In Housekeeping by Marilynne Robinson, the story follows Ruth and Lucille as they pass through the care of their mother, grandmother, great-aunts, and finally their mother’s transient sister, Sylvie. While Ruth is generally passively accepting of the care or lack thereof that she receives from these women, no matter how unconventional, Lucille purposefully sets herself against Sylvie. After existing outside of the boundaries that society imposes for the majority of her adult life, Sylvie is unable to provide the structured normality to which Lucille so desperately cleaves. In their own methods of seeking happiness, Sylvie prefers a fluid way of housekeeping, while Lucille needs strict adherence to convention. The polar relationship that exists between Sylvie and Lucille serves to illuminate that while society as a whole is more comfortable when everything is separated into rigid order and divided by strict boundaries, categories detract from the happiness of all individuals regardless of whether they attempt to fit within or reject them. Sylvie’s version of housekeeping has no boundaries with the outside world. She allows leaves inside, lets the doors and windows remain open, and doesn’t turn on the lights when the sun sets. “Sylvie in a house was more or less like a mermaid in a ship’s cabin. She preferred it sunk in the very element it was meant to exclude.” (99) This could perhaps be seen as a more harmonious way of living, as it is in accordance with nature, but it also destroys all sense of security, safety and comfort afforded by a house, and entirely reverses the role the house was originally intended to play. Not only does Sylvie’s housekeeping give no protection to the physical elements of nature, it gives no protection f... ... middle of paper ... ...ich they may indeed be – but only if you are trying to raise that child in the image of society. Society is exceptionally able to churn out people that will follow the rules because it punishes those who fall outside the boundaries. Living outside the boundaries like Sylvie does is not necessarily a lesser way of living, or a worse way to gain happiness, but it will be met with more resistance from society for the simple reason that it isn’t conventional. Regrettably for Lucille, the perfection that society expects can never be attained, and she only proves to agonize herself as she reaches at something unreachable. This is very much a ‘damned if you do, damned if you don’t’ situation because society presents conformity as the only way to be happy, but that is clearly untrue. The very boundaries that are meant to allow for happiness are most often what take it away.
Within this chapter, Barbara Ehrenreich experienced the maid’s life by becoming a maid. She was employed for three weeks by The Maids International in Portland. During her employment, she worked with team members to clean multiple houses. Cleaning up after the owners Ehrenreich subjected herself to “about 250 scrubbable
Neglect is the failure or refusal of a parent or care giver to provide the basic needs: food, safety, hygiene, and clothing. With famished children, Jeannette’s mother remarks: “Why spend the afternoon making a meal that will be gone in an hour…when in the same amount of time, I can do a painting that will last forever” (56). What we perceive here, the characteristic conduct of Mrs. Walls, is an unwillingness to set aside her own interests in order to care for others (specifically, her own children). Rudely, her mother along with many other deteriorated parents are pre-occupied ...
Living Out by Lisa Loomer is a play that tells the story of the complicated relationship between a Salvadoran nanny and the lawyer she works for. Both women are smart, hard-working mothers who want better lives for their children. The play explores many similarities and differences between them. Through the main character Ana, we understand what it’s like to leave a child in another country and to come to come to the United States. We also get what the potential cost is like to sacrifice your own child in order to care for someone else's. Through the lawyer; Nancy, we understand the pressure on women today. How they try to do everything perfectly and sometimes having to put work before their family. The play also looks at the discrimination and misconceptions between Anglos (White American’s) and Latinos.
There is a old time saying that “you will never know what true happiness feels like until you have felt pain”. In order to reach where you are going in life you have to go through hardship and pain to find your inner contentment. Often times,people who have too much in life always takes it for granted ,because all they have is pleasure and not knowing the feelings of pain and being without. Martha C. Nussbaum author of “who is the happy warrior” states that you have to go through pain to find the true meaning of happiness while Daniel M.Haybron author of “Happiness and Its Discontents” states that pain doesn 't bring happiness,happiness is just a thing you feel when you think you may have enough. To find happiness you have to go through the unbearable process of life.
Are you more of a glass half-empty type of person or a glass half-full? In the essay “Happiness is a glass half empty” writer Oliver Burkeman would say he is a glass half empty type of person. In his essay he writes, “Be positive, look on the bright side, stay focused on success: so goes our modern mantra. But perhaps the true path to contentment is to learn to be a loser” (Burkeman). I think what he means in this statement is people nowadays are taught to always look on the brighter side of life. When in actuality people should be looking on the negative side of life to realize how great their lives really are. In this essay writer Oliver Burkeman uses rhetorical devices such ethos, pathos, and logos to prove that maybe being negative
She brings light to an issue that divided her family from her father, his “obsession” with fixing up the house. She states, "I grew to resent the way my father treated his furniture like children, and his children like furniture" (14). She believes her father was detached, living his life through restoring old furniture and fixing up the family home, leaving little attention for the family that lived there. She was suspicious of her father’s décor saying, “they were lies” (14). This left much to be desired, often leading her to question whether her father even liked having a family. This feeling is expressed when she says, "Sometimes, when things were going well, I think my father actually enjoyed having a family. Or at least, the air of authenticity we lent to his exhibit. A sort of still life with children" (13). He occupied his life with fixing up his home almost as if he was trying to cover up the problems going on inside himself. Bechdel suggests that the antique mirrors decorating the home were meant to distract visitors from his personal shame. She says, "His shame inhabited our house as pervasively and invisibly as the aromatic musk of aging mahogany" (20). She states that this shame stemmed from her father’s closeted sexual preferences. This would later connect them in a very powerful
The stories “I Stand Here Ironing” by Tillie Olsen and “Everyday Use” by Alice Walker, are different in many ways, but are also similar. “I Stand Here Ironing” and “Everyday Use” both focus on the relationships of the mother and daughter, and on the sibling’s relationships with each other. Emily from “I Stand Here Ironing” and Maggie from “Everyday Use” have different relationships with their mothers, but have similar relationships with their sisters. Although the stories are similar in that Emily and Maggie are both distant from their sisters, they differ in that the mother is distant from Emily in “I Stand Here Ironing,” while the mother is close to Maggie in “Everyday Use.”
As a result, women were stuck at home, usually alone, until their husbands got home. In the story, Jane is at home staring at the wallpaper in her room. The wallpaper’s color is described by Jane as being “repellent, almost revolting” (3) and the pattern is “torturing” and “like a bad dream” (10). The description of the wallpaper represents Jane’s and all women’s thoughts about the ideologies and rules upheld by men prior to the First World War. It is made evident that this wallpaper represents the screen made up of men’s ideologies at the time caging in women. Jane is subconsciously repelled by this screen and represents her discovering continuously figuring out what she wants. Metaphorically, Jane is trapped in that room by a culture established by men. Furthermore, Jane compares the wallpaper’s pattern to bars putting further emphasis on her feelings of being trapped and helpless. Later in the narrative, she catches Jennie staring at the wallpaper’s pattern and then decides to study the pattern and determine what it means herself. Her study of the pattern is representative of her trying to analyze the situation in which she’s in. By studying the pattern, she progressively discovers herself, especially when she sees the woman behind the
In society, there has always been a gap between men and women. Women are generally expected to be homebodies, and seen as inferior to their husbands. The man is always correct, as he is more educated, and a woman must respect the man as they provide for the woman’s life. During the Victorian Era, women were very accommodating to fit the “house wife” stereotype. Women were to be a representation of love, purity and family; abandoning this stereotype would be seen as churlish living and a depredation of family status. Charlotte Perkins Gilman’s short story "The Yellow Wallpaper" and Henry Isben’s play A Doll's House depict women in the Victorian Era who were very much menial to their husbands. Nora Helmer, the protagonist in A Doll’s House and the narrator in “The Yellow Wallpaper” both prove that living in complete inferiority to others is unhealthy as one must live for them self. However, attempts to obtain such desired freedom during the Victorian Era only end in complications.
The story 'Everyday Use', written by Alice Walker, is a story of heritage, pride, and learning what kind of person you really are. In the exposition, the story opens with background information about Dee and Maggie's life, which is being told by Mama. The reader learns that Dee was the type of child that had received everything that she wanted, while Maggie was the complete opposite. The crisis, which occurs later in the story, happens when Dee all of a sudden comes home a different person than she was when she left. During the Climax, Mama realizes that she has often neglected her other child, Maggie, by always giving Dee what she wants. Therefore, in the resolution, Mama defends Maggie by telling Dee that she cannot have the household items that she wants just to show others, instead of putting them to use like Maggie.
“We tore through the austere rooms, overturning dresser drawers, pawing through the neat piles of the Stage 3 girls’ starched underwear, smashing light bulbs with our bare fists. Things felt less foreign in the dark.” (Russell, P237). When Claudette and the rest of the pack first came to St Lucy’s Home for Girls, they were all feral. They broke light bulbs, overturned dressers, peed on beds, and found nuns to be easy to kill. The whole ‘human’ thing was very new to them, and it made them excited.
Happiness is a trait that has definitely lost its true meaning due to superficial, materialistic extravagances. Society today has created an image of what happiness entails, and now there are many different ways to try to achieve that image. However, the question then becomes: is happiness, as a result of things like sex, drugs, consumption, real happiness? Is it better to feel fake happiness than to experience the drudgeries that come with living a sober life? In the novel, Brave New World, by Aldous Huxley, the whole society is built off of a precedent of fake happiness. The people take drugs to cover up their true feelings and individuality. Citizens are supposed to feel content with their lives and the society around them. In both the brave
“The Yellow Wallpaper” by Charlotte Perkins-Gilman describes the experiences of a woman during a summer in which her husband has found them a large, beautiful house to stay in. This woman, however, feels as if she is ill, but her husband, who is a doctor, tells her that there is nothing wrong with her and that she only has depression, which she comes to believe. Her husband chooses to make her sleep in her own room, alone, upstairs in the house, which used to be a room for children in which the windows were barred for safety. The woman, which is the narrator, writes her whole experience, even though her husband does not approve of it. During the course of the summer, her husband attempts to keep her locked in her room because he feels that she will recover quicker if she stays in her room alone. He even will not let her go downstairs, which she does when he is gone to take a lonely walk through the garden. She believes everything he does is for her, and through the course of the story he holds her back, as she cannot talk to him nor can she freely choose what she wants to do.
In today's busy world, many people get so caught up in their own ambience that they overlook all the other things out there. Some people seem treat their surroundings as if it were their own 'little world';, creating tunnel vision to the array of the actual real world and all the things that occur in it. Pamela Zoline addresses this and many other issues in the short story, 'The Heat Death of the Universe';. This piece reports the abstract, somewhat crazy thoughts, of the world from an ordinary housewife to the reader. At first, these thoughts appear to be coming from a severely confused and mentally unstable person, with no point what so ever. Contrary to the evidence stated in the text, 'Sarah Boyle is a vivacious and intelligent young wife...proud of her growing family which keeps her busy and happy around the house'; (192), the reader can see that the main character, Sarah Boyle, is quite unsatisfied with her place in life. This unhappiness stems from a wasted education, causing the apathetic housewife to resort to ceaseless contemplation, which shapes the life she has created for herself and the home she is trapped in.
Many women in modern society make life altering decisions on a daily basis. Women today have prestigious and powerful careers unlike in earlier eras. It is more common for women to be full time employees than homemakers. In 1879, when Henrik Ibsen wrote A Doll's House, there was great controversy over the out come of the play. Nora’s walking out on her husband and children was appalling to many audiences centuries ago. Divorce was unspoken, and a very uncommon occurrence. As years go by, society’s opinions on family situations change. No longer do women have a “housewife” reputation to live by and there are all types of family situations. After many years of emotional neglect, and overwhelming control, Nora finds herself leaving her family. Today, it could be said that Nora’s decision is very rational and well overdue.