Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
The role of nature in modern literature
Use of nature in literature
The concept of transformation in literature
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: The role of nature in modern literature
“If you live among wolves you have to act like a wolf.” -Russian proverb Both Ang Lee’s Life of Pi and Carol Birch's Jamrach’s Menagerie, use many references to animals throughout, both comparing the protagonists to animals, animals having human like qualities; by doing this they question if to survive one has to sometimes has to resort back to animal instinct, but what if it is more than a choice, do times of survival, simply reveal what animalistic characteristics we have learned to suppress over thousands of years, we are always the wolf having to act like a human. topic Jaffy is constantly surrounded by bird references, cages, and feathers, throughout the novel he is transforms and changes but he always stays some type of a bird. Jaffy is the sparrow, found along Highway in shops, cage …show more content…
each wing crushed against its fellows on either side..” (9), his life before he met Jamrach, crowded, in the loud, busy, smelly streets of the highway the tiger changed that, he ate that sparrow. Jaffy compares the tiger incident to a rebirth, a phoenix like resurrection, eaten alive, head on the sidewalk, died to be reborn. The sparrow that was killed became the magnificent parrot that sit on man’s shoulder, , restricted by man, not able to fly away, the parrot on Jamrach's shoulder. Like any bird trapped he longs to be free, this freedom for Jaffy is the boats. Being overwhelmed by freedom like any animal kept in captivity it’s whole life it was a struggle to survive, being pushed to the brink changing it’s very nature, eating its own kind. When he returns he has this need to have order to apply some sort of meaning. He describes himself as “ another sort of recluse” (Birch, 337), because he shut himself off from human but he stayed in connection with birds, he “tamed a jackdaw” (Birch,336) , he surrounded the rest of his life around birds and
... middle of paper ... ... He did not turn into an animal, who only thinks of survival, but he shared his food with the people he loved. Therefore, one can conclude that one can see the theme of inhumanity through survival.
Many great authors that study human nature stood out the most during the period of time between the Imperialism and World War II. Among these authors were George Orwell and Virginia Woolf. Their study of the human nature is especially visible in certain short stories that each author respectively did. Orwell’s “Shooting an Elephant” and Woolf’s “The Death of the Moth.” In either of these stories the respective author uses animals to depict their complex ideas about the nature of life, men, and the whole world.
In the article “A change of heart about animals” author Jeremy Rifkin uses rhetorical appeals such as ethos, logos, and pathos to persuade humanity in a desperate attempt to at the very least have empathy for “our fellow creatures” on account of the numerous research done in pursuit of animal rights. Rifkin explains here that animals are more like us than we imagined, that we are not the only creatures that experience complex emotions, and that we are not the only ones who deserve empathy.
Pi’s journey starts out in a town in India known as Pondicherry. Here he finds a great interest in both Zoology( the study of animals), and religion. Pi also as well shows much knowledge in Zoology as shown in this quote from the book. “I got every possible student award from the department of Zoology.” (Pg.6) Pi, relating to religion(his other great interest), believes in multiple religions of which include Hinduism, Islam, and Christianity. Pi also finds great enjoyment in going to the Zoo, a zoo in which his own father owns. Pi’s great home life before his journey doesn’t last too long however. Soon the Tamil
In the essay entitled “The Sacred Conspiracy” by Georges Bataille, there is a text that says, “A world that cannot be loved to the point of death—in the same way that a man loves a woman—represents only self-interest and the obligation to work. If it is compared to worlds gone by, it is hideous, and appears as the most failed of all. …Men today profit in order to become the most degraded being that have ever existed,” (Bataille 179). Interestingly enough, the comment can be applied to the problematic relationship of the human and the animal as seen in Byron Haskin’s film The Naked Jungle.
The last decade of the twentieth century in America saw a rise in programs for human’s “self betterment.” A popular form of betterment is that of the inner animal. Interest in Native American animal mysticism, vision quests, and totem animals have increased dramatically in the past few years. No forms of media have been spared; Calvin Klein’s supermodels come on during sitcom commercials to tell viewers they need to be a beast, or to get in touch with their animal within. In the last decade of the nineteenth century, however, animalism was viewed not as a method of self-improvement but as the reprehensible side of humanity that lingered beneath the surface, waiting for an opportune time to come out and play. In Frank Norris’ novel McTeague, humans are no better than the beasts they claim to control. They cage and torment defenseless creatures, but cage and torment themselves far, far, worse. McTeague, Trina, Zerkow, and Marcus are animals in thin human’s clothing, walking the forests of McTeague, waiting for the opportunity to shed their skin and tear each other apart, while the real animals of the world continue leading lives far superior to their human counterparts.
“... the right question for animals is not ‘Can they reason?’ ‘Can they talk?’, but ‘Can they suffer?’ ”
Furthermore, Maya Angelou’s poem, ‘Caged Bird,’ there is a heavy usage of imagery to contrast the lives of the free and caged bird. For example, the first stanza includes vivid details about how free and easygoing the free bird’s life is. The text includes, “A free bird leaps/ on the back of the wind/ and floats downstream…” “...and dips his wing/ in the orange sun rays/ and dares to claim the sky.” Evidently, this bird can openly travel through the wonders of the world, such as streams and beautiful skies; there seems to not be a care in the world. However, the reader gets a peek into the life of the caged bird, who has a multitude of challenges and sorrow. These circumstances are first shown in the second stanza, but there is a more intense picture in stanza five, “But a caged bird stands on the grave of dreams/ his shadow shouts on a nightmare scream/ his wings are clipped and his feet are tied/ so he opens his throat to sing.” There is an obvious switch in mood that is projected from the author, as the caged bird has lost its dreams and had many obstacles preventing it from breaking
In conclusion, the key to survival in dire and drastic situations comes from deep within every human. Every individual will go through changes in order to adapt and survive the harsh conditions and challenges they are put through. In order to survive, one must be ready to give up their morals, one must find a way to keep their mind fresh and sane, and one must be ready to compromise and sacrifice. Most humans are generally very civilized under normal conditions, but when the need to survive becomes the top priority the wild animal inside everyone takes over. The author, William Golding, of Lord of the Flies once wrote, “Maybe there is a beast....maybe it's only us” (80).
It is not unlikely that in severe circumstances, humans use the company of one another to survive. For example, in Night, Elie Wiesel uses his father to motivate him to live during his terrifying stay at Auschwitz. However, not all cases of this “survival relationship” necessarily involve two humans. In Life of Pi by Yann Martel, when he is shipwrecked at sea for 227 days, Pi Patel faces life-threatening circumstances every minute of the day. After his rescue,though, he tells two different stories to explain this incredulous journey. One involves loneliness and brutality,while the other involves animals and faith, the latter being the true story. Pi’s explanation involving animals is the true story because it vividly and descriptively displays
Soon after, at long last, he reaches land. He attains Enlightenment. The tiger bounds off into the jungle-- Pi's suffering is released completely. He is nursed back to health and lives a relative normal life, with the distinction that his experience has fully awakened him. He walks as a true adult among the many spiritual children of the world. He still has the normal problems, challenges, and disappointments of life; Enlightenment does not mean everything is perfect. But Pi can bring forth what is needed in each moment, and does not suffer from the pains, failures, and sorrows of being human. He lives through them without getting caught in them. (Similarly, he is fully awake for all the wonderful pleasures and intimacies of life. And in all occurrences, he brings a deep compassion and love for all beings).
As for everything in life, it includes a long process of changing solid opinions towards the existence of animals. Through the mistreatment of animals, and to our societies’ view it is take more than one voice and one heart to change their understanding of the animal life. For that very reason there has been a development in organizations like People for the Ethical Treatment of Animals (PETA), and people like Dr. Malamud in his interview that are making it known to society that there’s a need of balance within the wildlife and civilization. As humans progress to a better lifestyle requiring materials and time, animals just want to live peacefully without any threats in their habitat, without a fear of mankind. When it comes down to it, animals and human aren’t really that different we both see and hear the same.
Yann Martel’s Life of Pi, is a fictional novel written in 2001 that explores the primacy of survival by employing symbolism, foreshadowing and motifs. This story follows the life of the protagonist, Piscine Molitor “Pi” Patel, as he embarks on his journey as a castaway. After boarding the Tsimtsum which carries Pi and his family along with a menagerie of animals, an abysmal storm capsizes the ship leaving Pi as the only survivor, though he is not alone. The great Bengal tiger, Richard Parker, also survives the shipwreck and during the 227 days that Pi and Richard Parker are stranded at sea together, the two must learn to coexist and trust one another for survival. Through Pi and Richard Parker’s struggles to remain alive, Martel explores the primal idea of survival by employing literary techniques.
Having just experienced the sinking of his family’s ship, and being put onto a life boat with only a hyena, Pi felt completely lost and alone. When he sees Richard Parker, the Bengal tiger from his family’s zoo, it is a familiar face to him. His initial reaction is to save the life of his familiar friend so that he may have a companion, and a protector aboard the lifeboat. Suddenly Pi realizes just what he is doing. He is saving the life of Richard Parker, by welcoming him, a 450 pound Bengal tiger, onto the small lifeboat. He experiences a change of heart when helping the tiger onto the boat. Pi realizes that he is now posing a threat on his own life. With Richard Parker on the boat, Pi is faced with not only the fight to survive stranded in the middle of the Pacific Ocean, but the fight to survive living with a meat eating tiger. The change of heart that Pi experiences might possibly mean that he is an impulsive thinker. It may mean that he often does something on impulse without thinking it through, and then later regrets his actions.
Imagine being stranded in the middle of the Pacific Ocean in a lifeboat, not alone but with some carnivorous animals, as company. The chances of survival do not seem so high, but when one has the will to survive, they can do anything to attain it. Pi Patel and his family are on their way to Canada from Pondicherry, India, when their cargo ship the Tsimtsum sinks. Pi is not the only survivor of the ship, along with him is a hyena, an injured zebra, an orangutan and a 450-pound orange Bengal tiger. Pi travels across the Pacific Ocean in only a lifeboat, with food dwindling quickly, he needs to find land and most of all survive the voyage. In Life of Pi; Yann Martel develops the idea that having the will to survive is a crucial key to survival; this is demonstrated through symbolism of the colour orange, having religion on the protagonist’s side and the thirst and hunger experienced by the protagonist.