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Chapter 2 developing visual literacy 2.2
Ethics in photojournalism
Importance of photojournalism
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Recommended: Chapter 2 developing visual literacy 2.2
Most human beings have a sense of curiosity about learning what’s happening in the world around them. In order to attain this knowledge, visual prowess is relied heavily to analyze mediums, in order to understand incidents occurring all over the globe. With the assistance of evolution in technology, the media, specifically journalism, has become an essential medium through which knowledge is attained. Photojournalism is a type of journalism that plays an important role in conveying the message of a news event to the public. However, most people believe that photographs presented as medium to gain knowledge are a “transparent window on the world, capturing reality through a camera lens”, (Schwartz 2012). But in fact, most knowledge trying to …show more content…
be presented through the medium of photography lacks objectivity. Therefore in this essay, a specific photograph (Figure 1) will be analyzed through the technique of organizational analysis, where the lack of objectivity in the realm of photojournalism will be showcased through the insight of informational bias within Figure 1. Furthermore, the content will also be examined in order to see if the photograph provides a specific point of view or a type of narrative. Finally, with the assistance of the codes of professional practice in photography, analysis based on observations will be made on how the Figure 1 follows the code. Figure 1 Before the analysis begins, a brief understanding of the photo being analyzed is necessary. Figure 1 is an image of the newly elected Indian Prime Minister , Narendra Modi, taken at Madison Square Garden on September 28th, 2014 just before the Prime Minister was about to give his speech to the attendees. In addition, it is also important to understand that Narendra Modi was once banned from the United States because of his role as a Hindu nationalist. However after being appointed Prime Minister, the Americans lifted the ban and welcomed the former Hindu nationalist. This fact is extremely essential to remember as it will play a key role in the analysis of Figure 1. With this brief description of the context of the image, analysis through the insight of informational bias can now be conducted effectively.
First of all, it is important to note that Figure 1 utilizes the principle of the rule of thirds. In the image, not only can one see blurry images of people clapping the left and right sides of the background, but also the American who’s face can be seen quite clearly and is placed right in the center of Figure 1. Instead of placing the prime minister in the center of the photo, the photographer deliberately placed the American in the background in the center which can be portrayed as an example of informational bias as through analyzing the photo with the knowledge of the previous banning of the Prime Minister, a reader can infer that the Figure 1 is trying to commemorate American’s support towards foreign politician and can also be viewed as a propaganda in order to assist the readers in forgetting the banning of the former Hindu politician. With the expert use of the rule of thirds, Figure 1 can be portrayed through the insight of informational bias as the main purpose of the photo and article (the welcoming of the politician) is overshadowed by the side message of Americans supporting foreign politicians and making the reader forget about the banning of the former Hindu …show more content…
nationalist. Content is another aspect of photojournalism that conveys a message or point of view regarding a particular news occasion. The famous sayings of “Don’t judge a book by its cover” and “A picture speaks a thousand words” can be utilized for photographs that are published in articles. This can be easily illustrated by comparing an article and photograph as two mediums delivering knowledge of news events. Although the two usually coincide, in an article, the author indirectly states a point of view regarding the context of the subject of the article, whereas a photograph becomes ambiguous when analyzed separately may convey a totally different message altogether. In Figure 1, the content of the photograph directly correlates to the informational bias portrayed previously stated.
As mentioned above, Figure 1 follows the rule of thirds, which drives the reader’s attention away from the Prime Minister and to the American in the center of the image. By focusing on the American, the photographer possibly wants to demonstrate the how the Americans are supporting the foreign leader forgetting the previous events of his banning. However, since the article doesn’t specifically talk about the photo and the caption only gives a brief context of the Prime Minister arriving before his speech, the purpose and the true meaning behind the photograph remains ambiguous and gives the reader the opportunity to understand what’s happening with the assistance of the reader’s own ideologies, experiences, and prior knowledge. In addition, if the photograph was published without the article, there is a possibility that the main message (welcoming of the Prime Minister) may be forgotten altogether and a new message could be interpreted by the reader that Americans are portrayed as kind and supportive people as they are clapping and welcoming with support the foreign minister. However, without the news article stating previous banning of the Hindu nationalist, the readers get the wrong impression that the Americans where always supportive of this man. Therefore, this ambiguity leads us to question the objectivity of photojournalism because it becomes
difficult to understand the reality of the true meaning of a photograph. Just like any other profession, photojournalism also has its codes and convections that need to be followed. Since photojournalists are required to be involved in the “manufacturing of imagery however at the same time have to legitimize their work so that it captures the news” (Schwartz, 2012), the rules of their practice are placed with the goal of transforming “real life complexity into an immediately understandable visual representation to the viewers” (Schwartz, 2012). The rule of thirds is a common technique used to achieve this goal as this technique allows the photographer to control “which elements within the visual field will receive the viewer’s attention” (Schwartz, 2012). As seen through figure 1, the rule of thirds is utilized to overshadow the importance of the Indian Prime Minister’s arrival with the supportiveness of the Americans and how they welcome foreign politicians. Thus through these codes and convections, photojournalists are able to provide effective pieces of news photography but are sometimes still lack objectivity in the true purpose of the photo. Therefore through organizational analysis, it can be seen through analysis and examination that photojournalism is bound and produced by the codes of professional practices and it usually encompasses aspects of informational bias and the ambiguity of content, which can result in the reader not understanding the reality of the situation and might become a subject of illusion. In conclusion, photojournalism sometimes encompasses of taking photographs that will generate emotional connection and interest to the general public instead of illustrating the true reality of the situation. This is the reason that photojournalism lacks objectivity in many cases, as photojournalists selectively and expertly take images that will best assist them in connecting with the readers.
Nayani Thiyagarajah’s documentary, Shadeism, allowed me to question the extent at which our opinions are affected under the influence of the media and those close to us. Like Thiyagarajah, I grew up instilled with the traditional beliefs of my parents
...ome to us at an interesting time, before the Revolution, 40 percent of Tehran movie theaters were showing pornography. The function of this office is purification as well as promotion for the arts.” The first part notions the Western stereotype of the Orient since the same as the time when it was discovered, but now the people of the Orient realize the stereotypes and are changing the way they see themselves because of these stereotypes. It is only by correcting these assumptions, stereotypes, and misconceptions of the Orient at the heart of society today, the media can Orientalism be fixed. The Eastern people must be allowed to sympathize in movies and films to humanize them and have intimate interactions. Otherwise, the Orient will be continued to be known incorrectly as a place with people who are without reason, screaming, protesting, and in swarming mobs.
Instead of telling readers what to think through words, readers can form their own point of view from a photo. A photograph that showed different interpretations was taken during WWII after the destruction of Iwo Jima in Japan of Americans soldiers raising an American flag in the ruins. Some viewers may perceive this act as patriotic, and others may have thought it was an act of terrorism and revenge. Either opinion could be argued and the photograph is the evidence. Since photographs can be unbiased, they can also hold truthful detail. For example, one photograph from the Vietnam war depicted a Vietnamese police officer shooting a Viet Cong in the streets. There are a lot of emotion in that photograph that words cannot describe all; which included the fear and hostility that was upheld during the time. Newspapers need to print more of these kinds of photographs to educate people the ugliness of war and death. Ephron pointed out, “throughout the Vietnam War, editors were reluctant to print atrocity pictures. . . That 's what that war was about.” War and its deaths are a part of history too, and history needs to be kept true and unbiased. As long as the photos are not altered nor used for propaganda, they can be
Ward, Lucy. "Muslims Get Angry at 'Bad Guy' Film Images." Guardian.co.uk. The Guardian, 25 Jan.
...de effects of ‘nontraditional’ immigration, the government officially turned against its immigrant communities…” In this line, Mukherjee is showing that she had also been a victim of the new immigration laws, and that was the reason she had conformed to the country, in order to feel a sense of belonging. In this instance, exemplification is used to develop her argument in an effective manner that causes the audience to feel a sense of guilt and even listen to her argument.
Discrepancy in Media Coverage Name:.. Course: Using the X College: Tutor: Date: Discrepancy in Media Coverage More boys than girls indulge in sports activities in school. This has become a huge source of concern. Male students take active part in sports activities. Girls on the other hand shun such activities.
When you expect to be looking for propaganda of any sort, you convince yourself to look harder and deeper into the more profound side of things in order to identify the untrue, because you are rightly expecting subliminal overtones. Especially when the case deals with the resignation of the only editor who was from outside the family that owns a 135 year old, well respected newspaper with a circulation of almost 1.5 million everyday in a country as vast as India and was made editor on the recommendation of the enigmatic ex-editor of the Hindu, Narasimhan Ram himself.
News is often described as the ‘window of the world’, but sometimes what we see on the news isn’t necessarily the true facts of what is happening around the world. News is often very subjective, especially in television, and sometimes the best pictures are picked over the best story. As journalists, we are responsible for society and frequently news leads viewers to a narrow-minded view of the world, often showing them what we want them to see rather than what they need to see. As Harcup explains (2009, P3) ‘Journalism informs society about itself and makes public that which would otherwise be private.’
Media and propaganda in general are very interesting to follow. But we should remember not to believe it all so quickly. It is important to bear in mind that the photographer or artist has a specific job to do. They must support their government and its actions. We have to keep in mind the question: who actually controls the media?
Mohsin Hamid has successfully captured the dominant political discourses of the contemporary world and presented them as mutually exclusive. What makes this book work is the masterful employment of irony and controlled suspense to create a subtle polemic. As one reviewer has put it:-
In this way, Salman Rushdie presents the derogatory picture of India throughout the novel preferring the superiority of what is European and inferiority of what is not. By presenting the orientalist perception of India, Rushdie attempts to attract the western readership. In spite of the fact that he himself is an Indian, he could not avoid the attraction of western readership. For this reason, sometimes, his position becomes ambivalent.
The elimination of media bias is pretty much impossible due to the fact that large corporations head the media, and the heads of most large corporations are white men, but by the implementation of certain strategies it would be a move in the right direction. Media bias is a problem, though it may not be blatant, it is serious because it could be helping to form people?s beliefs about others. People are scared of the unknown, and by giving them a certain portrayal of someone they have had no interaction with; it can have detrimental effects. Who knows actually what impact media bias has had on the nation as a whole. How do we know whether or not media bias has made an individual not get or even lose a job? How do we know how many friendships media bias has stopped from even being initiated? Hopefully one day we will be able to recognize what media bias is, only then will we be able to begin the process of fighting to put an end to it. Only then will we be able to create a fair, unbiased media that is diverse and one that encompasses the ideas of an ideal media.
Newton, Julianne H. The Burden of Visual Truth: The Role of Photojournalism in Mediating Reality. Mahwah, NJ: Lawrence Erlbaum Associates, 2001. Print.
As mentioned previously, audiences expect photojournalists to accurately depict the truth (Bruining 2017; Lamble 2016; Taylor 2000). Since they hold significant influence over viewership, photojournalists should therefore take some moral responsibility when their inaccurate reporting leads their audience to misconceive the world. One notorious instance where photojournalists violated audience trust was in the ‘Children Overboard’ affair of 2001, where tabloid and broadsheet newspapers circulated photographs of a child in the sea and claimed that asylum seekers were throwing their children overboard to coerce entry into Australia (Bruining 2017; Macken- Horarik 2003; Phillips 2006). These images were taken from a high angle and cropped to only show three adults and a child in water. What the pictures did not reveal, however, was that a large boat had sank, leaving the passengers stranded (Macken- Horarik 2003; Maclellan 2002). Unfortunately, the cropped images dominated the news cycle, with publications such as the Daily Telegraph proclaiming them as “Proof that boat people threw children overboard” (Macken- Horarik 2003, p. 293). These claims largely went unchallenged due to the public’s assumption that news photography is factual and objective (Bruining 2017; Macken- Horarik 2003). Thus, the power of photojournalism was abused to mislead
In this short story the protagonist is a newly married Indian woman who is attending a party with her husband’s western friends. Throughout the short story the reader senses her anxiety of being introduced to people who are not as conservative as her. “She longed for the sanctuary of the walled home from which marriage had promised an adventurous escape. Each restricting rule became a guiding stone marking a safe path through unknown dangers” ("The First Party"). In this quote, the narrator explains how the Indian woman did not feel comfortable or at ease with this new world she had been introduced too. She fiend to be back home but because of her tie that she made to this man through marriage she is in her mind, stuck with him. In addition to her anxiety of being with non-conservative woman, who drank, smoked, dressed provocatively, and had painted nails, the protagonist grew angry in her own head. “She had been so sure of herself in her contempt and her anger, confident of the righteousness of her beliefs, deep-based on generations-old foundations” ("The First Party"). Is this the way that the Indian people reacted to British colonialism? The things that western people found normal, was this disrespectful to the Indian people. The protagonist surely thought it was and was certain that her anger was not misplaced. She felt as her anger was a sign of her strong faith. She came to the realization that her husband was someone who would challenge her beliefs but above all she knew that her beliefs state that her life must be one with his (“The First Party”). This realization must be heartbreaking, to realize that one 's comfort is not found in their life partner. The protagonist was raised to believe that her life must be one with her husband, that she is