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Night by elie wiesel imagery literary device
Night by elie wiesel theme statement
Essay on NIGHT
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Recommended: Night by elie wiesel imagery literary device
Importance of the Night in Romeo and Juliet
Night can be seen in two contrasting ways. The first can be summarized
as a time for celebration and love. The second, and most commonly associated
with night, is a time of darkness and horror. Two shining examples of the
different emotions and reactions brought on by darkness are the books Night by
Elie Wiesel and Romeo and Juliet by well-known author, William Shakespeare. In
Romeo and Juliet night has a positive image, a welcomed time for love,
protection and exchanging of covenants, while in Night the image is portrayed in
a negative way, a time for fear, suffering, and death.
Night in the great romances is a greeted time of romance and in
Shakespeare's Romeo and Juliet a time to hide from the harsh reality of the
outside world. Juliet greatly yearns for the coming of night. "And bring in
cloudy night immediately. Spread thy close curtain..." (Shakespeare Act III
Scene ii:4-5) Juliet is very eager for night to come as she uses the word
"immediately," which is very strong and demanding. Her true love, Romeo, is
also associated with night. "Come, night, come Romeo, come thou day in night."
(Shakespeare Act III Scene ii:17)
Shakespeare uses night also as a time for exchanging of vows. "Lady, by
yonder, blessed moon I vow, That tips with silver all these fruit tree tops --
-". (Shakespeare Act II Scene ii:106-107) After Romeo's vow Juliet later
promises during the welcomed night to be loyal to him throughout his life.
Under the cloak of darkness she is unafraid to pledge, "And all my fortunes at
thy foot I'll lay, And follow thee my lord throughout the world." (Shakespeare
Act II Scene ii:146-147)
Night has a third important role of protecting Romeo at first when he
trespasses to the Capulet Mansion and later when Romeo, then banished, meets
Juliet for the final time. "I have night's cloak to hide me from their
eyes..." (Shakespeare Act II Scene ii:74)
Night, although it can be a time of love and happiness, can also be the
complete opposite --- fear, suffering, and death. Elie Wiesel uses
stunning, vivid descriptions to show the readers the negative side of night,
In the stanzas of Elizabeth Bishop’s poem, the speaker very honestly observes the scenes from outside her apartment. From her point of view, she sees a both a bird and a dog in the process of sleeping. The speaker views these animals as having simple lives unbothered by endless questions or worries. Instead, the two live peaceful, uninterrupted existences, rising every morning knowing that “everything is answered” (ln. 22). However, the speaker lives in contrast to this statement instead anxiously awaiting the next day where uncertainty is a likely possibility. Unlike the dog and the bird, the speaker cannot sit passively by as the world continues in its cycle and she carries a variety of emotions, such as a sense of shame. It is evident here that the speaker has gone through or is currently undergoing some sort of struggle. When she states that “Yesterday brought to today so lightly!” she does so in longing for the world to recognize her for her issues by viewing the earth’s graces as so light of actions, and in doing so, she fails to recognize that she can no longer comprehend the beauty of nature that it offers her. In viewing the light hitting the trees as “gray light streaking each bare branch” (ln. 11), she only sees the monotony of the morning and condescends it to merely “another tree” (ln. 13.) To her, the morning is something
In an attempt to push away from medieval love conventions and her father's authority, Shakespeare's Juliet asserts sovereignty over her sexuality. She removes it from her father's domain and uses it to capture Romeo's love. Critic Mary Bly argues that sexual puns color Juliet's language. These innuendoes were common in Renaissance literature and would have been recognized by an Elizabethan audience. Arguably, Juliet uses sexual terms when speaking to Romeo in order to make him aware of her sexuality. When he comes to her balcony, she asks him, "What satisfaction canst thou have tonight?" (2.1.167). Bly asserts that "satisfaction in her hands, becomes a demure play on the sating of desire" (108). Following this pun, Juliet proposes marriage. She teases Romeo with sexual thoughts and then stipulates that marriage must precede the consummation of their love. Juliet uses "death" in a similar sense. She asks night to "Give me my Romeo, and when I shall die / Take him and cut him out in little stars" (3.2.21-22). Death holds a double meaning in these lines. It connotes both "ceasing to be and erotic ecstasy" (Bly 98). Based upon this double meaning, one can infer that "she sweetly asks 'civil night' to teach her how to lose the game of love she is about to play for her virginity" (Wells 921). She tells her nurse, "I'll to my wedding bed, / And death, not Romeo, take my maidenhead!" (3.2.136-137). Placing death opposite Romeo highlights the irony of the situation; both death and Romeo should claim her maidenhead together. These sexual puns reveal Juliet's awareness of her sexuality. She entices Romeo, forcing her sexuality to act as emotional currency.
Have you ever read two books that are similar in many ways? Wasn’t it super easy to compare all the similarities between the two especially if it is about love. Many stories have the same outline of occurrences in the story and that's why they can be compared so easily. Know if the topic is love it makes it even easier because a lot of people like to see the same things in love stories, a happy ending. That’s why these two stories have so much in common. Some of the similarities between the first three acts of The Tragedy Romeo and Juliet and Midsummer Nights Dream are: in the first act that they both have a discussion of marriage, in the second act that they both main couples declare their love for each other, and finally in the third act both girls end up crying because there love has left them.
shows us that she wants night to come. It also says that this is the
On first seeing Juliet, Romeo exclaims, "O, she doth teach the torches to burn bright! / It seems she hangs upon the cheek of night / Like a rich jewel in an Ethiope's ear; … So shows a snowy dove trooping with crows" (Act 1 Scene 5 Lines 44-48) Romeo describes Juliet's beauty in terms of light and dark. "She doth teach the torches to burn bright" means both that her beauty is brighter than the light of any torch and that she makes the whole room light up. The brightness of Juliet's beauty is made even brighter by the contrasts with the blackness of the "Ethiope" and the blackness of crows. The use of antithesis with the "snowy doves" and the "crows" creates a powerful opposing force showing how she stands out from the others. Another interpretation of the dove is that it is a symbol of peace and sets in place an image of Romeo and Juliet's love creating peace between the two rival families. Another moment is when Juliet is waiting for Romeo to come to her bed. In her imagination, the night will bring her love. She goes on to say, "Spread thy close curtain, love-performing night, / That runaways' eyes may wink and Romeo" (Act 3 Scene 2 Lines 5-6). Juliet is seeing things as though she is in bed, the curtains are closed, creating a dark atmosphere where they act their love. In the dark, the pair will create their own light, because "Lovers can see to do their amorous rites / By their own beauties" The use of courtly love is very common in theatres at the time of Romeo and Juliet because in those days people would dream and fantasize about courtly love and was an entertaining
In act II, things begin to take flight for Romeo and Juliet. Romeo visits Juliet at her balcony, where the two immediately confess their love for one another. At first Juliet is not blinded by her love. She can see that things are progressing way too fast. She proclaims, "O, swear not by the moon, the inconstant moon, / that monthly changes in her
And Faith, hopeful that the compulsion will not get the best of her during the night, responds:
Myths relate to events, conditions, and deeds of gods or superhuman beings that are outside ordinary human life and yet basics to it” ("Myth," 2012). Mythology is said to have two particular meanings, “the corpus of myths, and the study of the myths, of a particular area: Amerindian mythology, Egyptian mythology, and so on as well as the study of myth itself” ("Mythology," 1993). In contrast, while the term myth can be used in a variety of academic settings, its main purpose is to analyze different cultures and their ways of thinking. Within the academic setting, a myth is known as a fact and over time has been changed through the many different views within a society as an effort to answer the questions of human existence. The word myth in an academic context is used as “ancient narratives that attempt to answer the enduring and fundamental human questions: How did the universe and the world come to be? How did we come to be here? Who are we? What are our proper, necessary, or inescapable roles as we relate to one another and to the world at large? What should our values be? How should we behave? How should we not behave? What are the consequences of behaving and not behaving in such ways” (Leonard, 2004 p.1)? My definition of a myth is a collection of false ideas put together to create
George Orwell’s essay, “Shooting an Elephant,” was written as an attack on British imperialism and totalitarianism. Orwell recounts an experience of shooting an escaped elephant from his time as a policeman in Burma during the British Raj, utilizing a remorseful, reflective tone. He observes that “When the white man turns tyrant it is his own freedom that he destroys” (14), and that “He wears a mask, and his face grows to fit it” (14). Orwell is not only correct in his assertion that totalitarianism is harmful, he further explains how it is detrimental to all those that are umbrellaed under it.
Mythology is defined two ways: a collection of myths, especially one belonging to a particular religious or cultural tradition (Oxford Dictionary) and as the study of myths (Oxford Dictionary). Myths are stories that are based on tradition and have significance to a culture. They are sacred tales that explain the world and a person’s experience. Some myths may have factual origins, while others may have fictional origins that explain religion or natural phenomenons. Many philosophers and scientists all over the world have tried to answer the questions that truly can’t be answered: what is the universe and how did it all begin, who am I, where did I come from, and why am I here? Myths and mythology try to provide people with heroic figures such as gods and goddesses—representing a person, place, or thing in a past, present, or future event—to help explain natural phenomenon’s and control civilization giving people a grasp on some type of reality.
In “Shooting an Elephant” writer George Orwell illustrates the terrible episode that explains more than just the action of “shooting an elephant.” Orwell describes the scene of the killing of an elephant in Burma and reveals a number of emotions he experienced during the short, but traumatic event. Effectively, the writer uses many literary techniques to plant emotions and create tension in this scene, leading to an ironic presentation of imperialism. With each of the realistic descriptions of the observing multitude and the concrete appeal of the narrator’s pathos, Orwell thrives in persuading the audience that imperialism not only has a destructive impact on those being governed under the imperialists’ oppressive power, but also corrupts
The quest for power is one which has been etched into the minds of men throughout history. However, it can be said that true power is not a result of one’s actions but comes from the following one’s own beliefs without being influenced by others. This principle sets up the story for Shooting an Elephant by George Orwell. The protagonist, Orwell himself, is a sub divisional police officer in Burma, a British colony. Orwell must try to find and use his inner power when he is faced with the decision of whether or not to kill an elephant which has ravaged the Burman’s homes. The state of power established through the imperialistic backdrop show that Orwell, as a colonist, should be in control. As well, the perspective and ideas given by Orwell show his true character and lessen the overall power set up for him. Lastly, the symbols shown are representations of traditional forms of power, but take on different implications in the story. In Shooting an Elephant, George Orwell uses setting, characterization and symbols to show that true power comes from following the dictates of one’s conscience.
“God knows we shall meet again./ I have a faint cold fear thrills through my veins… (ACT IV, Scene 3, Lines 15-16) Juliet was scared about doing this because she didn't know if it would work right or turn h... ... middle of paper ... ... late!
Imperialism is often viewed as a win-lose situation. However, the characteristics of imperialism are not so simple; rather, it involves paradoxical power plays that sometimes switch the typical roles of a dominant and submissive group. In the essay “Shooting an Elephant” by George Orwell, the complications of imperialism are illustrated through the contradictions between the idea of his authority versus the reality of his authority.
There are many Myths and legends in the world and some are more common than others. Different people believe in different myths and legends. They are different myths and legends that correspond with different religions and countries. Myths can be a long story or a short story, some myths can be more interesting than others.