of the real issue of the film which is the view that women are lesser than men and it uses the extreme example of honor killing to show it. The film’s entire subject and theme is said by Asad Jamal, “This is not just Saba’s cause, it it is society’s cause-...Women are at a great social and institutional disadvantage. Women in Pakistani live as second-rate citizens or perhaps even worse.” The film cements this issue about women’s rights right after Saba recounts the story of her attempted murder. Saba’s sister speaks in support of her father’s actions, saying “All our family did was to preserve their integrity and honor. Who can tolerate such betrayal from a daughter who runs away and marries without their consent?” Of course, while we expect the view of male superiority from males themselves, the film establishes the point that this isn’t just a male issue, it is a issue of the society as a whole since the film shows us how the women in the society of Pakistan view themselves, which can surprise any European or American audience. Then when we hear father explained on screen about how he told his wife of the murder, “ ‘I have gone and killed our daughter as per my desire’ my wife cried, what else can she do? I am her husband, she is just my wife.” With those sentences we have a perfect view on how lesser women are viewed in Pakistan. While the film establishes the theme, it also establishes the importance of honor and respect, as the recurring words of “Honor” and “Respect” are said.
When the film shows the father behind bars explaining why he shot his daughter, he does so perfectly in a metaphor, “If you put one drop of piss in a gallon of milk, the whole thing gets destroyed.” The metaphor he told tells the viewer how fragile honor and respect is in Pakistan society and how it can completely dictate how your life is in Pakistan. It makes us understand why the father attempt what he did but at the same time, doesn’t justify it by showing him behind …show more content…
bars. The film shows how males are pressured to dominate the women in their family with the elders of the neighborhood explaining, “Our society doesn’t respect people who daughters have ran away-...People with such a tarnished reputation lose all respect in the community.-....Don’t parents have a right to decide their children’s future.” The narrative of the film heavily relies on interviews with everyone involved and their input of the situation, especially Saba’s. In fact, the story only moves forward with interviews. Text on screen are barely used except just at the beginning, the court day and to show the name and the importance of the person talking. There isn’t narration from a voice of authority, it all relies on the storytelling from a compilation of the the interviewees. The film doesn’t show any fancy aesthetics, it makes the audience feel the reality of the theme, it doesn’t have archival footage of the past, it makes us sure that this is happening in the current day. The times we do have some reenactments is when Saba or the Criminal Investigator, Ali, are talking about the crime that took place, with some B-roll helping exaggerate the story and close-ups to her face. We aren’t given a picture on how life was before the incident or after the case closed, we are tossed in the story with how things are now, which gives us the thought that maybe things have always been like this. We aren’t given a history of a subject, we are given a story as it is happening. The ideology the film pushes is pretty straight forward, it is for women’s rights. The films shows us the consequence of complete male supremacy in Pakistan and how the society views women as second rate citizens. The film makes the viewer feel anger and uncomfortable while watching the film and makes them hope the father and uncle face justice. The film really nails on making the viewer feel concerned about Saba. It seems like the director Sharmeen Obaid-Chinoy uses film as a tool to bring awareness to the issue of women’s rights. However, it is propaganda since it does push a political agenda, but it doesn’t take away from the story. It doesn’t push it subtly as John Grierson would, it is more obvious but also more effective. The film’s style differs then from many I watched, It doesn’t follow a narration like Night Mail, it uses interviews to move the story forward. It doesn’t show any acting, the emotions shown on screen are not entirely genuine since they know they are being filmed, but their story is. When it comes to the film A Girl In The River: The Price Of Forgiveness, it definitely pushes a political agenda while telling the story of Saba, a women who was shot by her father because she “hurt” his honor by eloping with a man she loved.
However, while it does push its ideology to the viewer, it doesn’t take away from the feeling the viewer feels for Saba. It does this by relying on the interviews from the family and by figures of authority. It’s narrative structure makes every moment feel more real than relying on a narrator. The interviews are conducted as the case progresses and we can see how the characters feel before and after it closes. It doesn’t have any fancy lighting, the interviews are all mostly in the interviewees natural environment. The film successfully pushes its agenda with the complete feel of humanity when it comes to the victims of the honor killing while showing the criminals behind
bars. In conclusion, the film is unlike many of the documentaries we’ve seen in class.There is no acting and all the explanation that is needed is given by the interviewees themselves. While it doesn’t give the audience the ending we wanted, we can understand why Saba chose to forgive due.
It revolves around the issues of gender oppression, sexual assault, and importance of social status. Alifa Rifaat manages to express her opinions towards these themes by writing about a typical Egyptian marriage. She puts in focus the strong influence that a patriarchal society has. She also manages to prove how important social status is in society. The uses of literally elements such as theme and irony help express this view. It shows that in a typical Egyptian society women are commonly oppressed by all males in society
To explore, we will compare how the effect on patriarchal society affected each of the women in
Sexism is very real, even in the least patriarchal societies of the world. From a western hemisphere point of view, the lives of women and young girls that are described in Nawal el Saadawi’s “In Camera” and Hanan al-Shaykh’s “The Women’s Swimming Pool” is almost unbelievable. Although these stories do not tell the whole story of women’s lives in these areas, it gives readers a general idea of how politics, social opportunities, and male privilege is overbearing in their way of life. While “In Camera” is has a more dark, and mature theme than “The Women’s Swimming Pool,” it is obvious that both relate in the way that their protagonists both suffer from the unnecessary and unexpected burden of being born a female.
The documentary is mainly about the perception of what the definition of masculinity really is. Our society has developed schemas as to how men should express their emotions, which is practically not at all. Since we as a society have set these schemas for men, they have to constantly try to prove their masculinity over other men. Likewise, boys in this society also have to hide their softer feelings and
After watching this video, it became clear to be that my views on traditional masculine and feminine traits will be influenced. I understand the pressure that is put on both males and females to conform to society and the gender roles that accompany their culture. I will make a conscious effort to encourage males to act outside of the image they believe to be masculine. I will let them share their feelings and provide them with emotional support when they need it. I will also look at feminism differently. Before watching this video I believed that feminism was a good thing— now I believe that the idea of it is good but that is should change its objectives. I think that women should focus more on equality and less on the superiority of women. My thoughts regarding gender roles will be influenced after watching this movie.
This time, she used a new medium, the feature-length film, to express her feeling of Iranian society, and she declared that the film is telling a story rather than conveying a concept (754). In this way, the film Women Without Men tells four women’s story in islamic society, and Neshat tired to use these four emotional and sad stories to reflect women’s status in islamic society. Shirin Neshat separated the film to different sections, and each section tells a single story of each woman (754). All of them are from different social classes and backgrounds, and they meet each other in a garden where they try to live safely during the difficult time in 1953 coup (754). Zarin is a young woman from the lowest social class who is unwilling to be a prositutue, and her struggle was shown when she lost herself in brothel (754). Munis and Faezeh represent two positions of women in middle class; Munis cares about political events, however her brother always prevent her from participating in political events (Danto 223); in this way, Munis’s struggle emphasize a gender issue in Islamic society that women has to right to participate in political events. On the contrary, compare to Munis, Faezeh is a very traditional woman, however, this character in the film reflects a serious issue in Islamic society, which is sexual assault (215). Unlike other
Gender is set to a certain image in this film. Jake Gittes has everything in front of him to solve the murder of Hollis Mulray, but he has a hard time putting it all together and when he does it is too late. Also what I noticed is that men are being cheated on by their wives. The men are victimized a...
The importance of ethics when making a film is paramount. They exist in the filmmaking world to “govern the conduct [because] no hard and fast rules suffice, (Nichols, 2001). As Bill Nichols has argued, the essential question to consider when making a documentary is “How Should We Treat the People We Film (Nichols, 2001)?” The welfare of the people who participate in the film is vital to recognise because they are “cultural players rather than theatrical performers, (Nichols, 2001)”, they are conveying is real life according to them. Each of their movements and words are not scripted, and are real. A filmmaker is documenting their actual lives because they believe that the value lies in presenting something of interest to themselves and to its audience. It is because of this reality that the issue is much more important because it “adds a level of ethical consideration to documentary that is much less prominent in fiction filmmaking, (Nichols, 2001).” People are portraying their real selves and are not masked by a personality that has been asked of them to depict by a director. What must also be considered is how attending to the ethics of filmmaking is the benefits that it holds for the filmmakers and the audience. “Ethica...
Also, the film revealed women empowerment and how superior they can be compared to men. While demonstrating sexual objectification, empowerment, there was also sexual exploitation of the women, shown through the film. Throughout this essay, gender based issues that were associated with the film character will be demonstrated while connecting to the real world and popular culture.
There are several scenes in the film that stand out to me as important. The scene that caught me the most off-guard occurred when Makhmalbaf and young Makhmalbaf went to the director’s cousin’s home to try to enlist her daughter to play the roll her mother had played in real life. For just a moment the daughter and young Makhmalbaf step out of themselves and become the characters that they are playing. They make plans to meet the next day for the incident with the policeman, both look nervous, Makhmalbaf returns and they resume their roles as if the exchange had never occurred. This glimpse into what and how the incident was planned gives the audience a look into the type of people that Makhmalbaf and his cousin were as young adults, scared but sure in their purpose. The scene also allows us to step out of the knowledge that this is staged and shows us the characters as people, not actors.
Constitutional patriarchy instilled by the government in Central Europe greatly affected women during the time period following World War I. Communism attempted to give women more rights and promote their equality among men, but it failed to do so often. As a regime, patriarchy favored masculine gender roles throughout numerous aspects of society. Loves of a Blonde, Man is Not a Bird, Daisies, and A Woman Alone display the effect of patriarchy on women and how women could be successful or unsuccessful on attempting to go against it. The women in the films showed how women were pressured by society to accept relationships and a role in family, which were repressive. However, not all women conformed to the pressure and attempted to change their lives by taking different attitudes and actions toward the situation. By observing these films, a viewer can receive a viewpoint on how patriarchal society affected women and how women acted on their positions.
Right from the ancient epics and legends to modern fiction, the most characteristic and powerful form of literary expression in modern time, literary endeavour has been to portray this relationship along with its concomitants. Twentieth century novelists treat this subject in a different manner from those of earlier writers. They portray the relationship between man and woman as it is, whereas earlier writers concentrated on as it should be. Now-a-days this theme is developing more important due to rapid industrialization and growing awareness among women of their rights to individuality, empowerment, employment and marriage by choice etc. The contemporary Indian novelists in English like Anita Desai, Sashi Deshpande, Sashi Tharoor, Salman Rusdie, Shobha De, Manju Kapoor, Amitav Ghosh etc. deal with this theme minutely in Indian social milieu.
This film really focuses on the characters. Their thoughts, anger, distress, and mistakes become part of your mistakes. This deals with a father’s s priority and how he will achieve that priority by using unethical ways like torturing an innocent man. Bringing up child abduction and torture are
Has someone that is a close relative or friend ever been taken away and never to return? The only way you can see or speak with them is by looking at a tomb stone. This is one of the most painful experiences any human being will go through. Most people do not even realize the forgiving and not coping with the pain is a key step in healing and letting go. But if one fails to do so they will be bitter, angry and cold heart for the rest of their life.
The drama surrounds the story of a young woman called Anowa who disobeys her parents by marrying Kofi Ako, a man who has a reputation for indolence and migrates with him to a far place. Childless after several years of marriage Anowa realises that Kofi had sacrificed his manhood for wealth. Upon Anowa’s realisation Kofi in disgrace shoots himself whiles Anowa too drowns herself.