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Theme of Revenge in Romeo and Juliet
Theme of Revenge in Romeo and Juliet
The story of Romeo and Juliet
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The play Romeo and Juliet, by William Shakespeare is the story of a girl named Juliet Capulet and a boy named Romeo Montague who fall in love against the wishes of their families. The Capulets and the Montagues have been fighting for years and even the Prince must get involved to try and stop them. Romeo and Juliet are married by Friar Laurence and hide their love from their families in fear of disapproval. All is well until Mercutio, a good friend of Romeo’s, is killed by Tybalt, Juliet’s cousin. In return, Romeo kills Tybalt and Romeo is banished from Verona, which later leads to the deaths of he and Juliet. The fight scene between Mercutio, Romeo, and Tybalt changes the focus of the play from love to death. Shakespeare uses a dramatic reversal to portray his message that impulsive decisions lead to consequential outcomes which is portrayed through the fight scene. Shakespeare’s message appears when Mercutio gets involved in the fight even though he is advised by Benvolio not to. Mercutio says to Tybalt, “‘Good King of Cats, nothing but one of your nine lives that I mean to make bold withal, and as you shall use …show more content…
me hereafter, dry-beat the rest of the eight! Will you pluck your sword out of his pilcher by the ears? Make haste, lest mine be about your ears ere it be out!”’ (Shakespeare 3.1.77). Mercutio says this because he is hot tempered and is making a decision without thinking properly. This furthers Shakespeare's message that rash decisions don't end well. Shapiro agreed with this when he said, “It is important to note that Mercutio dies because he willingly involves himself in the feud between the Montagues and the Capulets” (Shapiro 498). This quotation shows that Shapiro finds it important that Mercutio got involved in something that he could have walked away from all because he had a quick temper and made an impulsive decision. Romeo also displays Shakespeare’s message of rash decisions resulting badly through his interaction with Tybalt. Tybalt tries to fight Romeo, but Romeo refuses. Instead Tybalt and Mercutio fight, until Mercutio is killed. This enrages Romeo, and Romeo ends up telling Tybalt “Alive in triumph—and Mercutio slain!
Away to heaven, respective lenity, and fire-eyed fury be my conduct now. Now, Tybalt, take the “villain” back again that late thou gavest me, for Mercutio’s soul is but a little way above our heads, staying for thine to keep him company. Either thou or I, or both, must go with him.” (Shakespeare 3.1.127-130) Romeo is saying that he is done being considerate and merciful and he is ready to fight. Shakespeare includes this to show that at first Romeo was ignoring Tybalt’s threats, but as soon as his friend, Mercutio is killed, he becomes infuriated and makes an ill considered, immature decision to kill Tybalt. Shapiro confirms this when he says, “But shortly thereafter, Romeo’s love is transformed into its opposite by Tybalt’s murder of Mercutio--a deathblow delivered under Romeo’s peacemaking arm” (Shapiro
498). This interaction between Tybalt, Mercutio, and Romeo impacts the rest of the play, changing it from a romance to a tragedy. Shakespeare uses the fight scene to change the mood of the play, by killing both Mercutio and Tybalt as well as banishing Romeo. Romeo’s banishment then leads to a miscommunication which results in the death of both Romeo and Juliet. Shakespeare's message can also be found in these events as a result of Tybalt and Mercutio's death. For example, when Romeo finds out that Juliet has killed herself he says to Balthasar, “‘Well, Juliet, I will lie with thee tonight. Let’s see for means. O mischief, thou art swift to enter in the thoughts of desperate men! I do remember an apothecary, and hereabouts he dwells,”’ (Shakespeare 5.1.35-45). Romeo immediately decides that he must go to Verona to see Juliet and that he will kill himself. This is a hasty decision that helps to prove Shakespeare’s message, because Romeo is not thinking about what could happen if he goes to Verona. If he hadn’t made such an impulsive decision and waited for the letter from the Friar, he would’ve known Juliet was alive. Shakespeare’s message that impulsive decisions lead to consequential outcomes can be seen throughout the fight scene. This scene provides a turning point and is the start of a series of events to come with the same message. This can be seen through Romeo and Juliet’s deaths as well as when Romeo comes back to Verona. Shapiro helps further stress that one impulsive decision can easily lead to a chain reaction of rash decisions.
He is often up and happy, which immediately turns to serious brooding. The best example of this comes at his death. He has been stabbed through by Tybalt’s cruel blade and the killer has flown. All his fellows gather around laughing when Mercutio yells that he is injured. After sending for a surgeon he stumbles about saying, “No, ‘tis not so deep as a well, nor so wide as a church door; but ‘tis enough, twill serve: ask for me tomorrow and you shall find me a grave man. I am peppered I warrant for this world. A plague o’ both your houses! Zounds, a dog, a rat, a mouse, a cat to scratch a man to death” (III.i.94-99). In this quote Mercutio seems to go from cracking jokes and making puns to all seriousness, screaming plague upon the quarrel between the two houses. This was very serious considering the plague was running rampant at that time, killing thousands of people. To wish plague on someone is to wish the most feared thing of their age on them and their family. This is not the only example of such emotional instability as he often ranges from very high to very low, creating quite the dramatic and loud character. Mercutio’s characteristics are wide and varied, making him into an extremely complex, extremely prominent character. Shakespeare places this persona of varying emotions who may not be thinking exactly what he seems to be into the story of Romeo and Juliet, a stage full of such
Benvolio, in contrast to Tybalt, is a more peaceful person who can manage his angers and hate. He, I believe, is meant to be seen as some sort of mediator: “I pray the, good Mercutio, let’s retire. The day is hot, the Capulets abroad, And, if we meet, we shall not scape a brawl, For now, these hot days, is the mad blood stirring.” (Shakespeare, page 116).
Tybalt. Mercutio. The Prince expressly hath forbid this bandying in Verona streets. Hold on, Tybalt!. Good Mercutio!”
Shakespeare strongly establishes Mercutio’s desire to prove himself as strong through his unwillingness to back down, his carelessness to danger, and his need to be seen. Shakespeare displays Mercutio as a stubborn character when he refuses to leave even when Benvolio urges him to because the conversation was becoming heated. This is best shown when Mercutio says “I will not budge for no man’s pleasure, I.” (1, 1, 58) He uses his persistence to prove himself as though he is stronger than all of the Capulets who were getting angry. Even when the sense to leave the scene is presented by Benvolio, Mercutio abandons his better thinking and stands his ground.
Such lines can be seen between Tybalt and Romeo before they fight when Tybalt says “Romeo, the love I bear thee can afford, No better term than this: thou art a villain” (III, i, 61-62). After Mercutio’s death, Romeo responds saying “Now, Tybalt, take the ‘villain’ back again” (130). These lines spark a fencing duel between Tybalt and Romeo that is ultimately won by Romeo. All in all, These lines cause the death of first Mercutio for defending Romeo’s name, and then cause the death of Romeo when he defends his own name. Romeo is adamant that Tybalt take “villain” back, and when he does not, Romeo takes matters into his own hands, fighting Tybalt.
Tybalt is the problem and he wants to have a duel with Romeo to get revenge for crashing the Capulet party. Romeo has just been married to Juliet and he doesn’t want to fight Tybalt, but Mercutio thinks Romeo is backing down from a fight. Showing royalty to a misunderstood Romeo, Mercutio bickers back and forth with Tybalt until Mercutio end up draws a duel with Tybalt. Romeo and Benvolio both try to stop them from fighting, which draws the conclusion of Mercutio getting stabbed. Here is a line from Mercutio right before he draws his sword to fight Tybalt in a mocking joke like manner, “Good King of Cats, but nothing of one of your nine lives. That I mean to make bold withal, and, as you shall me hereafter, dry beat the rest of your eight. Will you pluck your sword out of his pilcher by his ears? Make haste, lest mine be about your ears ere it be out.” In these few lines, Mercutio tries to size down the boastful Tybalt in a manner that isn’t rude but disturbs Tybalt enough to make him want to join in on the duel. This few sentences also show again how Mercutio uses his words carefully and comical to get what he wants, which can influence how another character may
Shakespeare cunningly gives the audience an early indication of Benvolio’s personality through his name. Benvolio translated literally means “good-will” or “well wisher” a role he consistently fills, although sometimes unsuccessfully throughout the play, striving to keep himself and others around him out of any conflict. In the very first scene of the play, Benvolio quickly establishes himself as the peacemaker as he tries to stop the fight between the Montague and Capulet servants by saying, “Part fools! Put up your swords, you know not what you do.”(I.i.64-65) Wanting peace he warns them to stop arguing before things evolve into a grave situation. In that statement, Shakespeare references the Gospel of Luke “Father forgive them for they know not what they do” (Luke 23:34), using his skillful use of the written language to allude that Benvolio was taking on a Christ like peacemaker role in the play. Benvolio’s moral convictions do not change over the course of the play. His stance on peace is evident in all three scenes. In Act III, as Mercutio and Tybalt begin to fight, Benvolio once again attempts to be the voice of reason, “We talk here in the public haunt of mean: eithe...
In act III, fate takes its first victim. Mercutio, Romeo's best friend and companion, avenges Romeo by fighting Tybalt, Romeo's enemy who is also Juliet's cousin. Mercutio is slain and foreshadows Romeo's future; "Ask for me to-morrow, and you shall / find me a grave man (3/1/89-90)." Romeo is extremely grave afterwards. He kills Tybalt and is banished from Verona forever. He realizes that to love an enemy can lead to devastating events, if one does not take enough time to deal with the situation at hand.
When the Montague boys arrive, Mercutio challenges Tybalt in place of Romeo and initially he doesn’t respond. Tybalt avoidance of Mercutio’s initial challenge and determination to duel honourably with Romeo are actions which arguably follow the code of honour, showing Tybalt to demonstrate better judgement than we expect. “Well peace be with you, sir, here comes my man’” Using words like Sir and treating Mercutio with respect because he is related to the prince illustrates Tybalt avoiding confrontation, perhaps because of the Prince’s decree, and emphasises the importance of social hierarchy in Verona. Shakespeare utilises Iambic blank verse whilst Tybalt is talking here. Although, Shakespeare often uses this technique to indicate a character’s higher social status, he is also illustrating that Tybalt approaches this conflict cautiously. “Boy, this shall not excuse the injuries that thou hast done me. Therefore turn and draw.” Unfortunately though, Tybalt’s temperament outweighs his good judgement, acting irrational when Romeo appears. Romeo’s refusal to fight instigates a strong sense of rage within Tybalt and when Mercutio further riles him by questioning his masculinity, Tybalt is urged to regain it by drawing his sword.
Reckless actions lead to untimely deaths. In Shakespeare’s tragedy “Romeo and Juliet”, both protagonists fight for their hopeless love. Bloodshed and chaos appear inevitable in fair Verona; Romeo and Juliet come from enemy households, the Montegues and the Capulets, who have sworn to defeat one another. The young and handsome Romeo weeps over his unrequited love for Rosaline, until he lays his eyes on Juliet. Strong and independent, Juliet seeks to escape her family’s will to marry her off to Paris, a kinsman of the Prince. Fate ties these adolescents’ lives together binding them to witness the ill-fortunes of Romeo and Juliet’s love. Romeo and Juliet prove themselves woefully impulsive through their words and actions, which ultimately lead them along a series of unfortunate mishaps.
Romeo and Juliet is a tragic story, but i'm going to show you some life lessons we need to learn from Romeo and Juliet I will show some of the rash decisions they made in the story some rash decisions like getting married too soon, the fact That Romeo kills Tybalt because of mercutio's death. Or the fact that Romeo and Juliet killing themselves just because they claim they couldn’t live with each other.
This and other aspects of his character are best presented by a single line of Shakespeare.
Shakespeare helps develop the facets of Mercutio in the play by strategically using the literary device, imagery. The use of imagery in this play helps the audience comprehend how the characters view and see different points of an argument in society. One way the author expresses this use of imagery is through Mercutio saying, “With another, for trying his new shoes with old ribbon? And yet thou wilt tutor me from quarreling?” (30-32). This examples helps the audience understand through the use of vision of how this character states that while he is doing something and being
While out, Tybalt had stumbled upon Mercutio and Benvolio. This broke out into a brutal fight and as Romeo arrives, he tries to stand between the two reckless characters, to keep the peace between his now equally loved houses. This allows Tybalt to easily kill Mercutio, which leads to Romeo killing Tybalt out of anger and the want to avenge his best friend, Mercutio Just like Mercutio, Tybalt is reckless and likes to be a troublemaker as well, and had been planning on starting a brawl will the montague in the first place. The readers find this out the act before while Mercutio and Benvolio were discussing it “Tybalt, the Kinsman to old Capulet, Hath sent a letter to his father’s house. A challenge, on my life.” (2 . 4 . 6-8) This news of Benvolio’s reveals to the reader, that they would have had a brawl either way. Mercutio had a choice to leave and prevent a fight or stay there with the possibility of a future fight. Mercutio being a
Looking to the character of Malvolio, and his overlaying personality, Shakespeare presents a censorious individual ‘so crammed that he things, with excellencies--/ that it is grounds of fath that all that look on