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Isadora Duncan
	Isadora Duncan was a famous dancer who brought a new kind of dance to the world. She danced out the feelings from deep in her heart. Unlike other dancers in the late nineteenth century, Isadora Duncan danced with flowing motion. She was not a ballerina, and did not like to watch ballet dancers, with their stiff bodies and unnatural pointe shoes. At first she was not liked, but as time went on, Isadora Duncan became a dance revolutionist people all over the world will never forget.
	Angela Isadora Duncan was born, one of four, on May 26,1877 in San Francisco, California. Her mother, Dora Duncan, was a piano teacher, and her father, Joseph Duncan was a banker, journalist, and poet. Her parents were both well educated, charming, and an altogether happy couple. However, their marriage fell apart soon after Isadora's birth.
	After the divorce, Dora was left with little money to support her four children; Augastin, Raymond, Elizabeth, and Isadora. She gave her music lessons, but still was not bringing in enough money to keep living in the same house. The family began moving from one apartment to another, learning to leave each one a day before the bills came around.
	Isadora started school at the age of five. In the late nineteenth century, students were expected to sit still during school, memorizing and reciting their lessons. To Isadora this was "irritating and meaningless." She hated school. She said later in her autobiography that her real education came on the nights when Isadora and her siblings would dance to her mother's music and learn about what they were interested in -- literature and music.
	Isadora was told as a child that she would have to learn to depend on herself to get what she needed in life. So as Isadora grew older, she began to understand her family's financial condition and was eager to help. She and her sister Elizabeth began baby-sitting to help the family. To keep their charges busy, they taught them how to dance. The dance lessons were mostly just telling them to wave their arms in the air, but it kept them busy and raised money for the family.
	In those days, when dancing was first popular, "nice" women wore clothing from chin to toe, not showing any skin. However, new kinds of dance were surfacing that allowed the "nicest" women to tak...
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...hat trip to Paris, for she died on September 14, 1927 after having dinner with her life-long friend, Mary Desti. After dinner, she hopped into a Bugatti sports car with the agent from the car company. She was wearing a long, elegant, red scarf, and as Mary Desti looked on in horror, that scarf got caught in the axis of the spinning wheel and strangled Isadora Duncan to death.
	More than ten thousand people gathered at the cemetery to watch Isadora Duncan's ashes be place next to her children's in their memorial. Even people who had watched her dance decades before came to the solemn service. To all these people Isadora Duncan meant something. She brought into the world the idea of teaching young children how to dance. Even though she knew they would not all become professional dancers, she felt that a feeling of rhythm and freedom of movement were important for one to have. She was the first to ever express her personal emotions in her public dancing. She always wore revealing clothes, often whatever she could find around her house. If you ever see a young child on a stage twirling and leaping to the words of her own feelings, they are there because Isadora Duncan danced.
Every dance that is created by a choreographer has a meaning and or purpose behind it. The dance choreographed could be used to send a political, emotional, or a social message. Regardless of the message being sent, each dance created possesses a unique cultural and human significance. This essay will examine and analyze two dance works from history and give an insight into what each dance work provided to the society of its time.
Overall, a legendary woman of many traits had known for her many remarkable achievements throughout her life. Changed and impressed the world for over fifty years with her fabulous work choreographed over ninety pieces. Exposed the world to the awareness of different fusions of cultures, mainly African culture though her amazingchoreographies. Revolutionized modern dance by recreating a whole new dance form. Katherine brought innovation to the world of dance. Her love for the art of dance was really shown by her ideals and terrific ways of creating. Katherine Believe that dance was much more dance just movements, one must know that roots of those movements to truly express the
Her goal was to move, not dance. She challenged the notions of what a quote on quote “female dancer” was and could do. Dance to her was an exploration, a celebration of life, and religious calling that required an absolute devotion (pg. 11, Freedman). She considered her dancers “acrobats of God”. An example of a dance which symbolized the “essentialized” body was Martha Graham’s Lamentation, choreographed in 1930, which served as an expression of what person’s grief, with Graham as the solo dancer in the piece. The costume, a tube-like stretchy piece of fabric, only allowed her face, hands, and feet to be seen, and, as Graham stated, “The garment that is worn is just a tube of material, but it is as though you were stretching inside your own skin.” In the beginning of the piece, she started out by sitting on a bench with her legs wide spread and arms held tight. Her head was going back and forth as if she was feeling sadness or maybe replaying thoughts in her head. By the way she was holding her hands so tight and close to her body, it symbolized the deep pain within her––the essence of her piece was grief, and she danced it from inside out. Russel Freedman, the author of Martha Graham A Dancers Life, stated, “She did not dance about grief, but sought “the thing itself”- the very embodiment of grief (p. 61).” Graham, dancing with strength and power, was encapsulated with her movement and was completely surrendered
Katherine Dunham led a rich and full life not only as a dancer, but as someone who studied the people she loved, wrote extensively, and stood for causes that meant so much to her. Her legacy lives on not only in the great anthropological studies she did or the important political and social stances she took, but in the modern dance of today. Modern dance, or dance in general for that matter, wouldn’t be what it is today without her studies and influence.
Her lasting career was not given to her easily, therefore, creating an inspiring story full of hardships and success. Ever since she was a little girl, her dream was to become a successful and famous dancer. In New York City, when she was trying to fulfill her dream, she was unable to find a job in the theatre department. Instead of being discouraged, she decided to make something good come from it. She choreographed her own routines, created her own costumes, and organized solo recitals for audiences to enjoy. This event led her to the biggest adventure in her life that would later impact the world. She was invited to return back to London to pursue her education in the performing arts, so that she could further improve her talents that would make up her entire career.
In her studies, she showed great genius in organizing dance. Her contribution to dancing was that she made dancing one of the necessary parts of the whole musical drama. It is her that made people realize the importance of the dancing in dramas. 6. Gene Kelly was a keen lover of dance in his childhood.
Baron Richard Von Krafft-Ebing, a 19th century German psychiatrist, was quoted as having said, "We find that the sexual instinct, when disappointed and unappeased, frequently seeks and finds a substitute in religion." This may have been the condition of Margery Kempe when she desired to cease all sexual activity with her spouse because of her devotion to God. Instead of performing her duties as a wife, she chose instead to spread her knowledge of God to her community and did so not only in speech, but also in literature. Whatever her motivation for creating such descriptive language, it is evident that her faith in God conquered both her fear of public opinion and the constraints placed upon all women during the period. Living in the 1400s, she steps out of a woman's role and into the territory of a man by living her life publicly, abandoning her position of mother and wife, and recording her life in writing. Fortunately, because she was writing for religious reasons, her work was both permitted and accepted. In The Book of Margery Kempe, she describes her experiences with brilliant imagery, some of which is sexual, all of which is sensual. By using her own senses to portray her spiritual...
The fine art of modern dance is like many other fields in that it is based on the actions and deeds of those who were pioneers in the field. These pioneers helped to mold modern dance into what it is today. Of the many people who are partially responsible for this accomplishment is Isadora Duncan. Duncan, often referred to as the “mother of modern dance,” inspired many other dancers to the extent that the art of dance would not be the same today without her many contributions.
[6] Cohen, Selma Jeanne. International Encyclopedia of Dance: A Project of Dance Perspectives Foundation, Inc. New York: Oxford UP, 1998. Print.
However, based on the evidence that was retained, Weeks was found guilty, and subsequently sent to prison. This direct violation of his rights is appalling. His attorney appealed the case to the US Supreme Court, arguing that if some of Weeks ' belongings were taken illegally then all of it was taken illegally. The Idea behind the exclusionary rule is leading up to the fact that if one piece of evidence was taken illegally because the federal agents failed to obtain a warrant would be comparable to the case Mapp v Ohio. The Court agreed on the appeal and overturned Weeks ' conviction. This famous case paved the way for exclusionary rule.
This plainly states that public school teachers, principals, and boards are required to be religiously neutral. They may not promote a particular religion as being superior to any other, and may not promote religion in general as superior to a secular approach to life. They also may not promote secularism in general as superior to a religious approach to life, be antagonistic to religion in general or a particular religious belief, be antagonistic to secularism, and they must neither advance nor inhibit religion (Religion in Public).
Aretha was born into a family that attended a Baptist church, with her father named, C.L Franklin, who was a Baptist preacher and gospel singer. Her mother was also a gospel singer and somehow there came to be reports that her mother had abandoned Aretha and her siblings, but she claims it to be all a lie (“CNN”). She was the fourth of five children, and lost her mother in 1952, a few years after her parents had gotten divorced.
Overall, Isadora Duncan was an amazing and revolutionary person. She discovered intense emotions and a strong spirituality within herself, within her soul. She transformed her discoveries into a dance in order to share it with the world.
Avniel Duncan was born during the midst of fall on October 11th, 1999 to the parents of Calvin Duncan, Jr., and Diane Duncan. Even as a child, Avi had family values and was always there to lend a hand. Mr. Duncan recalls cleaning the house with Avi. As he walked into the kitchen, he
	I agree with Frost that parents should control what public schools teach their children. Parents pay taxes, which fund public schools and pay teachers salaries. But public schools can not have different classes for different religions groups either. The Holts Books are like many other books; people get different understandings of the books. People think different, so people will translate the meaning of books differently. ...