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Theme of isolation in literature
Theme of isolation in literature
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In the “The Yellow Wallpaper”, Charlotte Perkins Gilman gives the reader a window into the isolation and treatment of mental illness in the late nineteenth century by gradually showing the descent to madness by the narrator. The reader is able to witness the narrator’s development into madness, which is foreshadowed by her increasing paranoia and obsession with a mysterious figure behind the pattern of the yellow wallpaper. Through symbolism and point of view Gilman presents the horrendous story of a woman's downward spiral into depression and madness due to her isolation.
Gilman uses symbolism to represent different aspects of the narrator’s mental health.. The first instance of symbolism is the wallpaper representing the structure of family
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and tradition in which the narrator believes she lacks.
As her mental state begins to fade, her husband takes her to a mansion he is renting for the summer to keep her confined away from everyone else. She begins to find comfort in her writing and begins to become fascinated with the yellow wallpaper that surrounds her in the room. While the wallpaper is symbolic to her family, the color represents her mental health. The narrator stated “The color is repellent, almost revolting; a smouldering unclean yellow, strangely faded by the slow turning sunlight.” When something has the color yellow it is due to decay like teeth. The wallpaper color showcases her mental state as she begins to go insane in this mansion. As the days go on, her mental state begins to decay and turn yellow, reflecting the color of the wallpaper. As the narrator begins to become mesmerized by the wallpaper, she notices a figure trapped inside it. After she spends days studying the wallpaper, the figure turns into a woman trapped inside the yellow wallpaper. This woman simply wants to be set free from the wallpaper just like the narrator wants to be set free from her metaphorical cage in the mansion. The next few …show more content…
days past and the narrator believes she can free this woman from the wallpaper. This is when she starts to tear the wallpaper down. This was done to set the trapped woman free, but as she tears the wallpaper down she starts to believe she was the trapped woman. After all the wallpaper is torn down the narrator realizes she is the trapped woman and she freed herself from the scales of this mansion. Her sanity was finally lost after all the wallpaper was torn down and she finally accepted her descending mental illness and the reader sees how she perceived herself all this time. "The Yellow Wallpaper" was told from first person point of view to help the reader understand the narrator’s isolation and how it affected her.
As her mental state starts to descend, the reader gets an insight into how she felt and thought during this time period. The story allows readers to go along for the ride into madness and cultivates a certain amount of sympathy for the narrator and her situation. The constant use of "I" puts the reader in the narrator’s head and allows them to understand her. The reader however only gets access to the woman’s thoughts, which is limited. The limited point of view from this story helps the reader to experience a feeling of isolation, just as the narrator felt throughout the story. The point of view is also limited because the story takes places in the present, and as a result the wife has no say in what happens to her and is never able to actually see that the people in her life which is part of the reason she never gets well. Everything the reader learns or sees in the story is just through the narrator’s shifting consciousness and decisions. Since the narrator goes insane over the course of the story, her perception of reality is often completely wrong in comparison with the other characters such as Jennie or her husband. Not only does the reader sympathize with the narrator, they get to see why she began her descent into depression. The reader understands the narrator’s situation and how it caused her to become unaware of mental
grasp of the outside world. “The Yellow Wallpaper” demonstrates symbolism and point of view to help the reader understand the boundary of insanity and sanity. Charlotte Perkins Gilman presents a well developed short story about a woman’s mental health and how she became the woman trapped in the yellow wallpaper. Through the use of symbolism, the reader understood that she was the woman trapped, and the wallpaper was her mental health which gave an insight on her point of view. By using point of view the reader was allowed access into the mind of the narrator which allowed them to compredent the boundary between her sanity and insanity.
The woman in "The Yellow Wallpaper" is slowly deteriorating in mental state. When she first moves into the room in the old house, the wallpaper intrigues her. Its pattern entrances her and makes her wonder about its makeup. But slowly her obsession with the wallpaper grows, taking over all of her time. She starts to see the pattern moving, and imagines it to be a woman trapped behind the wallpaper. The total deterioration of her sanity is reached when she becomes the woman she imagined in the wallpaper and begins creeping around the room.
"The Yellow Wallpaper," by Charlotte Perkins Gilman, depicts a woman in isolation, struggling to cope with mental illness, which has been diagnosed by her husband, a physician. Going beyond this surface level, the reader sees the narrator as a developing feminist, struggling with the societal values of the time. As a woman writer in the late nineteenth century, Gilman herself felt the adverse effects of the male-centric society, and consequently, placed many allusions to her own personal struggles as a feminist in her writing. Throughout the story, the narrator undergoes a psychological journey that correlates with the advancement of her mental condition. The restrictions which society places on her as a woman have a worsening effect on her until illness progresses into hysteria. The narrator makes comments and observations that demonstrate her will to overcome the oppression of the male dominant society. The conflict between her views and those of the society can be seen in the way she interacts physically, mentally, and emotionally with the three most prominent aspects of her life: her husband, John, the yellow wallpaper in her room, and her illness, "temporary nervous depression." In the end, her illness becomes a method of coping with the injustices forced upon her as a woman. As the reader delves into the narrative, a progression can be seen from the normality the narrator displays early in the passage, to the insanity she demonstrates near the conclusion.
In “The Yellow Wallpaper”, the author, Charlotte Perkins Gilman, through expressive word choice and descriptions, allows the reader to grasp the concepts she portrays and understand the way her unnamed narrator feels as the character draws herself nearer and nearer to insanity. “The Yellow Wallpaper” begins with the narrator writing in a journal about the summer home she and her husband have rented while their home is being remodeled. In the second entry, she mentions their bedroom which contains the horrendous yellow wallpaper. After this, not one day goes by when she doesn’t write about the wallpaper. She talks about the twisting, never-ending pattern; the heads she can see hanging upside-down as if strangled by it; and most importantly the
Charlotte Perkins Gilman’s short story, “The Yellow Wall-Paper”, is a first-person narrative written in the style of a journal. It takes place during the nineteenth century and depicts the narrator’s time in a temporary home her husband has taken her to in hopes of providing a place to rest and recover from her “nervous depression”. Throughout the story, the narrator’s “nervous condition” worsens. She begins to obsess over the yellow wallpaper in her room to the point of insanity. She imagines a woman trapped within the patterns of the paper and spends her time watching and trying to free her. Gilman uses various literary elements throughout this piece, such as irony and symbolism, to portray it’s central themes of restrictive social norms
Charlotte Perkins Gilman’s "The Yellow Wall-Paper," does more than just tell the story of a woman who suffers at the hands of 19th century quack medicine. Gilman created a protagonist with real emotions and a real psych that can be examined and analyzed in the context of modern psychology. In fact, to understand the psychology of the unnamed protagonist is to be well on the way to understanding the story itself. "The Yellow Wall-Paper," written in first-person narrative, charts the psychological state of the protagonist as she slowly deteriorates into schizophrenia (a disintegration of the personality).
As the narrator’s mental state changes so does the way she perceives things around the house. The most prominent example of this is the imagery of the wallpaper and the way the narrator’s opinion on the wallpaper slowly changes throughout the story; this directly reflects what is happening within the narrator’s mind. At the beginning of the story the narrator describes the wallpaper as “Repellent...revolting... a smoldering unclean yellow” (Gilman 377). As the story continues the narrator starts to become obsessed with the wallpaper and her opinion of it has completely changed than that of hers from the beginning. Symbolism plays a big part in “The Yellow Wallpaper” too. This short story has a multitude of symbols hidden in it but there are specific ones that stand out the most. The recurrence of the wallpaper definitely makes it a symbol. An interesting interpretation is that the wallpaper represents women, in the sense that the 18th century woman was considered almost decorative and that is exactly what the purpose of wallpaper is. Another prominent symbol that runs parallel with the wallpaper, are the women the narrator would see in the wallpaper. The women appear trapped behind bars in the paper and one could argue that the women the narrator sees represents all women of her time, continuously trapped in their gender
From the minute you read the read the first paragraph until you finish the last sentence, Charlotte Gilman captures her reader s attention as her character documents her own journey into insanity in The Yellow Wallpaper. As her character passes a seemingly indefinite amount of time, it becomes clear that her husband s treatment is affecting her. Gilman is able convey the narrator s changing mental state through language and syntax.
Although both protagonists in the stories go through a psychological disorder that turns their lives upside down, they find ways to feel content once again. In Charlotte Gilman's "The Yellow Wallpaper," a nervous wife, an overprotective husband, and a large, damp room covered in musty wallpaper all play important roles in driving the wife insane. Gilman's masterful use of not only the setting, both time and place, but also of first person point of view, allows the reader to process the woman's growing insanity. The narrator develops a very intimate relationship with the yellow wallpaper throughout the story, as it is her constant companion. Her initial reaction to it is a feeling of hatred; she dislikes the color and despises the pattern, but does not attribute anything peculiar to it. Two weeks into their stay she begins to project a sort of personality onto the paper, so she studies the pattern more closely, noticing for the first time “a strange, provoking, formless sort of figure that seems to skulk about behind that silly and conspicuous front design” (Gilman). At this point, her madness is vague, but becoming more defined, because although the figure that she sees behind the pattern has no solid shape, she dwells on it and
Throughout “The Yellow Wallpaper,” Charlotte Perkins Gilman tells her readers the story of a woman desperate to be free. Gilman’s use of symbolism is nothing short of brilliant in telling the story of a new mother suffering from postpartum depression and fighting her way through societies ideas of what a woman should be. When her husband, John, also known as her physician, tells her nothing is wrong with her mind, at first she believes him because she knows that society tells her she should. However, with her husband’s misdiagnosis, or attempt to keep his wife sane for the sake of their reputation, comes a short journey into madness for his wife, Jane. Jane’s downward spiral, as one may call it, turns out to be not so downward when the reader
In Charlotte Perkins Gillman’s short story “The Yellow Wallpaper”, the author takes the reader through the terrors of a woman’s psychosis. The story convey to understatements pertaining to feminism and individuality that at the time was only idealized. Gillman illustrates her chronological descent into insanity. The narrators husband John, who is also her physician diagnosed her with “nervous depression” and therefore ordered her to isolate until she recuperates. She is not only deprived of outside contact but also of her passion to write, since it could deteriorate her condition. The central conflict of the story is person versus society; the healthy part of her, in touch with herself clashing with her internalized thoughts of her society’s expectations. In a feminist point of view the central idea pertains to the social confinement that woman undergo due to their society.
The “Yellow Wall Paper “ by Charlotte Perkins Gilman, is a chilling study and experiment of mental disorder in nineteenth century. This is a story of a miserable wife, a young woman in anguish, stress surrounding her in the walls of her bedroom and under the control of her husband doctor, who had given her the treatment of isolation and rest. This short story vividly reflects both a woman in torment and oppression as well as a woman struggling for self expression.
To begin, the short story by Charlotte Gilman, “The Yellow Wallpaper,” uses the deteriorating wallpaper to represent the narrator’s failing mind. The narrator is suffering and is confined in an uncomfortable house in a room she did not choose; she becomes obsessed with the wallpaper of the room. As the yellow wallpaper represents the narrator’s mind, the statement made by the narrator, “The color is repellent, almost revolting; a smoldering unclean yellow, strangely faded by the slow-turning sunlight. It is a dull yet lurid orange in some places, a sickly sulphur tint in others” refers to the condition of her mind by suggesting her condition is revolting and unclean. She is fading away in the su...
“The Yellow Wallpaper” was a groundbreaking piece for its time. It not only expressed feministic views through the defiance of a male but also discussed mental illness and the inefficacy of medical treatment at the time. This fictional piece questioned and challenged the submissive role forced upon women of the 19th century and disclosed some of the mental struggles one might go through during this time of questing. Gilman shows however that even in the most horrific struggle to overcome male dominance, it is possible. She herself escapes which again shows a feminist empowerment to end the
The narrator suffers from mental illness, but she told to be passive of her troubles. Authoritative insight from her husband and family tell her to live a life of domesticity in order to feel better, but the narrator speculates “that congenial work, with excitement and change, would do [her] good” (Gilman). These clashing mindsets showcase the standards of both genders during this time period believing that men are the superior gender and know better than women. As the narrator spends her days being confined in the house, her focus shifts to the wallpaper. In the wallpaper, she observes a woman “trying to climb through,” but ultimately failing to get beyond the pattern (Gilman). This refers to all of the women who were trapped within society and felt that there was no way out of their domestic lives. The narrator is eventually able to free herself from her mind, exemplified when she writes, “there are so many of those creeping women, and they creep so fast. I wonder if they all come out of that wall-paper as I did?” (Gilman). She is finally liberated and can see the whole situation once she is freed. Many women in society were trapped, whether it was due to mental illness or due to being women. In fact, Gilman wrote an article in the October
The short story titled, “The Yellow Wallpaper” is given its name for no other reason than the disturbing yellow wallpaper that the narrator comes to hate so much; it also plays as a significant symbol in the story. The wallpaper itself can represent many various ideas and circumstances, and among them, the sense of feeling trapped, the impulse of creativity gone awry, and what was supposed to be a simple distraction transfigures into an unhealthy obsession. By examining the continuous references to the yellow wallpaper itself, one can begin to notice how their frequency develops the plot throughout the course of the story. As well as giving the reader an understanding as to why the wallpaper is a more adequate and appropriate symbol to represent the lady’s confinement and the deterioration of her mental and emotional health. In Charlotte Perkins Gilman’s “The Yellow Wallpaper”, the color of the wallpaper symbolizes the internal and external conflicts of the narrator that reflect the expectations and treatment of the narrator, as well as represent the sense of being controlled in addition to the feeling of being trapped.