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Colonization and the native american indian
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The art of the Americas was changed dramatically with the arrival of the Spanish and many aspects of European art and influence can be seen in the art of colonial America. However, there are still many significant examples of indigenous influence in colonial art. Whether one looks at the early works that were seen when the Spanish first arrived or the work that came in the late 1700s, the influence of the indigenous natives had a long ranging influence on various aspects of the art including materials, subjects, and details within the paintings, sculptures and architecture. When one thinks about early pieces of colonial art that have indigenous influences on them, one of the first things to come to mind is feather painting. The incorporation In the beginning, the Spanish did not allow the indigenous natives create Christian sculptures because they were concerned as to how they would depict religious figures such as Christ. However, they slowly taught them how sculpting was done in Europe and the natives began to copy that, while also adding their own flair. One example of this is the Christ of the Earthquakes or Tata Taytacha. This work shows Christ on the cross, but the figure is in dark colors. This is thought to be representative of the darker shade of the native skin. This means the natives depicted Christ as being indigenous. This also shows that the natives are no longer just depicting the religion in their art because they are being forced to by the Spanish, but also because they are starting to feel as though they are a part of the religion and can relate to it. Another example from this time period has to do with the detail on the artwork. Textiles were always a very important part of the Peruvian culture and this was carried over into their artwork, whether it was in religious paintings to non-secular paintings. There are two major examples of works that support this idea. The first example of this can be seen in Asiel Timor Dei, Angel Harquebusier that shows an angel standing with a gun. It is thought that this was influenced by prints from Europe of soldiers, and then this idea was applied to the angels. The indigenous influence can be seen in the clothing, which has a lot of intricate details on it. Textiles were extremely important in Peru and the traditional dress of the Peruvians would be intricately decorated and would often be decorated in gold. This is clearly mirrored in the clothing of the angel in this piece. The second one is The Virgin as a Child Spinning Thread that shows the importance of textiles in many ways. First of all, the clothing of the virgin is heavily decorated
Another example of how art represented in the Native North America exhibit is a painting by David Paul Bradley, a Chippewa artist, titled Greasy Grass Premonition #2. It depicts a scene from the Battle of Little Bighorn, but the tombstone explains that Native Americans know it as the Battle of Greasy Grass Creek. By providing that information for the audience, the MFA is allowing them a glimpse into the minds of Native Americans and their culture instead of presenting it as another example of Western bias.
In the eighteenth Century, Colonial European and Mexican artists were fascinated with the emergence of racial blending within the Spaniard bloodline. Works of art began displaying pieces that portrayed three major groups that inhabited the colony— Indians, Spaniards, Africans and other ethnicities. This new genre of painting was known as Casta painting and portrayed colonial representations of racial intermarriage and their offspring. Traditionally Casta paintings were a pictorial genre that was often commissioned by Spaniards as souvenirs upon their arrival from New Spain (Mexico). And yet, why would such works have so much fascination despite its suggestive theme? It is clear that Casta paintings display interracial groups and couples, but they seem to have a deeper function when it comes to analyzing these works. These paintings demonstrate that casta paintings were created to display racial hierarchies within the era. They depict the domestic life of interracial marriages and systematically categorized through a complete series of individual paintings. It is clear that the fascination of these works reflected the categorizing of new bloodline that have been emerging and displays these characters in a manner that demonstrates the social stereotypes of these people by linking them with their domestic activities and the items that surround them as well. Despite the numerous racial stereotypes that are illustrated in these works, casta paintings construct racial identities through visual representations.
Gardner, Helen, and Fred S. Kleiner. Gardner's Art Through the Ages: The Western Perspective. N.p., 2014. Print.
Aztec and Latin American art has only recently gotten the credibility it deserves and it has done become very popular because Aztec and Latin American Art has gradually begin to grow through the mainstream media. Latin American and Aztec art has also found its way into modern art is by targeting the mainstream media through some very powerful trends, such as art, fashion, and graphic designs. These fields have been stricken with what some people call the “Aztec bug.” Everything, from patterns, illustrations, ornaments, shows the Aztec infiltration into modern mainstream media, and it has become an extremely popular trend. Young people all over the world are beginning to wear Aztec patterns on their clothing and footwear.
In the 1830's the Plains Indians were sent to the Great American Deserts in the west because the white men did not think they deserved the land. Afterwards, they were able to live peacefully, and to follow their traditions and customs, but when the white men found out the land they were on were still good for agricultural, or even for railroad land they took it back. Thus, the white man movement westward quickly begun. This prospect to expand westward caused the government to become thoroughly involved in the lives of the Plains Indians. These intrusions by the white men had caused spoilage of the Plains Indians buffalo hunting styles, damaged their social and cultural lives, and hurt their overall lives. The lives of the Plains Indians in the second half of the nineteenth century were greatly affected by the technological development and government actions.
... god. Religious meeting were held in secrecy in the homes of members of the church, mainly female members of the church. Amalia risked her freedom by holding a meeting in her home. (p232) Both the Ladinos and the Indians believed that they were being punished by their gods for the sufferings they experienced. The Mayans believed that they were being punished by their gods for the suffering their people were experiencing at the hands of the Europeans. “They came, who were destined to come; haughty and hard of manner and strong of voice, such were the instruments of our chiding”. (Castellanos, year, p 56) The religious rites and customs practised by the indigenous people were constructed by Europeans as “lies and deceptions which the devil had invented” (Tignor et al 2002, p97) They were to worship only the Christian God instead of bowing to their many idols.
Long before Christopher Columbus crossed the Atlantic to the ‘New World’, the Western Hemisphere had already divided and developed civilizations. Some of these civilizations were extremely advanced for the time. As people settled in the Americas and developed cultures, so did differences in the life styles, religions, and art of these peoples. The cultures of Mesoamerica, South America, and North America all developed many different types of art, most notably ceramics and larger scale items that still baffle historians today.
Paintings illustrate the Aztec’s style of clothing and the important roles they play as such as those who led the ceremonies wore robes
Many tribes successfully preserved their art. For instance, local Indians of New Mexico still embroider beautiful blankets that have many geometric figures such as triangles and diamonds, similar to tessellations. See Figure 2 below (“Mathematics Used,” n.d.).
vii. Mueller, Rose Anna M. "Teaching beyond the Quincentennial," Hispania 76 (3), September 1993. found at http://www.millersv.edu/~columbus/data/art/ MUELLER1. ART, October 2, 1999.
The two paintings I will be comparing and contrasting are the Madonna Enthroned (Oginissanti Madonna) by Giotto di Bondone ca. 1310 and Madonna Enthroned with Angels and Prophets by Cimabue ca. 1280-1290. Both of these artists used the traditional
South University Online. (2013). HUM 1002: History of Art from the Middle Ages to Modern Times: Week 4: Art of the Americas: 14th Century to the Present. Retrieved from myeclassonline.com
There has been evidence of over two hundred human sacrifices in just one general area of Mesoamerica. Not just in an area of a city – but a “building”. Many pyramids, temples, and art forms such as sculptures were made and used just for the purpose of sacrifices and blood-letting rituals. Such violent rituals are shown in art and architecture to show the effect of symbols on the humans of Ancient Mesoamerica. The question that will be uncovered is, how far did the Mesoamericans go? To what extend do symbols effect Mesoamerican art and architecture? These effects could of course lead to the stronger subjects, specifically human sacrifices. The extent of symbols on the architecture and art therefore is reflected as the extent it had on ancient Mesoamericans. It will first be evaluated how Architecture is made to reflect their beliefs on the lives of their gods. Second, how architecture and art can depict symbols will be revealed, and lastly it will be discussed how architecture and art shows the effect of symbols on ancient human lives and interactions. Finding these things will answer the research question by revealing how much effort believers would make to please their symbols, how Mesoamericans believe their gods to be, and how far they would go with tradition or rituals.
The Effects of Colonization on the Native Americans Native Americans had inherited the land now called America and eventually their lives were destroyed due to European colonization. When the Europeans arrived and settled, they changed the Native American way of life for the worse. These changes were caused by a number of factors including disease, loss of land, attempts to export religion, and laws, which violated Native American culture. Native Americans never came in contact with diseases that developed in the Old World because they were separated from Asia, Africa, and Europe when ocean levels rose following the end of the last Ice Age. Diseases like smallpox, measles, pneumonia, influenza, and malaria were unknown to the Native Americans until the Europeans brought these diseases over time to them.
Throughout the course of history, art has changed in vast number of ways. Dating back to the Pre-Colombian era of art, you are able to find sculptors, mounds and other artwork on Native American culture. Native Americans believed in pantheism which is the worship of nature. Native Americans were seen as savages because they lived in nature, they worshipped nature, wore off clothing that didn’t cover their bodies fully. They performed ceremonies that have seemed peculiar to explorers during the exploration of the New World such Christopher Columbus. However, art has evolved in so many different ways imaginable. The use of colors, unique styles, reflections from lighting outdoors and the imagination of the artist can really put