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There is a fine line between good and evil, and change, in many ways can be for the worse. In William Golding’s Lord of the Flies, the community of schoolboys who crash onto an unknown island change according to the wilderness and the influential Jack. Against the will of their civilized and elected Chief Ralph, Jack undermines the growing infrastructure of the group by giving rise to fun and chaos, gaining dominance. For a society whose survival depends on strategy and discipline, the change in character draws division within desires and values. All room under my identical tapestries have ailments. Hence, the metamorphosis of Jack from civilized to savage portrays the sinfulness of human nature: choosing desire over morality, cruelty over …show more content…
intellect, and now over tomorrow. Firstly, altering beliefs to correspond with one’s desires, like ripples of a pond when a pebble is thrown, tend to cause disruption in civilization.
For instance, while Ralph and Simon attempt to build shelters, Jack insists that hunting is a higher priority. While they complain how the others will not help, Jack emphasizes they want meat Golding , to which Ralph contradicts they need shelters . By choice of wording, Golding suggests Jack, knowing it is not a necessity, still urges to act based on want over need. Additionally, Jack develops from a boy hesitant to kill a pig, to a cunning, premeditative hunter. On his first encounter, Jack has a pause when aiming at a piglet, but afterwards, so entranced in bloodlust, stalks in the undergrowth , and later cut the pig’s throat, which he describes with pride. Transitioning from humane to ruthless conveys how savagery becomes instinctive to humans in a situation of morality, specifically when ending a life. Similarly, the chant sang when first killing a pig, invigorates their sanguinary impulses for food. By the repetition of the chant, Kill the pig. Cut her throat. Spill her blood. , Jack encourages the biguns to unify in savagery to have power against the wilderness. Rather than influencing order, he brings barbarity and power, something both he and the rest of the group lacked before becoming savage. Consequently, as the hunters enjoy what he offers, power sways from Ralph to Jack, sensing iniquitous savagery
prevailing. Easily mislead, the dark nature of humans is to act cruel from the influence of others rather than listening to intellectual directions that differ. Moreover, Jack’s mindset influences the boys to harm others for sport. While littluns innocently play, two biguns, Maurice and Roger destroy their sandcastles out of amusement, and when a littlun gets an eye full of sand , Maurice uneasily walks away, leaving the littluns throwing sand as well. Conceptually, the littluns portray innocence, and by continual torment, the ‘innocence’ becomes inure to brutishness. By Maurice turning away from his emotions, quite literally, he chose to walk away from his principles, to think as the other would. Subsequently, Jack ignores Piggy’s witty ideas and harasses him, he indirectly corrupts the knowledge of the group. For instance, the glasses which Jack’s smack knocks off Piggy, symbolizes intelligence. Therefore, when the glasses break, it is the author’s way of demonstrating that with each savage act done on the island, follows irreparable damage to the intellect of the group. Through this change of morals, Jack also make the boys lose sense of thought to savagery. After a feast, full of food and dancing, a dirtied Simon emerges from the bushes to inform the boys the 'Beast' they fear is in their heads, the boys pull him to the centre of their chant circle, and struck, bit, and tore at him until leaving him for dead. The chant itself bring the boys, including Ralph and Piggy, who symbolize civilization to become conscienceless beings in allure of power, ergo consumed in the merciless act. From killing his first animal to gaining power, Jack’s influence transformed the boys from being capable of hunting an animal to murdering a person, all within a matter of months. Lastly, Jack shows nefarious human tendencies to look after their immediate needs, and rather than help themselves later, they resist thinking beyond the present situation. Particularly when Jack stole away the twins Samneric, who were tending the fire to hunt a pig with him, he refuses to prospect the purpose of the fire. When returning with the ‘carcass of a pig , Ralph exclaims Jack let the fire out , squandering their chance to be rescued by the passing by ship. Diminishing the fire, a symbol of access to civilization, Jack’s arrogance prevents them from being found, meanwhile strengthening his savage view through bloodlust. Withal, human nature draws reckless behaviour and decisions, specifically as Jack orders the boys to set the forest ablaze while pursuing to hunt and kill Ralph. As he flees from his inhumane execution, Ralph estimates how far the fire has spread, worrying about the fruit trees, wondering what they would eat tomorrow . Thus Jack, unlike Ralph does not think beyond the current issue over power, and willingly puts the survival of the group at risk due to the savagery growing within him. Nevertheless, although Jack repeatedly said he wanted to help them be rescued in the novel, his insincere and rash actions prove otherwise. In conclusion, Jack’s evolution in William Golding’s Lord of the Flies, from ethical to primitive illustrates the sinful, yet pleasurable susceptibility humans have to the dark side. Whether to act based off impulse over morality, be cruel than have an erudite or divergent view, or to live in the moment than think of the consequences, the path to savagery is easy to cross. While persisting in the power of savagery, the change into a more cruel, unprincipled character, can be seen in many works of literature, such as Macbeth’s bloody conquest for the crown in William Shakespeare’s play Macbeth. In history, and politics, there is manipulation and dictatorships whom govern over towns, countries, that affect people to this day. All in all, it is only natural to endure the urges of savage self growth.
A group of kids got stuck on an island after their plane got shot down and they all have many different personalities. Being stuck on an island usually brings out the worst of people.But, there were two characters in novel, “The Lord of The Flies” that had good morals. These two characters were Ralph and Simon. Ralph and Simon weren’t intimidated by not having any adults around, instead, they tried to bring out the best of themselves and not take part in any horseplay the rest of the boys did.
Jack’s negative effects on others are shown when “Maurice pretended to be the pig and ran squealing into the center, and the hunters, circling still, pretended to beat him” (75). This quote displays Jack’s evil influence because he has made perfectly normal British boys act like mindless savages and participate in this sadistic ritual. The hunters seem to regress to more prehistoric times as they enjoy performing this act. Jack also changes the boys’ behavior when, “The beast struggled forward, broke the ring and fell over the steep edge of the rock to the sand by the water. At once the crowd surged after it, poured down the rock, leapt on to the beast, screamed, struck, bit, tore. There were no words, and no movements but the tearing of teeth and claws” (153). This quote is essential because it conveys that Jack has altered the boys’ minds to such a degree, that they are blinded by their bloodlust and can’t even tell that the “beast” that they are mutilating is really Simon. It also shows how delirious Jack has made these once civilized children. As you can see, Jack is not a necessarily evil person, but he creates evil
Writer Steven James said, “The true nature of man left to himself without restraint is not nobility but savagery.” This quote can be used to accurately describe Jack Merridew, one of the young boys who becomes stranded on an unknown island in the Pacific. Lord of the Flies was written by William Golding; the novel explores the dark side of humanity and the underlying savagery in even the most civilized person. The novel opens on a group of British boys between ages six and twelve stranded on a tropical island without adult supervision. The boys elect a leader in an attempt to form a civilized society; however, their peaceful island descends into chaos as Ralph and Jack continuously argue over who should be the leader of the island. From the beginning of the novel, Jack is seen as power hungry, envious, and manipulative to further his own agenda, the anti-thesis to Ralph’s concern with social order and their future.
Lord of the Flies, written by William Golding, has four very important dynamic characters. A dynamic character is a character that develops and grows during the course of the story. Ralph, Jack, Piggy, and Simon are four dynamic characters in Lord of the Flies that adapt to their new lifestyles in different ways. Jack is a very important dynamic character in Lord of the Flies because he goes through the most changes during the novel. While on the island, Jack has many life experiences that change him forever. Jack never thought he would live his life the way he is living his life in the island. Jack’s authoritative figure, savage-like/instinctual behavior, and violence are three qualities that make Jack a dynamic character.
The topic of human nature, in its pure form, will tend to use its human power for evil rather than good. This topic is illustrated in Lord of the Flies in a series of quotes that show how a boy named Jack acts when his human nature in its pure form takes over. This first quote establishes that Jack’s human nature in pure form will eventually show itself, by showing that Jack is on an island with only himself and other kids: “Beyond the hollow was the square top of the mountain and soon they were standing on it. They had guessed before that this wa...
time to have fun and roll a large boulder off the edge to watch it be
Golding shows the drastic change in the boys’ behavior using symbolic dialogue and the characters’ actions. At the beginning of the story, Ralph puts Jack in charge of hunting so the boys can eat some meat. Jack finds a pig while hunting, yet he cannot kill it, his reason being, “because of the enormity of the knife descending and cutting living flesh; because of the unbearable blood” (31). Because of the strictly regulated society Jack has grown up in, he finds it disturbing to kill an animal, even if he must do it to have food.
William Golding’s novel ‘The Lord of The Flies’ tells the story of a group of English boys isolated on a desert island, left to attempt to retain civilisation. In the novel, Golding shows one of the boys, Jack, to change significantly. At the beginning of the book, Jack’s character desires power and although he does not immediately get it, he retains the values of civilized behaviour. However, as the story proceeds, his character becomes more savage, leaving behind the values of society. Jack uses fear of the beast to control the other boys and he changes to become the book’s representation of savagery, violence and domination. He is first taken over with an obsession to hunt, which leads to a change in his physical appearance This change of character is significant as he leads the other boys into savagery, representing Golding’s views of there being a bad and unforgiving nature to every human.
Ashamed of his mercy towards the animal, Jack “[snatches] his knife [and slams] it into a tree trunk” (pg. 31). His physical expression of embarrassment is a manifestation of his superiority complex; unable fulfill his duty as hunter or secure the position of chief, his bloodlust only deepens. With such a great desire to prove himself, Jack becomes evermore barbaric upon sampling the taste of control. As time progresses, Jack is adamant in pursuing the hunt despite opposition from Ralph. With no true concern for community, he justifies his bloodlust by claiming it for the good of the group: “We want meat ––” (pg. 51). Unlike Ralph who advocates building shelters, Jack has an overpowering desire to gratify his instincts and ego. This undermines his
As the story progresses it shows how the boys change from disciplined school boys to savages. Jack is the first to show the transition. When Jack, Simon and Ralph go exploring for the first time, they come across a piglet caught in a curtain of creepers. Jack couldn't kill it "because of the enormity of the knife descending and cutting into living flesh; because of the unbearable blood (31)." From that moment on, Jack felt he needed to prove to himself to the others that he's strong, brave and isn't afraid to kill. When Jack says, "Next Time (31)" it's foreshadowing his future of savage hunting.
In the novel The Lord of the flies, William Golding illustrates the decline from innocence to savagery through a group of young boys. In the early chapters of The Lord of the Flies, the boys strive to maintain order. Throughout the book however, the organized civilization Ralph, Piggy, and Simon work diligently towards rapidly crumbles into pure, unadulterated, savagery. The book emphasized the idea that all humans have the potential for savagery, even the seemingly pure children of the book. The decline of all civilized behavior in these boys represents how easily all order can dissolve into chaos. The book’s antagonist, Jack, is the epitome of the evil present in us all. Conversely, the book’s protagonist, Ralph, and his only true ally, Piggy, both struggle to stifle their inner
One of the main themes in William Golding's 1954 novel Lord of the Flies is that without civilization, there is no law and order. The expression of Golding's unorthodox and complex views are embodied in the many varied characters in the novel. One of Golding's unorthodox views is that only one aspect of the modern world keeps people from reverting back to savagery and that is society. Golding shows the extreme situations of what could possibly happen in a society composed of people taken from a structured society then put into a structureless society in the blink of an eye. First there is a need for order until the people on the island realize that there are no rules to dictate their lives and take Daveers into their own hands. Golding is also a master of contrasting characterization. This can be seen in the conflicts between the characters of Jack, the savage; Simon, the savior; and Piggy, the one with all the ideas.
On the dystopian island of Lord of the Flies, authored by William Golding, one can observe the boy's’ descent into madness. When a group of young children were abandoned on an island without adult supervision, chaos rampaged. This loss civility is most clearly demonstrated by Jack and his effect on others. The text illustrates how quickly he succumbed to the savagery, the way his thirst for power and his dire situation brought him to barbarity, and how the boys followed suit, losing all their humanity.
“Everybody has good and evil within them. All we're trying to say is that people are not all good or all bad. People are more complicated than you think, and one has to be more knowledgeable about the complexities.” This quotation from Stephen Schwartz establishes that even the best of people can be bitter by their own nature. In the novel, Lord of the Flies, William Golding removes the restraints of society to prove that it is human nature to live primitively and that evil lies within all of us. The sanctions of society begin to deteriorate due to the loss of communication, Jack’s obsession with hunting, and the inhumane nature of Jack and his “tribe”.
Lord of the Flies: Final Essay Exam. Are the defects of society traced back to the defects of human nature? The defects of society, and how it relates to the defects of human nature, can be explained with the savagery that drives the defects of society and the same savagery that drives the defects of human nature. In this story, Lord of the Flies, Golding shows the id, ego, and superego within the characters in the book. Golding represents the id with Jack, whereas the id says “I want, and I want it now,” and Jack constantly wants and needs power, and wants his way in every situation.