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Analyze a scene of othello essay
Othello and desdemona relationship analysis
Analyze a scene of othello essay
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In Othello, many would think that Othello or even Iago, were the one to blame for Desdemona's death. After all, Othello is the one who directly killed Desdemona, and Iago tricked Othello into doing it. However, Desdemona is also at fault too for her own death. She could have made the right choices to avoid this seemingly inescapable fate. Desdemona is naive in her love and beliefs and is part of her cause of death because of her love for Othello, affection for Cassio, and persistence for Othello’s love.
Desdemona is naive in her love and beliefs and is part of her cause of death because of her love for Othello. Desdemona is in love with someone controversial – Othello is a Moor and he is much older. This is a problem because Moors are Muslims
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She is tender-hearted towards him and even tells Othello that without acknowledging how he feels. Her weakness is especially stronger when Cassio is known as a lady's man. This weakness of hers is taken advantage of by Iago, who deceives Othello to get rid of him. She talks to Emilia when she loses her handkerchief that Othello gave her stating, "Believe me, I had rather have lost my purse Full of crusadoes. And, but my noble Moor Is true of mind and made of no such baseness As jealous creatures are, it were enough To put him to ill thinking" (III, iv, 25-29). Desdemona doesn't even think Othello would get jealous. When Desdemona loses her handkerchief, Cassio finds it on accident and keeps it. Othello finds out about Desdemona losing the handkerchief he gave her and goes mad, thinking she gave it away to Cassio. Her ingenuousness by being close with Cassio indicates that she thinks it is possible to be friends with men without falling in love with them. In a time where women have to be pure and conscientious, this is a hard thing to do, when people judge women for being promiscuous just by seeing them have a non-romantic relationship with the opposite sex. It was not because she was trying to hide her friendship with Cassio because she thinks they're just that: friends. And although Desdemona lies to him about still having the handkerchief, she only lied to him …show more content…
This optimism is mistaken for naivety and will be part of the reason why she dies. The love she has for Othello and persistence for him to reciprocate it back even though she hears that he is jealous over her fondness for Cassio causes a big part of her devastatingly tragic end. Although she played a role in her own death, it was not entirely her fault. As said before, it is generally agreed upon by most people that Othello is to blame for her death, as he directly caused it. However, whose fault it is in this play is of great debate. It may be up to the reader's views and opinions in the
She is madly on love with Othello and would do anything to please him. Overall our understanging of Desdemona is increased and we picture her in a different light from Act 1, where she was just a young innocent lady.
Just like Cordelia in King Lear, there is a sense that forces in the play conspire against Desdemona, so that her death becomes an inevitable outcome of momentum of the play. Othello speaks ‘the plague [of] great ones’ (3.3.314) which seems to pertain to great Shakespearean protagonists:
The question is how sympathetic is Othello to the reader? Othello feels betrayed by the snare. But Othello loses his look of a gullible, good guy when he decides he wants Cassio and Desdemona dead. The rage of his jealousy turns the character of Othello, the readers know, on its head and creates a different look. Only during and after the death of Desdemona can the reader see the good that was once in him.
Desdemona pleads with him and tries to convince him that she would never betray him and that she has never proclaimed love, neither physically or verbally, to Cassio. No matter how much she tries to convince Othello, all fingers point to Cassio because they find the handkerchief in his possession.
In Act 1. Desdemona admits that she fell in love with Othello's eloquence and harrowing adventures; 'I saw Othello's visage in his mind'. This outlines his sense of nobility in language,which empahsis how much of an experienced warrior ans revered noble man he is. Moreover Desdemona reveals Othello's nobility of love, 'She loved me for the dangers I had passed/ I loved her that she did pity them'. She succeeds in unveiling a side in Othello's nature which show him as a loving, respectful husband. He is clearly trustful of Desdemona and is not by any means jealous of him, as he allows her to travel to Cyprus with Iago,' To his conveyance I assign my wife'.
really does believe Iago. That makes Othello responsible for Desdemona's death. For example, When Othello sees Cassio talking to Desdemona, Iago winds him up. says he should beware of jealousy, the ''green eyed monster''. This explains to us that from now on you have to take on jealousy as well.
It is apparent that Othello idolizes Desdemona, through the language he uses in describing her as well as how he treats her during their interactions. While most female characters in the play are oppressed and demeaned by their male partners, Othello’s respect for Desdemona is a testament of his feeling inadequate and strive to entice her. Although he has an alterior motive of evading a conviction of witchcraft to win Desdemona’s heart, he confesses to many noblemen including Barbantio, Desdemona’s father, that Desdemona does not love him, just his war stories. Incidentally, his war accomplishments were the only way a man of his background would be able to be so close to a prestigious woman such as Desdemona in a time plagued with so much racism. In the second scene of Act V, Othello has been pushed well beyond his breaking...
Her confession then confirms that Desdemona was faithful and did not deserve to die and as a result she shows one that love can be foolish and naïve. Her love and loyalty to Iago causes her to deceive her friend and this ends with both women being killed because the love they possessed for too foolish men. Othello is responsible for murdering Desdemona; Iago is
These lines are the first hint given that Desdemona may not have always been completely captivated by her husband. These words, not denied by Othello, sit in contrast to his own. Upon hearing her words, Othello seems a changed man, depressed and submissive, his new attitude brought on by “Desdemona’s own honest account of her original feelings for Othello and the role Cassio played in Othello’s winning of her” (Macaulay 269). With just a little concern for Othello’s own pride, Desdemona have chosen to withhold some words or soften their blow. Instead, her own pride continues to lead her headlong onto a destructive
In Shakespeare’s play “Othello” the main characters Othello and Desdemona suffer a tragic fate due to their actions and unforeseen circumstances. A majority of Desdemona’s suffering is down to Iago’s manipulation. However, it could also be argued that Iago is not completely to blame for the misfortune of Desdemona. We as the readers can see evidence of this at certain points in the play where Iago has planted the seeds of despair and Desdemona and Othello have fallen for his plans. In this essay, I will look at key moments in the play where Desdemona is presented as a tragic victim by the writer and justify why she is a tragic victim using quotes from the play.
In Greek, Desdemona means ‘the unfortunate’, perhaps reflecting an ideology that she is not meant to be liked, merely pitied for her misfortune as a tragic victim (commonly defined as someone who dies due to the faults of others). Throughout Othello, Desdemona is presented as pure and innocent – in regards to this, Auden’s comment is unusual as Desdemona is seldom criticised; indeed many critics are complementary, giving her titles such as ‘gentle Desdemona’.
Through his suggestion to Cassio, Iago can now be certain that Cassio will entreat Desdemona to petition for him with Othello. Cassio does implore Desdemona and she responds, “Be thou assured, good Cassio, I will do all my abilities in thy behalf” (Act III Scene III). Iago manages to obtain the handkerchief that Othello gave to Desdemona that had strawberry patterns on it form Bianca. He then tells Othello to ask for the handkerchief and if she doesn’t produce it, than she must be cheating on him. Iago also manipulates the undeserving devotion of Emilia. We learn at the end of the play that Iago “begg’d of me to steal it” of Emilia. Like Desdemona’s good nature, Iago exploits his own wife for his malicious revenge. The handkerchief was the final straw for
Othello confronts his wife about the affairs he is hearing about and then eventually kills her by smothering her. The murder of his wife was his fault but not only his fault. Yes, he did commit the crime but he was easily manipulated by the information that Iago was giving him and the way he was framing her. If Othello would have just asked her more questions instead of resorting to killing her they would have both survived in this story.
She knew something was not right with Othello but chose to ignore it (Shakespeare 173). Also, she did not speak up for herself, even when she had the opportunity (Shakespeare 231). Desdemona was the cause of her own death. One of the things that caused Desdemona to contribute to her own death was refusing to hold Othello accountable for his actions. In the act five of the book she talks about how she could not trust Othello but she still loved him and wanted what is best for him (Shakespeare 281).
The society in which Othello takes place is a patriarchal one, where men had complete control over women. They were seen as possessions rather than being just as equally human and capable of duties performed by men. All women of the Elizabethan were to obey all men, fathers, brothers, husbands, etc. Which leads me to the most reliable and trustworthy character of Desdemona, whom goes through many trials just to satisfy her love. Shakespeare brings the thought of Desdemona into the play by Barbantio, her father, “It is too true an evil. Gone she is....Oh, she deceives me Past thought! …” (1.1.163)(1.1.168-169), whom has just found she has taken off with Othello and firstly suspects they have been hitched. Shakespeare gives reader the impression Desdemona is a devious imp full of disrespect towards her father. However, surpassing normal tradition of asking of her fathers’ permission to wed, Desdemona ran off and did marry the moor. This in a sense was her emancipation of her father’s possessiveness and oblivion of Othello’s dominance over her. Othello replies to Barbantio’s accusation, sedating or using black magic on his daughter, by saying, “My very noble and approved good masters, That I have ta’en away this old man’s daughter. It is most true.” (1.3.79-81), which brings me to the claim that Desdemona’s character in this tragedy, was only to become and to serve as Othello’s private possession rather than a typical beloved daughter or wife as in modern time. Shakespeare bases this tragedy on the foundation of Desdemona’s character by the symbol of the discrimination of women in the Shakespearean time era. Desdemona even for the first and only time within the play stands up and challenges her inferiority under her father’s aut...