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Eng 225 final film paper on the movie Scarface
Crime and deviance is socially constructed through cultural examples
Eng 225 final film paper on the movie Scarface
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Recommended: Eng 225 final film paper on the movie Scarface
Gang crimes along with public violence was as an often occurrence in the 1900’s as well as it is in today's society. The masterpiece directed by Howard Hughes and Richard Dosson , Scarface ,highlights the growing violence within the city of Chicago. This film depicts how a town can become an actual slaughterhouse ; especially if it isn't run by the people or the government but by mobsters with homicidal tendencies . Paul Muni stars as the savage Tony Camonte , who climbs his way up the ladder of the mafioso surpassing Osgood Perkins who stars as the lead crime boss Johnny Lovo. Ann Dvorak also gives an emotional and nostalgic performance while starring as Camonte’s sister Francesca Camonte. George Raft stars as Camonte’s trusty lieutenant …show more content…
Unlike Citizen Kane though , the star of the movie wasn't offended . The infamous 2
Al Capone , was a gang leader of organized crime in the 1920’s in Chicago . Paul Muni’s character ,Camonte, mirrors Capones’ brutal yet powerful disposition in his astounding portrayal of Capone even down to the scar on their face. Based on the book by Armitage Trail made in 1930, the movie composed 2 years later in 1932 was an impressive adaptation of the original print .
Paul Muni did an excellent job of executing the suave swagger that comes with being a mob boss. He was charming yet devious, sensitive yet tough , and compliant yet lethal . He always had kept you on your toes never knowing what exactly his character was going to do next. Osgood Perkins brought a more subtle approach to portraying the leader of a crime boss. This was no wonder that Muni’s character overshadowed and overruled Perkins character in the actual story of Scarface. There was nothing narcissistic and impulsive in Osgood’s portrayal of Johnny Lovo that had made you fear Muni’s character. Ann Dvorak used her unique beauty and exquisite mannerisms and delivered an endearing performance of life as a family member of a mob leader. She made viewers experience every emotion she felt , no matter if it was good or bad. Karen Morley was very beautiful on screen , yet her presence wasn’t as strong as it should’ve
As the 1920’s came to a close and America was in the midst of the Great Depression, a new genre of film was becoming popular. With 1928’s Lights of New York the “gangster” film genre as we know it today was born. Little Caesar and The Public Enemy (1931) were also highly influential and set the scene for the modern gangster film. The culmination of the gangster genre came about a year later. Howard Hawks’ Scarface (1932), is one of the boldest and most political gangster films ever made. Many changes were made by industry censor boards due to the diabolical nature of the film. Most notably, all scenes that contained shots of blood were removed and a subtitle was tacked onto the film denoting it as Scarface: The Shame of the Nation. Considered
Al Capone’s family came with a wave of other Italian immigrants that migrated to the United States in the 1800’s. Most immigrants in that time were living in poverty and in very urban areas. Capone’s family lived in the heart of Brooklyn, but his father was a successful barber which allowed them a slightly better lifestyle than most. Al Capone was the fourth of nine children and grew up with a very tight-knit Italian family who were trying to succeed in their new country”. Capone attended public school in the city and had a natural brightness by keeping a “B average” despite playing hooky on many occasions. The sixth grade showcased Capone’s short temper when he hit a female teacher who was lecturing him. This incident reveals the beginning of who Al Capone would come to be. After being suspended for his violence, he never officially furthered his education. He began his life of crime by joining the kid gangs that existed all over Brooklyn. These “gangs” were nothing more than children being hoodlums and participating in petty crimes, although they would be the ...
Alphonse Gabriel Capone was the most notorious bootlegger in American History. He was born on January 17, 1899 and died of a heart attack on January 25, 1947. Capone grew up in Brooklyn and became a member of the Five Points Gang. During a street fight he had received a scar on his face that gave him the nickname “Scarface”. Capone quickly moves up the ranks in the mafia world, often noticed for his toughness, in 1919 he grabbed the attention of mobster John Torrio of Chicago. Capone was promoted to bodyguard of the mob boss James Colosimo. When Capone moved to Chicago, bootlegging was just starting to blow up. These bootleggers pounced on the opportunity to completely control the business of making, importing, and distributing alcohol and all alcohol products. Alcohol wasn't the only flourishing industry for the the mob, they also did trade in
The movie “Scarface” is the story of one these immigrants who came to the United States seeking money and power but ended up with much more than he ever excepted. Al Pacino plays the main
Al Capone (Alfonso or Alphonse Capone) was born in 1899 and passed away in the year of 1947. Once he had been brought up in New York City, Capone became connected with crimes and was the subject of murder investigations. In 1920 he moved to Chicago and became a lieutenant to John Torrio, a notorious gang leader. They established numerous speakeasies in Chicago in the Prohibition era. After eliminating his opponents, "Scarface" Capone took over control from Torrio. He was implicated in brutal murders and received tribute from businessmen and politicians. Al Capone was a well known powerful, murderous gangster in America in the 1920’s. (MasterFile EbscoHost)
...s. Was Capone fully to blame for the violence that plagued his life? Or was he adapting to the times in which he lived? Maybe he was a man who believed in self-defense in a cruel time where he was just as likely to be killed by an opposing bootlegger. In several interviews, he spoke of peace. He asked for peace from other men that challenged him. Some might even call him generous. Whatever Al Capone was, there was one type of person that he believed to be truely evil. In the words of Capone, "There's one thing worse than a crook, I think...and that's a crooked man in a big political job. A man who pretends he is enforcing the law and is really making dough by breaking it. Even a self-respecting hoodlum hasn't any use for that kind of fella..he buys them like he'd buy any other article necessary to his trade. But he hates them in his heart," (Blumenthal 102).
In film, many times the auteur often uses the medium to convey a moral or make a social commentary. In the case of Howard Hawkes’s original version of Scarface, there is more being portrayed through the characters then merely the story. Hawkes makes a statement about the façade of organized crime, and the farce of the American Dream.
Like most things captured on film for the purpose of being marketed, the richness of gangster life, with sex, money, and power in surplus, is glorified, and thus embraced by the audience. And as a rule, if something works Hollywood repeats it, ala a genre. What Scarface and Little Caesar did was ultimately create a genre assigning powerful qualities to criminals. Such sensationalism started with the newspapers who maybe added a little more color here and there to sell a few more copies, which is portrayed in Scarface’s two newspaper office scenes. Leo Braudy denounces genres as offending “our most common definition of artistic excellence” by simply following a predetermined equation of repetition of character and plot. However, Thomas Schatz argues that many variations of plot can exist within the “arena” that the rules of the genre provide.
The gangster genre within films in America has accomplished numerous positive criticisms and constant willing audiences due to containing outstanding spectacles and mind-blowing action. The Godfather, being second on the IMDb Top 250 Movies, has set a new popular concept to life within the Mafia from their point of view. Doing so, creating a positive association. Yet within Italy, the same topic contains a complete different view. Movies such as I Cento Passi demonstrate unenthusiastic view by those whom are outside yet negatively affected by those members. Unlike American films, the gangsters are not as often viewed at the protagonist and are the main causes for the problematic events. But how different is Italian Mafia and American Mafia in cinema?
The streets of Philadelphia are rapidly becoming a home to violent acts and random homicides. Innocent lives are taken every day due to the strong presence of gangs, and the streets are run by unruly groups of fearless young adults. Gang violence in Philadelphia is a major issue, and the citizens will never be safe until gang prevention occurs. Gang prevention is not a simple task, but with the right resources available, it is possible. Gang violence is a problem that will contribute to the collapse of Philadelphia, and it has yet to be solved throughout many generations. With gang violence on the rise, the best solution to gang violence is to educate the youth and parents about gangs and use family support to prevent the creation of gang members from the problem’s core.
Alphonse Capone was born on January 17, 1899, in Brooklyn, New York to Gabriele and Teresina Capone. He grew up in a rough neighborhood and was a member of two gangs; the Brooklyn Rippers and the Forty Thieves Juniors. Alphonse did well at school until the 6th grade when he was expelled for retaliating against a teacher who hit him. He was fourteen at the time. He became part of the Five Points gang in Manhattan and worked in gangster Frankie Yale's bar, the Harvard Inn, as a bouncer and bartender. While working at the Inn one night, local gangster Frank Gallucio was drinking with his sister at the Harvard Inn. Capone approached the girl to compliment her, and Gallucio took offense to him started a fight. Gallucio pulled a knife and cut Capone's face three times. That is how "Scarface" came to be.
Al Capone was one of the most known of all of the gangsters. He was one of the biggest gangsters in the underworld of chicago. Al capone was a sharp dresser a classy gentleman. Capone was the best at what he did. capone originally liyed in naples which is in italy .
Al Capone was a child from an Italian immigrant family, And was one of the most Notorious and infamous Mafia leader in the world during the Prohibition Era in Chicago. Also he was known as "Scarface," Al Capone was sent to Alcatraz Prison in Philadelphia in 1931 from a tax evasion conviction. Al Capone had a personal fortune estimated at $100 million and was responsible for countless murders, His most famous one was the St.Valentine’s Day Massacre.
Scarface shows how the fast life is not the best life to take. The illegal drug business will always end in negative ending resulting in death or being imprisoned. This movie showcased what the public in the area of Miami had to go through including the law. The 1980s was a major time for the break of cocaine. Tony Montana gained so much power with the distribution of cocaine. This movie came together so well because of the time frame. The break of cocaine caused a lot of crime to rise in Miami, Florida. An estimated 70% of all marijuana and cocaine imported into the U.S. passes through South Florida. Drug smuggling could be the region’s major industry, worth anywhere from $7 billion to $12 billion a year. (Rivers, 1996) This movie correlated with the immigration of the Cuban community in America. Since the spring of 1980, when Cuban President Fidel Castro opened the port of Mariel to those who wanted to leave, about 125,000 “Marielitos” have landed in South Florida. In addition, 25,000 refugees have arrived from Haiti; boatloads of half-starved Haitians are washing up on the area’s beaches every week. (Rivers, 1996) A lot of illegal immigrants rose the rate of unemployment, taxed social services, irritated racial tensions and helped send the crime rate to staggering heights. Rebellious immigrants are believed to be responsible for half of all violent crime in Miami. Tony Montana was one of those rebellious immigrants who wanted to
The Godfather is most notably one of the most prolific films of its time. This "gangster" film displayed many transformations of permeating color to give the viewer observable cues in its mise en scene that drew one right into the movie. The dramatic acting set the tone of the film with a score that lifted the viewer right out of their seat in many scenes. The directing and cinematography made The Godfather ahead of its time. The nostalgic feel of family importance and the danger of revenge lets us into the life of the Mafia. Even though no other techniques would have given the viewer a feeling of inside the mob like the mise en scene of the power the godfather held, the characters are reinforced literally and figuratively because the story views the Mafia from the inside out, and the cinematography of the film gives it a dangerous and nostalgic feel.