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Critically analysis the characters of the drama Medea by Euripides
Critically analysis the characters of the drama Medea by Euripides
Critically analysis the characters of the drama Medea by Euripides
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Sympathy is a feeling of understanding which cannot be easily denied. Feeling sympathy towards someone or something comes naturally to humans. It is not required that one must undergo the same challenges to understand a person’s struggle. The extent of one’s sympathy depends upon the extremity of one’s plights. Regardless of who or what, everyone has felt sympathy or has been given sympathy. Euripides, a famous Grecian playwright wrote Greek tragedies known for eliciting sympathy from the audience. An example of this is Euripides’ play Medea. Medea is one of Euripides’ most well known characters Euripides created Medea to be a sympathetic character. Medea was originally published in Greek; therefore many aspects of the play may have been lost in translation as it is difficult to translate both the literal and implied meaning of the original play. Although many may dispute that Medea is a sympathetic character it is evident through, various sacrificial acts of love, Medea’s unstable mental state and role as a foreign woman in the ancient Greece society help Euripides portray Medea as a sympathetic character as conveyed by his social commentary.
Sacrifices are often made in one’s everyday life. However, it is the repercussions of these sacrifices that elicit sympathy from one’s peers. Medea with, “...her heart unhinged in her love for Jason...persuaded the daughters of Pelias to kill their father” (Euripides 8-10). Euripides uses a mythological allusion by briefly referring to the legendary journey of Jason and the Argonauts. Euripides portrays Medea as a character who selflessly victimizes herself. Through this sacrificial act of love Medea, victimizes herself by acquiring enemies on Jason’s behalf. Furthermore, Medea betrays her...
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...cal to further develop a clear understanding of her motives. Although Medea’s actions were arbitrary and illogical, the reasoning behind her actions was completely selfless and motivated by love. Additionally, Medea’s irrational state of mind contributes to her illogical selfless actions. Euripides demonstrates how Medea allows herself to be a victim to her anger which overpowers her rational thinking. Furthermore, Euripides’ social commentary on the role of women and foreigners in the ancient Greece society display how Medea is poorly judged due to both these factors and her disinterest in conforming to societal norms. Therefore, it is apparent that Euripides created Medea as a sympathetic character. Although many aspects of the original play may have been lost in translation, it is proven that Medea is in fact a sympathetic character as shown through her plights.
Euripides. Medea. Medea and Other Plays. Trans. John Davie. New York: Penguin, 2003. 51-87. Print.
Euripedes tugs and pulls at our emotions from every angle throughout The Medea. He compels us to feel sympathy for the characters abused by Medea, yet still feel sympathy for Medea as well. These conflicting feelings build a sense of confusion and anxiety about the unfolding plot. In the beginning, the Nurse reveals the recent background events that have caused Medea so much torment: "She herself helped Jason in every way" (13) and now he "has taken a royal wife to his bed" (18). Right away we are angry with Jason for breaking his wedding vows, and we are building up sympathy for Medea as the Nurse describes her acts of suffering. When we first see Medea, she speaks passionately to the women of Corinth and convinces them to side with her. She evokes their sympathy by drawing further attention to her suffering and speaking in terms that bring them all to common ground. Aegeus becomes Medea’s first victim when he, unknowingly, provides the final building block in her plan for revenge against Jason. We sympathize for Aegeus in his ignorance. Medea now has confidence in her plan, so she reveals it to the women of Corinth. She is going to send her children to Jason’s bride with a poisoned dress that will make her die in agony. We are still compelled to sympathize with Medea at this point because she has justified her reasons for seeking revenge. However, the princess is oblivious to Medea’s plot; she will accept the gift for its beauty then meet an unexpected, agonized death. The image of pain and agony elicits our sympathy as well. Medea presents her most perverse speech when she explains how she will kill her own children then flee Corinth. Alone, these acts provoke pure disgust, but Euripides has developed Medea’s character as a coercive force; we still sympathize with her for her plight, yet we also hate her for her decisions. The women of Corinth try to persuade her away from this morbid choice, but their arguments are ineffective. Euripides employs stichomythia in the exchange between the women and Medea to show Medea breaking down boundaries between self and other, which prevent sympathy (811-819). Euripedes focuses on suffering, ignorance, and rhetoric to leave us torn in our sympathy for every character.
*Although Medea is arguably the most intelligent character in Euripides’s piece, shown in her dialogue with Creon, she has become ridiculed, and viewed as barbarous and less desirable following her separation from Jason. She is no longer a wife to a Greek man. She is simply an outsider, and a burden on a prosperous
In Euripides Medea, Medea is the morally ambiguous character. In part, Medea can be seen as good because she wanted to live with Jason and her two children in Corinth as a family and enjoy a happy life. So it is understandable that Medea becomes devastated and an emotional wreck after Jason leaves her for the princess. He claimed by marrying the princess, he could bring the children up in a well-being and make more royal children. Medea became a distressed. Hateful, and a bitter woman at Jason. Medea mentioned, “we women are the most unfortunate creatures.” Medea acknowledges that the women don’t have much choice in the marriage and if they want a good life, they need a man to control them. And that woman would be much better off if they had
Euripides shows his views on female power through Medea. As a writer of the marginalized in society, Medea is the prime example of minorities of the age. She is a single mother, with 2 illegitimate children, in a foreign place. Despite all these disadvantages, Medea is the cleverest character in the story. Medea is a warning to the consequences that follow when society underestimates the
Euripides created a two-headed character in this classical tragedy. Medea begins her marriage as the ideal loving wife who sacrificed much for her husband's safety. At the peak of the reading, she becomes a murderous villain that demands respect and even some sympathy. By the end, the husband and wife are left devoid of love and purpose as the tragedy closes.
Charlotte Bronte once said, “Women are supposed to be very calm generally, but women feel just as men feel. They need exercise for their faculties, and a field for their efforts as much as their brothers do. They suffer from too rigid a restraint, too absolute a stagnation, precisely as men would suffer; and it is narrow minded in their more privileged fellow creatures to say that they ought to confine themselves to making puddings and knitting stockings, to playing on the piano and embroidering bags” (Bronte). In the play Medea, Euripides diverged from the traditional role of Greek women through Medea’s characteristics and response to her plight. In delineating the role of women, Medea was unlike any other Greek character. Medea was portrayed as capable and resilient woman who would refuse to back down no matter the obstacles. Nevertheless, women in the Greek culture had very few rights. Housework and bearing children were their main obligations. They were basically no better than slaves. In the ancient Greek society, Medea would not fit well among fellow Greek women. Her role as a woman in the play was downtrodden. However, her determination and courage caused people to fear her. She was a woman who turned her back on her family and killed her own brother in order to help her husband.
The Greek tragedy Medea is a tale of a woman scorn and the wrath that follows. The story is one of outright deceit, crippling revenge and questionable justice. It is typical of Greek tragedies in its simplicity, but atypical in the way it justifies horrific revenge. Medea is one of Euripides' most enduring plays. It and only a handful of others have survived the several thousand years since their conception.
The tragic play Medea is a struggle between reason and violence. Medea is deliberately portrayed as not a ‘normal woman’, but excessive in her passions. Medea is a torment to herself and to others; that is why Euripides shows her blazing her way through life leaving wreckage behind her. Euripides has presented Medea as a figure previously thought of exclusively as a male- hero. Her balance of character is a combination of the outstanding qualities of Achilles and Odysseus.
In the play Medea by Euripides, Medea is abandoned and betrayed by her husband, Jason, with the King’s daughter. Devastated by Jason’s decisions and Medea is consumed over by anger, rage and jealousy. Medea seeking for revenge against Jason, she plots an evil scheme that involves a lot of trickery and persuasion. Her plot will result in the death of the King’s daughter, The King, Creon, and Medea’s two children, which Jason loved dearly. This essay will show how gifts are more persuasive than words to Medea and how Medea is persuasive.
Medea’s illegitimate marriage and the betrayal of Jason drive Medea to extreme revenge. Medea chooses to act with her immortal self and commit inhumane acts of murder rather than rationalize the outcomes of her actions. Medea see’s this option as her only resort as she has been banished and has nowhere to go, “stripped of her place”. To create sympathy for Medea, Euripides plays down Medea’s supernatural powers until the end of the play. Throughout the play Medea represents all characteristics found in individual women put together, including; love, passion, betrayal and revenge. Medea’s portrayal of human flaws creates empathetic emotions from the audience. The audience commiserates with Medea’s human flaws as they recognize them in themselves. Medea plays the major role in this play as she demonstrates many behavioral and psychological patterns unlike any of the other Greek women in the play; this draws the audience’s attention to Medea for sympathy and respect.
Aristotle, a philosopher, scientist, spiritualist and passionate critic of the arts, spent many years studying human nature and its relevance to the stage. His rules of tragedy in fact made a deep imprint on the writing of tragic works, while he influenced the structure of theatre, with his analysis of human nature. Euripides 'Medea', a Greek tragedy written with partial adherence to the Aristotelian rules, explores the continuation of the ancient Greek tales surrounding the mythology of Medea, Princess of Colchis, and granddaughter of Helios, the sun god, with heartlessness to rival the infamous Circe. While the structure of this play undoubtedly perpetuates many of the Aristotelian rules, there are some dramatic structures which challenge its standing with relevance to Aristotle's guidelines, and the judgment of Medea as a dramatic success within the tragic genre.
... takes matters into her own hands and doesn’t wait for a man to handle things for her. Also, her internal conflict that is visible throughout the entire play signify that she actually thinks for herself, and is strong enough to need to make serious decisions on her own, regardless of her gender. All of this goes back on the traditional Greek society, and helps make Medea into a play that is ahead of its time. With Euripides challenging the notion of misogyny, he creates Medea to show how powerful and dangerous a woman can be in a story, even though it was never heard of in the modern eras.
In Greek society, the role of women was considered to be insignificant compared to the Greek men. The women had very few rights, no room to voice personal opinions, and a very bleak future with few options for a better life. According to Moses Hades, professor of Greek studies, women in ancient Greek plays are known to be the main characters and take the role of the villain, victim, or the heroine. In Euripides’ play Medea, Medea, the main character, plays all these roles. She represents the heroine by helping her husband secure the Golden Fleece prior to their marriage, and then portrays the victim by being betrayed by her husband, and finally the villain by murdering her loved ones. Therefore, Euripides follows the standard format for a Greek tragedy.
Medea is a tragedy of a woman who feels that her husband has betrayed her with another woman and the jealousy that consumes her. She is the protagonist who arouses sympathy and admiration because of how her desperate situation is. I thought I was going to feel sorry for Medea, but that quickly changed as soon as I saw her true colors. I understand that her emotions were all over the place. First, she was angry, then cold and conniving. The lower she sinks the more terrible revenge she wants to reap on Jason.