In “Their Eyes Are Watching God”, Janie finds her voice solely because of her experiences of mutual and natural love. In the book, Janie fails at finding her voice when she is suppressed with unequal and unnatural love by her first two husbands. Ever since Janie’s incident with the pear tree, Janie has desired to venture out to find mutual and natural love; however, due to her Grandmothers consistent persistence for her to marry a man who would offer her “protection” (15), and protect her from “harm and danger” (13), she marries Logan, a man she describes as “some ole skullhead in the graveyard” (13). Thus, Janie can already feel the mere image of Logan Killicks “desecrating the pear tree” (14). As her marriage progresses, Logan begins to …show more content…
Finally, when Joe threatens to “take holt uh dat ax … and kill [her]” (31), Janie leaves and in desperation marries Joe, a man whom “new words would have to be made and said to fit him” (32). Immediately after Joe is pronounced the mayor of the new town, Janie is offered to make a speech; however, Joe claims that Janie “don’t know nothin’ ’bout no speech-makin’” (43), thus further suppressing Janie and indicating that their future relationship will definitely not be based on equal love. Moreover, Joe continues to suppress Janie especially after the mule incident, where Janie makes such a profound speech that she is described as “uh born orator” (58). Thus, every time Janie begins to develop her voice, Joe, out of fear of it, immediately tries to suppress and hide it, leading up to where he forbids Janie to even leave the store. Finally, Janie after now being …show more content…
From Teacake’s first appearance in the novel, it is evident that their relationship would be equal. Teacake, unlike any other man, offers to play chess with Janie, as he uniquely sees that Janie has “good meat on [her] head” (96). In addition, Teacake encourages the development of Janie’s voice, even telling her that she has “got de world in uh jug” (104) and claiming that “[He is] glad tuh be de one tuh tell yuh” (104). Teacake’s further emphasis on teaching and showing Janie new things further builds her identity. Therefore, Janie’s development of her voice dramatically progresses, evident by the increase of her dialogue and the personalization of the remaining narration. The development of her voice reaches another milestone when she says “Ah done lived Grandma’s way, now Ah means tuh live mine” (114). Janie frees herself from the lifestyle of protection that her Grandmother has desired; instead, she creates her own sense of self, based on mutual and natural love. This love is further manifested by the muck, a place where both of they can just live in the moment and love each other; thus, Janie gets to a point where she can comfortably express her voice, “listen[ing], laugh[ing], and even talk[ing] some herself” (134). However, when Teacake “slap[s] her around a bit” (147) to show others of his dominance, the mutual love goes away; thus, Janie starts to lose her voice,
& nbsp;   ; Second, Janie sees Logan Killicks' perception of marriage. In the beginning it appears to Janie that Logan is a very nice gentleman, who is. constantly treating her well. However, as time goes on, Janie sees Logan's the "true colors" of the.
Scene: Janie’s loneliness, desire for marriage and naive nature leads her to an ill-advised, and as a result brief, marriage to an older man named Logan Killicks. This demonstrates both her love longing and her lack of experience with love. Still, terrible as the marriage is, it is a learning experience.
If Ah ever gits tuh messin’ round another woman it won’t be on account of her age. It’ll be because she got me in de same way you got me—so Ah can’t help mahself." Tea Cake professes his love to Janie by saying that she is the only woman he thought of marrying. Tea Cake knows that he will be loyal to Janie, but can not control other women's urges to flirt with him. When Tea Cake tells Janie that he is the man in her life he says:"You don’t have tuh say, if it wuzn’t fuh me, baby, cause Ah’m heah, and then Ah want yuh tuh know it’s uh man heah." (Ch.18). Tea Cake wants Janie to know that he is nothing like her other husbands, but is perfect for her. Tea Cake is essentially perfect for Janie because he helped her accomplish her her ultimate dream of love. Janie and Tea Cake’s marriage is the key to a good marriage because they treat each other with equality and
But Janie is young and her will has not yet been broken. She has enough strength to say "No" and to leave him by running away with Joe. At this point, Janie has found a part of her voice, which is her not willing to be like a slave in her husband's hands. After Janie marries Joe, I think that she discovers that he is not the person she thought he was.
Janie does so by choosing her new found love with Joe of the security that Logan provides. Hurston demonstrates Janie's new found ‘independence’ by the immediate marriage of Joe and Janie. Janie mistakenly chooses the pursuit of love over her pursuit of happiness and by doing so gave her independence to Joe, a man who believes a woman is a mere object; a doll. By choosing love over her own happiness Janie silences her voice. The realization of Janie's new reality is first realized when Joe states, “...nah wife don’t know nothin’ ‘bout no speech-makin’. Ah never married her for nothin’ lak dat. She’s uh woman and her place is in de home()" Joe is undermining Janie, cutting short any chance for Janie to make herself heard. Joe continues to hide Janie away from society keeping her dependent and voiceless. As Janie matures, she continues to be submissive to her husband, “He wanted her submission and he’d keep on fighting until he felt he had it. So gradually, she pressed her teeth together and learned to hush (71).” Though Janie ‘learned to hush’, and suppress herself, Janie still urges for her voice. When the opportunity came for Janie to reclaim her voice, "But Ah ain’t goin’ outa here and Ah ain’t gointuh hush. Naw, you gointuh listen tuh me one time befo’ you die. Have yo’ way all yo’ life, trample and mash down and then die ruther than tuh let yo’self heah ‘bout
By doing this, she has shown the community that a person can not always be happy with material things when she or he is not in love. Janie says, "Ah want things sweet wid mah marriage lak when you sit under a pear tree and think." She shows her grandma that she is not happy with her Janie's next husband, Joe Starks was very nice to her and gave her everything she wanted. When it came to Janie wanting to talk or speak her mind, he would not let her, and that made her feel like she was less of a person than he.
At age sixteen, Janie is a beautiful young girl who is about to enter womanhood and experience the real world. Being joyous and unconcerned, she is thrown into an arranged marriage with Logan Killicks. He is apparently unromantic and unattractive. Logan is a widower and a successful farmer who desires a wife who would not have her own opinions. He is set on his own ways and is troubled by Janie, who forms her own opinions and refuses to work. He is unable to sexually appeal or satisfy Janie and therefore does not truly connect with her as husband and wife should. Janie's wild and young spirit is trapped within her and she plays the role of a silent and obeying wife. But her true identity cannot withhold itself for she has ambitions and she wills to see the world and find love. There was a lack of trust and communication between Logan and Janie. Because of the negative feelings Janie has towards Logan, she deems that this marriage is not what she desires it to be. The pear tree and the bees had a natural att...
When Janie is with Tea Cake she feels complete in all aspects of life, and feels no need to depend on anyone else but him. When Tea Cake passes away we see Janie almost dependent soley upon herself, but she still confides in her best friend Pheoby when she returns
Jody requires that Janie hold her hair in a head rag because it didn’t make sense for her to have it down. In reality, Jody was jealous about how the other men looked at Janie when she had her hair down. In fact, “one night he had caught Walter standing behind and brushing the back of his hand back and forth across the loose end of her braid ever so lightly so as to enjoy the feel of it without Janie knowing what he was doing” (Hurston 55). This infuriated Jody and he ordered Janie to always have her hair tied up when she was in the store because, “she was there in the store for him to look at, not those others” (Hurston 55). Janie’s hair can be seen as a symbol of her independence, but with Jody’s demands, her independence is lost. This inequality only exists for Janie, because she is a woman. She could not make similar demands from Jody, or else she would be punished. However, in her relationship with Tea Cake, Janie is allowed to be somewhat free of gender bias. Tea Cake was the only person that treated her as an equal. It begins with the game of checkers, which Tea Cake sets up himself, a sign that he wanted to play with her and saw her as an
The first time Janie had noticed this was when he was appointed mayor by the town’s people and she was asked to give a few words on his behalf, but she did not answer, because before she could even accept or decline he had promptly cut her off, “ ‘Thank yuh fuh yo’ compliments, but mah wife don’t know nothin’ ’bout no speech-makin’/Janie made her face laugh after a short pause, but it wasn’t too easy/…the way Joe spoke out without giving her a chance to say anything on way or another that took the bloom off things” (43). This would happen many times during the course of their marriage. He told her that a woman of her class and caliber was not to hang around the low class citizens of Eatonville. In such cases when he would usher her off the front porch of the store when the men sat around talking and laughing, or when Matt Boner’s mule had died and he told her she could not attend its dragging-out, and when he demanded that she tie up her hair in head rags while working in the store, “This business of the head-rag irked her endlessly. But Jody was set on it. Her hair was NOT to show in the store” (55). He had cast Janie off from the rest of the community and put her on a pedestal, which made Janie feel as though she was trapped in an emotional prison. Over course of their marriage, he had silenced her so much that she found it better to not talk back when got this way. His voice continuously oppresses Janie and her voice. She retreats within herself, where still dreams of her bloom time, which had ended with Joe, “This moment lead Janie to ‘grows out of her identity, but out of her division into inside and outside. Knowing not mix them is knowing that articulate language requires the co-presence of two distinct poles, not their collapse into oneness’ ” (Clarke 608). The marriage carries on like this until; Joe lies sick and dying in his death bed.
Janie’s first relationship was with Logan Killicks. She married him only because she wanted to appease her grandmother. Logan did not truly love Janie, but saw her as an asset to increase his own power. Logan expressed this through several actions. He first tries to use her to "increase his profits" rather than treating her as a wife when he travels to Lake City to buy a second mule so Janie can use it to plow in the potato field because potatoes were "bringin' big prices”. When Janie later refused to work at his command, stating that it was not her place to do so, Logan told her, "You ain't got no particular place. It's wherever Ah need yuh". After Logan told her this, Janie decided she had to either escape or face becoming her husband's mule for life. Janie stood up to her husband. This is a feminist action because Janie is willing to leave a husband who makes her unhappy, which was rare act of independence and defiance for women living in the 1930’s. To free herself from her marriage with Logan Killicks, she only needed to invalidate the elements of his symbolic vision. She recognized that for Killicks marriage was primarily a financial arrangement, and his sixty acres acted both as a sign and guarantee of matrimonial un...
As the novel begins, Janie walks into her former hometown quietly and bravely. She is not the same woman who left; she is not afraid of judgment or envy. Full of “self-revelation”, she begins telling her tale to her best friend, Phoeby, by looking back at her former self with the kind of wistfulness everyone expresses when they remember a time of childlike naïveté. She tries to express her wonderment and innocence by describing a blossoming peach tree that she loved, and in doing so also reveals her blossoming sexuality. To deter Janie from any trouble she might find herself in, she was made to marry an older man named Logan Killicks at the age of 16. In her naïveté, she expected to feel love eventually for this man. Instead, however, his love for her fades and she beco...
Janie steps down from her pedestal to enter a relationship with Tea Cake, but she steps into one built on reciprocity rather than hierarchy. In teaching Janie to play checkers, to shoot, and to drive, and in inviting her to work alongside of him, Tea Cake breaks down the rigid gender definitions that Joe sought to impose. Janie continues to use her voice and her relationship with Tea Cake progresses. Because she is in a give-and-take relationship and she has joined a community on the muck, Janie experiences the freedom of speaking her mind. Hurston emphasizes the joy of this ability to communicate by writing: "Only here, she could listen and laugh and even talk some herself if she wanted to" (Hurson,
In the beginning of the story, Janie is stifled and does not truly reveal her identity. When caught kissing Johnny Taylor, a local boy, her nanny marries her off to Logan Killicks. While with Killicks, the reader never learns who the real Janie is. Janie does not make any decisions for herself and displays no personality. Janie takes a brave leap by leaving Killicks for Jody Starks. Starks is a smooth talking power hungry man who never allows Janie express her real self. The Eatonville community views Janie as the typical woman who tends to her husband and their house. Janie does not want to be accepted into the society as the average wife. Before Jody dies, Janie is able to let her suppressed anger out.
Janie’s first attempt at love does not turn out quite like she hopes. Her grandmother forces her into marrying Logan Killicks. As the year passes, Janie grows unhappy and miserable. By pure fate, Janie meets Joe Starks and immediately lusts after him. With the knowledge of being wrong and expecting to be ridiculed, she leaves Logan and runs off with Joe to start a new marriage. This is the first time that Janie does what she wants in her search of happiness: “Even if Joe was not waiting for her, the change was bound to do her good…From now on until death she was going to have flower dust and springtime sprinkled over everything” (32). Janie’s new outlook on life, although somewhat shadowed by blind love, will keep her satisfied momentarily, but soon she will return to the loneliness she is running from.