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The influence Hip Hop Music has on the youth
The influence Hip Hop Music has on the youth
The influence Hip Hop Music has on the youth
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The genre of rap and hip-hop music has taken on a whole new persona in the generation of millennials. Fortunately, there are rappers such as Jermaine Cole, or “J Cole”, who work to hold on to a pure form of hip-hop and strive to portray a message in all of their songs. J Cole is a southern rapper with a northern style and flow. His main messages in all of his music is to speak the truth about his life and the world around him. You can listen to all his songs from the start of his career to now and you could understand who he is as and essentially listen to his growth as person. His song entitled “January 28th” is no exception to transparent style. The theme of the songs is to let his audience know that he extraordinary and he gives pieces …show more content…
J Cole begins to point out how hard he had to work to get where he is. For 11 winters straight he took on New York’s climate (lns. 51) and while climbing the ladder of success, he rose the standards “…so high that you gotta get Obama to fore the air force to find it” (lns. 53). This hyperbole is not only a form of bragging, but by including the metaphor of the ladder to success, he lets his audience know that he is not trying to be just another famous rapper. He is trying to be so good that he changes the standards of what people consider to be a successful …show more content…
It begins with anaphora by repeating the phrase “I aint”. By doing this, he emphasizing all the ideas associated with him that he never did and directly points out the stigmatism he had to overcome, while also bragging about who he became. It is important for him to emphasize these points because these are activities that he could have easily gotten into and people would expect him to do. But yet he made it out of the struggle without stooping down to that level which is a major accomplishment. He then goes on to name some of the greats he grew up on and some of the greats of today. His audience will automatically know who these people are and they will know the level of respect they have as rappers. But, the last few lines of the song end with “but check your birth date nigga, you aint the God/ …nigga Cole the God” (lns. 64, 66). This epigram makes this line the pentacle of the song. Even after naming all these important people, he’s saying that they might be great but they’re not him. He has something that sets him apart from anyone before or after
Every hip-hop/rap generation a lot new fresh upcoming aspiring rappers who wishes to go down in hip-hop culture as one of the greatest. Some of them are merely one hit wonders; others go on to silicify their mark in the Hip-Hop culture becoming great artists. In the year 2006 the hip-hop world was introduced to a future superstar by the named of Lupe Fiasco. Lupe Fiasco has become one of hip-hop fastest rising superstar ever since releasing his first album. Although many listeners find some of his music very controversial, yet Fiasco is one of the few artists whose music teaches people about current events that the world has turned the blind eye to, and Lupe lyrical trickster, story teller.
In Adam Bradley’s “Rap poetry 101” he shows us how rap is more than just songs being sung, it is poetry; it is something that has an empowering ability to make the familiar unfamiliar.In this chapter Bradley creates a new viewpoint too rap. Bradley shows us how rap and poetry has become a very similar piece of art that should be further appreciated. In the chapter poetry 101 Bradley describes how rap is a form of public art, and how rappers have become our greatest public poets. The importance of rap as poetry is shown throughout Bradley's book as well as the evidence behind the reasons rap is poetry.
The music video for J.Cole’s 2013 Crooked Smile is an expressive, and powerful production. It reveals itself as a short film commemorating seven-year-old Aiyana Stanley – Jones who was killed by an officer during a 2010 raid in Michigan. The video was nominated for the MTV Video Music Award for Best Video With a Social Message (Kaufman, 2014). It begins with an inconspicuous frame of J. Cole solemnly looking though a window appearing to have been arrested. The video then reverts backwards to show a comparison of two men leading similar lives earlier in the day. It is then revealed these men, although similar, are identified as binary opposites through ideological representation. Throughout the video a repertoire is built showing a white man, and a black man (J. Cole) living their natural lives. They then interact as the white DEA officer enters the home of the black drug dealer during a raid. With guns
In the article written by Shamontiel Vaughan entitled "Why J. Cole's '2014 Forest Hills Drive' is best rap album of the year,” the author makes a great point about artist having meaning to their music. The meaning behind J. Cole’s music consist of how the lyrics are based on his past in the state of North Carolina. Shamontiel talked about how rhyme patterns are nothing without a meaning. She explains how artist are comfortable with meaningless flows with words that shows expression that match the rhythm, but their content has basically no meaning. Most Artists rap about a bunch of nothing with a passionate flow, that at some point rappers need to tap into the true meaning of Hip-Hop, which is having flow and a message. The only true reason why I fell in love with J. Cole as an artist, is because of the fact of where he was born and raised with the support of his community. Lastly his platinum albums were so great, and he is different from any other artist.
J Cole’s fourth studio album tries to break away from the typical rap sounding album into something that transcends just a piece of artwork. Instead, it is a piece of artwork. At its core, the meaning challenges the idea of glorifying a life of crime. Using imagery and strong word play, J Cole reveals the consequences of living in this life. However, he empathizes
"Certain songs might tell you a little something about my upbringing. Certain songs might tell you how I relate to others life experiences. On the album I never get specific on all my dirt because I don't feel I need to talk about that. I want to put the spotlight on Mobile, and give the listeners an idea of what's going on here from a young black mans perspective." Listen up!
His analysis of the video and song seem more akin to a movie critic’s review of the next Quentin Tarantino film. He comments, “the video...is daring, provocative, traumatizing, cynical,... and to many, a work of genius.” This jarring examination seems relatively out of place for a song in the number one spot on the radio. One could attribute this simply to shock value, but Molanphy sees (or hears) something more when he acknowledges, “When you focus on [the] music, you gradually adjust to what initially makes it so jarring, particularly the lurch from the the sweet, acoustic Afrobeat intro to the droning, brooding chorus.” Incidentally, the song is much more than Gambino’s “cri de coeur” as Molanphy puts it, as it stands alone as a legitimate piece of hip-hop music. Paired with the video, the dark commentary does not seem so out of place when you recognize the history of rap music and its influences. He recognizes this best when he uses ethos to increase his
Throughout both songs, the artists J. Cole and Kanye West describe shortcuts that the younger generation of people would take to try and obtain the illusion of success. “A Tale of 2 Cities” by J. Cole describes a scenario
When looking at the landscape of Hip-Hop among African Americans, from the spawn of gangsta rap in the mid 1980s to current day, masculinity and an idea of hardness is central to their image and performance. Stereotypical to Black masculinity, the idea of a strong Black male - one who keeps it real, and is defiant to the point of violence - is prevalent in the genre. This resistant, or even compensatory masculinity, encompasses: the hyper masculinity rife in the Western world, misogyny, and homophobia, all noticeable in their lyrics, which is in part a result of their containment within the Black community. The link of masculinity and rap music was established due to this containment, early innovators remaking public spaces in their segregated neighbourhoods. A notion of authentic masculinity arose from the resistant nature of the genre, but the move to the mainstream in the 90s created a contradiction to their very image - resistance. Ultimately, this in part led to the construction of the masculinity defined earlier, one that prides itself on its authenticity. I’ll be exploring how gender is constructed and performed in Hip Hop, beginning with a historical framework, with the caveat of showing that differing masculine identities in the genre, including artists
Cole’s musical idols, which greatly influenced his musical style. His style captures the attention from younger generations and the adolescent population, whom also came from an uneasy childhood and along the way lost motivation. “I 'm here to spread a message of hope. Follow your heart. Don 't follow what you 've been told you 're supposed to do.” (Music times, 2014) Through this message, J. Cole constantly portrays to be an ambition seeking activist. He hopes to project hope in those who are struggling by sharing his life challenges and voicing how he overcame
With poetry coming in many different styles today, writing comes easy for some. One way that poetry is written today is in the form of rap. The artist known as "J Cole" is one of the best rappers of the 21st century. J Cole went double platinum with top hits such as "Wet Dreamz" and "Love Yourz". In both of these songs Cole connects the listener's with relatable stories and scenarios. Both of these songs are forms of poetry somehow.
An icon for decades, legend for an eternity, Michael Jackson’s impact on the world continues to thrive as a silhouette amongst pop culture. His music has influenced many people to "Xscape" from the deceptions of all the "Dirty Diana[s]. " Yet, his talent has encouraged people to "Scream" through all the "Thriller[s]" they receive as his stardom illuminates the stage as the "Smooth Criminal" of performances. His songs vary from selections that you can "Jam" to, those that promote tough love and adornment, while some are advocates for equality. Jackson is and will remain one of the most profound superstars of his time and one of the most dynamic artists in "History."
Hip hop has multiple branches of style and is a culture of these. This essay will examine Hip Hop from the point of view of the following three popular music scholars, Johnson, Jeffries, and Smitherman. It will delve deeper into their understanding of what hip hop is and its relation to the different people that identify with its message and content. It will also identify the history of hip hop and its transition into popular music. In particular, this essay will focus on what hip hop represents in the black community and how it can be used as a social movement against inequalities faced by them.
Murder to Excellence is more than just a song of rags to riches, or the daily black struggle it transcends past that. In Kanye and Jay-Z’s 2011 Watch the Throne album, both artists create an opus that explains their view of societies in the inner city, the effect it had on their lives, and the hierarchy. The song is split into two parts, the Murder and the Excellence, thus the title Murder to Excellence which forms a transition. The first half of the song, the Murder, focuses on police brutality, racism, the black attitude in the inner city, and the “black-on-black murder.” (line 2) The Excellence is a “celebration of black excellence” (38), Jay-Z and Kanye’s rise to success, and the white monopoly in the hierarchy. For the black struggle
Legendary rapper Jay-Z has penned several love letters to his hometown of Brooklyn, crooning on “We Fly High” that, while “Manhattan keep on faking it, Brooklyn keep on taking it!”. The song is Jay’s tribute to his town’s trademark grit and toughness. He’s from a no-nonsense borough of blue collar workers and old-timers still upset by the loss of their beloved Dodgers. It’s a cosmopolitan borough marked by several sharp divides: rich and poor, black and white, young and old (although the residents are perhaps all united in their hatred of the Yankees).