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Meursault changes in the stranger
Characterization of meursault in the novel the stranger by Albert camus
Meursault character by Albert Camus
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Is there truly any justice in the novel The Stranger, written by Albert
Camus?
Is there truly any justice in the novel The Stranger, written by
Albert Camus? This is a question that naturally protrudes throughout
the novel, as it is not abundantly clear what Meursault, the
protagonist, was, in fact, put on trial for. At the beginning of the
second part of the narrative, it is understood that he is put on trial
for the murder of an Arab; however, it later comes to our attention
that the murder was not the primary reason of his trial, and perhaps
not even an essential one for that matter. The fact remains that
Meursault was undoubtedly put on trial, not for the murder committed,
but for being the way he was: unemotional through the eyes of society,
which was represented by the jury.
To the reader it seems only natural that one should be put on trial,
not for their personality, but for the harmful acts that one may
commit to another person. Therefore, the idea is strongly implanted in
the novel, as well as the mind of the reader, that Meursault was put
on trial for murder. Nevertheless, throughout the course of the novel,
it becomes apparent that he was, as a matter of fact, not put on trial
for the murder of the Arab, but instead, for acting in such a stoic
manner. Being the honest, straightforward man he was, he answered all
questions in that same conduct. Once Meursault had been appointed a
lawyer, his lawyer inquired over the events of Maman's funeral.
Meursault responded rather coldly when his lawyer had asked him if he
had felt any sadness that day, saying that he "probably did love
Maman, but that didn't mean anything. At one time or another all
normal people have wished their loved ones dead." (...
... middle of paper ...
...!"(p. 96) This
is a rather profound statement that affects not only the characters in
the novel, but the reader as well, rather intensely.
Thus, it becomes palpable that society, in other words, the jury
attempted to fabricate and impose rational explanations for
Meursault's irrational actions. The fact that he was so
straightforward and onest was disruptive and threatening to their
society as they were not accustomed to it, and therefore, they saw no
meaning, which would consequently create chaos in their orderly lives.
Meursault appears to do as he pleases, when he pleases, and therefore,
follows no pattern throughout his life, hence, society becomes
threatened by him, which ultimately leads to his execution.
Bibliography
1. Camus, Albert: The Stranger. Alfred A. Knopf, Inc., New York, 1988.
The Faade of the Trial: Meusault's "TRUE" Accusation
In 2 years the trial ended with the verdict of guilty on the account of
Has there ever existed a person that has not judged someone else over their lifetime? Judging by reality as well as literature it seems that no person like that has ever existed. It appears that it is human nature to want to pronounce others as either purely good or evil. But does everyone fit into the mold of good or evil? In Albert Camus's The Stranger, Meursault is a morally ambiguous character, and this ethical indistinctness plays a major part in the novel as a whole and the theme that Camus is trying to portray.
make there decision, but in the end there was no way that the jury was going to believe a
Albert Camus’ The Stranger featured a misunderstood man who saw through his gilded society who was condemned to death for not crying at his mother’s funeral. Ernest Gaines’ A Lesson Before Dying found a man sentenced to death because of his race.The ignorance of society killed both of these men, but their strength in defying the oppressive system makes them immortal. The strength of defiance is not an escape attempt or freedom, but the ability to remain human even while condemned to death. The human spirit triumphs when faced with injustice by taking dignity from the strength provided by a community or finding strength internally to create dignity even in death.
The Stranger is a novel by Albert Camus. Albert Camus, a French, Noble prize winning author, journalist and philosopher, was born on the seventh of November 1913. He died on the fourth of January 1960. He was instrumental in bringing the philosophical views of absurdism to public attention. The Stranger was published in 1942 and is an example of the outlook and themes of Camus’s philosophy of the absurd.
In the late 1940s, Europe began to recover from World War II- the deadliest global phenomenon over economic, political, and social thoughts. Adolf Hitler, the invincible leader of the Holocaust, in which the European Jewish population was blamed and executed for Germany’s economic debacles, was a Christian. Although, he honored his manifest Aryan race rather than religion. In other terms, he disregarded his mother’s teachings of Catholicism and believed purebred Aryans were the master race in the world with ideal physical and mental features (qtd. in The Earth and Its Peoples). In The Stranger by Albert Camus-a French philosopher, journalist, author, and Nobel Prize winner of 1957, Meursault struggles to find the meaning of human life while Hitler destroyed humanity. The book covers less than a year’s span in the early 1940s during World War II in Algeria , which was under Nazi, or Axis, control. Scarred by the warfare of Operation Touch, where the Allies (Great Britain and the United States) launched offense, Algerians attempted to resuscitate their country and people. The middle aged protagonist, Meursault, has no ambitions or formidable thoughts on life while he disregards World War II. Camus does not imply why, but Meursault has always isolated himself by living alone on the basic
Albert Camus’ The Stranger offers one man’s incite into the justice of society. Monsieur Meursault, the main protagonist in the novel, believes that morals and the concept of right and wrong possess no importance. This idea influences him to act distinctively in situations that require emotion and just decision, including feeling sadness over his mother’s death, the abuse of a woman, and his killing of an innocent man. In these situations Meursault apathetically devoids himself of all emotion and abstains from dealing with the reality in front of him. When confronted by the court over his murder, he reiterates his habitual motto on life that nothing matters anyways, so why care? His uncaring response inflames the people working within the
...hen he was asked a series of questions about the murder he had no opinion or a reasonable answer to why exactly he had killed the man.
In the literature, The Kite Runner, by Khaled Hosseini, the idea and representation of justice, and its relationship to that of the treatment of women in Afghan society, the ever-changing politics of Afghanistan, and the desired results of redemption and forgiveness, become illustrated through the novel’s characters and motives. Justice can be defined as the quality of being guided by truth, reason, and fairness. The Kite Runner illustrates the power of influence from an outside power and its effects on society, and the minds and lifestyles of the people. In relationship to the Cheverus High School Grad-at-Grad profile the actions and wrongdoings that take place in the The Kite Runner and in Afghanistan prove to be injustice.
...ing him, and the expectation was that there would be a well-publicized trial rather than a brief in which Ray admitted his guilt and was sentenced.” (Clark 240)
admission of guilt and all information obtained thereafter are thrown out of court. The result?
fact, from the time he was first put under arrest to when he was killed, he
not go his way so the consequences did exist and he had to pay for the
The search for justice is a urge that the natural human wants to satisfy. It is something that always wanting to be found in anything the question asked about it is why. The process to find it is depicted is several book and stories.
In Franz Kafka’s The Trial, Josef K. is guilty; his crime is that he does not accept his own humanity. This crime is not obvious throughout the novel, but rather becomes gradually and implicitly apparent to the reader. Again and again, despite his own doubts and various shortcomings, K. denies his guilt, which is, in essence, to deny his very humanity. It is for this crime that the Law seeks him, for if he would only accept the guilt inherent in being human (and, by so doing, his humanity itself), both he and the Law could move on. Ironically, this is in part both an existential and Christian interpretation of The Trial.