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History of Shroud of Turin
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The Shroud of Turin is probably one of the most unusual, profound, studied artifacts in the world. The Shroud is a linen cloth that contains the image of what appears to be a crucified man. Many people have speculated that it is the burial cloth of Jesus, while others speculate that it is an artistic painting. Over the years many test and studies have been conducted to prove once and for all if the Shroud of Turin is authentic or fake. Let’s look at different perspectives and outcomes of the testing and you decide for yourself what you think to be true.
One study believes that the Shroud could be evidence of the resurrection of Jesus. It is believed that the linen cloth contains areas that coincide with the wounds Jesus is said to have incurred according to the Bible during his crucifixion. The patterns have a distinctive resemblance to where each cut, bruise, and punishment inflicted upon Jesus would have left on his body. (Thomsen, Science News) Some scientists are even saying that the image on the cloth is from a scorch or possible burn of some kind. However, they seem to think it is from a form of projection, because no contact was actually made to the cloth. (Thomsen, Science News) How can that even be possible? Scientist can’t explain that reasoning, so if it can’t be explained does that mean it didn’t happen? To those who feel everything needs proof or reasoning, yes, but to those who trust in faith and certain religious belief, anything is possible.
The earliest documentation we have tells us that the mystery began in 1389. A Bishop by the name of Pierre d’ Areis wrote a letter to the pope of that era accusing a knight by the name of Geoffray II of placing a cloth in the church claiming it to be the original cloth us...
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...hentic or not. I don’t believe that it’s a painting of any kind, but I’m still not convinced that it was the burial cloth of Christ. I do believe there was a resurrection and that Jesus suffered at the hands of those who set out to crucify him. I believe he was tortured, beaten, scourged, nailed, and speared through the side. However, even with my belief I’m not truly convinced that there’s enough factual evidence to say that the Shroud was that used to wrap Jesus. I’m no scientist by any means of the word. There is a lot of evidence that proves it could be authentic, but there’s not enough to prove without a shadow of doubt in my own eyes that is the case. To be completely honest we may never know if the Shroud of Turin is authentic, but we’ve made it this far without knowing. Does it really make a difference one way or the other to know? To me the answer is no.
The mosaic in the apse of San Vitale in Ravenna depicts a younger version of Christ. This is iconologically significant because it shows a beardless Christ, signifying that he may be from the Mediterranean. His halo contains the Cross and he is wearing a purple robe. It is rather two-dimensional, because the draperies do not convey a sense of organic bodily movement. The figures are also mostly displayed in a frontal view. The globe on which Jesus sits also does not seem to be supporting him very well, adding to the two-dimensional feel. The work was done in 547 A.D.
Term Paper: Coffin of Tentkhonsu The Egyptians during this period took ample time and detail on the mummification process to ensure a successful transition from the netherworld to rebirth. The Coffin of Tentkhonsu, 1025-980 B.C., it’s a depiction of how the Egyptians valued and honored their elite members of society, as well as their gods. The Coffin of Tentkhonsu, itself dates back to the III intermediate period in Egyptian culture. The Egyptian believe was to join Osiris, whom was believed to have ascended to Netherworld and accomplished eternal life.
The Holy Trinity by Masaccio was a painting done in approximately 1428. It is a
there was a sock found. at the murder scene that blood soaked right through the sock, Mark believes that O.J. got blood on the sock, and it. went through the socks. There was a glove found at the murder scene of the crime, a lot of people believe it was planted by racist Mark Fuhrman, but lots of people think it. would be impossible to do.
In my examination of the works, I came across a particular sculpture that portrayed both beauty and craftsmanship. A 15th century sculpture (1490), made in Venice, Italy by Tullio Lombardo, shows a life-size figure of Adam. Titled Adam, the work is the most prominent in the gallery mostly because of its 6-foot standing. It immediately caught my attention and gave me a very realistic impression. One beige color and made of marble, Adam is depicted simply, yet the statue has intense emotions. His meaningful glance is seen in the upward and tilted head position. Adam has almost lifeless looking eyes and seems to be staring into the distance. With these sagging eyes, parted lips, and lacking posture I feel Adam’s guilt is displayed in this figure.
It was purchased by an American art dealer at a Sotheby’s auction in July 2008 for $2MM. It was brought to the Metropolitan Museum of Art where it was cleaned of grime, overpainting and discoloration. It was examined by infrared reflectogram and x-rayed for the first time and, on the basis of stylistic hallmarks such as “emphatic cross-hatching,” such as on the face of the saint, it was confirmed to be a Michelangelo (Michelangelo, n.d.).
It is obvious in this photograph that this soldier is taking great pride in guarding the Tomb of the Unknown. The first thing noticed when looking at this photograph from D. Myles Cullen is the white marble sarcophagus, or stone coffin. This is located in the very center of the photograph and is an important and well-respected monument. Engraved on the sarcophagus are the words
Imagine being in a museum and you see Nefertiti’s bust would you know who she is? The majority of the people that go to museums want to know the culture of the place they are currently in and if they take tours they do not give them the whole story they just give a synopsis of what the person did. The website History article Nefertiti says that the beauty of her bust is only skin deep and the way it looks is just the exterior but in the interior of the surface of her bust it is painted more realistic (Nefertiti). The bust received CT scans in 2009 and because of that they believe that underneath there is a limestone carving of a woman with wrinkled cheeks and a bump on her nose (Nefertiti). Her bust is the most iconic thing to come out of her
One of the very first well-known portrayals of this narrative was by Giotto di Bondone. From around 1304, it is an Early Renaissance painting. Jesus is lying down, cradled by the Virgin Mary, and Mary Magdalene is cares...
Looking at the painting “The Incredibility of Saint Thomas”, the power seems to lie in the skepticism exhibited by Apostle Thomas. The painter seems interested in Thomas’ doubt at the time he is pushed to the limits to believe about Jesus’ resurrection (Miller, Vandome, & McBrewster, 2010).
Perhaps the most notorious of burial practices originating in Egypt is that of mummification. Why such an extraordinary attempt was made to preserve cadavers may seem
As these materials have magical means, often seen in Egyptian religious beliefs, a magical mean of the ushabti followed after-life of its deceased. The figurine appears to be inscribed with a special spell that contains summons; the intent of figure is placed in the tomb to act as substitute for its deceased body. This magical figurine was detailed to respond in the
Weyer, J. (1563). De praestigiis daemonum [The Deception of Demons]. Basel, Switzerland: Per Joannem Oporinum.
Although a picture is worth a thousand words, I believe one could only tell truly what goes around if he/she her faces it. I object the idea of taking pictures of the artwork. When I was at the museum it was hard for me to take a picture of the Interior. The colors would not appear the same as compare to how they actually were in person. I could not even get the details of the artwork in the picture. Before visiting the museum, when I looked up the images for the painting I could not really tell artists truly feeling behind the work of art. Even though artistic elements such as composition, form etc were available in an image of a painting; the image altered the paint color, the skill and style with the medium, and our perception of reality. We can not depict the genuine identity of an artwork from it 's digital image or print. In essence, this made me realize how a person needs to see an artwork in person to really know what it looks
The controversy surrounding the release of The Da Vinci Code created several different reactions from religious people. “Some have taken offense at its religious content” (Reidy 1). The reaction described by Reidy is the most common reaction of those of the Christian faith. Readers more open to the possibility of there being truth in Brown’s novel become huge fans of the book. In Reidy’s article, he q...