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Chaucer's irony
Note on Chaucer's humour
Chaucer attitudes of social class
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Working in pairs, each person chooses a pilgrim from the three different social classes in “The General Prologue” and answers the following: What social class is the pilgrim, upper,middle, or lower class? What figure of speech does Chaucer use to characterize, or show the pilgrim’s character traits, loyalty and honor (Chaucer 144)? What imagery does he use to describe the pilgrim (Chaucer 144)? Describe how Chaucer’s words, or irony affects the audience (Chaucer 145). This is your opinion, so no citation needed. Rank and explain who is the best\worst pilgrim based on the values of loyalty and honor. Pilgrim\ Class Figurative Language- “Quote”(Chaucer line #). Imagery-Physical Description- Reword (Chaucer line #). Chaucer’s Satire- Explain …show more content…
it appeared; White as a daisy-petal was his beard” (Chaucer lines 341-342). Franklin had a white beard, a ruddy complexion, but was high colored and kind.With Chaucer’s irony, he is saying that Franklin was not pure (Chaucer lines 341-342). Chaucer is saying Franklin always has the best food and clothing but does not work for it, so that makes him unhonorable because he is never putting in the effort to get the things he wants himself. Haberdasher, Carpenter, Weaver, Dyer, Tapestry Maker . Cook-lower “... but what a pity-so it seemed to me, that he should have an ulcer on his knee.” (Chaucer lines 395-396) The cook appeared to have a ulcer “an infected sore” on his knee. Having an infected sore meant that he slept with lots of women (Chaucer lines 395-396). Chaucer is saying that the cook was always lonely, but since he used verbal irony, he is saying that the cook is always sleeping with different women. Sleeping with a lot of different women makes people believe that you are unloyal, untrustworthy, and honorable. Shipman Doctor of Medicine Wife of Bath Parson …show more content…
Chaucer is saying that he is unworthy of the things he receives, but is not unhonorable The merchant would be the worst pilgrim because Chaucer said that no one around him knew that he was is debt, so that means that he can not be trusted and is not trustworthy. Since trust is the most important thing in a person, not being trustworthy is looked down
Chaucer uses characterization by introducing it in an irony way. For example, on The Wife of Bath the theme lust is demonstrated throughout the tale by showing us that the woman got raped by the Knight because he couldn’t control himself. The way she dressed provoked him to his actions. As a result, he was sentenced to
The Merchant's revealed nature, however, combats the very destruction of creation and individual that he tried to attain. As the Merchant tries to subsume the reality of marriage, love, and relationship under his own enviously blind view, Chaucer shows us another individual, significant and important in his own way. Instead of acting as a totalizing discourse, Chaucer uses the Merchant's tale to reveal his depraved envy and to reveal him as no more than a wanton cynic. Thus, Chaucer provides the very perspective that the Merchant tries to steal from his audience.
...He longs to always have her. Chaucer’s view on marriage as shown in the Miller’s Tale is that both sides can’t have power or the marriage is unequal. One will fall if there is not one major person with the significant power in the relationship.
Women are prizes to be won over in this tale. Competition for women is portrayed throughout the entire story. This competition leads to lies and deceit which overall creates an unstable conflict. But, because of the way of life, the people who don’t lie and deceit still lose out in the end. Therefore, Chaucer teaches us that life isn’t fair and that people don’t always get what they deserve.
In “The Pardoner’s Tale,” Geoffrey Chaucer masterfully frames an informal homily. Through the use of verbal and situational irony, Chaucer is able to accentuate the moral characteristics of the Pardoner. The essence of the story is exemplified by the blatant discrepancy between the character of the storyteller and the message of his story. By analyzing this contrast, the reader can place himself in the mind of the Pardoner in order to account for his psychology.
In his Canterbury Tales, Geoffrey Chaucer assembles a band of pilgrims who, at the behest of their host, engage in a story-telling contest along their route. The stories told along the way serve a number of purposes, among them to entertain, to instruct, and to enlighten. In addition to the intrinsic value of the tales taken individually, the tales in their telling reveal much about the tellers. The pitting of tales one against another provides a third level of complexity, revealing the interpersonal dynamics of the societal microcosm comprising the diverse group of pilgrims.
Lambdin, Laura C. and Robert T. Lambdin, ed. Chaucer's Pilgrims: An Historical Guide to the Pilgrims in the Canterbury Tales. London: Greenwood Press, 1996.
However, after hearing his tale it is quite shocking about his frankness about his own hypocrisy. We know that he bluntly accuses himself of fraud, avarice, and gluttony, all things that he preaches against throughout this tale. It is in lines, 432-433 that the Pardoner states, “But that is not my principal intent; I preach nothing but for convenience.” It is here that we truly begin to learn that The Pardoner’s Tale is merely an example of a story that is often used by preachers to emphasize a moral point to their audience. That is why, this tale in particular helps to comprehend Chaucer’s own opinions, and how he used satire to display them.
Chaucer identifies a pardoner as his main character for the story and utilizes the situational and verbal irony found in the pardoner’s interactions and deplorable personality to demonstrate his belief in the corruption of the Roman Catholic Church during this time. Chaucer first begins his sly jab at the Church’s motives through the description of the Pardoner’s physical appearance and attitude in his “Canterbury Tales.” Chaucer uses the Pardoner as a representation of the Church as a whole, and by describing the Pardoner and his defects, is able to show what he thinks of the Roman Catholic Church. All people present in the “Canterbury Tales” must tell a tale as a part of a story-telling contest, and the pilgrim Chaucer, the character in the story Chaucer uses to portray himself, writes down the tales as they are told, as well as the story teller. The description of the Pardoner hints at the relationship and similarity between the Pardoner and the Church as a whole, as well as marks the beginning of the irony to be observed throughout the “Pardoner’s Prologue and Tale.”
At times, he appears to be pandering to expectations of modesty, telling the readers at the outset that "my wit is short, ye may wel understonde." On multiple occasions, he breaks the fourth wall, jokingly criticizing his own rhyming abilities (through his own characters, of course) or having others lament that there is no story they can tell that Chaucer has not already told. Before the Miller 's tale, he apologizes for the crudity of the story (giving the excuse that it is the Miller spewing such ribaldry, not Chaucer himself), and asking his readers to "noght make ernest of game " (advice which perhaps his overly competitive pilgrims would do well to heed). Chaucer 's moments of uncertainty arise in his tales as well as his prologues, such as when he inserts himself into the Knight 's Tale after Arcite 's death, saying that he cannot possibly know where departed souls go when they leave the Earth. Chaucer 's proud quest to turn previously foreign classics into informative English poetry is in many ways a quest to prove the extent of his knowledge and abilities, which makes it most conspicuous that he inserts himself into a tale to tell the reader that there is a gap in his knowledge. Perhaps Chaucer 's ostentatious confusion when it comes to pagan theology is a subtle means by which he intends to distance himself from the non-Christian beliefs widespread in the setting of his opening
The structure Geoffrey Chaucer chose for his masterpiece, The Canterbury Tales, of utilizing a melange of narrative voices to tell separate tales allows him to explore and comment on subjects in a multitude of ways. Because of this structure of separate tales, the reader must regard as extremely significant when tales structurally overlap, for while the reader may find it difficult to render an accurate interpretation through one tale, comparing tales enables him to lessen the ambiguity of Chaucer’s meaning. The Clerk’s Tale and The Merchant’s Tale both take on the institution of marriage, but comment on it in entirely different manner, but both contain an indictment of patriarchal narcissism and conceit.
The monk receives some scathing sarcasm in Chaucer’s judgment of his new world ways and the garments he wears “With fur of grey, the finest in the land; Also, to fasten hood beneath his chin, He had of good wrought gold a curious pin: A love-knot in the larger end there was.” (194-197, Chaucer). The Friar is described as being full of gossip and willing to accept money to absolve sins, quite the opposite of what a servant of God should be like. Chaucer further describes the friar as being a frequenter of bars and intimate in his knowledge of bar maids and nobles alike. The friar seems to be the character that Chaucer dislikes the most, he describes him as everything he should not be based on his profession. The Pardoner as well seems to draw special attention from Chaucer who describes him as a man selling falsities in the hopes of turning a profit “But with these relics, when he came upon Some simple parson, then this paragon In that one day more money stood to gain Than the poor dupe in two months could attain.” (703-706, Chaucer). Chaucer’s description of the pardoner paints the image of a somewhat “sleazy” individual “This pardoner had hair as yellow as wax, But lank it hung as does a strike of flax; In wisps hung down such locks as he 'd on head, And with them he his shoulders overspread; But thin they dropped, and stringy, one by one.” (677-681,
The Franklin of the General Prologue is the only pilgrim of social substance apart from the knight, whose pretensions Chaucer seems to spare. He rides alongside the Sergeant of the Law, which argues that he is, himself, a legally minded man (indeed he has been sheriff; knight of the shire; county auditor and head of the local magistrates). He is described as the "St Julian of his country", so open and generous in his hospitality that "It snewed in his hous of mete and drynke". He is described as "sangwyn" (the type which is generally jolly, healthy and good tempered) and he is an Epicurean - one dedicated to pleasurable life through the exercise of virtue. As a "vavasour", he is a landowner, holding title to his lands outright - not occupying them in return for services to another landowner. He is not aristocratic, but rather a member of a newly emerging landowning class who *aspire* to the aristocracy, but are not high born. Clearly the Franklin would like to be a "real" knight, and certainly feels keenly the fact that his own son is a wastrel and a gambler who would rather talk to "cherls" than learn "gentillesse". It becomes clear almost immediately that the Franklin is obsessed by the notion of gentillesse and "trouthe" in marriage.
...eveals insecurities of him in the process while that itself tells us more about the popular culture in this time. Chaucer, along with many of the other pilgrims attempts to place themselves in a socially desirable or even superior position. With the Narrator having the responsibility of articulating the tales to us in a coherent fashion, he might feel pressure to present himself as all-knowing or superior to his companions rather than show us an honest and unbiased point of view. After all, he is telling the story; the Narrator can ultimately choose to tell us whatever he pleases. The Narrator plays the role of telling tales and providing the groundwork for this pilgrimage story, but since his ideas and opinions are designed in such a particular way; he indirectly tells us so much more about not only about the pilgrimage but of this time period’s culture as a whole.
we see how Chaucer the pilgrim has been swayed and convinced by what the other pilgrims tell him. So much so that he reports qualities that are often the opposite of the true personalities of the characters he is describing. This ambiguity reveals a very clever sort of irony on behalf of the writer - while Chaucer the pilgrim is easily drawn in by their deliberate misrepresentations, it is up to the readers to see how wrong he is and draw their own, more accurate, conclusions. It shows many of the pilgrims to be very different people than those symbolised by the ideal qualities they want others to see.