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An essay on imagination
An essay on imagination
An essay on imagination
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The struggles of mental illness can be located anywhere, at any time. The short story ‘’Man From the South’ ’ definitely demonstrates insanity throughout its whole plot. The author Roal Dahl is excellent for disturbing the reader’s mind with his highly creative imagination. Generally, this story that is taking place in Jamaica is about an elderly man questioning another one about his abilities to use a lighter. Consequently, the man comes up with a bet. This crazy bet consists of going up to his hotel room and to watch the young man light his lighter ten times. If the young man succeeds, he wins a brand new Cadillac, but if he doesn’t, the man must condemn his left pinky immediately. In this short story, there are many indicators that the elderly man has some kind of mental issues. …show more content…
These indicators are identifiable in three ways, such as the way people discuss about him, his present actions but also by his past actions. Firstly, we can clearly distinguish that the old man is touched by mental illness considering others words; since toward the end of the story, it is vaguely stated by the woman who comes in, ‘’I suppose it is really my fault.
For ten minutes I leave him alone to go and have my hair washed and I come back and he is at it again (cutting fingers).’’ She is basically saying in subtle words that the man needs to be watched at all times. Commonly, no perfectly healthy seniors require to be supervised at all times. However, the need to be watched isn’t the only thing hinting that the man is insane. His strange obsession also confirms a lot about him and his personality. Secondly, the senior can be categorized as insane by considering his present actions. After all, he is ready to bet a Cadillac worth so much on something simple as the odds of a lighter flaming up 10 times. Even though toward the end we learn the car is not his, it’s obvious that not everyone would bet on such a thing. In addition, we can see by the way he talks and acts that he feels everything about this bet is appropriate, fair and totally normal. Talking about that bet, the man was ready to cut a pinky without
hesitation. Thirdly, the elderly man’s past also have an impact on the way he is perceived. Towards the end of the story when the lady comes rushing, she states that ‘’altogether forty-seven fingers from different people,’’ was taken by the man and eight of them was hers. It is also mentioned that ‘’he is a menace,’’. Undoubtedly it is not mentally sane for any human being to act this way, or normal to be considerate a menace by others. Additionally he shows quite well while preparing for the redhead’s finger cutting that neither hesitation nor empathy came to him. All things considered, by relying on others words or by this man’s present and past actions which took place, it is undeniable that this man has some kind of mental issues. Luckily, despite its willingness, no fingers have been cut that day. But in the end who knows, maybe there is no such thing as insanity and it all relies in the perceiver’s eyes.
Despite of this information, how he is a calculated killed, in paragraph 2 it reads,” Object there was none. Passion there was none. I loved the old man. He had never wronged me.” A person who is mentally insane can have uncomfortable behaviors and this information shows that he had nothing against the old man. Therefore, the narrator acted on impulsive behavior and can be described as mentally
I have recently examined my latest patient, on OCtober 23 at 10:45 A.M. The patient has been accused with the murder of the old man. The patient admits to what he has done but his beliefs make him think that he is completely sane and not mad. “The disease had sharpened my senses-not destroyed-not dulled them”(Poe 203).
There is a fine line between sanity and insanity, a line that can be crossed or purposefully avoided. The books The Things They Carried and Slaughterhouse-Five both explore the space around this line as their characters confront war. While O’Brien and Vonnegut both use repetition to emphasize acceptance of fate, their characters’ psychological and internal responses to war differ significantly. In The Things They Carried, the narrator and Norman Bowker carry guilt as evidence of sanity. In Slaughterhouse-Five, Billy Pilgrim and the innkeepers carry on with life in order to perpetuate sanity. Both authors develop a distinct theme of responding in the face of the insanity of war.
The sickness of insanity stems from external forces and stimuli, ever-present in our world, weighing heavily on the psychological, neurological, and cognitive parts of our mind. It can drive one to madness through its relentless, biased, and poisoned view of the world, creating a dichotomy between what is real and imagined. It is a defense mechanism that allows one to suffer the harms of injustice, prejudice, and discrimination, all at the expense of one’s physical and mental faculties.
How can we justify if a man is insane or sane? A man may talk like a wise man, and yet act as if he is paranoid. A man with such manner cannot imply insane to us, we can only anticipate he is sane. In this case, the insane man attempted to persuade the reader that he was normal. However, several pieces of evidence indicated his insanity. In Edgar Allen Poe’s “Tell-Tale Heart”, the narrator is insane because he has a serious illness, he cannot tell fantasy from reality, and he hallucinates. By examining his behaviour and mind, I will analyze his insanity comprehensively.
The media effects coupled with predisposers, precipitants and facilitators can have dire consequences on their own, but the last subject for mass murderer that demands attention is mental illness. In order to distinguish between the various kinds of mental illness and criminal culpability, this paper will analyze the criteria for ‘insanity’ developed by Cohen and Coffin. The victim is innocent and there is no reasonable way the perpetrator should consider them an enemy. The motive is unintelligible, delusional, unrealistic, and inappropriate for the nature of the murder. The method is ill-planned and often requires a situational weapon such as a blunt or sharp object. No attempt for secrecy, concealment, to avoid guilt, or to evade capture. And there should be queer behaviour illustrated before and after the fact such as depression, suicide attempts, etc. This point does not mean to convey that mass murderers and serial killers are insane by the same definition for they are usually calculating, patient, pursue the most prolific and in some cases sadistic methods, and realize their actions are wrong. However, it is important to recognize that they are clearly exploring sociological deviance and their mental instability is a contributing part. Teams of socio-scientists researching Jonesboro and Paducah cases found the shooters were: socially marginalized from bullying/teasing, had family problems, failed to attract attention from authority figures, had an availability of guns, and suffered from mental illnesses making them more vulnerable than other youths. Perhaps the media would not have such a far reaching and tight grip on people’s lives if it were not for the culture where children are reared. The weapons that are ...
What is madness? Is madness a brain disorder or a chemical imbalance? On the other hand, is it an expressed behavior that is far different from what society would believe is "normal"? Lawrence Durrell addresses these questions when he explores society's response to madness in his short story pair "Zero and Asylum in the Snow," which resembles the nearly incoherent ramblings of a madman. In these stories, Durrell portrays how sane, or lucid, people cannot grasp and understand the concept of madness. This inability to understand madness leads society to fear behavior that is different from "normal," and subsequently, this fear dictates how they deal with it. These responses include putting a name to what they fear and locking it up in an effort to control it. Underlying all, however, Durrell repeatedly raises the question: who should define what is mad?
Many people who have read “The Tell Tale Heart,” argue whether or not the narrator is sane or insane. Throughout this paper I have mentioned the main reasons for the narrator being sane. The narrator experienced guilt, he also was very wary executing the plan, and the intelligence level of his plan to murder the old
In 1941, two brothers sat in court smashing their heads on the desks until they bled, barking like dogs, and crying sporadically. They weren’t insane, but that was exactly what the men wanted the jury to think. Anthony and William Esposito were being charged for robbing a payroll truck and shooting someone in the process. The jury was still skeptical until, ten months before the sentence, the Esposito brothers began to refuse any and all food they were offered. Almost a year later, the men were taken, in their almost dead state, to the electric chair and were executed. This is only one of the many examples of the insanity defense being abused. In this case, the criminals did not succeed in getting out of punishment, but there have been many successful cases that are being questioned too late. Although the insanity plea is important to those who have medical record of a psychological disorder, our “perfect” law needs to fine-tune the defense to prevent people from using it to escape going to jail or being executed.
The controversial topic of insanity manifests itself commonly in Romantic writing, and has been one much disputed over time. Some say that people who seem crazy are so above our own level of thought and understanding that we can’t possibly begin to identify with them and that we can find genius in the form of ordinary lunatics who connect to God and divinity in ways “normal” people don’t comprehend. Throughout works such as “The Cask of Amontillado and “The Castaway”, the authors question insanity with ideas that show the possible outcomes when one looks deep inside themselves for a divine spark or intuition. Both of these stories address madness in different forms, and madness itself is Godly experiences gone wrong; the person who receives the divine vision is unable to handle its raw truth.
Much of my skepticism over the insanity defense is how this act of crime has been shifted from a medical condition to coming under legal governance. The word "insane" is now a legal term. A nuerological illness described by doctors and psychiatrists to a jury may explain a person's reason and behavior. It however seldom excuses it. The most widely known rule in...
Blau, GL, H McGinley, and R Pasewark. “ Understanding the Use of the Insanity Defense. ”Journal of Clinical Psychology 49.3 (1993): 435-440. MEDLINE. 10 May. 2014.
... but the torment of being labelled insane. The eventual anxiety attack, characterized by irrational behaviour such speaking frequently, and later foaming, raving, swearing and violent actions towards his chair, which is, ironically, the typical behaviour of the insane.
In the eyes of the law, a defendant is legally insane if he or she is unable, because of a mental problem, to form a mens rea, a Latin term meaning a guilty mind.# Since the law only punishes people who are mentally responsible for their actions, most states allow juries to find a defendant not guilty if he or she was insane at the time a crime was committed. The insanity defense, states that at the time of the crime the defendant could not decide between right or wrong or could not keep from acting on their impulse, due to mental illness. Each state has its own definition of insanity, but most states fol...
Madness, according to the English Oxford Dictionary, can be defined as “the state of having a serious mental illness”; “a state of wild or chaotic activity”, or having an “extremely foolish behaviour”. Madness in literature may refer to writers who are known for having mental troubles, but might also refer to the fictional characters who are taking place in the writer’s story. It can also be seen as a psychological book; a book talking about the study of madness with a psychological approach. Here this essay will be focusing on the first definition of madness in literature, using the context of the post-war period in the United States. It will first demonstrate that madness is an important theme in literature at this time because it comes from the suffering of the writers; to eventually show that madness is a weapon for the author to denounce the society, and that madness cannot only be seen as a mental problem, because one can consider that madness and genius are intertwined. These two parts of argumentation will be demonstrated through the analysis of Allan Ginsberg’s and Robert Lowell’s writings.