This poem addresses the modern day issue of pollution in oceans, presenting a dystopian vision where the vitality of oceans has been replaced by death. It leaves a profound impact on readers by evoking a sense of urgency and sorrow relating to the oceans. Through numerous techniques, the poem effectively highlights the severity of pollution and serves as a warning about the future. Specifically, in the first stanza, it writes, ‘A plastic sea, a dire reality,’ using ‘plastic’ to symbolise an environment which was overwhelmed by plastic waste, and the transformation from the once unpolluted ocean, into the contaminated ocean. This symbol implies pollution is more than a minor convenience, highlighting the need for action to prevent a dystopian …show more content…
This hyperbole underscores the challenge of plastic waste and the long-lasting impact on ecosystems, evoking a future of irreversible damage. In the third stanza, it states, ‘As the tide washes in, hope’s melody no longer sings,’ metaphorical language conveys a deeper meaning by comparing ‘loss of hope’ to the motion of a tide washing in and out, portraying the relentless issue of pollution. The metaphor highlights the destructive impact of plastic, reinforcing dystopia and states; as long as pollution continues, hope for recovery diminishes. Personification is used in the fifth stanza in the line ‘The waves that crash upon the shore, Recite tales of loss, everlastingly,’ to give waves human-like qualities. Consequently, it makes pollution’s impact on the ocean more poignant and relatable by creating an emotional bond. It stresses on the ongoing nature of pollution, highlighting a dull future marred by humans, encouraging readers to feel the weight of pollution on an intimate
Published in 1944, the poem itself is an elegy, addressing the melancholy and sorrow of wartime death, as indicated by the title ‘Beach Burial’. This title gives clear meaning to the sombre nature of the work, and the enigmatic nature of it holds the attention of the audience. The entirety of the poem is strewn with poetic devices, such as personification of dead sailors as “…they sway and wander in the waters far under”, the words inscribed on their crosses being choked, and the “sob and clubbing of the gunfire” (Slessor). Alliteration is used to great effect in lines such as that describing the soldiers being “bur[ied]…in burrows” and simile in the likening of the epitaph of each seaman to the blue of drowned men’s lips and onomatopoeia is shown in the “purple drips” (Slessor). The predominant mood of the work is ephemeral, with various references to the transient nature of humanity. The ethereal adjectives used to describe and characterise objects within the poem allow a more abstract interpretation of what would normally be concrete in meaning. The rhythm of this piece is markedly similar to the prevalent concept of tidal ebb and flow, with lines falling into an ABCB rhyme scheme and concepts
The juxtaposition of the Titanic and the environment in the first five stanzas symbolizes the opposition between man and nature, suggesting that nature overcomes man. The speaker characterizes the sea as being “deep from human vanity” (2) and deep from the “Pride of Life that planned” the Titanic. The diction of “human vanity” (2) suggests that the sea is incorruptible by men and then the speaker’s juxtaposition of vanity with “the
I think from the attitude of the diver, he was suicidal. As he dove into the sea, he does so at a high speed and with reckless abandon, taking to account all the details of everything he sees as he plunged deeper into the sea. “swiftly descended/free falling, weightless”. He was doing all he could to forget about life as he descends “…. Lost images/fadingly remembered.” Initially in his descent into the ocean, the diver, having decided to end his life, treated the images in the sea as if they would be the last things he will see before his death, so I think he thought it best to savor his last moments while he had the time. When he got to the ship, he described all that was there. While I read the poem, I couldn’t help but conjure those images in my mind. The ship was very quiet and cold when he entered it but the silence drew him in and he was eager to go in, not minding the cold because at that moment he was suicidal and didn’t care about life. With the help of a flashlight, he saw chairs moving slowly and he labeled the movement as a “sad slow dance”. From this, I think the speaker is trying to point out that there are sad memories on the ship. There is no story of how the ship got to the bottom of the sea, but it seems the ship used to be a place of fun, celebration, and happiness. Now that it is wrecked and in the bottom of the sea, the
The ocean is mysterious to mankind. The unfathomable vastness of the ocean intrigues humanity into exploring it. In life, the immense possibilities that lie in the future compel us to reach for the stars. In the poem “The Story” by Karen Connelly, an individual willingly swims into deep waters even though they are fearful of what may exist in the waters. The swimmer later finds out that their fears were foolish, which illustrates the human tendency to venture into the unknown. The theme conveyed in this poem is that life is like a rough, uncertain, uncontrollable ocean that we must find get through with experience.
He describes how the sand on the beach flows and moves on the shore. For example, in the first line of stanza two, he says, “Slush and sand of the beach until daylight.” This description of the sand really helps you visualize it.
The repetition of sound causes different feelings of uncertainty and fear as the reader delves deeper into the poem. “Moss of bryozoans/blurred, obscured her/metal...” (Hayden 3). The r’s that are repeated in blurred and obscured create a sense of fogginess of the darkness of the water that the speaker is experiencing. The fogginess is a sense of repression, which is attempting its way out of the mind to the conscious. Hayden continues the use of alliteration with F and S sounds. Although they are different letters they produce the same sound that causes confusion, but an acceptance of death. “Yet in languid/frenzy strove, as/one freezing fights off/sleep desiring sleep;/strove against/ the canceling arms that/suddenly surrounded/me...” (Hayden 4). The use of sound at the last six lines of the poem causes the reader to feel the need for air and the fear of death. “Reflex of life-wish?/Respirators brittle/belling? Swam from/the ship somehow; /somehow began the/measured rise” (Hayden 4). The R sounds that begin is the swimming through the water. The B sound that continues right after in “brittle belling” is the gasp of air, and finally, the S sounds that finish the line by creating a soft feeling. As if the reader might not get out in time, even though the lines are saying that the speaker does escape the ship. The fear the alliteration evokes from the reader is the unconscious. The deep inner thoughts that no one wants to tap into. The speaker is accepting the idea of death in the ocean through his unconscious, but his conscious mind is trying to push back and begin the “measured rise” (Hayden 4) back to the
Which means their obviously bad for the aquatic marine life environment & are cause many different forms of damage for them & us as one. On p.g. 23 of The New York Times upfront magazine “Birds,fish, sea turtles, & others are getting tangled in plastic bags or mistake them for food & choke”. Someone else might argue that they could the plastic bags in landfills instead of oceans. But that counter- argument is flawed because you’re just polluting by burning plastic which is bad on our part we’re not doing our part to support & taking care of the earth. Plastic in the ocean isn't just bad for plants & animals but for humans too because of the food chain some of us eat animals as a meat source such as aqua marine life like fish. If the fishermen catch fish that have been eating plastic then it's in our food supply if we eat that fish it's gonna be bad for us so many will end up getting sick from the plastic inside of the fish then what will we do our aqua marine food supply will go down the drain we couldn’t eat the fish since it's basically contaminated with plastic that we’re dumping there instead of trying to fix it & getting rid of plastic bags for good for the good of the earth. We’re causing damage towards the earth by dumping all that plastic into the ocean which damages our water supply it’ll poison us although we clean the water it depends on how big the plastic particles are, it’ll make us sick & sense it’s been lying in the oceans could bring in new pathogens &
Relief,” Millay used a similar form of imagery to describe the rain that resulted in the remembrance of the persona’s love: “…I miss him in the weeping of the rain…” (Millay, 3). This description of the rain not only helped better visualize the rain itself, but also emphasized the sorrowful and desolate undertone of the poem. Another exemplification of visual imagery utilized in Millay’s poem was used to illustrate the tides: “…I want him at the shrinking of the tide…” (Millay, 4). The retreating of the tides was easily concei...
The poem itself uses a number of varied techniques such as alliteration, metaphor, simile, imagery, rhyme, rhythm and much more. These varied poetic techniques are spread throughout the quite lengthy poem, made up of 16 stanzas, ensuring that the audience remains engaged and interested. Kijiner uses a combination of increasing rhythm through out the poem and the metaphor of “lagoon that will devour you” to represent the ever more elusive threat of climate change, giving the audience a sense of utmost urgency regarding this
In this poem, Frost includes his fear of the ocean and exaggerates its destructive power. As Judith Saunders stated that “The first thirteen lines have depicted an ocean storm of unusual force, and through personification the poet attributes to this storm a malign purposefulness” (1). Frost provided human characteristics on the storm to help prove his point that the ocean has bad intentions and its only purpose is to hurt him. Frost does not describe the waves as a result of unfavorable weather; he explains them as having a malignant intention to destroy the world. This poem revolves around the forces of nature and could be included in the long list of nature themed poems by Robert Frost.
Water pollution has had devastating effects on the environment, which include irreversible effects on the oceans ecosystem. People often underestimate the importance of the ocean. They don’t realize how much damage pollution has caused to the ocean and the thousands of creatures that inhabit it. Earth is a huge place, but resources are actually very limited and will not last forever unless there is a balance. We must protect the resources we have in order for them to last into the next generation.
There is also a sense of acuteness as the words in this stanza are short and sharp, and the lines clash and seem to contrast greatly. " Whispering by the shore" shows that water is a symbol of continuity as it occurs in a natural cycle, but the whispering could also be the sound of the sea as it travels up the shore. The end of this section makes me feel as if he is trying to preserve something with the "river mud" and "glazing the baked clay floor. " The fourth section, which includes four stanzas of three lines, whereas the third section included four-line stanzas and the second section included two-line stanzas, shows continuity once again, as if it's portraying the water's movement. "Moyola" is once again repeated, and "music" is also present, with "its own score and consort" being musical terms and giving the effect of harmony.
In this poem, the author tells of a lost love. In order to convey his overwhelming feelings, Heaney tries to describe his emotions through something familiar to everyone. He uses the sea as a metaphor for love, and is able to carry this metaphor throughout the poem. The metaphor is constructed of both obvious and connotative diction, which connect the sea and the emotions of love.
In the beginning, there is a peaceful, blissful atmosphere to the poem. Imagery of light amidst the darkness of the night is created by the use of words such as "gleams," "glimmering" and "moon-blanch'd". The speaker seems excited by the sweet night-air and the lively waves that fling the pebbles on the shore as we see by the exclamation marks in the sixth and ninth lines. The waves "begin, and cease, and then again begin," much as life is an ongoing process of cessation and rebirth. The first stanza is quite happy until the last two lines when the "tremulous cadence slow, and bring/ the eternal note of sadness in." This phrase causes the poem's tone to change to a more somber one
Research from the University of California San Diego Scripps Institution of Oceanography said that species in the ocean consume a projected 12,000 to 24,000 tons of plastic every year in the Pacific Ocean (Nall, 2014). Pollution of recyclable materials in the oceans is one of the leading causes of why some marine species are nearing extinction. Many authors of articles and books analyzing this topic tend to agree that pollution of our oceans is a problem. The future of this problem is where their ideas tend to differ. The following four literature reviews attempt to demonstrate and support my belief that pollution is getting worse in the ocean and more marine life ecosystems are being affected, but there are things that we as humans can do to change this. Imagine a world where we didn’t have to constantly worry about the vicious cycle of humans affecting animals and then animals in turn affecting us through consumption.