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Rap music and the portrayal of women
Hip - hop stereotypes
Rap music and the portrayal of women
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It seems that our American culture has always had a problem with misogyny in the rap music industry. But is our culture, introducing a new level of misogyny? Where rappers objectify and reduce women in a more unsettling and brutal way. Are rappers taking the once positive music pass the limit? Recently, in the past few months, rappers have released new singles about raping women and mishandling them. It seems that Rick Ross has created a fairly amount of date rape songs- towards women, (i.e. u.o.e.n.o. gun play, and Sanctified). Although, rap is a way for rappers to express their daily struggles and say whatever they want; (due to the first amendment, which is having the freedom of speech,) it still does not give rappers the authority to take advantage of this amendment and humiliate women in their songs (and/or) lyrics. “Some say the blacker the berry, the sweeter the juice, I say the darker the flesh than the deeper the roots,” this was a lyric from the rap song, “keep ya head up” written by the world’s most respected rapper, Tupac Shakur. This rap song was created to uplift people’s spirit. It was to encourage people to keep their head up during the struggles in the 1990’s. In the song, Tupac assures listeners that everything will become easier and brighter, if you keep your head up. Shakur emphasis that even if you’re fed up, you got to keep ya head up. Rap music was originated in 1970’s in the Bronx, New York. Rap music was inspired by funk music. It was created in the ghetto and viewed as a positive influence to the black community it was used to uplift the black community from the struggles they were facing. It was denoted as poetry for adolescences who were ignored due to their race and social status. It was primly u... ... middle of paper ... ...ctive form of art. Both authors go in depth with the Don Imus incident which had caused a lot of controversial arguments throughout the rap music industry. On April 4, 2007 during a debate about the NCAA women’s basketball championship, Imus classified the women’s university basketball team,-Rutgers as “rough players”. While Bernard Mcguirk, his executive producer retorted that they were “uncensored h-‘s”. The conversation carried on with Imus labelling the women as “nappy-headed h-‘s”. Imus dismissed the insult as being a humorous, foolish comment. Imus stated that “nappy-headed h-‘s” is a term that rap artist use to describe African American women. Russell Simmons banned three racial and sexist epithets, which was the use of b---- and h- as well as the n-word. Wiltz and Johnson came to the conclusion that people are blaming the rap genre for society’s downfalls.
In the article “ From Fly to Bitches and Hoes” by Joan Morgan, she often speaks about the positive and negative ideas associated with hip-hop music. Black men display their manhood with full on violence, crime, hidden guilt, and secret escapes through drugs and alcohol. Joan Morgan’s article views the root causes of the advantage of misogyny in rap music lyrics. In the beginning of the incitement her desires shift to focus on from rap culture condemnation to a deeper analysis of the root causes. She shows the hidden causes of unpleasant sexism in rap music and argues that we need to look deeper into understanding misogyny. I agree with Joan Morgan with the stance that black men show their emotions in a different way that is seen a different perspective.
In The Venus Hip Hop and the Pink Ghetto, Imani Perry argues that the over-sexualized, unattainable bodies of black women in popular culture will lead to the breakdown of feminism and the positive body image of the everyday black women. As hip hop music continues to become more popular, the sexist messages presented in lyrics and music videos are becoming more common to the everyday public, including young black girls developing a self-image. Instead of these girls being exposed to healthy, positive role models who encourage individuality and that there is more to a woman than her body they are given hip hop video models whose only purpose is to look sensual on screen. The strong women that do exist in the hip hop genre are pushed to sexualize themselves or their lyrics to sell records or stay relatively unknown. Although Perry’s arguments are logical, I believe that she is creating a slippery slope of logic. A genre of music cannot destroy the self-image of black women that has existed for generations.
“The widespread perception of Black women is based on mainstream misogyny” and because it is main, a social norm, and a way for young Black people to be unified “[Black females] accept stereotypical views and unconscious behaviors that devalue women and esteem men”(Henry, West, & Jackson 245). As long as hip hop continues to thrive on misogyny and people continue to ignore that it is an issue Black females will continue to reap the internal and sometimes physical
When looking at the landscape of Hip-Hop among African Americans, from the spawn of gangsta rap in the mid 1980s to current day, masculinity and an idea of hardness is central to their image and performance. Stereotypical to Black masculinity, the idea of a strong Black male - one who keeps it real, and is defiant to the point of violence - is prevalent in the genre. This resistant, or even compensatory masculinity, encompasses: the hyper masculinity rife in the Western world, misogyny, and homophobia, all noticeable in their lyrics, which is in part a result of their containment within the Black community. The link of masculinity and rap music was established due to this containment, early innovators remaking public spaces in their segregated neighbourhoods. A notion of authentic masculinity arose from the resistant nature of the genre, but the move to the mainstream in the 90s created a contradiction to their very image - resistance. Ultimately, this in part led to the construction of the masculinity defined earlier, one that prides itself on its authenticity. I’ll be exploring how gender is constructed and performed in Hip Hop, beginning with a historical framework, with the caveat of showing that differing masculine identities in the genre, including artists
In the predominantly patriarchal history of the world masculinity and what it means to be a man have differed from culture to culture. When it comes to African American culture, particularly what it has meant to be a man has no clear set of universal rules or guidelines. There are a few different sources such as hip hop and television many young black men across America draw their sense of masculinity from. While hip hop music in particular has had and continues to have a very strong influence on both masculinity and femininity of the youth, young black youth in particular has been affected the most .
Oswald, Janelle. “Is Rap Turning Girls into Ho’s?” The Black Book: A Custom Publication. 3rd ed. Ed. Sam Pierstorff. Modesto: Quercus Review Press, 2012. 171-175.
A race issue that occurs within the rap and hip-hop musical genre is the racial stereotypes associated with the musical form. According to Brandt, and Viki rap music and hip- hop music are known for fomenting crime violence, and the continuing formation of negative perceptions revolving around the African-American race (p.362). Many individuals believe that rap and hip-hop music and the culture that forms it is the particular reason for the degradation of the African-American community and the stereotypes that surround that specific ethnic group. An example is a two thousand and seven song produced by artist Nas entitled the N-word. The particular title of the song sparked major debates within not only the African-American community thus the Caucasian communities as well. Debates included topics such as the significance and worth of freedom of speech compared with the need to take a stand against messages that denigrate African-Americans. This specific label turned into an outrage and came to the point where conservative white individuals stood in front of the record label expressing their feelings. These individuals made a point that it is because artists like Nas that there is an increase in gang and street violence within communities. Rap and hip-hop music only depicts a simple-minded image of black men as sex crazed, criminals, or “gangsters”. As said above, community concerns have arisen over time over the use of the N-word, or the fact that many rappers vocalize about white superiority and privilege. Of course rap music did not develop these specific stereotypes, however these stereotypes are being used; and quite successfully in rap and hip-hop which spreads them and keeps the idea that people of color are lazy, all crimin...
Rap is about giving voice to a black community otherwise underrepresented, if not silent, in the mass media. It has always been and remains … directly connected to the streets from which it came. (144)
The most popular new music to emerge from the ‘80’s was rap music. It first developed in the mid ‘70’s in New York City, and soon in other urban areas, primarily amongst African-American teen-agers. It became very popular with the urban public that it soon began to spread throughout the United States and much of the world. It replaced rock music as the creative force in music of the ‘80’s and ‘90’s. However, as popular as it was then and it is now, the lyrics of many rap songs have caused controversy. Many believe and have charged that these lyrics promote racism and violence and show contempt for women.
Women have consistently been perceived as second-class citizens. Even now, in times when a social conscience is present in most individuals, in an era where an atmosphere of gender equality 'supposedly' exists, it is blatantly apparent that the objectification and marginalization of women is still a major social issue. In reality, progression in terms of reducing female exploitation has been stagnant at best. Not only is the degradation of women a major problem that to date has not been eradicated, but it is actually being endorsed by some music celebrities. There are a growing number of people who purchase rap albums that support the fallacy that women are mere objects and should be treated as such. As the popularity of rap continues to climb at unprecedented rates, so too does its influence on the perception of women. In the vast majority of hip-hop songs, the depiction of women as sexual objects, the extreme violence directed towards them and the overall negative influence these lyrics have on the average adolescent's perception of women make rap the absolute epitome of female exploitation.
Rap started in the mid-1970s in the South Bronx area of New York City. The birth of rap is, in many ways, like the birth of rock and roll. Both originated in the African American community and both were first recorded by small, independent record labels and marketed towards, mostly to a black audience. And in both cases, the new style soon attracted white musicians that began performing it. For rock and roll it was a white American from Mississippi, Elvis Presley. For rap it was a young white group from New York, the Beastie Boys. Their release “(You Gotta) Fight for Your Right (To Party!)” (1986) was one of the first two rap records to reach the Billboard top-ten. Another early rap song to reach the top ten, “Walk This Way” (1986), was a collaboration of Run-DMC and Aerosmith. Soon after 1986, the use of samples was influenced in the music of both black and white performers, changing past thoughts of what make up a “valid” song.
Misogyny and degradation of women is present in almost every genre of music, yet the one genre that completely revolves around demeaning women is rap. Over the years rap and rap music videos have continually become more sexual and degrading towards women. Rap has been criticized numerous times for this reason, and that is because rap is one of the most popular genres of music for the younger generations. It is more than a genre of music, it is a complete industry filled with clothing and other merchandise. The reason this constant demeaning of women exists is because rap as a genre that rewards the objectification of women. The excuses used to justify the misogyny in rap are incomplete and lack accurate support. The most effective way for this continuous cycle ends, is if the fight and protest comes from the women themselves. Men are the problem in the objectification of women but in order for it to stop, women need to step up and take control of the situation.
Rap has been around since 1973, when Kool DJ Herc introduced this new mash of jazz, soul, gospel, and reggae. This culture has been focused around African Americans, and since has served as a voice for the underrepresented, that is spreading violence, alcohol, and drugs. In this genre the most popular and successful boast about who has murdered more foes as breezily as other artists sing about love. Rap music tells stories of drugs, violence, and alcohol. The youth of America is constantly exposed to this kind of music, and our teenagers are being desensitized to the effects of these stories.
Hip-hop and rap music are commonly criticized for its anti-feminist lyrics and degrading exploitation of women in music and music videos. (Sharpley-Whiting ) Many feminists have taken action against the music industry, which produces these messages in the music they release. However, in the hip-hop genre there are plenty of successful female rappers promoting feminist views, artist such as Queen Latifah and Mary J. Blige have made the choice to condemn the derogatory culture towards women. (Oliver, 382–384)
How do the media portrays women in Hip-hop? Hip-Hop has always been the heart and soul of music, a place where you can go and free your mind. Hip-hop has been around from generation after generation. From break dancing to beat boxing, hip-hop has always been the outlet. Hip-hop made its Debreu back in 1980 to 1990 when the baggy jeans and baggy shirts were in style. MC Lyle, MC Hammer, Queen Latifah and Run DMC made it cool to be in love with hip-hop. Not just the music, but the whole movement in general. And that’s is what I love about Hip-hop it is was aspiring and refreshing. Like you could turn on the TV, and watch a positive music video. But now all you see, is women half dressed wearing lingerie with high heels on. And wearing some too small,short with their butts hanging out. Now some rap videos are taking it to the next level by