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Walk in the woods analysis
Into the woods critical analysis
An entrance to the woods analysis
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In the classic play, “Into The Woods,” the fairy tales Cinderella, Little Red Riding Hood, Jack and The Beanstalk, and Rapunzel collide in a twisted story. The fairy tales intertwine in the woods, while they are struggling to make their wishes come true. In the play and in the book by Stephen Sondheim and James Lapine, the fairytale, “Jack and the beanstalk,” helps pave the path for Into The Woods. For instance, by having the reader's question the moral behaviors of the fairytale. Furthermore, Jack and the Beanstalk helps readers comprehend Into the Woods by regarding greed as an essential element to understanding the play and the book. By analyzing Jack's experiences and actions in the story, “Jack and the Beanstalk,” the readers are able to identify the other characters motives and intentions in a higher level. For example, Jack's actions in the beginning are justifiable, a poor family in poverty. Although, as Into the woods progressed he became greedy and suffered the consequences. His lesson was learnt after death …show more content…
and destruction in Into the Woods. The moral lesson of Jack and the Beanstalk is not to let greed overcome you as well as do not take opportunities for advantage. In addition, Jack and the Beanstalk is a significant part of, “Into The Woods.” To clarify, Jack brings all the characters together in Act 2 but to fight the cannibalistic giant. In which was his wrong doing. Also, “Jack and the Beanstalk,” showed how greed could overcome you, an important issue in, “Into the Woods.” Therefore, Jacks moral behaviors in,“Jack and the Beanstalk,” provide a greater understanding of the entire play and provides a greater understanding in all of the fairy tales, not only that but many tragedies would not have happened if it was not for him. For instance, in Act II, it all falls to pieces. To clarify, a second giant goes on a killing spree due to Jack's carelessness. The princes cheat. The couple resorts to blaming and bickering. The characters question their original wishes and what they stole and whom they sold out to fulfill them. Nobody quite lives happily ever after. The classic Fairy Tale, “Jack and the Beanstalk,” is told in a variety of ways, the most common is Jack battling the giant. The classical Jack tale cycles are of Britain origin finding its way here, becoming the English version,“Jack and the Beanstalk.” Furthermore, one of the oldest Jack tales is, “Jack and His Bargains,” the fairy tale includes a father and his son Jack, who have dominance arguments. (Bettelheim.) Unlike the fairy tale we are used to, “Jack and His Bargains” is a lot different, they have seven cows and three bargains as well as no magic beans.(Bettelheim.) Jack and His Bargains represent social and sexual development, by marriage, of Jack and a princess.
Similar to Jack and the Beanstalk, but Jack represents, greed, maturity, and the ends justify the means. Jack unable to stand up to his father in the beginning of the tale, later on becomes the dominant one. The bargains involve a magic stick that fights off people, a musical instrument that talks, and a bee that sings. (Bettelheim.) He is handed all three objects and only by them is he able to gain independence and dominance. Unlike, “Jack and the Beanstalk,” where Jack makes the continuous effort to keep himself alive without magic objects. As well as Jack became more mature and in Act two he no longer needed his mother but only a friend. Therefore, both fairy tales have the same meaning, in the beginning he is an adolescent boy, but at the end Jack had reached maturity through obstacles he had overcome and lessons he had
learned. As Jack reached the top of the Beanstalk, he experienced a whole new world, he saw his world differently and himself. He saw a world with riches and wished he could live a life in between his own and the giants. Although, in the play when encountering a new environment malevolence may occur. For instance, Rapunzel’s experience as she left the tower was miserable because she encountered her death. As well as Cinderella faced difficulties, as she told her prince in the book, “My father's house was a nightmare. Your house was a dream. Now I want something in-between.”(Sondheim and Lapine.) Furthermore, identical to Cinderella going to the ball, Red Riding Hood as she strayed from the path, Rapunzel once she left the tower, as well as the baker and his wife in their new environment. Jack in the fairy tale, “Jack and the Beanstalk,” helps us get a better understanding of the play and book, “Into the Woods.” In the 1987 play, “Into the Woods,” incorporating fairy tales such as Cinderella and Rapunzel, the play shows fairy tale characters come together and try to make their wishes come true. Throughout the play, “Into The Woods,” the characters moral behaviors are questionable, greed, temptation, and stealing. However, the ends justify the means in, “Into The Woods.” In fact all of them have committed unethical or unwise acts, which have contributed to their current crisis.(Sulton)To demonstrate, The Baker and his Wife must bring the witch a cow as white as milk, a cape as red as blood, hair as yellow as corn, and a slipper as pure as gold in order to have a child. Moreover, although throughout the play the Baker and his wife achieve this, but in questionable ways, by stealing and lying. It can be noted the Baker and his wife are portrayed as willing to do anything to get what they need. The wife tries to steal Cinderella's slipper and cuts Rapunzel's hair while the husband tries to steal Little Red Riding Hood's cape and lies to Jack. Continuing this further, Little Red Riding Hood was greedy and stole pastries from the baker and his wife for her grandmother. Also, Jack stole gold, hen that lays golden eggs as well as a harp. Furthermore, Jack needed the gold for their economic standing, however, a hen that lays more than enough golden eggs. One of the problems with an excessive appetite for riches is it often leads to tragic consequences. Jack became more greedy with each climb, he took up the beanstalk and was not satisfied with what he had. Little Red Riding Hood and Jack were not contempt with what they had. As a consequence to Jack's mistake, the giant's wife came, destroyed everything and killed his mother. The grief brought by greed in stealing can be seen in, “Into the Woods.” In, Into the Woods, the fairy tale Rapunzel refers to a girl hidden in a tower. Continuing this further, the grief brought by greed can be seen in, “Into the Woods,” by the witch and Rapunzel. For instance, a witch was greedy and wanted Rapunzel to live with her forever,so she scared her of the outside world. Due to her actions, the witch ended up being the death of Rapunzel. Furthermore, by putting herself in front of others, no matter what the consequences or actions will be she hurt and killed. She put forth her own beauty, while others suffered and were in danger. It can be seen the ends justified the means, by sacrificing others for her own gain. Greed is an important element in Rapunzel, if the witch would not been greedy Rapunzel did not have to die. Not just that, but in order to get the witch's beauty she sent the couple in a dangerous scavenger hunt. Although since greed has consequences, the witch lost her powers as she gained her beauty because she was not contempt.
In this chapter, the author explains how many stories relate to fairy tales, like a parallel. Themes and storylines from popular fairy tales are often reused and made into newer and sometimes slightly different versions of the tale. A prime example of this would be the 2013 movie production of Jack the Giant Slayer or the 2011 production of Red Riding Hood. One characteristic of fairy tales is that they all have a plot and a solution which makes the story easy to connect to. This characteristic makes it possible for there to always be a way to connect a story to the fairy
Sipe highlights five different expressive engagements—dramatizing, talking back, inserting, and taking over—that children portray during story book read- alouds. He believes that teachers must encourage these behaviors in children because it shows participation and it inspires children to take over the story. Some of these expressive engagements are reasonable while some serve as a disfavor to children’s learning. On page 482, he gives instruction on how teachers can implement the expressive engagements in their classroom. Sipe claims, “the first type of expressive engagement, dramatizing, can be encouraged through dramatic reenactment” (481). This can be problematic for fairy tales such as “The Juniper Tree”. This story about a stepmother killing her stepson by beheading him then cooking him in a stew, and a little boy turned into a singing bird who then later kills his murderer by “…dropping a millstone on her head and crush[ing] her to death” (252) can be gruesome for children to dramatize. Another expressive engagement that Sipe mentions is “inserting”. Sipe claims that if children are encouraged to insert themselves or other people around them into the story that they are reading, they can exercise their power over the tales. Through this process, Sipe claims “children in process of becoming one with the story, to the extent of assuming their stance as fellow characters with equal agency and presence in the story” (478). The story of the little boy in “The Juniper Tree” suggest a different view about mechanically inserting characters in a story. The little boy must learn about what each of his family members did to contribute to his death. When the little boy died, he did not know anything about the causes of his death and the things that happened after. He had to learn that his “mother, she slew [him]”, his father
Fairy tales are a part of childhood. They go back through time depicting magical images of happy children, love stories, beauty, wealth and perfection. Authors, movie and film creators, artists and more draw beautiful images for people to remember and pass on through time. Many times the ugliness of the villains and the horrors that come into play throughout a fairy tale are often not as advertised. However, after careful analysis it is very clear that both authors of the original “Rapunzel” and its retell “The Root of The Matter” by Gregory Frost do not shy away from these evil aspects through their tales, while still capturing the magical moments that make a fairy tale memorable. The Root of the Matter fits the Rapunzel tradition with both
There are several events in the play which at one point or the other take a tragic turn which constantly undercut back into the play by speeches. What is set out in the play is a festive mood where people were engaged in activities of ‘Maying’ where people get together to sing and dance in the woods, activities that led to the maids’ belief that the pursuit if true love can be scored only through divination dreams (Barber 18). The fairy’s existence is conceptualized from the act of fusing pageantry together with popular games in a menacing way bring out their actual image of a relaxed
Based on a series of Brothers Grimm fairy tales, Stephen Sondheim’s Into the Woods (1987) focuses on fairy tale characters such as Cinderella, Jack and Little Red Riding Hood’s wish of life fulfillment. Numerous fairy tales are intertwined with one new tale in attempt to carry the childhood stories into an adult realm without ridding of their child-based sensibilities. (Knapp, 2009.) Little Red’s song, “I know things now” is performed after she escapes the wolf’s belly. It is a reflection song on what she has learnt from the experience of speaking to strangers. Sondheim cleverly integrates musical devises such as key, modulation, pitch, accompaniment, dynamics, motif and rhythm alongside language and literary devices to contribute to the development and growth of the character and story.
Shakespeare’s comedy A Midsummer Night’s Dream juxtaposes the patriarchal world of justice, rule, and order, contextualized as Theseus’ Athens, with the youthful, rebellious universe of Oberon’s woods. In the last lines of the play, Robin Goodfellow (Puck), one of several maliciously-inclined forest fairies, attempts to reconcile these opposites by suggesting to a potentially offended audience that the “immoral” events having occurred in these woods would simply have taken part in a dream. In contrast to the other characters of the play who either emblematize each side of the binary (fairies as the “woods” and older humans as “Athens”), or assert both extremes at different periods in time (young Athenians), Puck embodies the liminal space
In society there is a longing for a story to have a nice and neat happy ending. Broadway and the theater originally would give this to their audience, especially in America. Give the audience what the want! They want happy endings that mirror their own values and interpretations of how the world should be and at the end of it should be, “and they all lived happily ever after.” The fairy tale ending is something society hopes, dreams, and strives for since we could listen to our parents read us fairy tales with these sweet stories of finding true love and having to fight the odds to be the Prince or Princess you deserve to be. With Into the Woods, Lapine and Sondheim sought out to explore what could go wrong with “happily ever after.” Effectively leaving the audience with the adage, “be careful what you ask for…”
Though the evils of the world may discourage us from reaching our full potential, fairytales such as Little Snow-White by Jacob and Wilhelm Grimm teach us that good will always triumph over evil. As many tales of its kind, Little Snow-White uses a number of literary devices to attract a younger audience and communicate to them a lesson or moral that will remain with them throughout their lives. Since children have such an abstract stream of thought, it is vital to use language and devices that will appeal to them as to keep them interested in the story.
In this essay, I examine what Zipes means by institutionalised, define what makes a fairy tale and evaluate how different versions of Little Red Riding Hood reflect the social ideology of the period.
When the word “fairytale” is mentioned, nearly everyone thinks of light-hearted stories with friendly characters and happy endings. However, these are not the ideas that classic fairytales originally sparked. In fact, numerous modern Disney movies were based off stories that were not so sugar coated. In the 19th century, the Brothers Grimm were responsible for multiple of these popular children’s tales. The Disney remakes of classic fairytales such as Cinderella, Tangled, and Snow White exclude the dark, twisted themes that are significant in the Brothers Grimm fairytales, because society tendencies continue to evolve toward sheltering and overprotecting young children.
Most modern fairytales are expected to have happy endings and be appropriate for children, nonetheless, in past centuries most were gruesome. Consequently, fairytales have been modified throughout time. The stories “Beauty and the Beast” by Jeanne-Marie LePrince de Beaumont and “The Summer and Winter Garden” by Jacob and Wilherm Grimm share similarities and differences. The two stories are distinct because of the peculiar year they have been written in. LePrince de Beaumont’s story is written in London of 1783 and Grimm’s in Germany of 1812. At the time, wealthy people in London, were educated and had nannies who would read to their children; whereas, in Germany, the Grimm brothers created their own interpretation into a short story. Because many high class parents in 18th century London would not be able to spend time with their children, nannies would read “Beauty and the Beast” to them since they were intended for children and considered appropriate. In “The Summer and Winter Garden,” the Grimm’s’ story was mostly based to entertain misbehaved children and teach them the valuable lesson that everyone should be treated with kindness. The Grimm brothers’ goal in rewriting this short story is to better children’s behavior which worked quite well. Since these stories have been re-written for children, it would be safe to say the reason why parents expose the two stories to their children is because they both portray the same moral: good things happen to good people. The two interpretations of “Beauty and the Beast,” although written in separate countries, share important similarities and differences even though the authors have different interpretations and came from different cultures.
We all grew up hoping that we were the princesses who met the dreamy prince and lived ‘happily ever after’ like in a fairytale.People debate over whether or not Disney fairytales are beneficial for children. Like Melissa Taylor the author of the piece ‘10 reasons why kids need to read non disney fairy tales’, I am against disneyfied fairy tales. In this essay I will argue on why kids should not only watch disney fairytales but also the real versions.
Neil Gaiman’s “Snow, Glass, Apples” is far from the modern day fairy tale. It is a dark and twisted version of the classic tale, Snow White. His retelling is intriguing and unexpected, coming from the point of view of the stepmother rather than Snow White. By doing this, Gaiman changes the entire meaning of the story by switching perspectives and motivations of the characters. This sinister tale has more purpose than to frighten its readers, but to convey a deeper, hidden message. His message in “Snow, Glass, Apples” is that villains may not always be villains, but rather victims.
It is very common in many of the fairy tales for there to be usually one controlling, ‘evil’ parent, most commonly the stepmother, and one submissive parent, usually the father. This archetype is also seen in the fairy tales of Cinderella, Snow White, and Brother and Sister. The wicked character of the witch follows the stereotype that all witches are old, ugly, bitter, and evil. It is surprising to see that the fairy tale of Hansel and Gretel is one of the few where the main protagonists are clever and intelligent. The save themselves instead of relying on other people to save them. Hansel is very intelligent when he gathers glowing rocks and pieces of bread to lead their way back home when they are left to die in the forest. He shows his cleverness when he tricks the witch into believing that he has gained no weight by letting her touch a little bone instead of his finger. Gretel is also particularly clever when she pretends ignorance and tricks the witch into getting inside the oven allowing Gretel to push her in. The main themes of the fairy tale address survival and resilience in a world of poverty and deprivation. The main protagonist overcome the obstacles when they outsmart the witch, who represents gluttony, and are rewarded with pearls and jewels. Another main theme of the story is the sin of gluttony represented by the witch and the house made from bread and cakes. The witch’s gluttony is her downfall when she is tricked by both children. An important part of the fairy tale is the imagery present. As the children are lost in the forest they describe it “dark [as] night”. The forest is a recurrent image in the Grimm fairy tales, especially in the fairy tales of Little Red-Cap, and Snow White. The forest in the fairy tale is often described as frightening and where the supernatural happens. The forest also
I am writing this paper because I was assigned to write it as a class project. Along the way I realized the importance of sharing the real meanings of all these stories. Stories are important because in the society we live in things are constantly changing. Fairytales change but the base of the story always remain the same no matter how many times it has been retold. It’s important to reveal the true meanings of these stories, even with its dark characteristics, because the world is dark .Children need to know that there are people that have told stories relatable to what they are going through. Fairytales help the development of children; it helps their maturity as they confront someone else’s tough situations, instilling hope of a more positive ou...