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Wilfred Owen's ideas about war
Wilfred Owen conveying the horror of war through his poetry
Wilfred Owen conveying the horror of war through his poetry
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In this essay, I intend to discuss the ways in which the poems Dulce
Et Decorum Est and Charge Of The Light Brigade represent war. I
will discuss the themes of death, emotions, conditions and opinion.
In Dulce Et, death is shown as horrific and that of terrible
suffering.
"His hanging face like a devil's sick of sin."
This simile describes the way in which the poet Wilfred Owen saw the
men suffering. He uses an effective method of a metaphor, 'Devil's
sick of sin', and this metaphor shows just how horrible death is. When
a devil is sick of sin, it is no longer a devil, this means that the
man described is no longer a human.
However, in the Charge, death is shown as quick and clean.
This is shown in the quote "While horse and hero fell." Death is not
described in the detail of Dulce Et, because the poet wants to show
war as glorious and honourable, this could not be achieved if the poet
talked about the horrible way in which the men die. The poet uses the
word heroes because it shows the men as honourable and glorious, which
is the intended message of the poem.
In Dulce Et, death has no glory and the men have no sense of dignity.
"The old lie: Dulce et decorum est pro patria mori."
This quote shows that the statement 'that dying for ones own country'
is a complete lie. Wilfred Owen does this to emphasise how horrible
and undignified death really is. Owen wants to show that death has no
glory and is undignified. The poet also uses Latin, because the reader
will recognise the language used is old fashioned, this will then make
the reader feel as though war is now old fashioned and pointless. He
uses the contrast of two languages to show the difference of views in
the two different time periods.
In comparison, in the Charge, death is shown as honourable and
glorious.
"When can their glory fade?"
This poem presents death as quick and without suffering, the poet says
that the men who died for their country are glorious and should always
be remembered. However, when both poems have been read, the reader
sees war as even more futile because the men know that it is almost
impossible to achieve victory against so many enemies, so they are in
effect going in to the battle to die for no reason. However, the
Charge's poet shows the men as honourable because they did not
question the orders.
Both poems show that death is not important. In Dulce Et, death is a
god can bless them and rid them of the devil. An example of this is when he
He uses specific and powerful wording to portray the effects of not undergoing a conversion. Edwards horrifies the people when he uses powerful, frightening words to portray these effects. He speaks of the notorious Devil, whose name makes people shutter; they will do anything to escape from the Devil, even undergo a conversion. Edwards states, “The Devil is waiting for them,” as in the ones whom do not undergo conversion. Edwards also explains to the congregation that not only will they be greeted by the devil if they do not convert, but they will also be endangered by their own God. Their God will be outraged of those who do not undergo a conversion. He explains, “You are in the hands of an angry God.” Edwards’s explanation of this outraged God urges the congregation to undergo conversion fast. Moreover, Edwards uses one last horrific wording to convince the congregation to undergo conversion when he speaks of how some may not escape this dreadful future; this ultimately urges others to hurry in undergoing an emotional conversion. Edwards states, “There are many in this congregation … that will actually be the subjects of this very misery to all eternity.” To conclude, Edwards’s use of negative diction on the outcome of not undergoing conversion urges the congregation to undergo an emotional
The devil's speech asks the people to awaken to the reality that virtue isn't possible, that Evil is man's true nature. By welcoming them to the "communion of your race" he emphasizes that people are unified under the fact that everyone is evil. The devil figure is like a puritan minister trying to tell everyone that they are evil, but he tells them to accept it, that "Evil must be your only happiness." People can live happily if they only realize that evil is the way we are meant to be, trying to fight it is futile. The congregation accepts his welcome "in one cry of despair and triumph.
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Satan frequently characterizes “the tyranny of heaven” and employs negative diction in his depictions of both heaven and God (I.124). His negative portrayals of God and his kingdom highlight his utter dissatisfaction with being subservient to God and, from that, his desire for autonomy. In the exposition of the text, Satan’s emotions toward God make themselves apparent when Satan “throws his baleful eyes / That witnessed huge affliction and dismay / Mixed with obdúrate pride and steadfast hate” (I.56-58). Satan reveals himself to be furious with his continued subjugation to God as well as his inability to truly revenge himself against his subsequent punishment. According to Satan, God’s dissimulation of his power tempted Satan and others to rise
is similar to the feelings in her heart. In the same way that there is
The question of identity regarding God and the Devil has been an ongoing dilemma for religious philosophers. No true identity can be formed due to the lack of undeniable evidence surrounding the figures. In addition, it has always been difficult to relate either characters to tangible or worldly matter; seeing how both are non-perceivable and equivocal figments in our minds. A start is to relate these supernatural beings to each other. The abilities of each are in contrast; God can create but not control, whereas, the Devil can control but not create. Creation is the act of making new matter, whereas the act of controlling is forcing matter to act based on the wishes of the controller.
Death is something that every person will have to deal with at some point in his or her life. The poems "Dulce et Decorum Est" and "Nothing Gold Can Stay" both deal with the concept of death, but in very different ways. They provide views of what death can be like from opposite ends of the proverbial spectrum. Death can be a very hard thing to experience, and the emotions that it evokes can be difficult to express as well. These two poems both express a feeling of loss through death, but the tones perceived by the reader in each are completely unalike.
The ‘Myth of Modernity’ is a concept constructed by writer, philosopher, Enrique Dussel. Dussel describes ‘modernity’ to be a European theory, but applied to those regions that have been colonized by European nations. To be specific, Africa’s modernity would be the enslavement of thousands and the Americas’ would be the genocide thousands. The idea is that Europe is the most developed civilization in the world so it is their obligation to develop and modernize the uncivilized and backwards people in the rest of the world. With the colonialism brought by Europe came genocide and violence to ensure the civilizing process. Following the violence is the victims being active in their redemption and pressure to feel guilty of their primitive state,
...ningham, and Reich 40). In addition, it pays no respect to one’s material status. Death, as depicted, also takes no notice of ones beauty and knowledge. Due to these reasons, death is greatly feared for it is considered a tragedy.
well as to a few of the horrors of the war. The men are leaving the
Leer la poesía de Julia de Burgos es abrirse paso a un mundo de emociones, luchas y temas múltiples. En sus tres poemarios, la poeta inaugura un estilo y unas temáticas que en ocasiones coinciden y en otras se apartan de los poetas entre los que convivió (López Jiménez, "Julia de Burgos” 141). Julia buscó abrirse paso hacia nuevas formas de escritura y trazar rutas alternas a los cánones establecidos, tanto por sus contemporáneos como por la tradición literaria. Poema en veinte surcos, su primer libro publicado en 1938, representa ese anhelo de trazar múltiples rutas mediante las cuales pueda realizar una búsqueda de nuevas voces, perspectivas y temáticas. Precisamente, en la poesía de Julia, sobre todo la de su primer poemario, se advierte un deseo de definirse y afirmar sus principios poéticos y políticos. Según Ivette López Jiménez, muchos poemas de su primer libro se destacan porque “se alejan de las fórmulas de la poesía criollista” y porque en ellos “la voz se afirma como una ‘rama desprendida’ o como ‘brote de todos los suelos de la tierra... de todos los hombres y de todas las épocas” (“Julia de Burgos” 143). Hay pues, un intento por alejarse de los discursos autorizados, lo que la lleva a identificarse con los espacios y los sujetos marginados. Desde esta perspectiva, Julia de Burgos pasa a ocupar el rol de “poeta cívico” y su discurso a ser uno de denuncia y protesta. Por ello, propone una reconsideración de los espacios marginales, del “otro” con el objetivo de traerlos a primer plano. Con esto, establece una “actitud a la avanzada del pensamiento y de las costumbres, sobre todo lo relacionado con los cambios necesarios en la sociedad”, en palabras de Manuel de la Puebla (16).
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Blake uses imagery of blood of a soldier on the walls of the palace to
After defeating the rebellious angels, God cast them out from Heaven, placing them in Hell, a despairing and horrid place. Satan describes God as a tyrant who believes himself better than all, placing God as his epic adversary, “...our grand Foe/Who now triumphs, and in the excess of joy/Sole reigning holds the tyranny of Heaven” (1.122-124). Satan refuses to accept his defeat, and rather seeks to enact revenge against God either by once again leading his minions into battle or using his guile.