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Effects of war on soldiers emotionally
Effects of war on soldiers emotionally
Effects of war on soldiers emotionally
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Jarhead follows the journey of Anthony Swofford during his service in Middle East. Throughout his journey, Swofford presents a unique perspective on a variety of issues that indirectly affect American life and the “war” on terrorism. Some of the issues touched on include the mental stability and mentality of American soldiers, the influence of politics in the presentation of war, and the construction of a marine. Through these themes, along with the unique perspectives offered by the characters in the film, the audience is able to gain insight into the corruption and lies that are “war”. This insight ultimately helps the audience analyze the text deeper and enables them to draw the similarities in current events and dissect what they hear and see throughout the film.
The mentality is a solider is addressed throughout the movie. “This is my rifle. There were many like it but this one is mine. Without my rifle, I am nothing. Without me, my rifle is nothing”. Throughout the movie, the viewer is constantly reminded of the importance weapons play in a soldier’s identity. In Jarhead, soldiers from Swofford’s platoon have close bonds with their rifles. They sleep with them, eat with them, and even go to the washroom with their rifles in hand, (Mendes, 2005). Swafford’s character in particular is obsessed with his gun, (Mendes, 2005). Swofford spends hours at a time disassembling and reassembling his weapon, cleaning it, and addressing how to use it, (Mendes, 2005). Swafford’s obsession with his weapon insinuates his fear of dying, “a soldier’s weapon is the only aspect of the war he can control to stay alive”, (Mendes, 2005). Even after the war is over, the soldiers use their weapons to display emotions, (Mendes, 2005). ...
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...y the characters in the film, the audience is able to gain insight into the corruption and lies that are “war”. This insight ultimately helps the audience analyze the text deeper and enables them to draw the similarities in current events and dissect what they hear and see throughout the film.
WORK CITED LIST
1. Jarhead. Dir. Sam Mendes. Perf. Jake Gylenhaal, Jamie Foxx, Lucas Black. 2005. DVD.
2. McCutcheon, Richard. "Rethinking the War against Iraq." Anthropologica. No. 1 ed. Vol. 48. Ottawa: Canadian Anthropology Society, 2007. 11-49. Print. War and Peace.
3. Hamilton, John. Behind the Terror. Edina, MN: ABDO Pub., 2002. Print.
4. Stoll, Richard J., and Mathew Lebo. "War President: THe Approval Ratings of George W. Bush." The Journal of Conflict Resolution. By Richard C. Eichenberg. Vol. Vol 51. Thousand Oaks: Sage Publications, 2006. 783-94. Print.
Laws exist to protect life and property; however, they are only as effective as the forces that uphold them. War is a void that exists beyond the grasps of any law enforcing agency and It exemplifies humankind's most desperate situation. It is an ethical wilderness exempt from civilized practices. In all respects, war is a primitive extension of man. Caputo describes the ethical wilderness of Vietnam as a place "lacking restraints, sanctioned to kill, confronted by a hostile country and a relentless enemy, we sank into a brutish state." Without boundaries, there is only a biological moral c...
In War Gives Us Meaning Author Chris Hedges outlines a few points that give light to the whole book. He outlines three main points. War is part of our culture, we have a myth behind what is actually there and finally, we use war as a crusade. These three main points make up the entree of the whole book.
... out of a 1950s woman's film. The melodramatic influences of the film continue to manifest themselves in the newer release, just as Apocalypse Now continues to influence the epic movies of contemporary filmmakers. The unison of operatic spectacle and personal conflict spawned an original genre in the 1970s that remains an effective method of addressing social concerns. As we enter another period of political unrest and social change, it is likely that a new wave of melodramatic films is beginning to form on the horizon; there are certainly parallels between a government that declares war on terrorism and the U.S. army in Vietnam, who "knew everything about military tactics, but nothing about where they were or who the enemy was" (Cowie 143). From Conrad to Coppola, nuclear family to nuclear terrorism; never get off the boat, unless you're willing to go all the way.
to deteriorate the human spirit. Starting out leaving you're home and family and ready to fight for you country, to ending up tired and scarred both physically and mentally beyond description. At the beginning of the novel nationalist feelings are present through pride of Paul and the rest of the boys. However at the end of the war it is apparent how pointless war really is.
The entire movie is bursting with counter narratives, when the audience believes they hold an accurate grasp on what is truly happening, there is a misguiding event, as the storyline is continually challenged. The viewer’s beginning formations about what is going on are learned to be always questionable because what is repeatedly steered to trust and is revealed not be the truth in the conclusion of the film. This neo-noir film had multiple scenarios that make the previous actions untrustworthy to the actual message. This proves that all the observations and thoughts the viewer possesses are only relevant to what they are exposed to and shown and not to what is, in fact, happening.
When the war breaks out, this tranquil little town seems like the last place on earth that could produce a team of vicious, violent soldiers. Soon we see Jim thrown into a completely contrasting `world', full of violence and fighting, and the strong dissimilarity between his hometown and this new war-stricken country is emphasised. The fact that the original setting is so diversely opposite to that if the war setting, the harsh reality of the horror of war is demonstrated.
The book starts of with incidence of the Swift Boat Veterans with John Kerry and how a group of people were successful in making Kerry look like he was not a hero during the Vietnam war but a traitor. Fahad Manjoo provides background information about John Kerry enabling the reader to be familiarized on who he was. Manjoo in this sense takes into consideration his audience providing them with sufficient information before going into depth about Kerry. Manjoo mentions that the media plays the major in distorting reality. He asserts, "The veterans lacked any compelling evidence to support their claims,yet they ...
Modell, John, and Timothy Haggerty. "The Social Impact of War." Annual Review of Sociology 17 (1991): 205-24. Print.
...s, demonstrated through the author's talent, are denouncing the authority figures who were supposed to guide his generation into adulthood but instead turned the youth against each other in the pursuit of superficial ideals. The soldiers were simply the victims of a meaningless war.
The way the characters change emphasises the effect of war on the body and the mind. The things the boys have to do in the act of war and “the things men did or felt they had to do” 24 conflict with their morals burning the meaning of their morals with the duties they to carry out blindly. The war tears away the young’s innocence, “where a boy in a man 's body is forced to become an adult” before he is ready; with abrupt definiteness that no one could even comprehend and to fully recover from that is impossible. The story is riddled with death; all of the dead he’s has seen: Linda, Ted Lavender, Kiowa, Curt Lemon, the man he killed, and all the others without names.
This whole story is based around the horrors and actions which take place during war, and we therefore get involved in the scenery of war and become very familiar of what the characters must feel.
Although there were many concepts that were present within the movie, I choose to focus on two that I thought to be most important. The first is the realistic conflict theory. Our textbook defines this as, “the view that prejudice...
...adaptation of Ron Kovic’s best-selling autobiography. Both of these movies depict real-life accounts of how war can change people both physically and emotionally. America is approaching the 50th anniversary of the Vietnam War. Today’s students are much too young to remember this time in society. While textbooks have plenty of information regarding this time period, they do not have the emotional impact that these movies convey. In a case of life imitating art, Stone’s movies are the voice of a generation.
The war contributed to making the working class society believe that they were doing they’re part in helping “Big Brother” stop corruption and keeping the society in an orderly state. Big Brother manipulated the society by making up a war using previous pictures and images of a war that happened years ago. The war was also used to erase existing history that the government did not want the society to know. Furthermore, the war was used to keep the government and economy as the basis of power and maintain the balance of “Big Brother’s civilization”. The war mentioned in the film and book led to a conformed and controlled society.
For Conclusion, director Spielberg and writer Zusak both achieve goals of appealing to the readers pathos and logos. Director Spielberg focusing on guilt that occurs during war, and writer Zusak focusing on how courage and cawardice can be a disadvsntage or advantage based on the situatuion. Both movie and book taken place during World War II .