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Romanticism vs Dark Romanticism essay
Edgar Allan Poe and dark romanticism
Edgar Allan Poe and dark romanticism
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In the light of the results shown above, it is obvious that this cluster is more interested in the words duke, castle, shepherd, duchess, stranger, closet, curate, captain, knight, boy, grace, dance, rector, light, hut, hill, and gate. The words are associated with the idea of hidden or unrevealed death. The idea is repeated in the three texts where problems of jealousy and suspicion in marriage lead to death. In the three texts, the main idea of each one is that that there is a wife who belongs to the elite and she is beautiful. Her husband as a man of high position feels jealous about her and decides to take revenge against the one who is thought to be her lover because of the disgrace caused to him as a result of such an illegal relationship. This idea is tackled differently however in the three texts. This is supplemented by critical reading of the three texts as below.
In What the Shepherd Saw, we have a story of jealousy, suspicion, death, and mystery. The action begins with a little shepherd witnessing some unusual act in the darkness. This is the Duke’s wife Harriet coming to meet her cousin Captain Fred Ogbourne who has been out of England for years as he used to live in Canada. Fred is asking Harriet about her husband’s mistreatment of her. On her part, she stresses the idea that the Duke is a good husband. And in spite of all Fred’s seductions of her, she stays firm against such temptations. She even feels sorry for coming to see him: “I should not have come now”. However, Harriet’s act of going out without the knowledge or permission of her husband to see Fred is suspected by the Duke. Upon that, he goes out the next night to see his wife with Fred thinking that she will go to meet her lover. To his surprise, his wi...
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...he could see the stranger coming through the chamber where he was sleeping. He could see the stranger taking his personal belongings and he did not move. Some days after this incident, the utter defeat of the Duke’s army and the Duke’s disappearance at an early stage of the battle was announced. Swetman came to be sure now that his guest was the Duke himself. Now he began to feel sorry for acting so harshly for such a small breach of good faith as he described the behaviour of the refugee towards his daughter. After all, rumours spread over the country that the man beheaded in the Tower was not the Duke, but one of the officers taken after the battle whereas the Duke has been assisted to escape out of the country. Finally Swetman came to the conclusion “that his friend might have been a friend of the Duke’s, whom he asked to fetch the things in a last request”.
Murphy, B. & Shirley J. The Literary Encyclopedia. [nl], August 31, 2004. Available at: http://www.litencyc.com/php/speople.php?rec=true&UID=2326. Access on: 22 Aug 2010.
When comparing relationships between men and women depicted in these three literary works and comparing them to rules and guidelines in The Art of Courtly Love, it seems that in some ways they do match up, whereas in some ways they differ. For example, “No one can be bound by a double love” however, they had husbands, wives, lovers and concubines at the same time. On the other hand, “Nothing forbids one woman being loved by two men or one man by two women” seems to be right in the alley with the readings.
NOTE: This isn’t even close to how I would like the essay to be laid out. I’m just writing paragraphs and eventually I will get them in an order I like them and revise.
When comparing the epic poem of The Song of Roland to the romantic literature of Ywain, the differences between the early medieval period and the high medieval period become evident. Both The Song of Roland and Ywain depicts the societies from which each story derives its fundamental characteristics. Through close observation, one is able to see the shifts in customs and mentality that make the move from the epic to the romance possible. In his chapter 'From Epic to Romance', R.W. Southern shows how this transformation manifests itself through changing ecclesiastical and secular thoughts and feelings.
Death is the end to the natural cycle of life and is represented as dark, melancholic and even menacing. The underworld is depicted as a murky and sinister realm where the dead are trapped in a world of eternal darkness. Ancient drama, however, defies the conventional perceptions and representations of death. Despite the foreboding associated with it, characters in ancient drama embrace death in its frightening glory, rather than face the repercussions of their actions, especially when their honor and pride are at stake. Deceit is also an integral part of ancient drama and characters, particularly women, fall prey to it and unwittingly unleash chaos that more often that, negatively impacts the lives of the characters. This paper demonstrates how gender biases can be interpreted from the depiction of death and the characters’ justifications of it in two of Sophocles’ plays – Ajax and Women of Trachis and also demonstrates how female deception leads to the death of the principal character(s).
Murphy, Michael. "Vows, Boasts, And Taunts, And the Role Of Women In Some Medieval Literature." English Studies; Apr 85, Vol. 66 Issue 2: 105-112. Academic Search Premier. EBSCOhost. Montgomery, AL. 2 FEB 2006
The ending of the stories create a world of contrasts. In the case of King Lear, Lear eventually dies over the anguish in the death of Cordelia. This shows the theme that the world is a cruel place in which people must overcome heartache and sorrow otherwise there will be only misery. In the case of Caporushes, the rich gentleman realizes that meat and any type of food is tasteless without salt. He refers back to what his daughter had originally responded and realizes that meat was an allusion to life in that life would be meaningless without love or in this case the meat would be tasteless without salt. Caporushes showcases the theme that the function of words is crucial when it comes to relaying messages. In perspective, both King Lear and Caporushes underlie the fact that the humanity cannot resist the temptation of pride and public recognition.
Mrs. Mallard’s repressed married life is a secret that she keeps to herself. She is not open and honest with her sister Josephine who has shown nothing but concern. This is clearly evident in the great care that her sister and husband’s friend Richard show to break the news of her husband’s tragic death as gently as they can. They think that she is so much in love with him that hearing the news of his death would aggravate her poor heart condition and lead to death. Little do they know that she did not love him dearly at all and in fact took the news in a very positive way, opening her arms to welcome a new life without her husband. This can be seen in the fact that when she storms into her room and her focus shifts drastically from that of her husband’s death to nature that is symbolic of new life and possibilities awaiting her. Her senses came to life; they come alive to the beauty in the nature. Her eyes could reach the vastness of the sky; she could smell the delicious breath of rain in the air; and ears became attentive to a song f...
This investigation will analyse responses to death in medieval religious culture. Relationships with death arguably varied between social classes, making it difficult to assert a generalised response to death. Death was commonplace amongst peasants and therefore few sources document it. Responses to death can be inferred by sermons, which were influential to the beliefs of lower classes. The nobility on the other hand, provided accounts of deaths and from these sources responses can be asserted. Similarly, it is difficult to assert a general definition of death as in the medieval period the concept of death was multidimensional. Death was both physical and spiritual to medieval religious culture. Additionally, medieval religious culture was diverse. This investigation will approach these problems by utilising specific religious sources, for both lower and upper classes and analysing their content to decipher whether responses to death were characterised by fear.
One of the oldest and most prominent issues that mankind has faced throughout history is that of their own mortality. In every society mankind has wrestled with the inevitable problem of their eventual death, and literature often reflects each society’s take on their mortality. For instance one of the most pronounced motifs in the epic poem Beowulf is the impending doom that each and every character knows will eventually come for them. This is most clearly illustrated by the protagonist himself in his dialogue with other characters. It is also perpetuated by the compelling need for glory and renown that many of the characters continuously search for. Lastly, the issue of mortality is presented by the preeminence of the history of the clans
The belief and concept of dishonor in the Greek and Colombian culture of ‘Antigone,’ by Sophocles, and ‘Chronicle of a Death Foretold,’ by Gabriel Garcia Marquez, is a deciding aspect that blinds characters moral values. It is evident that in both societies Greek and Colombian, a family or an individual without honor is an outcast to the community. As honor plays a drastic role in outlining the culture of the society. Therefore the belief that a perpetrator has brought dishonor upon the family, or community foreshadows punishment for the individual, often conveyed through death.
Critics pose interesting views concerning the identity and significance of the mysterious third murderer. Henry Irving provides an adamant argument as to how the Attendant could be the third murderer. Irving uses multiple cases in the story where, when interpreted a certain way, one can see how the Attendant is a prime suspect. This man's knowledge of and comfort with the structure and surroundings of the castle shows that he would be a valuable asset to the murderers.
“The Wife of Bath’s Tale” is written in an entertaining and adventurous spirit, but serves a higher purpose by illustrating the century’s view of courtly love. Hundreds, if not thousands, of other pieces of literature written in the same century prevail to commemorate the coupling of breathtaking princesses with lionhearted knights after going through unimaginable adventures, but only a slight few examine the viability of such courtly love and the related dilemmas that always succeed. “The Wife of Bath’s Tale” shows that women desire most their husband’s love, Overall, “The Wife of Bath’s Tale” shows that the meaning of true love does not stay consistent, whether between singular or separate communities and remains timeless as the depictions of love from this 14th century tale still hold true today.
This hundreds of year old play known as “The Tragedy of Romeo and Juliet” still teaches students about the English language today. In act 1, Sampson talks about cutting off women maidenheads and his naked weapon which are examples of Old English Literature, which meant females virginity and the males member in the late 1500’s. Old English Literature is important to study
As it can be seen from the characteristics of the two servants, they have some differences. These differences not only affect their characteristics but also their relationships with others too. In the book we can see two servants with different relationships with the same person who is Prosp...